Jack Higgins - Dillon 01 - Eye of the Storm (Midnight Man)

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by Eye of the Storm (Midnight Man)(lit)


  night.

  'I've told you not to ring me here. I'll ring you,' she told

  him.

  'I must see you. I'm free at one.'

  'Impossible.'

  'I've seen another report. The same business.'

  'I see. Have you got a copy?'

  'No, that wasn't possible, but I've read it.'

  'What did it say?'

  'I'll tell you at lunchtime.'

  She realised then that control on her part, severe control, was necessary. Her voice was cold and hard when she said, 'Don't waste my time, Gordon, I'm busy. I think I'd better bring this conversation to an end. I may give you a ring sometime, but then I may not.'

  He panicked instantly. 'No, let me tell you. There wasn't much. Just that the two French criminals involved had been murdered, they presumed by the man Dillon. Oh, and Brigadier Ferguson and Captain Tanner are flying over to Paris in the Lear jet at noon.' 'Why?' 'They're hoping to persuade this man Martin Brosnan

  to help them.'

  'Good,' she said. 'You've done well, Gordon. I'll see you

  tonight at your flat. Six o'clock and bring your work schedule for the next couple of weeks.' She rang off. Brown went upstairs, full of elation.

  Ferguson and Mary Tanner had an excellent flight and touched down at Charles de Gaulle Airport just after one. By two o'clock they were being ushered into Hernu's office at DGSE headquarters in Boulevard Mortier.

  He embraced Ferguson briefly. 'Charles, you old rogue, it's far too long.'

  'Now then, none of your funny French ways,' Ferguson told him. 'You'll be kissing me on both cheeks next. Mary Tanner, my aide.'

  She was wearing a rather nice Armani trouser suit of dark brown and a pair of exquisite ankle boots by Manolo Blahnik, diamond stud earrings and a small gold Rolex divers' watch completed the picture. For a girl who was not supposed to be particularly pretty, she looked stunning. Hernu, who knew class when he saw it, kissed her hand. Captain Tanner, your reputation precedes you.'

  'Only in the nicest way, I hope,' she replied in fluent French.

  'Good,' Ferguson said. 'So now we've got all that stuff over, let's get down to brass tacks. What about Brosnan?'

  'I have spoken to him this morning and he's agreed to see us at his apartment at three. Time for a late lunch. We have excellent canteen facilities here. Everyone mixes in from the Director downwards.' He opened the door. 'Just follow me. It may not be quite the best food in Paris, but it's certainly the cheapest.'

  In the stateroom at the barge, Dillon was pouring a glass of Krug and studying a large-scale map of London. Around

  him, pinned to the mahogany walls, were articles and reports from all the newspapers specifically referring to affairs at Number Ten, the Gulf War and how well John Major was doing. There were photos of the youngest Prime Minister of the century, several of them. In fact, the eyes seemed to follow him about. It was as if Major was watching him.

  'And I've got my eye on you, too, fella,' Dillon said softly. The things that intrigued him were the constant daily meetings of the British War Cabinet at Number Ten. All those bastards, all together in the same spot. What a target. Brighton all over again and that affair had come close to taking out the entire British Government. But Number Ten as a target? That didn't seem possible. Fortress Thatcher it had been dubbed by some after that redoubtable lady's security improvements. There were footsteps on the deck overhead. He opened a drawer in the table casually revealing a Smith & Wesson.38 revolver, closed it again as Makeev came in.

  'I could have telephoned, but I thought I'd speak to you personally,' the Russian said. 'What now?'

  'I've brought you some photos we've had taken of Bros-nan as he is now. Oh, and that's the girlfriend, Anne-Marie Audin.'

  'Good. Anything else?'

  'I've heard from Tania Novikova again. It seems Brigadier Ferguson and his aide, a Captain Mary Tanner, have flown over. They were due out of Gatwick at eleven.' He glanced at his watch. 'I'd say they'll be with Hernu right now.'

  'To what end?'

  'The real purpose of the trip is to see Brosnan. Try and persuade him to help actively in the search for you.' 'Really?' Dillon smiled coldly. 'Martin's becoming a seri-

  ous inconvenience. I might have to do something about that.'

  Makeev nodded at the clippings on the walls. 'Your own private gallery?'

  'I'm just getting to know the man,' Dillon said. 'Do you want a drink?'

  'No thanks.' Suddenly Makeev felt uncomfortable. 'I've things to do. I'll be in touch.'

  He went up the companionway. Dillon poured himself a little more champagne, sipped a little then stopped, walked into the kitchen and poured the whole bottle down the sink. Conspicuous waste, but he felt like it. He went back into the stateroom, lit a cigarette and looked at the clippings again, but all he could think about was Martin Brosnan. He picked up the photos Makeev had brought and pinned them up beside the clippings.

  Anne-Marie was in the kitchen at the Quai de Montebello, Brosnan going over a lecture at the table, when the doorbell rang. She hurried out, wiping her hands on a cloth.

  'That will be them,' she said. 'I'll get it. Now don't forget vour promise.'

  She touched the back of his neck briefly and went out. There was a sound of voices in the hall and she returned with Ferguson, Hernu and Mary Tanner.

  'I'll make some coffee,' Anne-Marie said and went into the kitchen.

  "My dear Martin.' Ferguson held out his hand. 'It's been too long.'

  Amazing,' Brosnan said. 'We only ever meet when you want something.'

  'Someone you haven't met, my aide, Captain Mary Tanner.'

  Brosnan looked her over quickly, the small, dark girl

  with the scar on the left cheek, and liked what he saw. 'Couldn't you find a better class of work than what this old sod has to offer?' he demanded.

  Odd that she should feel slightly breathless faced with this forty-five-year-old man with the ridiculously long hair and the face that had seen rather too much of the worst of

  life.

  'There's a recession on. You have to take what's going these days,' she said, her hand light in his.

  'Right. We've had the cabaret act so let's get down to business,' Ferguson said. Hernu went to the window, Ferguson and Mary took the sofa opposite Brosnan.

  'Max tells me he spoke to you last night after the murder of the Jobert brothers?'

  Anne-Marie came in with coffee on a tray. Brosnan said,

  'That's right.'

  'He tells me you've refused to help us?'

  'That's putting it a bit strongly. What I said was that I'd do anything I could except become actively involved myself and if you've come to attempt to change my mind, you're wasting your time.'

  Anne-Marie poured coffee. Ferguson said, 'You agree with him, Miss Audin?'

  'Martin slipped out of that life a long time ago, Brigadier,' she said carefully. 'I would not care to see him step back in for whatever reason.'

  'But surely you can see that a man like Dillon must be

  stopped?'

  'Then others must do the stopping. Why Martin, for God's sake?' She was distressed now and angry. 'It's your job, people like you. This sort of thing is how you make

  your living.'

  Max Hernu came across and picked up a cup of coffee. 'But Professor Brosnan is in a special position as regards this business, you must see that, mademoiselle. He knew

  Dillon intimately, worked with him for years. He could be of great help to us.'

  'I don't want to see him with a gun in his hand,' she said, 'and that's what it would come to. Once his foot is on that road again, there can only be one end.'

  She was very distressed, turned and went through into the kitchen. Mary Tanner went after her and closed the door. Anne-Marie was leaning against the sink, arms folded as if holding herself in, agony on her face.

  'They don't see, do they? They don't understand what I mean.'

  'I do,' Mary said simpl
y. 'I understand exactly what you mean,' and as Anne-Marie started to sob quietly, went and put her arms around her.

  Brosnan opened the French windows and stood on the terrace by the scaffolding taking in lungsful of cold air. Ferguson joined him. 'I'm sorry for the distress we've caused her.'

  'No you're not, you only see the end in view. You always did.'

  'He's a bad one, Martin.'

  T know,' Brosnan nodded. 'A real can of worms the little bastard has opened this time. I must get a smoke.'

  He went inside. Hernu was sitting by the fire. Brosnan found a packet of cigarettes, hesitated, then opened the kitchen door. Anne-Marie and Mary were sitting opposite each other, holding hands across the table.

  Mary turned. 'She'll be fine. Just leave us for a while.'

  Brosnan went back to the terrace. He lit a cigarette and leaned against the balustrade. 'She seems quite a lady, that aide of yours. That scar on her left cheek. Shrapnel. What's her story?'

  She was doing a tour of duty as a lieutenant with the

  Military Police in Londonderry. Some IRA chap was delivering a car bomb when the engine failed. He left it at the kerb and did a runner. Unfortunately it was outside an old folks' home. Mary was driving past in a Land Rover when a civilian alerted her. She got in the car, released the brake and managed to freewheel down the hill on to some waste land. It exploded as she made a run for it.' 'Good God!'

  'Yes, I'd agree on that occasion. When she came out of hospital she received a severe reprimand for breaking standing orders and the George Medal for the gallantry of her action. I took her on after that.'

  'A lot of still waters there.' Brosnan sighed and tossed his cigarette out into space as Mary Tanner joined them. 'She's gone to lie down in the bedroom.' 'All right,' Brosnan said. 'Let's go back in.' They went and sat down again and he lit another cigarette. 'Let's get this over with. What did you want to say?'

  Ferguson turned to Mary. 'Your turn, my dear.' 'I've been through the files, checked out everything the computer can tell us.' She opened her brown handbag and took out a photo. 'The only likeness of Dillon we can find. It's from a group photo taken at RADA twenty years ago. We had an expert in the department blow it

  up.'

  There was a lack of definition, the texture grainy and the face was totally anonymous. Just another young boy.

  Brosnan gave it back. 'Useless. I didn't even recognise

  him myself.'

  'Oh, it's him all right. The man on his right became quite successful on television. He's dead now.'

  'Not through Dillon?'

  'Oh, no, stomach cancer, but he was approached by one of our people back in nineteen eighty-one and confirmed that it was Dillon standing next to him in the photo.'

  'The only likeness we have,' Ferguson said. 'And no bloody use at all.'

  'Did you know that he took a pilot's licence and a commercial one at that?' Mary said.

  'No, I never knew that,' Brosnan said.

  'According to one of our informants, he did it in the Lebanon some years ago.'

  'Why were your people on his case in eighty-one?' Brosnan asked.

  'Yes, well that's interesting,' she told him. 'You told Colonel Hernu that he'd quarrelled with the IRA, had dropped out and joined the international terrorist circuit.'

  'That's right.'

  'It seems they took him back in nineteen eighty-one. They were having trouble with their active service units in England. Too many arrests, that kind of thing. Through an informer in Ulster we heard that he was operating in London for a time. There were at least three or four incidents attributed to him. Two car bombs and the murder of a police informant in Ulster who'd been relocated with his family in Maida Vale.'

  'And we didn't come within spitting distance of catching him,' Ferguson said.

  'Well, you wouldn't,' Brosnan told him. 'Let me go over it again. He's an actor of genius. He really can change before your eyes, just by use of body language. You'd have to see it to believe it. Imagine what he can do with make-up, hair colouring changes. He's only five feet five, remember. I've seen him dress as a woman and fool soldiers on foot patrol in Belfast.'

  Mary Tanner was leaning forward intently. 'Go on,' she said softly.

  'You want to know another reason why you've never caught him? He works out a series of aliases. Changes hair colour, uses whatever tricks of make-up are necessary, then

  takes his photo. That's what goes on his false passport or identity papers. He keeps a collection, then when he needs to move, makes himself into the man on the photo.' 'Ingenious,' Hernu said.

  'Exactly, so no hope of any help from television or newspaper publicity of the have-you-seen-this-man type. Wherever he goes, he slips under the surface. If he was working in London and needed anything at all, help, weapons, whatever, he'd simply pretend to be an ordinary criminal and use the underworld.'

  'You mean he wouldn't go near any kind of IRA contact at all?' Mary said.

  'I doubt it. Maybe someone who'd been in very deep cover for years, someone he could really trust and people like that are thin on the ground.'

  'There is a point in all this which no one has touched on,' Hernu said. 'Who is he working for?'

  'Well it certainly isn't the IRA,' Mary said. 'We did an instant computer check and we have links with both the RUC computer and British Army intelligence at Lisburn. Not a smell from anyone about the attempt on Mrs Thatcher.'

  'Oh, I believe that,' Brosnan said, 'although you can never be sure.'

  'There are the Iraqis, of course,' Ferguson said. 'Saddam would dearly love to blow everyone up at the moment.'

  'True, but don't forget Hizbollah, PLO, Wrath of Allah and a few others in between. He's worked for them all,' Brosnan reminded him.

  'Yes,' Ferguson said, 'and checking our sources through that lot would take time and I don't think we've got it.' 'You think he'll try again?' Mary asked. 'Nothing concrete, my dear, but I've been in this business a lifetime. I always go by my instincts and this time my instincts tell me there's more to it.'

  'Well, I can't help you there. I've done all I can.' Brosnan stood up.

  'All you're prepared to, you mean?' Ferguson said.

  They moved into the hall and Brosnan opened the door. 'I suppose you'll be going back to London?'

  'Oh, I don't know. I thought we might stay over and sample the delights of Paris. I haven't stayed at the Ritz since the refurbishment.'

  Mary Tanner said, 'That will give the expenses a bashing.' She held out her hand. 'Goodbye, Professor Brosnan. it was nice to be able to put a face to the name.'

  'And you,' he said. 'Colonel,' he nodded to Hernu and closed the door.

  When he went into the drawing room, Anne-Marie came in from the bedroom. Her face was drawn and pale. 'Did you come to any decision?' she asked.

  'I gave you my word. I've helped them all I can. Now they've gone and that's an end to it.'

  She opened the table drawer. Inside there was an assortment of pens, envelopes, writing paper, stamps. There was also a Browning High Power 9-mm pistol, one of the most deadly handguns in the world, preferred by the SAS above all others.

  She didn't say a word, simply closed the drawer and looked at him calmly. 'I'll make some coffee,' she said and went into the kitchen.

  In the limousine Hernu said, 'You've lost him. He won't do any more.'

  'I wouldn't be too sure of that. We'll discuss it over dinner at the Ritz later. You'll join us, I hope? Eight o'clock all right?'

  'Delighted,' Hernu said. 'Group Four must be rather more generous with its expenses than my own poor department.'

  'Oh, it's all on dear Mary here,' Ferguson said. 'Flashed this wonderful piece of plastic at me the other day which American Express had sent her. The Platinum Card. Can you believe that, Colonel?'

  'Damn you!' Mary said.

  Hernu lay back and laughed helplessly.

  Tania Novikova came out of the bathroom of Gordon Brown's Camden flat combing her hair. He pulled
on a dressing-gown.

  'You've got to go?' he said.

  'I must. Come into the living room.' She pulled on her coat and turned to face him. 'No more coming to the Bays-water flat, no more telephones. The work schedule you showed me. All split shifts for the next month. Why?'

  'They're not popular, especially for people with families. That isn't a problem for me, so I agreed to do it for the moment. And it pays more.'

 

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