by John Cheever
He was changing, he was changing, and like most men he had wanted to change, it seemed. In the space of a few hours, he had become more sagacious, more comprehensive, more mature. He seemed to feel the woolly mantle of his time of life come to rest on his shoulders. He felt himself to be gaining some 'understanding of the poetry of the force of change in life, felt himself involved in one of those intimate, grueling, and unseen contests that make up the story of a man's soul. If he stopped smoking, he might stop drinking. He might even curtail his erotic tastes. Immoderation had been the cause of his divorce. Immoderation had alienated his beloved children. If they could only see him now, see the clean ashtrays in his room, mightn't they invite him to come home? He could charter a schooner and sail up the coast of Maine with them. When he went, later that night, to see his mistress, the smell of tobacco on her breath made her seem to him so depraved and unclean that he didn't bother to take off his clothes and went home early to his bed and his clean ashtrays.
Bradish had never had any occasion to experience self-righteousness other than the self-righteousness of the sinner. His censure had been aimed at people who drank clam juice and cultivated restrained tastes. Walking to work the next morning, he found himself jockeyed rudely onto the side of the angels; found himself perforce an advocate of abstemiousness, and discovered that some part of this condition was an involuntary urge to judge the conduct of others—a sensation so strange to him, so newly found, so unlike his customary point of view that he thought it exciting. He watched with emphatic disapproval a stranger light a cigarette on a street corner. The stranger plainly had no will power. He was injuring his health, trimming his life span, and betraying his dependents, who might suffer hunger and cold as a result of this self-indulgence. What's more, the man's clothing was shabby, his shoes were unshined, and if he could not afford to dress himself decently he could surely not afford the vice of tobacco. Should Bradish take the cigarette out of his hand? Lecture him? Awaken him? It seemed a little early in the game, but the impulse was there and he had never experienced it before. Now he walked up Fifth Avenue with his newly possessed virtuousness, looking neither at the sky nor at the pretty women but instead raking the population like a lieutenant of the vice squad employed to seek out malefactors. Oh, there were so many! A disheveled old lady, colorless but for a greasy smear of crimson lipstick, stood on the corner of Forty-fourth Street, lighting one cigarette from another. Men in doorways, girls on the steps of the library, boys in the park all seemed determined to destroy themselves.
His light-headedness continued through the morning, so that he found it difficult to make business decisions, and there was some definite injury to his eyesight. He felt as if he had taken his eyes through a dust storm. He went to a business lunch where drinks were served, and when someone passed him a cigarette he said, "Not right now, thank you." He blushed with self-righteousness, but he was not going to demean his struggle by confiding in anyone. Having abstained triumphantly for nearly twenty-four hours, he thought he deserved a reward, and he let the waiter keep filling his cocktail glass. In the end he drank too much, and when he got back to his office he was staggering. This, on top of his disturbed circulatory system, his swollen lips, his bleary eyes, the stinging sensation in his right foot, and the feeling that his brain was filled with the fumes and the malodorousness of an old burlesque theatre made it impossible for him to work, and he floundered through the rest of the day. He seldom went to cocktail parties, but he went to one that afternoon, hoping that it would distract him. He definitely felt unlike himself. The damage by this time had reached his equilibrium, and he found crossing streets difficult and hazardous, as if he were maneuvering over a high and narrow bridge.
The party was large, and he kept going to the bar. He thought that gin would quench his craving. It was hardly a craving, he noticed—nothing like hunger or thirst or the need for love. It felt like some sullen and stubborn ebbing in his bloodstream. The lightness in his head had worsened. He laughed, talked, and behaved himself up to a point, but this was merely mechanical. Late in the party, a young woman wearing a light sack or tube-shaped dress, her long hair the color of Virginia tobacco, came in at the door. In his ardor to reach her he knocked over a table and several glasses. It was, or had been up to that point, a decorous party, but the noise of broken glass, followed by the screaming of the stranger when he wrapped his legs around her and buried his nose in her tobacco-colored hair, was barbarous. Two guests pried him loose. He stood there, crouched with ardor, snorting through his distended nostrils. Then he flung away the arms of the men who held him and strode out of the room.
He went down in the elevator with a stranger whose brown suit looked and smelled like a Havana Upmann, but Bradish kept his eyes on the floor of the carriage and contented himself with breathing in the stranger's fragrance. The elevator man smelled of a light, cheap blend that had been popular in the fifties. The doorman, he noticed, looked and smelled like a briar pipe with a Burley mixture. And on Fifty-seventh Street he saw a woman whose hair was the color of his favorite blend and who seemed to trail after her its striking corrupt perfume. Only by grinding his teeth and bracing his muscles did he keep from seizing her, but he realized that his behavior at the party, repeated on the street, would take him to jail, and there were, as far as he knew, no cigarettes in jail. He had changed—he had changed, and so had his world, and watching the population of the city pass him in the dusk, he saw them as Winstons, Chesterfields, Marlboros, Salems, hookahs, meerschaums, cigarillos, Corona-Coronas, Camels, and Players. It was a young woman—really a child—whom he mistook for a Lucky Strike that was his undoing. She screamed when he attacked her, and two strangers knocked him down, striking and kicking him with just moral indignation. A crowd gathered. There was pandemonium, and presently the sirens of the police car that took him away.
MENE, MENE, TEKEL UPHARSIN
Coming back from Europe that year, I was booked on an old DC-7 that burned out an engine in mid-Atlantic. Most of the passengers seemed either asleep or drugged, and in the forward section of the plane no one saw the flames but a little girl, an old man, and me. When the fire died down, the plane veered violently, throwing open the door to the crew's quarters. There I saw the crew and the two stewardesses, wearing inflated life jackets. One of the stewardesses shut the door, but the captain came out a few minutes later and explained, in a fatherly whisper, that we had lost an engine and were heading either for Iceland or Shannon. Some time later, he came and said we would be landing in London in half an hour. Two hours later, we landed at Orly, to the astonishment of all those who had been asleep. We boarded another DC-7 and started back across the Atlantic, and when we finally landed at Idlewild we had been traveling in cramped conditions for about twenty-seven hours.
I took a bus into New York and a cab to Grand Central Station. It was an off hour—seven-thirty or eight o'clock in the evening. The newsstands were shut, and the few people on the streets were alone and seemed lonely. There was not a train to where I was going for an hour, so I went into a restaurant near the station and ordered the plat du jour. The dilemma of an expatriated American eating his first restaurant meal at home has been worked over too often to be repeated here. After paying the check, I went down some stairs to find the amenities. The place I entered had marble partitions—a gesture, I suppose, toward ennobling this realm. The marble was light brown—it might have been a giallo antico, but then I noticed Paleozoic fossils beneath the high polish and guessed that the stone was a madrepore. The near side of the polish was covered with writing. The penmanship was legible, although it had no character or symmetry. What was unusual was the copiousness of the writing and the fact that it was organized into panels, like the pages of a book. I had never seen anything like this before. My deepest instinct was to overlook the writing and study the fossils, but isn't the writing of a man more lasting and wonderful than a Paleozoic coral? I read: It had been a day of triumph in Capua. Lentulus, returning with victorious eagles,
had amused the populace with the sports of the amphitheater to an extent hitherto unknown, even in that luxurious city. The shouts of revelry died away; the roar of the lion had ceased; the last loiterer retired from the banquet, and the lights in the palace of the victor were extinguished. The moon, piercing the tissue of fleecy clouds, silvered the dewdrop on the corselet of the Roman sentinel and tipped the dark waters of Vulturnus with wavy, tremulous light. It was a night of holy calm, when the zephyr sways the young spring leaves and whispers among the hollow reeds its dreamy music. No sound was heard but the last sob of some weary wave, telling its story to the smooth pebbles of the beach, and then all was still as the breast when the spirit has parted..
I read no more, although there was more to read. I was tired and in some way disarmed by the fact that I had not been home for years. The chain of circumstances that could impel a man to copy this gibberish on marble was unimaginable. Was this a sign of some change in the social climate, the result of some new force of repression? Or was it simply an indication of the fact that man's love of florid prose is irresistible? The sonorities of the writing had the tenacity of bad music, and it was difficult to forget them. Had some profound change in the psyche of my people taken place during my absence? Was there some breakdown in the normal lines of communication, some inordinate love of the romantic past?
I spent the next week or ten days traveling in the Middle West. I was waiting one afternoon in the Union Station in Indianapolis for a New York train. The train was late. The station there—proportioned like a cathedral and lit by a rose window—is a gloomy and brilliant example of that genre of architecture that means to express the mystery and drama of travel and separation. The colors of the rose windows, limpid as a kaleidoscope, dyed the marble walls and the waiting passengers. A woman with a shopping bag stood in a panel of lavender. An old man slept in a pool of yellow light. Then I saw a sign directing the way to the men's room, and I wondered if I might not find there another example of that curious literature I had discovered in the first hours of my return. I went down some stairs into a cavernous basement, where a shoeshine man slept in a chair. The walls again were marble. This was a common limestone—a silicate of calcium and magnesium, grained with some metalliferous gray ore. My hunch had been right. The stone was covered with writing, and it had, at a glance, a striking fitness, since it served as a reminder of the fact that it was on walls that the earliest writings and prophecies of man appeared. The penmanship was clear and symmetrical, the work of someone gifted with an orderly mind and a steady hand. Please try to imagine the baneful light, the stale air, and the sounds of running water in that place as I read: The great manor house of Wallowyck stood on a hill above the smoky mill town of X-burgh, its countless mullioned windows seeming to peer censoriously into the dark and narrow alleys of the slums that reached from the park gates to the smoking mills on the banks of the river. It was in the fringes of this wooded park that, unknown to Mr. Wallow, I spent the most lighthearted hours of my youth, roaming there with a slingshot and a sack for transporting my geological specimens. The hill and its forbidding ornament stood between the school I attended and the hovel where I lived with my ailing mother and my drunken father. All my friends took the common path around the hill, and it was only I who climbed the walls of Wallow Park and spent my afternoons in this forbidden demesne.
The lawns, the great trees, the sound of fountains, and the solemn atmosphere of a dynasty are dear to me to this day. The Wallows had no arms, of course, but the sculptors they employed had improvised hundreds of escutcheons and crests that seemed baronial at a distance but that, on examination, petered out modestly into geometrical forms. Their chimneys, gates, towers, and garden benches were thus crested. Another task of the sculptors had been to make representations of Mr. Wallow's only daughter, Emily. There was Emily in bronze, Emily in marble, Emily as the Four Seasons, the Four Winds, the Four Times of Day, and the Four Principal Virtues. In a sense, Emily was my only companion. I walked there in the autumn, watching the wealth of color fall from the trees to the lawns. I walked there in the bitter snow. I watched there for the first signs of spring, and smelled the fine perfume of wood smoke from the many crested chimneys of the great house above me. It was while wandering there on a spring day that I heard a girlish voice crying for help. I followed the voice to the banks of a little stream, where I saw Emily. Her lovely feet were naked, and stuck to one, like some manacle of evil, was the writhing form of a viper.
I plucked the viper from her foot, lanced the wound with my pocket-knife, and sucked the poison from her bloodstream. Then I took off my humble shirt, stitched together for me by my dear mother from some discarded blueprint linen that she had found, during her daily foraging, in an architect's ash can. When the wound was cleansed and bound, I gathered Emily in my arms and ran up the lawn towards the great doors of Wallowyck, which rumbled open at my ring. A butler stood there, pallid at the sight.
"What have you done to our Emily?" he cried.
"He has done nothing but save my life," said Emily.
Then from the dusk of the hall emerged the bearded and ruthless Mr. Wallow. "Thank you for saving the life of my daughter," he said gruffly. Then he looked at me more closely, and I saw tears in his eyes. "Someday you will be rewarded," he said. "That day will come."
The ruin of my linen shirt obliged me to tell my parents that evening about my adventure. My father was drunk, as usual. "You will receive no reward from that beast!" he roared. "Neither in this world nor in heaven nor in hell!"
"Please, Ernest," my mother sighed, and I went to her and held her hands, dry with fever.
Drunk as he was, it seemed that my father possessed the truth, for, in the years that followed, no sign of gratitude, no courtesy, no trifling remembrance, no hint of indebtedness came to me from the great house on the hill.
In the stern winter of 19—, the mills were shut down by Mr. Wallow, in a retaliative gesture at my struggle to organize a labor union. The stillness of the mills—those smokeless chimneys—was a blow at the heart of X-burgh. My mother lay dying. My father sat in the kitchen drinking Sterno. Sickness, hunger, cold, and disease dominated every hovel. The snow in the streets, unbesmirched by the mill smoke, had an accusatory whiteness. It was on the day before Christmas that I led the union delegation, many of them scarcely able to walk, up to the great doors of Wallowyck and rang. It was Emily who stood there when the doors were opened. "You!" she cried. "You who saved my life, why are you killing my father?" Then the doors rumbled shut.
I managed that evening to gather a little grain, and made some porridge of this for my mother. I was spooning this into her thin lips when our door opened and in stepped Jeffrey Ashmead, Mr. Wallow's advocate.
"If you have come," I said, "to persecute me for my demonstration at Wallowyck this afternoon, you have come in vain. There is no pain on earth greater than that which I suffer now, as I watch my mother die."
"I have come about other business," he said. "Mr. Wallow is dead."
"Long live Mr. Wallow!" shouted my father from the kitchen. "Please come with me," said Mr. Ashmead.
"What business can I have with you, sir?"
"You are the heir to Wallowyck—its mines, its mills, its moneys."
"I do not understand."
There was a piercing sob from my mother. She seized my hands in hers and said, "The truth of the past is no harsher than the truth of our sad lives! I have wanted to shelter you all these years from the truth but you are his only son. As a girl, I waited on table at the great house, and was taken advantage of on a summer's night. It has contributed to your father's destruction."
"I will go with you, sir," I said to Mr. Ashmead. "Miss Emily knows of this?"
"Miss Emily," he said, "has fled."
I returned that evening, and entered the great doors of Wallowyck as its master. But there was no Miss Emily. Before the New Year had come, I had buried both of my parents, reopened the mills on a profit-sharing basis, and brought
prosperity to X-burgh, but I, living alone in Wallowyck, knew a loneliness that I had never tasted before.
I was appalled, of course, I felt sick. The matter-of-factness of my surroundings made the puerility of this tale nauseating. I hurried back to the noble waiting room, with its limpid panels of colored light, and sat down near a rack of paperback books. Their lurid covers and their promise of graphic descriptions of sexual commerce seemed to tie in with what I had just read. What had happened, I supposed, was that, as pornography moved into the public domain, those marble walls, those immemorial repositories of such sport, had been forced, in self-defense, to take up the more refined task of literature. I found the idea revolutionary and disconcerting, and wondered if in a year or two I would be able to read the poetry of Sara Teasdale in a public toilet, while the King of Sweden honored some dirty-minded brute. Then my train came in, and I was happy to get out of Indianapolis and leave, as I hoped, my discovery with the Middle West.
I went up to the club car and had a drink. We belted eastward over Indiana, scaring the cows and the chickens, the horses and the pigs. People waved at the train as it passed—a little girl holding a doll upside down, an old man in a wheelchair, a woman standing in a kitchen doorway with her hair in pin curls, a young man sitting on a freight truck. You could feel the train leap forward in the straightaway, the whistle blew, the warning bells at the grade crossings went off like a coronary thrombosis, and the track joints beat out a jazz bass, versatile, exhilarating, and fleet, like some brilliant improvisation on the beating of a heart, and the wind in the brake boxes sounded like the last, hoarse recordings poor Billie Holiday ever made. I had two more drinks. When I opened the door of the lavatory in the next sleeping car and saw that the walls were covered with writing, it seemed to me like a piece of very bad news.
