I’d been beginning to feel like the Road Runner, the big difference being that it looked like Wile E. Coyote now had me, and I would really bleed, hurt, and die.
Then there was the sound of ripping canvas. Incredibly, the head of the lobox began moving in the opposite direction, away from me. Its ruff, which had been fully expanded, slowly fell, and I let loose a burst of hysterical giggles as I realized what was happening; the creature’s saber claws were so sharp that they couldn’t hold their owner’s weight in the fabric, as thick as it was, and they were slicing like razors through the canvas.
The triumphal glow in the golden eyes had changed to what I swore was a look of astonishment, chagrin, and frustration as the broad-ribbed torso inexorably slid backward toward the edge of the tent defined by the support cable.
“Take that, you fucking overachieving furball,” I said, still giggling hysterically as I shifted my weight and kicked the animal in the side of the head.
The creature uttered a very unloboxlike yelp and, to the sound of ripping canvas and the click of claws on steel cable, disappeared over the edge of the canopy.
Of course, it wasn’t that I didn’t have other things to worry about: there was the crack of a gun, and a bullet tore into the canvas three feet to the right of my head. I glanced to my left, saw two gray-suited gunmen standing in an open area of the roped-off field, well out beyond the four rows of semis. One man, presumably the one who had already taken the potshot at me, was aiming again, using both hands.
The second man grabbed the first man’s wrist, forcing the first man to lower the gun. Words were exchanged, and then they both broke into a run toward the main entrance to the tent and disappeared from sight. I presumed that it had occurred to at least one of the men that it might prove tacky, if not downright difficult to explain, if a patron of World Circus were killed by a stray bullet in the air, and so they were going to come at me in another way. They certainly had plenty of options; I wasn’t about to jump to the ground and try to run away while there was a stray lobox down there licking its oversize chops at the thought of my doing precisely that.
The only direction I had to go was up. I rolled over on my hands and knees; gripping the hard edge of a guy cable running upward just beneath a fold in the canvas, I scrambled up to the very top of me tent, where the center mast, a wooden pole nearly a foot in diameter, thrust up through a steel-reinforced circle in the canvas, almost four feet in diameter, where dozens of guy wires and ropes were anchored to concentric steel rings attached to the center mast. I lay down on my belly and, gripping the uppermost steel ring, peered over the edge of the circle onto the layout and doings below me.
Directly beneath me was a maze of ropes crisscrossing one another, pulleys, trapeze rigging, and a number of platforms holding lighting and sound equipment. The position of the lights made it impossible for anyone on the ground inside the tent to see me, but I could see down well enough.
The ground was about a hundred and twenty feet below me, and I was almost directly above the great curtain separating the performing area from “backstage.” The section where the lobox’s claws and the bullet had torn through the canvas was well away from the audience seating area, and it seemed nobody inside the tent had noticed all the commotion outside. Far below, everything looked to be business as usual. The enormous, double-walled steel cage had been thrown up around the ring, awaiting the entrance of the tigers. Mabel, with Luther astride her head, was halfway through her star turn, going into one of her pachyderm pirouettes at the far end of the tent.
While I was pondering just what it was I planned to do next, I had the good fortune to glance behind me just in time to see one of the ubiquitous men in gray suits reach the top of a ladder that had been set up against the vertical drop of the tent. Our eyes met, and as he started to reach inside his suit jacket for his gun, I waved and blew him a kiss just before reversing my hand grip on the steel ring and rolling forward, down through the opening. If the man wanted to follow me, assuming he didn’t mind shooting me in front of a few hundred spectators, I would see how he enjoyed doing his act a hundred feet above the ground. I ended up on me rear edge of a wide wooden platform, just behind a bank of spotlights.
I moved along the platform a bit further, away from the opening above me, then squatted down and again looked down at the audience below, the rigging that surrounded me. Déjà vu. I was back in the Big Top, high up in the rigging, where I had so often performed as a young man so many years before. I was amazed at how comfortable I felt, still, so high above the ground. There was a pleasant tension in my muscles, almost as if they anticipated hurling me through space once again.
Easy does it, I thought; those tingling muscles of mine no longer had the tone they once had when, nearly two decades before, I’d swung around the perimeter of the tent on trapezes and guy ropes. Still, to get out of this one, I was going to need a goodly amount of Mongo the Magnificent’s old circus skills. I could only hope that a few of those skills were left, still alive and kicking in my muscle memory.
There was trapeze rigging about twenty feet to my right, but to get to it I was going to have to negotiate a tangle of guy wires, ropes, and electrical cables.
I leaped for a taut rope above my head, caught it, then began swinging hand over hand toward the relatively secure platforms, bars, and ropes of the trapeze rigging.
Mabel was the first to notice my presence. I was about halfway through my hand-over-hand journey at the very top of the tent when she suddenly stopped in the middle of a pirouette, abruptly turned in my direction, lifted her trunk, and trumpeted. Even from as high up and far away as I was, I could see the look of consternation on Luther’s face. Then he looked up, saw me, and his jaw fell open.
Next, the audience noticed me; hundreds of heads turned to look at me. There were a few startled gasps, then applause for the dwarf in a ruined suit dangling from a rope at the top of the tent with no net below. They liked it. Along with the applause came laughter. They thought I looked funny.
There was nothing funny about the appearance of the lobox, and the laughter and applause slowly died as the creature emerged from the shadows between two bleacher sections, padded to the center of the section of sawdust track directly below me, stopped. Its ruff suddenly expanded as it squatted on its haunches, raised its gaze to look at me, opened its jaws, and uttered its keening killing scream.
The audience didn’t much care for that. Whatever it was they thought the lobox might be, they didn’t like the fact that it wasn’t in a cage, or at least on a leash. They sensed that it was dangerous, and it wasn’t difficult to figure out that it was after me. No longer certain that this action was part of the show, the people in the tent fell silent. The music from the band tapered off. When the utter quiet was broken by another lobox scream, people began to mutter nervously. I continued along the rope until I reached the trapeze rigging. I sat down on the top platform to catch my breath and try to think.
Never in the history of the world, I thought, had an attempted escape been watched by so many people, the vast majority of whom didn’t have the slightest notion of what was going on. I felt like a very small fugitive in a very large cage. For the time being, the fact that my progress was being monitored by a few hundred people as I moved around the top of the tent would—I hoped—guarantee my safety from snipers, but that situation couldn’t last forever. Very soon now would come an announcement that the remainder of the show had been canceled due to an emergency, and the audience would be asked to leave. And then the firing would begin, with the corporate types in their gray suits lining up below me and vying to see who would be the first to pick me off.
In addition to those distractions, my concentration was being affected by an overriding fear for Harper. If this lobox was about, the one primed for Harper couldn’t be far away—for Harper wasn’t far away. I was certain that at that very moment Harper’s lobox was crouched somewhere in the shadows of the parking area, its gaze locked on the station wagon
, waiting …
And, of course, there was also the problem, remaining, of having Garth locked inside the box of the semi parked outside the tent. It was a problem that was going to have to be solved, since I couldn’t leave him behind; after this night’s performance, the Zelezians would definitely be concentrating very hard on their own plans for escape, and they would want to erase all evidence, eliminate all witnesses. To leave Garth behind would be to condemn him to death.
The fact that World Circus used only its own people, or its sponsor’s people, for security could, it seemed to me, be turned to my advantage under the right circumstances. There would certainly be no radio calls to the local police for assistance, and thus no roadblocks. It was simple, I thought: all I had to do was find a way to exit the Big Top without being shot, or torn up by a lobox, free Garth, and then go to where Harper was waiting, avoiding her lobox, so that we could all make our getaway.
All I really needed to bring this unfortunate episode to a satisfying conclusion, I thought, was a tank.
A tank, or something like a tank.
Ah.
I got to my feet, crawled up even higher in the trapeze rigging where I couldn’t be seen, then looked around me for something that would serve as a suitable replacement for a Louisville Slugger, Henry Aaron model. I finally settled on a bar from one of the three trapezes. I undid the safety releases on the bar, shoved the four-foot length of hickory through two belt loops. Then I glanced around to see where Mabel and Luther were; they seemed a long ways away, still down at the far end of the tent. To get to them, I would have to have a mode of transportation that would carry me to the other end of the tent and to the ground—or close to it. That would be the climbing ropes used by the aerialists, and all three of the ropes were tied up on the trapeze rigging on the opposite side of the tent. I figured I would probably be able to climb over to that section of rigging on guy wires and ropes, but it would take too long.
We do what we have to do.
Without giving myself a whole lot of time to think about the folly of what I planned to try, I grabbed a trapeze bar from its catch-rigging, gripped it, took a deep breath. Then I swung out into space, heading for the triple platform across the way. If there was any sound from the crowd below, I didn’t hear it; I was conscious only of the wind whistling past my ears, the creak of the rigging, and then my own half-uttered, half-screamed “Shit!” when I realized that I was, in much more than just a manner of speaking, going to be short. The rigging, height, and distance between the platforms had simply not been designed for a flying dwarf.
I didn’t much like the idea, or the image, of me swinging helplessly back and forth until I came to an ignominious stop, dangling in the air where it would be easy enough for anybody to climb up on top of the steel tiger cage and pluck me off the bar like a piece of ripe fruit.
There was only one other option, and I took it. Somehow, at the apogee of my swing, I kipped my hips up into the air and willed my fingers to release their grip on the trapeze bar. I soared up and out into space. There was nothing elegant about my flight; with a scream in my throat, I was all flailing arms and legs until I finally collided with a support rope. I grabbed the rope, swung around it, then finally managed to get my feet on a platform. I released the rope, stood up.
There was scattered, uncertain applause—which immediately tapered off as the lobox, which had trotted around the steel cage and positioned itself once more directly beneath me, raised its head and uttered another killing scream.
And now for my next trick.
I was dimly aware of pain in my lower back where the hickory bar I carried in my belt loops pressed against my spine, but I didn’t have time to worry about that; the important thing was that I still had the bar. Once again I couldn’t afford to give myself any time to think about what I was going to do, or I wouldn’t do it. Mabel and Luther were still in the same position, with Mabel having turned to face me. I reached out, released one of the climbing ropes. I could only guess at what point I should grip it; if I guessed wrong, I could end up swinging rather ingloriously right into the ground, where I would smash every bone in my body, or—equally ingloriously, if considerably less painful in the short run—sailing right over my target. I arbitrarily pulled up four armlengths of the rope, checked to make sure that the hickory trapeze bar was still in my belt loops, then gripped the rape tightly and leaped into space.
I fell vertically, then was jerked hard when the slack of the rope was taken up. Even as I flew forward, I gauged that I was too far down on the rope. Desperately fighting gravity and the G-forces I was building up, I pulled myself hand over hand up the rope—one foot, two feet, three feet. It was enough. I lifted my legs as high as I could, and the ground swooped by barely an inch or two under me. Then I soared upward in an arc that turned out to be a near-perfect path of flight for my purposes; my apogee came when I was about five feet above Mabel’s head. I released my grip on the rope, dropped lightly to my feet just behind the thoroughly startled Luther. He half turned, his glacial blue eyes filled with shock as he stared at me.
“Say good night, Luther,” I snapped as I snatched the hickory bar from my belt loops and struck him on the side of his shaved head with what I fervently hoped was sufficient force to kill him.
The animal trainer had ducked away at the last moment, but the bar still hit him in the head with a most satisfying thunk. With a little help from my foot in his ribs, he slid off the side of Mabel’s head and fell to the sawdust track below. I quickly moved forward and gave Mabel a sharp rap with the hickory bar just above her brow.
I had my tank, and now I had to see if I could make it go where I wanted.
My need for escape was made even more urgent by the muffled but distinct sound of a shotgun blast in the night outside the tent.
Mabel, obviously excited by all these strange doings and raring to go, lifted her trunk high and trumpeted. She was facing in the right direction, toward the main entrance, and so I once again used both hands to raise the hickory pole above my head, then brought it down as hard as I could on the front of her skull, hoping it would stir fond memories of the love taps administered by her former master with his Louisville Slugger, Henry Aaron model.
I needn’t have worried. Mabel surged forward in what was the equivalent of an elephant sprint. I’d forgotten how difficult it can be to ride an elephant going at full tilt; I fell backward, and would have fallen off if I hadn’t managed at the last moment to dig my heels into folds in the gray, wrinkled hide. I finally managed to get myself back up into a sitting position just in time to duck as we headed out through the entrance, taking pieces of canvas, ropes, and two support poles with us. Now she was heading straight for the ticket booth, and she showed no signs of wanting to veer away.
Arlen Zelezian suddenly emerged from a door in the rear of the booth. The Abraham Lincoln look-alike barely had time to throw his arms up over his face before the gray juggernaut I was riding ran over him and through the booth, leaving behind a bloody pulp and a pile of splintered rubble. African elephants on the run are most definitely things to steer clear of.
Another shotgun blast, this one much louder and closer.
I whacked Mabel on the left side of the head, just behind her great, flapping ear, and she immediately turned in that direction, rumbling along a dirt track on the perimeter of one of the areas used for parking. I raised myself up as much as I could in an effort to spot the station wagon at the far end of the furthest parking lot, but I couldn’t. And I had to resist the temptation to immediately go to Harper’s aid. I had to stick to my plan, hoping that Harper was able to defend herself with the shotgun, for this would be the only chance I had to rescue Garth.
There was no way to warn Garth of what was about to happen, so I could only hope that my brother wasn’t standing around next to the side doors in the semi scratching himself. As we approached the trucks I swung Mabel out into a great arc in the field, and then homed her in on the side of the second track from
the right in the first row. She had never been more responsive to my strike-commands, and now I gave her two good thumps on the front of her forehead to indicate full speed ahead.
Mabel had surely missed me, or else she had mellowed a lot since she was a young lass, for I seriously doubted that in the past I could have gotten her to even consider ramming herself headlong into a truck. But now she rumbled right ahead, if anything increasing her speed. I thumped her again as a sign of encouragement, then dug my knees and heels into the wrinkles in her hide, leaned forward, and braced myself as the rambunctious Mabel collided at full speed with the side of the trailer box dead in the center, one steel-capped tusk hitting each of the doors, bursting me padlock that held them closed, collapsing them inward.
The impact was tremendous, and it was all I could do to keep from being thrown off my mount. The box of the trailer had been wrenched off its fittings to its tractor and was tilted on its side, apparently resting on the trailer box next to it. When I recovered my senses and my vision came into focus, I could see my startled, ashen-faced brother slumped where he had been thrown on the opposite side of the box, staring wide-eyed at the great elephant’s head that now occupied the space where the double doors had been.
The Fear in Yesterday's Rings Page 18
