[WILLIE turns page, WINNIE rummages in bag, brings out small ornate brimless hat with crumpled feather, turns back front, straightens hat, smooths feather, raises it towards head, arrests gesture as WILLIE reads.]
WILLIE: His Grace and Most Reverend Father in God Dr Carolus Hunter dead in tub.
[Pause.]
WINNIE: [Gazing front, hat in hand, tone of fervent reminiscence.] Charlie Hunter! [Pause.] I close my eyes – [she takes off spectacles and does so, hat in one hand, spectacles in other, WILLIE turns page] – and am sitting on his knees again, in the back garden at Borough Green, under the horse-beech. [Pause. She opens eyes, puts on spectacles, fiddles with hat.] Oh the happy memories! [Pause. She raises hat towards head, arrests gesture as WILLIE reads.]
WILLIE: Opening for smart youth.
[Pause. She raises hat towards head, arrests gesture, takes off spectacles, gazes front, hat in one hand, spectacles in other.]
WINNIE: My first ball! [Long pause.] My second ball! [Long pause. Closes eyes.] My first kiss! [Pause, WILLIE turns page, WINNIE opens eyes.] A Mr Johnson, or Johnston, or perhaps I should say Johnstone. Very bushy moustache, very tawny. [Reverently.] Almost ginger! [Pause.] Within a toolshed, though whose I cannot conceive. We had no toolshed and he most certainly had no toolshed. [Closes eyes.] I see the piles of pots. [Pause.] The tangles of bast. [Pause.] The shadows deepening among the rafters.
[Pause. She opens eyes, puts on spectacles, raises hat towards head, arrests gesture as WILLIE reads.]
WILLIE: Wanted bright boy.
[Pause. WINNIE puts on hat hurriedly, looks for mirror. WILLIE turns page. WINNIE takes up mirror, inspects hat, lays down mirror, turns towards bag. Paper disappears. WINNIE rummages in bag, brings out magnifying-glass, turns back front, looks for toothbrush. Paper reappears, folded, and begins to fan WILLIE’s face, hand invisible. WINNIE takes up toothbrush and examines handle through glass.]
WINNIE: Fully guaranteed … [WILLIE stops fanning] … genuine pure … [Pause, WILLIE resumes fanning. WINNIE looks closer, reads.] Fully guaranteed … [WILLIE stops fanning] … genuine pure … [Pause. WILLIE resumes fanning. WINNIE lays down glass and brush, takes handkerchief from bodice, takes off and polishes spectacles, puts on spectacles, looks for glass, takes up and polishes glass, lays down glass, looks for brush, takes up brush and wipes handle, lays down brush, puts handkerchief back in bodice, looks for glass, takes up glass, looks for brush, takes up brush and examines handle through glass.] Fully guaranteed … [WILLIE stops fanning] … genuine pure … [pause, WILLIE resumes fanning] … hog’s … [WILLIE stops fanning, pause] … setae. [Pause, WINNIE lays down glass and brush, paper disappears, WINNIE takes off spectacles, lays them down, gazes front.] Hog’s setae. [Pause.] That is what I find so wonderful, that not a day goes by – [smile] – to speak in the old style – [smile off] – hardly a day, without some addition to one’s knowledge however trifling, the addition I mean, provided one takes the pains, [WILLIE’s hand reappears with a postcard which he examines close to eyes.] And if for some strange reason no further pains are possible, why then just close the eyes – [she does so] – and wait for the day to come – [opens eyes] – the happy day to come when flesh melts at so many degrees and the night of the moon has so many hundred hours. [Pause.] That is what I find so comforting when I lose heart and envy the brute beast. [Turning towards WILLIE.] I hope you are taking in – [She sees postcard, bends lower.] What is that you have there, Willie, may I see? [She reaches down with hand and WILLIE hands her card. The hairy forearm appears above slope, raised in gesture of giving, the hand open to take back, and remains in this position till card is returned. WINNIE turns back front and examines card.] Heavens what are they up to! [She looks for spectacles, puts them on and examines card.] No but this is just genuine pure filth! [Examines card.] Make any nice-minded person want to vomit! [Impatience of WILLIE’s fingers. She looks for glass, takes it up and examines card through glass. Long pause.] What does that creature in the background think he’s doing? [Looks closer.] Oh no really! [Impatience of fingers. Last long look. She lays down glass, takes edge of card between right forefinger and thumb, averts head, takes nose between left forefinger and thumb.] Pah! [Drops card.] Take it away! [WILLIE’s arm disappears. His hand reappears immediately, holding card. WINNIE takes off spectacles, lays them down, gazes before her. During what follows WILLIE continues to relish card, varying angles and distance from his eyes.] Hog’s setae. [Puzzled expression.] What exactly is a hog? [Pause. Do.] A sow of course I know, but a hog … [Puzzled expression off.] Oh well what does it matter, that is what I always say, it will come back, that is what I find so wonderful, all comes back. [Pause.] All? [Pause.] No, not all. [Smile.] No no. [Smile off.] Not quite. [Pause.] A part. [Pause.] Floats up, one fine day, out of the blue. [Pause.] That is what I find so wonderful. [Pause. She turns towards bag. Hand and card disappear. She makes to rummage in bag, arrests gesture.] No. [She turns back front. Smile.] No no. [Smile off.] Gently Winnie. [She gazes front. WILLIE’s hand reappears, takes off hat, disappears with hat.] What then? [Hand reappears, takes handkerchief from skull, disappears with handkerchief. Sharply, as to one not paying attention.] Winnie! [WILLIE bows head out of sight.] What is the alternative? [Pause.] What is the al – [WILLIE blows nose loud and long, head and hands invisible. She turns to look at him. Pause. Head reappears. Pause. Hand reappears with handkerchief, spreads it on skull, disappears. Pause. Hand reappears with boater, settles it on head, rakish angle, disappears. Pause.] Would I had let you sleep on. [She turns back front. Intermittent plucking at grass, head up and down, to animate following.] Ah yes, if only I could bear to be alone, I mean prattle away with not a soul to hear. [Pause.] Not that I flatter myself you hear much, no Willie, God forbid. [Pause.] Days perhaps when you hear nothing. [Pause.] But days too when you answer. [Pause.] So that I may say at all times, even when you do not answer and perhaps hear nothing, something of this is being heard, I am not merely talking to myself, that is in the wilderness, a thing I could never bear to do – for any length of time. [Pause.] That is what enables me to go on, go on talking that is. [Pause.] Whereas if you were to die – [smile] – to speak in the old style – [smile off] – or go away and leave me, then what would I do, what could I do, all day long, I mean between the bell for waking and the bell for sleep? [Pause.] Simply gaze before me with compressed lips. [Long pause while she does so. No more plucking.] Not another word as long as I drew breath, nothing to break the silence of this place. [Pause.] Save possibly, now and then, every now and then, a sigh into my looking-glass. [Pause.] Or a brief … gale of laughter, should I happen to see the old joke again. [Pause. Smile appears, broadens and seems about to culminate in laugh when suddenly replaced by expression of anxiety.] My hair! [Pause.] Did I brush and comb my hair? [Pause.] I may have done. [Pause.] Normally I do. [Pause.] There is so little one can do. [Pause.] One does it all. [Pause.] All one can. [Pause.] ’Tis only human. [Pause.] Human nature. [She begins to inspect mound, looks up.] Human weakness. [She resumes inspection of mound, looks up.] Natural weakness. [She resumes inspection of mound.] I see no comb. [Inspects.] Nor any hairbrush. [Looks up. Puzzled expression. She turns to bag, rummages in it.] The comb is here. [Back front. Puzzled expression. Back to bag. Rummages.] The brush is here. [Back front. Puzzled expression.] Perhaps I put them back, after use. [Pause. Do.] But normally I do not put things back, after use, no, I leave them lying about and put them back all together, at the end of the day. [Smile.] To speak in the old style. [Pause.] The sweet old style. [Smile off] And yet … I seem … to remember … [Suddenly careless.] Oh well, what does it matter, that is what I always say, I shall simply brush and comb them later on, purely and simply, I have the whole – [Pause. Puzzled.] Them? [Pause.] Or it? [Pause.] Brush and comb it? [Pause.] Sounds improper somehow. [Pause. Turning a little towards WILLIE.] What would you say, Willie? [Pause. Turning a little further.] What would you say, Willie, speaking of your hair, them or it? [Pause.] The hair on your head, I m
ean. [Pause. Turning a little further.] The hair on your head, Willie, what would you say speaking of the hair on your head, them or it? [Long pause.]
WILLIE: It.
WINNIE: [Turning back front, joyful.] Oh you are going to talk to me today, this is going to be a happy day! [Pause. Joy off.] Another happy day. [Pause.] Ah well, where was I, my hair, yes, later on, I shall be thankful for it later on. [Pause.] I have my – [raises hands to hat] – yes, on, my hat on – [lowers hands] – I cannot take it off now. [Pause.] To think there are times one cannot take off one’s hat, not if one’s life were at stake. Times one cannot put it on, times one cannot take it off. [Pause.] How often I have said, Put on your hat now, Winnie, there is nothing else for it, take off your hat now, Winnie, like a good girl, it will do you good, and did not. [Pause.] Could not. [Pause. She raises hand, frees a strand of hair from under hat, draws it towards eye, squints at it, lets it go, hand down.] Golden you called it, that day, when the last guest was gone – [hand up in gesture of raising a glass] – to your golden … may it never … [voice breaks] … may it never … [Hand down. Head down. Pause. Low.] That day. [Pause. Do.] What day? [Pause. Head up. Normal voice.] What now? [Pause.] Words fail, there are times when even they fail. [Turning a little towards WILLIE.] Is that not so, Willie? [Pause. Turning a little further.] Is not that so, Willie, that even words fail, at times? [Pause. Back front.] What is one to do then, until they come again? Brush and comb the hair, if it has not been done, or if there is some doubt, trim the nails if they are in need of trimming, these things tide one over. [Pause.] That is what I mean. [Pause.] That is all I mean. [Pause.] That is what I find so wonderful, that not a day goes by – [smile] – to speak in the old style – [smile off] – without some blessing – [WILLIE collapses behind slope, his head disappears, WINNIE turns towards event] – in disguise. [She cranes back and down.] Go back into your hole now, Willie, you’ve exposed yourself enough. [Pause.] Do as I say, Willie, don’t lie sprawling there in this hellish sun, go back into your hole. [Pause.] Go on now, Willie, [WILLIE invisible starts crawling left towards hole.] That’s the man. [She follows his progress with her eyes.] Not head first, stupid, how are you going to turn? [Pause.] That’s it … right round … now … back in. [Pause.] Oh I know it is not easy, dear, crawling backwards, but it is rewarding in the end. [Pause.] You have left your vaseline behind. [She watches as he crawls back for vaseline.] The lid! [She watches as he crawls back towards hole. Irritated.] Not head first, I tell you! [Pause.] More to the right. [Pause.] The right, I said. [Pause. Irritated.] Keep your tail down, can’t you! [Pause.] Now. [Pause.] There! [All these directions loud. Now in her normal voice, still turned towards him.] Can you hear me? [Pause.] I beseech you, Willie, just yes or no, can you hear me, just yes or nothing.
[Pause.]
WILLIE: Yes.
WINNIE: [Turning front, same voice.] And now?
WILLIE: [Irritated.] Yes.
WINNIE: [Less loud.] And now?
WILLIE: [More irritated.] Yes.
WINNIE: [Still less loud.] And now? [A little louder.] And now?
WILLIE: [Violently.] Yes!
WINNIE: [Same voice.] Fear no more the heat o’ the sun.
[Pause.] Did you hear that?
WILLIE: [Irritated.] Yes.
WINNIE: [Same voice.] What? [Pause.] What?
WILLIE: [More irritated.] Fear no more.
[Pause.]
WINNIE: [Same voice.] No more what? [Pause.] Fear no more what?
WILLIE: [Violently.] Fear no more!
WINNIE: [Normal voice, gabbled.] Bless you Willie I do appreciate your goodness I know what an effort it costs you, now you may relax I shall not trouble you again unless I am obliged to, by that I mean unless I come to the end of my own resources which is most unlikely, just to know that in theory you can hear me even though in fact you don’t is all I need, just to feel you there within earshot and conceivably on the qui vive is all I ask, not to say anything I would not wish you to hear or liable to cause you pain, not to be just babbling away on trust as it is were not knowing and something gnawing at me. [Pause for breath.] Doubt. [Places index and second finger on heart area, moves them about, brings them to rest.] Here. [Moves them slightly.] Abouts. [Hand away.] Oh no doubt the time will come when before I can utter a word I must make sure you heard the one that went before and then no doubt another come another time when I must learn to talk to myself a thing I could never bear to do such wilderness. [Pause.] Or gaze before me with compressed lips. [She does so.] All day long. [Gaze and lips again.] No. [Smile.] No no. [Smile off.] There is of course the bag. [Turns towards it.] There will always be the bag. [Back front.] Yes, I suppose so. [Pause.] Even when you are gone, Willie. [She turns a little towards him.] You are going, Willie, aren’t you? [Pause. Louder.] You will be going soon, Willie, won’t you? [Pause. Louder.] Willie! [Pause. She cranes back and down to look at him.] So you have taken off your straw, that is wise. [Pause.] You do look snug, I must say, with your chin on your hands and the old blue eyes like saucers in the shadows. [Pause.] Can you see me from there I wonder, I still wonder. [Pause.] No? [Back front.] Oh I know it does not follow when two are gathered together – [faltering] – in this way – [normal] – that because one sees the other the other sees the one, life has taught me that … too. [Pause.] Yes, life I suppose, there is no other word. [She turns a little towards him.] Could you see me, Willie, do you think, from where you are, if you were to raise your eyes in my direction? [Turns a little further.] Lift up your eyes to me, Willie, and tell me can you see me, do that for me, I’ll lean back as far as I can. [Does so. Pause.] No? [Pause.] Well never mind. [Turns back painfully front.] The earth is very tight today, can it be I have put on flesh, I trust not. [Pause. Absently, eyes lowered.] The great heat possibly. [Starts to pat and stroke ground.] All things expanding, some more than others. [Pause. Patting and stroking.] Some less. [Pause. Do.] Oh I can well imagine what is passing through your mind, it is not enough to have to listen to the woman, now I must look at her as well. [Pause. Do.] Well it is very understandable. [Pause. Do.] Most understandable. [Pause. Do.] One does not appear to be asking a great deal, indeed at times it would seem hardly possible – [voice breaks, falls to a murmur] – to ask less – of a fellow-creature – to put it mildly – whereas actually – when you think about it – look into your heart – see the other – what he needs – peace – to be left in peace – then perhaps the moon – all this time – asking for the moon. [Pause. Stroking hand suddenly still. Lively.] Oh I say, what have we here? [Bending head to ground, incredulous.] Looks like life of some kind! [Looks for spectacles, puts them on, bends closer. Pause.] An emmet! [Recoils. Shrill.] Willie, an emmet, a live emmet! [Seizes magnifying-glass, bends to ground again, inspects through glass.] Where’s it gone? [Inspects.] Ah! [Follows its progress through grass.] Has like a little white ball in its arms. [Follows progress. Hand still. Pause.] It’s gone in. [Continues a moment to gaze at spot through glass, then slowly straightens up, lays down glass, takes off spectacles and gazes before her, spectacles in hand. Finally.] Like a little white ball. [Long pause. Gesture to lay down spectacles.]
WILLIE: Eggs.
WINNIE: [Arresting gesture.] What?
[Pause.]
WILLIE: Eggs. [Pause. Gesture to lay down glasses.] Formication.
WINNIE: [Arresting gesture.] What?
[Pause.]
WILLIE: Formication.
[Pause. She lays down spectacles, gazes before her. Finally.]
WINNIE: [Murmur.] God. [Pause, WILLIE laughs quietly. After a moment she joins in. They laugh quietly together, WILLIE stops. She laughs on a moment alone, WILLIE joins in. They laugh together. She stops, WILLIE laughs on a moment alone. He stops. Pause. Normal voice.] Ah well what a joy in any case to hear you laugh again, Willie, I was convinced I never would, you never would. [Pause.] I suppose some people might think us a trifle irreverent, but I doubt it. [Pause.] How can one better magnify the Almighty than by sniggering with him at his l
ittle jokes, particularly the poorer ones? [Pause.] I think you would back me up there, Willie. [Pause.] Or were we perhaps diverted by two quite different things? [Pause.] Oh well, what does it matter, that is what I always say, so long as one … you know … what is that wonderful line … laughing wild … something something laughing wild amid severest woe. [Pause.] And now? [Long pause.] Was I lovable once, Willie? [Pause.] Was I ever lovable? [Pause.] Do not misunderstand my question, I am not asking you if you loved me, we know all about that, I am asking you if you found me lovable – at one stage. [Pause.] No? [Pause.] You can’t? [Pause.] Well I admit it is a teaser. And you have done more than your bit already, for the time being, just lie back now and relax, I shall not trouble you again unless I am compelled to, just to know you are there within hearing and conceivably on the semi-alert is … er … paradise enow. [Pause.] The day is now well advanced. [Smile.] To speak in the old style. [Smile off.] And yet it is perhaps a little soon for my song. [Pause.] To sing too soon is a great mistake, I find. [Turning towards bag.] There is of course the bag. [Looking at bag.] The bag. [Back front.] Could I enumerate its contents? [Pause.] No. [Pause.] Could I, if some kind person were to come along and ask, What all have you got in that big black bag, Winnie? give an exhaustive answer? [Pause.] No. [Pause.] The depths in particular, who knows what treasures. [Pause.] What comforts. [Turns to look at bag.] Yes, there is the bag. [Back front.] But something tells me, Do not overdo the bag, Winnie, make use of it of course, let it help you … along, when stuck, by all means, but cast your mind forward, something tells me, cast your mind forward, Winnie, to the time when words must fail – [she closes eyes, pause, opens eyes] – and do not overdo the bag. [Pause. She turns to look at bag.] Perhaps just one quick dip. [She turns back front, closes eyes, throws out left arm, plunges hand in bag and brings out revolver. Disgusted.] You again! [She opens eyes, brings revolver front and contemplates it. She weighs it in her palm.] You’d think the weight of this thing would bring it down among the … last rounds. But no. It doesn’t. Ever uppermost, like Browning. [Pause.] Brownie … [Turning a little towards WILLIE.] Remember Brownie, Willie? [Pause.] Remember how you used to keep on at me to take it away from you? Take it away, Winnie, take it away, before I put myself out of my misery. [Back front. Derisive.] Your misery! [To revolver.] Oh I suppose it’s a comfort to know you’re there, but I’m tired of you. [Pause.] I’ll leave you out, that’s what I’ll do. [She lays revolver on ground to her right.] There, that’s your home from this day out. [Smile.] The old style! [Smile off.] And now? [Long pause.] Is gravity what it was, Willie, I fancy not. [Pause.] Yes, the feeling more and more that if I were not held – [gesture] – in this way, I would simply float up into the blue. [Pause.] And that perhaps some day the earth will yield and let me go, the pull is so great, yes, crack all round me and let me out. [Pause.] Don’t you ever have that feeling, Willie, of being sucked up? [Pause.] Don’t you have to cling on sometimes, Willie? [Pause. She turns a little towards him.] Willie.
The Complete Dramatic Works Page 13
