But before the coffee could be brought to them, the Major had asked at least a dozen questions.
Loveday put them all on one side.
“All in good time” she said. “You are leaving out the most important question of all. Have you no curiosity to know who was the bride that Lebrun has chosen?”
“I don’t suppose it concerns me in the slightest degree,” he answered indifferently; “but since you wish me to ask the question—Who was she?”
“Lucie Cunier, lately your mother’s amanuensis.”
“The ——!” cried the Major, jumping to his feet and uttering an exclamation that must be indicated by a blank.
“Take it calmly,” said Loveday; “don’t rave. Sit down and I’ll tell you all about it. No, it is not the doing of your friend Cassimi, so you need not threaten to put a bullet into him; the girl has married Lebrun of her own free will—no one has forced her into it.”
“Lucie has married Lebrun of her own free will!” he echoed, growing very white and taking the chair which faced Loveday at the little table.
“Will you have sugar?” asked Loveday, stirring the coffee, which the waiter at that moment brought.
“Yes, I repeat,” she presently resumed, “Lucie has married Lebrun of her own free will, although I conjecture she might not perhaps have been quite so willing to crown his happiness if the Princess Dullah-Veih had not made it greatly to her interest to do so.”
“Dolly made it to her interest to do so?” again echoed the Major.
“Do not interrupt me with exclamations; let me tell the story my own fashion, and then you may ask as many questions as you please. Now, to begin at the beginning, Lucie became engaged to Lebrun within a month of her coming to your mother’s house, but she carefully kept the secret from everyone, even from the servants, until about a month ago, when she mentioned the fact in confidence to Mrs. Druce in order to defend herself from the charge of having sought to attract your attention. There was nothing surprising in this engagement; they were both lonely and in a foreign land, spoke the same language, and no doubt had many things in common; and, although chance has lifted Lucie somewhat out of her station, she really belongs to the same class in life as Lebrun. Their love-making appears to have run along smoothly enough until you came home on leave, and the girl’s pretty face attracted your attention. Your evident admiration for her disturbed the equanimity of the Princess, who saw your devotion to herself waning; of Lebrun, who fancied Lucie’s manner to him had changed; of your mother, who was anxious that you should make a suitable marriage. Also additional complications arose from the fact that your attentions to the little Swiss girl had drawn Mr. Cassimi’s notice to her numerous attractions, and there was the danger of you two young men posing as rivals. At this juncture Lady Gwynne, as an intimate friend, and one who had herself suffered a twinge of heartache on Mademoiselle’s account, was taken into your mother’s confidence, and the three ladies in council decided that Lucie, in some fashion, must be got out of the way before you, and Mr. Cassimi came to an open breach, or you had spoilt your matrimonial prospects.”
Here the Major made a slightly impatient movement.
Loveday went on: “It was the Princess who solved the question how this was to be done. Fair Rosamonds are no longer put out of the way by ‘a cup of cold poison’—golden guineas do the thing far more easily and innocently. The Princess expressed her willingness to bestow a thousand pounds on Lucie on the day that she married Lebrun, and to set her up afterwards as a fashionable milliner in Paris. After this munificent offer, everything else became mere matter of detail. The main thing was to get the damsel out of the way without your being able to trace her—perhaps work on her feelings, and induce her, at the last moment, to throw over Lebrun. Your absence from home, on a three days’ visit, gave them the wished-for opportunity. Lady Gwynne took her milliner into her confidence. Madame Celine consented to receive Lucie into her house, seclude her in a room on the upper floor, and at the same time give her an insight into the profession of a fashionable milliner. The rest I think you know. Lucie quietly walks out of the house one afternoon, taking no luggage, calling no cab, and thereby cutting off one very obvious means of being traced. Madame Celine receives and hides her—not a difficult feat to accomplish in London, more especially if the one to be hidden is a foreign amanuensis, who is seldom seen out of doors, and who leaves no photograph behind her.”
“I suppose it was Lebrun who had the confounded cheek to go to my drawer and appropriate that photograph. I wish it had been Cassimi—I could have kicked him, but—but it makes one feel rather small to have posed as rival to one’s mother’s butler.”
“I think you may congratulate yourself that Lebrun did nothing worse than go to your drawer and appropriate that photograph. I never saw a man bestow a more deadly look of hatred than he threw at you yesterday afternoon in your mother’s drawing-room; it was that look of hatred that first drew my attention to the man and set me on the track that has ended in the Swiss Protestant church this morning.”
“Ah! let me hear about that—let me have the links in the chain, one by one, as you came upon them,” said the Major.
He was still pale—almost as the marble table at which they sat, but his voice had gone back to its normal slow, soft drawl.
“With pleasure. The look that Lebrun threw at you, as he crossed the room to open the window, was link number one. As I saw that look, I said to myself there is someone in that corner whom that man hates with a deadly hatred. Then you came forward to speak to me, and I saw that it was you that the man was ready to murder, if opportunity offered. After this, I scrutinized him closely—not a detail of his features or his dress escaped me, and I noticed, among other things, that on the fourth finger of his left hand, half hidden by a more pretentious ring, was an old fashioned curious looking silver one. That silver ring was link number two in the chain.”
“Ah, I suppose you asked for that glass of water on purpose to get a closer view of the ring?”
“I did, I found it was a Genevese ring of ancient make, the like of which I had not seen since I was a child and played with one, that my old Swiss bonne used to wear. Now I must tell you a little bit of Genevese history before I can make you understand how important a link that silver ring was to me. Echallets, the town in which Lucie was born, and her father had kept a watchmaker’s shop, has long been famous for its jewellery and watchmaking. The two trades, however, were not combined in one until about a hundred years ago, when the corporation of the town passed a law decreeing that they should unite in one guild for their common good. To celebrate this amalgamation of interests, the jewellers fabricated a certain number of silver rings, consisting of a plain band of silver, on which two hands, in relief, clasped each other. These rings were distributed among the members of the guild, and as time has gone on they have become scarce and valuable as relics of the past. In certain families, they have been handed down as heirlooms, and have frequently done duty as betrothal rings—the clasped hands no doubt suggesting their suitability for this purpose. Now, when I saw such a ring on Lebrun’s finger, I naturally guessed from whom he had received it, and at once classed his interests with those of your mother and the Princess, and looked upon him as their possible coadjutor.”
“What made you throw the brute Cassimi altogether out of your reckoning?”
“I did not do so at this stage of events; only, so to speak, marked him as ‘doubtful’ and kept my eye on him. I determined to try an experiment that I have never before attempted in my work. You know what that experiment was. I saw five persons, Mrs. Druce, the Princess, Lady Gwynne, Mr. Cassimi and Lebrun all in the room within a few yards of each other, and I asked you to take them by surprise and announce my name and profession, so that every one of those five persons could hear you.”
“You did. I could not, for the life of me, make out what was
your motive for so doing.”
“My motive for so doing was simply, as it were, to raise the sudden cry, ‘The enemy is upon you,’ and to set every one of those five persons guarding their weak point—that is, if they had one. I’ll draw your attention to what followed. Mr. Cassimi remained nonchalant and impassive; your mother and Lady Gwynne exchanged glances, and they both simultaneously threw a nervous look at Lady Gwynne’s hat lying on the chair. Now as I had stood waiting to be introduced to Mrs. Druce, I had casually read the name of Madame Céline on the lining of the hat and I at once concluded that Madame Céline must be a very weak point indeed; a conclusion that was confirmed when Lady Gwynne hurriedly seized her hat and as hurriedly departed. Then the Princess scarcely less abruptly rose and left the room, and Lebrun on the point of entering, quitted it also. When he returned five minutes later, with the claret-cup, he had removed the ring from his finger, so I had now little doubt where his weak point lay.”
“It’s wonderful; it’s like a fairy tale!,” drawled the Major. “Pray, go on.”
“After this,” continued Loveday, “my work became very simple. I did not care two straws for seeing Mademoiselle’s room, but I cared very much to have a talk with Mrs. Druce’s maid. From her I elicited the important fact that Lebrun was leaving very unexpectedly on the following day, and that his boxes were packed and labeled for Paris. After I left your house, I drove to Madame Céline’s, and there, as a sort of entrance fee, ordered an elaborate hat. I praised freely the hats they had on view, and while giving minute directions as to the one I required, I extracted the information that Madame Céline had recently taken on a new milliner who had very great artistic skill. Upon this, I asked permission to see this new milliner and give her special instructions concerning my hat. My request was referred to Madame Céline, who appeared much ruffled by it, and informed me that it would be quite useless for me to see this new milliner; she could execute no more orders, as she was leaving the next day for Paris, where she intended opening an establishment on her own account.
“Now you see the point at which I had arrived. There was Lebrun and there was this new milliner each leaving for Paris on the same day; it was not unreasonable to suppose that they might start in company, and that before so doing, a little ceremony might be gone through in the Swiss Protestant church that Mademoiselle occasionally attended. This conjecture sent me to the undertaker in South Savile Street, who combines with his undertaking the office of verger to the little church. From him I learned that a marriage was to take place at the church at a quarter to nine the next morning and that the names of the contracting parties were Pierre Lebrun and Lucie Cuénin.”
“Cuénin!”
“Yes, that is the girl’s real name; it seems Lady Gwynne re-christened her Cunier, because she said the English pronunciation of Cuénin grated on her ear—people would insist upon adding a g after the n. She introduced her to Mrs. Druce under the name of Cunier, forgetting, perhaps, the girl’s real name, or else thinking it a matter of no importance. This fact, no doubt, considerably lessened Lebrun’s fear of detection in procuring his licence and transmitting it to the Swiss pastor. Perhaps you are a little surprised at my knowledge of the facts I related to you at the beginning of our conversation. I got at them through Lebrun this morning. At half-past eight I went down to the church and found him there, waiting for his bride. He grew terribly excited at seeing me, and thought I was going to bring you down on him and upset his wedding arrangements at the last moment. I assured him to the contrary, and his version of the facts I have handed on to you. Should, however, any details of the story seem to you to be lacking, I have no doubt that Mrs. Druce or the Princess will supply them, now that all necessity for secrecy has come to an end.”
The Major drew on his gloves; his colour had come back to him; he had resumed his easy suavity of manner.
“I don’t think,” he said slowly, “I’ll trouble my mother or the Princess; and I shall be glad, if you have the opportunity, if you will make people understand that I only moved in the matter at all out of—of mere kindness to a young and friendless foreigner.”
DRAWN DAGGERS, by Catherine Louisa Pirkis
“I admit that the dagger business is something of a puzzle to me, but as for the lost necklace—well, I should have thought a child would have understood that,” said Mr. Dyer irritably. “When a young lady loses a valuable article of jewellery and wishes to hush the matter up, the explanation is obvious.”
“Sometimes,” answered Miss Brooke calmly, “the explanation that is obvious is the one to be rejected, not accepted.”
Off and on these two had been, so to speak, “jangling” a good deal that morning. Perhaps the fact was in part to be attributed to the biting east wind which had set Loveday’s eyes watering with the gritty dust, as she had made her way to Lynch Court, and which was, at the present moment, sending the smoke, in aggravating gusts, down the chimney into Mr. Dyer’s face. Thus it was, however. On the various topics that had chanced to come up for discussion that morning between Mr. Dyer and his colleague, they had each taken up, as if by design, diametrically opposite points of view.
His temper altogether gave way now.
“If,” he said, bringing his hand down with emphasis on his writing table, “you lay it down as a principle that the obvious is to be rejected in favour of the abstruse, you’ll soon find yourself launched in the predicament of having to prove that two apples added to two other apples do not make four. But there, if you don’t choose to see things from my point of view, that is no reason why you should lose your temper!”
“Mr. Hawke wishes to see you, sir,” said a clerk, at that moment entering the room.
It was a fortunate diversion. Whatever might be the differences of opinion in which these two might indulge in private, they were careful never to parade those differences before their clients.
Mr. Dyer’s irritability vanished in a moment.
“Show the gentleman in,” he said to the clerk. Then he turned to Loveday. “This is the Rev. Anthony Hawke, the gentleman at whose house I told you that Miss Monroe is staying temporarily. He is a clergyman of the Church of England, but gave up his living some twenty years ago when he married a wealthy lady. Miss Monroe has been sent over to his guardianship from Pekin by her father, Sir George Monroe, in order to get her out of the way of a troublesome and undesirable suitor.”
The last sentence was added in a low and hurried tone, for Mr. Hawke was at that moment entering the room.
He was a man close upon sixty years of age, white-haired, clean shaven, with a full, round face, to which a small nose imparted a somewhat infantine expression. His manner of greeting was urbane but slightly flurried and nervous. He gave Loveday the impression of being an easy-going, happy-tempered man who, for the moment, was unusually disturbed and perplexed.
He glanced uneasily at Loveday. Mr. Dyer hastened to explain that this was the lady by whose aid he hoped to get to the bottom of the matter now under consideration.
“In that case there can be no objection to my showing you this,” said Mr. Hawke; “it came by post this morning. You see my enemy still pursues me.”
As he spoke he took from his pocket a big, square envelope, from which he drew a large-sized sheet of paper.
On this sheet of paper were roughly drawn, in ink, two daggers, about six inches in length, with remarkably pointed blades.
Mr. Dyer looked at the sketch with interest.
“We will compare this drawing and its envelope with those you previously received,” he said, opening a drawer of his writing-table and taking thence a precisely similar envelope. On the sheet of paper, however, that this envelope enclosed, there was drawn one dagger only.
He placed both envelopes and their enclosures side by side, and in silence compared them. Then, without a word, he handed them to Miss Brooke, who, taking a glass from her pocke
t, subjected them to a similar careful and minute scrutiny.
Both envelopes were of precisely the same make, and were each addressed to Mr. Hawke’s London address in a round, school-boyish, copy-book sort of hand—the hand so easy to write and so difficult to being home to any writer on account of its want of individuality. Each envelope likewise bore a Cork and a London postmark.
The sheet of paper, however, that the first envelope enclosed bore the sketch of one dagger only.
Loveday laid down her glass.
“The envelopes,” she said, “have, undoubtedly, been addressed by the same person, but these last two daggers have not been drawn by the hand that drew the first. Dagger number one was, evidently, drawn by a timid, uncertain and inartistic hand—see how the lines wave and how they have been patched here and there. The person who drew the other daggers, I should say, could do better work; the outline, though rugged, is bold and free. I should like to take these sketches home with me and compare them again at my leisure.”
“Ah, I felt sure what your opinion would be!” said Mr. Dyer complacently.
Mr. Hawke seemed much disturbed.
“Good gracious!” he ejaculated; “you don’t mean to say I have two enemies pursuing me in this fashion! What does it mean? Can it be—is it possible, do you think, that these things have been sent to me by the members of some Secret Society in Ireland—under error, of course—mistaking me for someone else? They can’t be meant for me; I have never, in my whole life, been mixed up with any political agitation of any sort.”
Mr. Dyer shook his head. “Members of secret societies generally make pretty sure of their ground before they send out missives of this kind,” he said. “I have never heard of such an error being made. I think, too, we mustn’t build any theories on the Irish post-mark; the letters may have been posted in Cork for the whole and sole purpose of drawing off attention from some other quarter.”
The Lady Sleuths MEGAPACK ™: 20 Modern and Classic Tales of Female Detectives Page 45
