The Whites: A Novel

by Richard Price

  “Just help me out here, OK?”

  Redman wrestled the shirt tails into the pants, lifting the body off the gurney with one hand in order to do it, then stepped away to mop his brow while his wife threaded and then knotted the tie.

  “Who’s this kid to you?” he asked.

  “Collateral damage from Curtis Taft. It’s a long story.”

  Redman looked at his wife for a nonverbal business discussion, which ended when she abruptly took off to corral her son as he threatened to topple the cosmetics cart, a rolling jungle of wigs, makeup jars, brushes, palette knives, and cotton swabs.

  “I can put something together for seven K,” he finally said.

  “Seven. Are you high?”

  “You want to take your business up the street? There’s four parlors in the next two blocks, anyone offers you under that they’re going to put her in a cereal box, take her out to the cemetery on the bus.”

  “I don’t have seven K.”

  “I’ll ask you again, who is she to you.”

  While Redman and Nola began dealing with the dead man’s socks and shoes, Billy told them the whole story, from the death of Shakira Barker’s twin sister five years earlier through her long slow nightmare transformation into a murderer herself, the victim, Martha Timberwolf, lying on a slab across the Hudson with no one to send her Home.

  “I’ll do it for six,” Redman said, “and that’s costing me.”

  Nola stiffened a little but said nothing.

  “Thank you, I appreciate it.”

  “Can you pay up front?”

  “No problem.”

  “Can you do cash?” Redman rolling his prep cart close and pulling a chair up to the body.

  “If that’s how you want it.”

  “Because that would help me.”

  “Help me help you,” Billy said, watching as Redman slipped on a pair of rubber gloves, then reached into the chaos of the cosmetics cart and extracted a tube of Krazy Glue. After squeezing out thin lines of the gunk on the lacerated palms of the dead man, he used his finger to carefully coat the skin.

  “What are you doing?” Billy asked.

  “What, this? If I don’t put some kind of adhesive on these defensive wounds here and people start stroking this guy’s hands at the service? They could walk away with a souvenir.”

  Billy took a moment, then shifted gears. “You see Pavlicek recently?”

  “He came in here a few weeks ago to see how my son was doing.”

  “How was he?”

  “My son?”

  “Pavlicek.”

  “What do you mean?”

  “I’m not sure, I ran into him at Columbia Pres today.”

  “Oh yeah? What was he doing there?”

  “He said he was seeing someone for his cholesterol.”

  “I’m not surprised, are you?”

  “He looked like a zombie. I swear to God, every time I see him these days, it’s like he’s on a different drug. Tell me that’s high cholesterol.”

  “All I know is,” Redman carefully recapping the Krazy Glue, “men that big can’t just eat whatever they want.”

  “So, this witness, so-called witness, Michael Reidy, that you interviewed—remember him?”

  Sitting across the desk from Elvis Perez, a tall, vulture-necked detective working the Bannion homicide in Midtown South, Billy tried to recall the face of the blood- or ketchup-stained drunk in the Penn Station waiting room. “Sort of,” he said.

  “Well, we lost him.”

  “Lost him.”

  “We have his address from your Fives, but he’s not there, and he’s not answering his cell, so I was wondering if you remember anything he might of said to you or you overheard that maybe didn’t make it into your notes.”

  “Do you know how many people we interviewed that night?”

  Perez tossed a pencil on his desk and stifled a yawn. He had the kind of droopy eyes that suggested he had never recovered from the exhausting experience of being born.

  “So where are you at on this?” Billy asked.

  “Nowhere, really.”

  Billy gestured to the manila folder on Perez’s desk next to a small plaster statue of San Lazaro.

  “May I?”

  Even in the bloodiest CSU photos, Bannion retained his startling Black Irish handsomeness, the best-looking corpse Billy had seen since Carmen’s first husband.

  “The ME said the wound was jagged,” Perez said, rolling his chair away from the desk and then running the flat of his hand along the inside of his thigh. “The actor was no surgeon but he knew where to cut.”

  “And nothing on the perp?”

  “Plenty. He was short tall black white heavy slim, came flying in on a skateboard, rolled away in a wheelchair. Are you kidding me? The guy could’ve been seven feet tall with a turban, a beard, and an AK, screaming, ‘Death to America,’ and everybody there would’ve chalked it up to the DTs.”

  “How about the tapes?”

  “We finally got the south plaza footage back, but all it shows is Bannion running to the subways after the fact. The tape we really need, from over by the LIRR information board, we’re still waiting on. TARU says it could take a few days, a few weeks, or never. All that state-of-the-art equipment and some asshole spills a cup of coffee. How’s that for bang versus whimper.”

  “For what?”

  “Forget it. You want to see what we got?”

  Perez slid the disc into his desk monitor, Billy standing behind him, ignoring the buzzing of his cell.

  The captured stretch of arcade between the Long Island commuter trains and the subway entrance at first appeared deserted, all the action having taken place out of the camera’s range, the grainy footage of nothing and no one evoking the bleariness of the hour. But then here came Bannion running loopily into the picture, his light blue jeans turning purple with blood, his dripping shoes leaving those dark liquid footprints until he came to a baffled stop in front of the turnstiles and started fishing through his wallet for what—his MetroCard?—fishing and fumbling, and then, just as Billy had speculated at the scene, abruptly attempting to hurdle the low barrier but suddenly locking up in midair as if flash-frozen and dropping directly on top of the turnstile before falling to the ground.

  “It’s not like it’s without entertainment value,” Perez said, “but it all happened on the other end.”

  “And how long for that tape again?”

  Perez shrugged.

  Night Watch was strictly one and done; set up the morning man and move on to the next post-midnight felony. There were simply too many runs in a night, a week, a month to keep tabs, or even remain curious, about past crimes and still have the wherewithal to focus on the next one coming down the pike. Night Watch jobs, an old boss once told Billy, were like individual tears in a crying jag.

  Still . . .

  “Do me a favor?” Billy asked. “Can you let me know when it comes in?”

  That night he was saddled with another strange player doing a Night Watch one-off, Stanley Treester from the DNA Liaison Unit, and when Billy entered the Metropolitan Hospital’s trauma ER to oversee a run-of-the-mill stabbing, he found him sitting on the edge of a gurney staring intently at a damp-eyed elderly man under a blanket. The old guy, oblivious to Treester’s presence, stared off into the middle distance as if into the void.

  “I messed up,” the patient said to no one.

  “Who’s this?”

  “I thought I knew him from when I was a kid,” Treester said, his eyes never leaving the other man’s face.

  “Do you?”

  “No.”

  “I messed up,” the man said again.

  “Does he have anything to do with the run?”

  “No.”

  “Then . . .” Billy about to tell him to get in the game, then thought better of it.

  “And I’m going to hell.”

  “I’ll sell you my ticket,” Billy said, before walking off to find the crime.

&
nbsp; The actual investigation into the stabbing took about five minutes, the Samaritan who had brought the victim to the hospital confessing the moment Mayo flashed his ID, the story behind the story being two brothers, a fifth of Herradura, dominoes, and a knife.

  Stacey Taylor’s call came through while the doer was being cuffed. Billy, grateful that it wasn’t the Wheel with another run, answered right away.

  “It’s four in the morning, you know that, right?”

  “I’m sorry, did I wake you?” she said.

  “What’s up?”

  “Nothing. I just wanted to see how it went today with Taft.”

  “I messed up, just went in there with no game plan and messed up.”

  “Yeah, well, you’re only human.”

  “But I want to thank you for your help.”

  “Hey, that’s how we do.”

  Still on the phone, Billy momentarily went south, thinking about the last few days: Bannion, Taft, Miss Worthy, but mostly John Pavlicek, wandering into Columbia Pres like someone had hit him on the back of the head with a bag of nickels.

  “Hello?” she said.

  “Hey. Sorry,” Billy coming all the way back, then: “Let me just ask, how good are you with hospital records?”

  “Which hospital?”

  “Columbia Pres.”

  “I know a guy there.”

  “Yeah? Who?”

  “Then you’d know him too.”

  “I need you to look up an outpatient for me.”

  “Who.”

  He hesitated. “John Pavlicek.”

  “Your guy from the Geese? What’s wrong with him?”

  “That’s what I’d like to know.”

  “Do you know who he sees there?”

  “Somebody for his cholesterol. Or so he says.”

  He heard her light up, then expel that first buzzy lungful. “All right.”

  “What do you charge for something like this?”

  “When have I ever taken your money?”

  Billy’s guilt made him wince.

  “Maybe you should start.”

  Thirty minutes later, as he was leaving the hospital, his cell rang again: Yasmeen on the downside of a wee-hours drunk, her voice like wet flannel.

  “I’m just calling you to say I’m really sorry.”

  “About . . .”

  “The other night, I got so drunk, you know? I didn’t even know you drove me home until Dennis told me in the morning.”

  “Oh c’mon, how many times . . .”

  “Denny’s a good guy, you know? He really is.”

  “Well, being he’s your husband and all . . .”

  The silence on the other end reeked of wrong answer.

  “Anyways, it’s four-thirty in the morning, don’t you think you should . . .”

  “You want to hear something?” she cut in. “Raymond Del Pino’s older sister just had her second kid, you know what she called her? Yasmeen Rose. She told me it’s because I was the only one who never gave up trying to get Eric Cortez.”

  “Well good for her,” Billy said, fishing for his car keys. “And good for you.”

  “Good for me,” she slurred. “I’m telling you, that baby is cursed.”

  MILTON RAMOS

  2130 Longfellow Avenue, a six-story walk-up in the still semi-shitty East Bronx, was over a hundred years old but it had been built by fresh-off-the-boat artisans, and despite the fact that by the time Milton came to be born here it was a dump—its gappy mosaic tile floor like a piss-bum’s smile, its walls festooned with wilting poker chips of plaster, and its glassed-in apartment directory listing long-dead Jewish and Puerto Rican tenants like a roll call of ghosts—it still had its touches of old-world flair. But now, as he stood in the vestibule more than twenty years after he had fled for the safety of his aunt Pauline’s apartment in Brooklyn, he was shocked by what had become of his earliest home on earth, gutted and rehabbed in the cheapest possible way, the old crowned lathe-and-plaster brown-coat walls replaced by featureless plywood, the multicolored stone floors by prefab squares of ceramic, the ancient swaybacked marble risers by painted pine, and the amber-glassed hallway sconces by overhead halos of sputtering fluorescence.

  “It stinks in here,” Sofia said, standing alongside him beneath the dented aluminum mailboxes.

  “Don’t say stinks, say smells,” he said, then, gesturing to the stairs with the head of his 34-inch Rawlings Pro Maple (because you never knew): “Beauty before age.”

  A baseball bat is a versatile thing. As Milton learned while still a teenager, a moderate swing across the shins will get a piece-of-shit dope slinger to share with you his strategy for keeping financially afloat, which basically comes down to stiffing Peter in order to pay Paul, then stiffing Paul and finding new suppliers. Another rap will get the slinger to tell you who the most recent Peter is, who the most recent Paul. And if, a day later, you bring the butt of the bat down reasonably hard on the splayed knuckles of either Peter or Paul, both of whom wanted to kill that little rip-off artist, you will find out the names of the hitters who were sent out to consummate the deed. Now, once you get the actual hitters in an unoccupied apartment, bound hand and foot with gaffer’s tape—you won’t put another piece of tape across their mouths until they try to talk their way out of dying by telling you everything, including the truth—you can just go ahead and play home-run derby until the walls, the ceiling, and your clothes are streaked with red.

  Sofia had a hard time climbing—“I like to go as high as I can,” she had once explained to him, “because then all I have left is to go down”—and by the third floor she was struggling. But he was as patient with her as he had been when climbing these same steps all through childhood with his morbidly obese mother, her trudge-mantra back then, “What a world Milton, what a world,” thrilling him with terror.

  4B, Sofia announced. Who lived here?

  Mrs. Sanchez, she was a very nice lady.

  She was nice?

  Yes.

  4C. Who lived here.

  The Kleins.

  Were they nice?

  They were old.

  The apartment doors, once oak, were now all single slabs of siege-mentality sheet metal, their numbers, in his time screwed-in brass, nothing more than hardware-store decals. But he couldn’t care less about these particular outrages against memory, because in the end the information they provided was the same information as twenty years ago, and any way you cut it the doors and their numbers would always tell the same story.

  4D. Who lived here?

  If he let her, she would announce every apartment in the building. But in a way, that was what they were here for, Milton taking his daughter on this stations-of-the-cross pilgrimage as an inoculation against the worst parts of himself, as a living, breathing reminder of what he had to lose if he allowed himself, at this moment in time, to follow his nature.

  4D. Who . . .

  The Carters.

  Were they nice?

  They were OK. They had a son who was retarded.

  What’s retarded?

  Not right in the head.

  What?

  Stupid but not his fault.

  Sofia rolled that around for a bit, then: What was his name?

  Michael.

  Did the kids make fun of him?

  Some.

  Did you?

  No.

  How about Uncle Edgar?

  No.

  How about Uncle Rudy?

  He could be kind of mean, but he was a kid.

  Did you and Uncle Edgar get mad at him when he did that?

  He was just a kid.

  Did Grandma Rose get mad at him?

  She didn’t get mad at anybody.

  Were there other retarded kids in the building?

  No, but one boy was gay.

  He kissed other boys?

  I guess.

  What was his name?

  Victor.

  Did the kids make fun of him?

  Oh y
eah.

  Did you?

  No. Actually, one time when some older guys were pushing him around outside on the street, I made sure they never did that again.

  How did you do that?

  Don’t worry about it.

  4E. Who lived here?

  Some girl, Inez. I can’t remember her last name.

  Was she nice?

  I guess.

  Did you like her?

  I didn’t hate her.

  Did you want to marry her?

  No.

  4F. Who lived here?

  Guess.

  You.

  And Grandma Rose and Edgar and Rudy.

  Can we go inside?

  There’s other people in there now.

  No matter how many families had lived behind that door since the Ramos family ceased to be, no matter how often the rooms and walls had been torn up and rebuilt in the name of affordable housing, 4F would always be haunted, and he could easily imagine some of those that moved in here afterward waking up and weeping in the middle of the night for no reason they could understand.

  Little Man’s death, if you wanted to look at it that way, was nothing more than a gruesome case of mistaken identity. The targeted dealer, as anyone in the building could have told the men sent to lay him out, lived in 5C.

  So why, Milton just had to ask his killers that day in the empty apartment, did you go to 4F?

  That’s when they talked about the sulky girl on the stoop, Miss Information.

  Describe her, Edgar said.

  And they did, after which the Ramos brothers stared at each other in astonishment.

  That girl on three? Milton said to Edgar. Then, turning to their prisoners, hog-tied and belly-down on the floor, She said your guy lived in 4F? You’re sure?

  Arching up to offer their gleaming faces, backs bowed, they swore to all the angels in heaven. How were they to know? They were sent out without the apartment.

  And you told her the dealer’s name? He still couldn’t believe it.