Sure enough, the round, wattled features of Maxwell Jamison, the White House news secretary, appeared on the screen. Raising his hand, Jamison made his familiar gesture of greeting. "Evening, people of this land of ours," he said solemnly. "Have you ever wondered what it would be like to descend to the bottom of the Pacific Ocean? Nicole has, and to answer that question she has assembled in the Tulip Room of the White House three of the world's foremost oceanographers. Tonight she will ask them for their stories, and you will hear them, too, as they were taped live, just a short while ago through the facilities of the Unified Triadic Networks' Public Affairs Bureau."
And now to the White House, Ian Duncan said to himself. At least vicariously. We who can't find our way there, who have no talents which might interest the First Lady even for one evening: we get to see in anyhow, through the carefully-regulated window of our television set.
Tonight he did not really want to watch, but it seemed expedient to do so; there might be a surprise quiz on the program, at the end. And a good grade on a surprise quiz might well offset the bad grade he had surely made on the recent political test, now being corrected by his neighbor Mr. Stone.
On the screen bloomed now lovely, tranquil features, the pale skin and dark, intelligent eyes, the wise and yet pert face of the woman who had come to monopolize their attention, on whom an entire nation, almost an entire planet, dwelt obsessively. At the sight of her, Ian Duncan felt engulfed by fear. He had failed her; his rotten test results were somehow known to her and although she would say nothing, the disappointment was there.
"Good evening," Nicole said in her soft, slightly-husky voice.
"It's this way," Ian Duncan found himself mumbling. "I don't have a head for abstractions; I mean, all this religio-political philosophy—it makes no sense to me. Couldn't I just concentrate on concrete reality? I ought to be baking bricks or turning out shoes." I ought to be on Mars, he thought, on the frontier. I'm flunking out here; at thirty-five I'm washed up, and she knows it. Let me go, Nicole, he thought in desperation. Don't give me any more tests, because I don't have a chance of passing them. Even this program about the ocean's bottom; by the time it's over I'll have forgotten all the data. I'm no use to the Democratic-Republican Party.
He thought about his brother, then. Al could help me. Al worked for Loony Luke, at one of his jalopy jungles, peddling the little tin and plastic ships that even defeated people could afford, ships that could, if luck was with them, successfully make a one-way trip to Mars. Al, he said to himself, you could get me a jalopy—wholesale.
On the TV screen, Nicole was saying, "And really, it is a world of much enchantment, with luminous entities far surpassing in variety and in sheer delightful wonder anything found on other planets. Scientists compute that there are more forms of life in the ocean—"
Her face faded, and a sequence showing odd, grotesque fish segued into its place. This is part of the deliberate propaganda line, Ian Duncan realized. An effort to take our minds off of Mars and the idea of getting away from the Party … and from her. On the screen a bulbous-eyed fish gaped at him, and his attention, despite himself, was captured. Chrissakes, he thought, it is a weird world down there. Nicole, he thought, you've got me trapped. If only Al and I had succeeded; we might be performing right now for you, and we'd be happy. While you interviewed world-famous oceanographers Al and I would be discreetly playing in the background, perhaps one of the Bach "Two Part Inventions."
Going to the closet of his apartment, Ian Duncan bent down and carefully lifted a cloth-wrapped object into the light. We had so much youthful faith in this, he recalled. Tenderly, he unwrapped the jug; then, taking a deep breath, he blew a couple of hollow notes on it. The Duncan Brothers and Their Two-man Jug Band, he and Al had been, playing their own arrangements for two jugs of Bach and Mozart and Stravinsky. But the White House talent scout—the skunk. He had never even given them a fair audition. It had been done, he told them. Jesse Pigg, the fabulous jug-artist from Alabama, had gotten to the White House first, entertaining and delighting the dozen and one members of the Thibodeaux family gathered there with his version of "Derby Ram" and "John Henry" and the like.
"But," Ian Duncan had protested, "this is classical jug. We play late Beethoven sonatas."
"We'll call you," the talent scout had said briskly. "If Nicky shows an interest at any time in the future."
Nicky! He had blanched. Imagine being that intimate with the First Family. He and Al, mumbling pointlessly, had retired from the stage with their jugs, making way for the next act, a group of dogs dressed up in Elizabethan costumes portraying characters from Hamlet. The dogs had not made it, either, but that was little consolation.
"I am told," Nicole was saying, "that there is so little light in the ocean depths that, well, observe this strange fellow." A fish, sporting a glowing lantern before him, swam across the TV screen.
Startling him, there came a knock on the apartment door. With anxiety Duncan answered it; he found his neighbor Mr. Stone standing there, looking nervous.
"You weren't at All Souls?" Mr. Stone said. "Won't they check and find out?" He held in his hands Ian Duncan's corrected test.
Duncan said, "Tell me how I did." He prepared himself.
Entering the apartment, Stone shut the door after him. He glanced at the TV set, saw Nicole seated with the oceanographers, listened for a moment to her, then abruptly said in a hoarse voice, "You did fine." He held out the test.
Duncan said, "I passed?" He could not believe it. He accepted the papers, examined them with incredulity. And then he understood what had happened. Stone had conspired to see that he passed; he had falsified the score, probably out of humanitarian motives. Duncan raised his head and they looked at each other, neither speaking. This is terrible, Duncan thought. What'll I do now? His reaction amazed him, but there it was.
I wanted to fail, he realized. Why? So I can get out of here, so I would have an excuse to give up all this, my apartment and my job, and go. Emigrate with nothing more than the shirt on my back, in a jalopy that falls to pieces the moment it comes to rest in the Martian wilderness.
"Thanks," he said glumly.
In a rapid voice, Stone said, "You can do the same for me sometime."
"Oh yeah, be happy to," Duncan said.
Scuttling back out of the apartment, Stone left him alone with the TV set, his jug and the falsely-corrected test papers, and his thoughts.
Al, you've got to help me, he said to himself. You've got to get me out of this; I can't even fail on my own.
In the little structure at the back of Jalopy Jungle No. 3, Al Duncan sat with his feet on the desk, smoking a cigarette and watching passers-by, the sidewalk and people and stores of downtown Reno, Nevada. Beyond the gleam of the new jalopies parked with flapping banners and streamers cascading from them he saw a shape waiting, hiding beneath the sign that spelled out LOONY LUKE.
And he was not the only person to see the shape; along the sidewalk came a man and woman with a small boy trotting ahead of them, and the boy, with an exclamation, hopped up and down, gesturing excitedly. "Hey, Dad, look! You know what it is? Look, it's the papoola."
"By golly," the man said with a grin, "so it is. Look, Marion, there's one of those Martian creatures, hiding there under that sign. What do you say we go over and chat with it?" He started in that direction, along with the boy. The woman, however, continued along the sidewalk.
"Come on, Mom!" the boy urged.
In his office, Al lightly touched the controls of the mechanism within his shirt. The papoola emerged from beneath the LOONY LUKE sign, and Al caused it to waddle on its six stubby legs toward the sidewalk, its round, silly hat slipping over one antenna, its eyes crossing and uncrossing as it made out the sight of the woman. The tropism being established, the papoola trudged after her, to the delight of the boy and his father.
"Look, Dad, it's following Mom! Hey Mom, turn around and see!"
The woman glanced back, saw the platter-like orga
nism with its orange bug-shaped body, and she laughed. Everybody loves the papoola, Al thought to himself. See the funny Martian papoola. Speak, papoola; say hello to the nice lady who's laughing at you.
The thoughts of the papoola, directed at the woman, reached Al. It was greeting her, telling her how nice it was to meet her, soothing and coaxing her until she came back up the sidewalk toward it, joining her boy and husband so that now all three of them stood together, receiving the mental impulses emanating from the Martian creature which had come here to Earth with no hostile plans, no capacity to cause trouble. The papoola loved them, too, just as they loved it; it told them so right now—it conveyed to them the gentleness, the warm hospitality which it was accustomed to on its own planet.
What a wonderful place Mars must be, the man and woman were no doubt thinking, as the papoola poured out its recollections, its attitude. Gosh, it's not cold and schizoid, like Earth society; nobody spies on anybody else, grades their innumerable political tests, reports on them to building Security committees week in, week out. Think of it, the papoola was telling them as they stood rooted to the sidewalk, unable to pass on. You're your own boss, there, free to work your land, believe your own beliefs, become yourself. Look at you, afraid even to stand here listening. Afraid to—
In a nervous voice the man said to his wife, "We better go."
"Oh no," the boy said pleadingly. "I mean, gee, how often do you get to talk to a papoola? It must belong to that jalopy jungle, there." The boy pointed, and Al found himself under the man's keen, observing scrutiny.
The man said, "Of course. They landed here to sell jalopies. It's working on us right now, softening us up." The enchantment visibly faded from his face. "There's the man sitting in there operating it."
But, the papoola thought, what I tell you is still true. Even if it is a sales pitch. You could go there, to Mars, yourself. You and your family can see with your own eyes—if you have the courage to break free. Can you do it? Are you a real man? Buy a Loony Luke jalopy … buy it while you still have the chance, because you know that someday, maybe not so long from now, the law is going to crack down. And there will be no more jalopy jungles. No more crack in the wall of the authoritarian society through which a few—a few lucky people—can escape.
Fiddling with the controls at his midsection, Al turned up the gain. The force of the papoola's psyche increased, drawing the man in, taking control of him. You must buy a jalopy, the papoola urged. Easy payment plan, service warranty, many models to choose from. The man took a step toward the lot. Hurry, the papoola told him. Any second now the authorities may close down the lot and your opportunity will be gone forever.
"This is how they work it," the man said with difficulty. "The animal snares people. Hypnosis. We have to leave." But he did not leave; it was too late: he was going to buy a jalopy, and Al, in the office with his control box, was reeling the man in.
Leisurely, Al rose to his feet. Time to go out and close the deal. He shut off the papoola, opened the office door and stepped outside onto the lot—and saw a once-familiar figure threading its way among the jalopies, toward him. It was his brother Ian and he had not seen him in years. Good grief, Al thought. What's he want? And at a time like this—
"Al," his brother called, gesturing. "Can I talk with you a second? You're not too busy, are you?" Perspiring and pale, he came closer, looking about in a frightened way. He had deteriorated since Al had last seen him.
"Listen," Al said, with anger. But already it was too late; the couple and their boy had broken away and were moving rapidly on down the sidewalk.
"I don't mean to bother you," Ian mumbled.
"You're not bothering me," Al said as he gloomily watched the three people depart. "What's the trouble, Ian? You don't look very well; are you sick? Come on in the office." He led his brother inside and shut the door.
Ian said, "I came across my jug. Remember when we were trying to make it to the White House? Al, we have to try once more. Honest to God, I can't go on like this; I can't stand to be a failure at what we agreed was the most important thing in our lives." Panting, he mopped at his forehead with his handkerchief, his hands trembling.
"I don't even have my jug any more," Al said presently.
"You must. Well, we could each record our parts separately on my jug and then synthesize them on one tape, and present that to the White House. This trapped feeling; I don't know if I can go on living with it. I have to get back to playing. If we started practicing right now on the 'Goldberg Variations' in two months we—"
Al broke in, "You still live at that place? That Abraham Lincoln?"
Ian nodded.
"And you still have that position down in Palo Alto, you're still a gear inspector?" He could not understand why his brother was so upset. "Hell, if worse comes to worst you can emigrate. Jug-playing is out of the question; I haven't played for years, since I last saw you in fact. Just a minute." He dialed the knobs of the mechanism which controlled the papoola; near the sidewalk the creature responded and began to return slowly to its spot beneath the sign.
Seeing it, Ian said, "I thought they were all dead."
"They are," Al said.
"But that one out there moves and—"
"It's a fake," Al said. "A puppet. I control it." He showed his brother the control box. "It brings in people off the sidewalk. Actually, Luke is supposed to have a real one on which these are modeled. Nobody knows for sure and the law can't touch Luke because technically he's now a citizen of Mars; they can't make him cough up the real one, if he does have it." Al seated himself and lit a cigarette. "Fail your relpol test," he said to Ian, "lose your apartment and get back your original deposit; bring me the money and I'll see that you get a damn fine jalopy that'll carry you to Mars. Okay?"
"I tried to fail my test," Ian said, "but they won't let me. They doctored the results. They don't want me to get away."
"Who's 'they'?"
"The man in the next apartment. Ed Stone, his name is. He did it deliberately; I saw the look on his face. Maybe he thought he was doing me a favor … I don't know." He looked around him. "This is a nice little office you have here. You sleep in it, don't you? And when it moves, you move with it."
"Yeah," Al said, "we're always ready to take off." The police had almost gotten him a number of times, even though the lot could obtain orbital velocity in six minutes. The papoola had detected their approach, but not sufficiently far in advance for a comfortable escape; generally it was hurried and disorganized, with part of his inventory of jalopies being left behind.
"You're just one jump ahead of them," Ian mused. "And yet it doesn't bother you. I guess it's all in your attitude."
"If they get me," Al said, "Luke will bail me out." The shadowy, powerful figure of his boss was always there, backing him up, so what did he have to worry about? The jalopy tycoon knew a million tricks. The Thibodeaux clan limited their attacks on him to deep-think articles in popular magazines and on TV, harping on Luke's vulgarity and the shoddiness of his vehicles; they were a little afraid of him, no doubt.
"I envy you," Ian said. "Your poise. Your calmness."
"Doesn't your apartment building have a sky pilot? Go talk to him."
Ian said bitterly, "That's no good. Right now it's Patrick Doyle and he's as bad off as I am. And Don Klugman, our chairman, is even worse off; he's a bundle of nerves. In fact our whole building is shot through with anxiety. Maybe it has to do with Nicole's sinus headaches."
Glancing at his brother, Al saw that he was actually serious. The White House and all it stood for meant that much to him; it still dominated his life, as it had when they were boys. "For your sake," Al said quietly, "I'll get my jug out and practice. We'll make one more try."
Speechless, Ian gaped at him in gratitude.
Seated together in the business office of the Abraham Lincoln, Don Klugman and Patrick Doyle studied the application which Mr. Ian Duncan of no. 304 had filed with them. Ian desired to appear in the twice-wee
kly talent show, and at a time when a White House talent scout was present. The request, Klugman saw, was routine, except that Ian proposed to do his act in conjunction with another individual who did not live at Abraham Lincoln.
Doyle said, "It's his brother. He told me once; the two of them used to have this act, years ago. Baroque music on two jugs. A novelty."
"What apartment house does his brother live in?" Klugman asked. Approval of the application would depend on how relations stood between the Abraham Lincoln and the other building.
"None. He sells jalopies for that Loony Luke—you know. Those cheap little ships that get you just barely to Mars. He lives on one of the lots, I understand. The lots move around; it's a nomadic existence. I'm sure you've heard."
"Yes," Klugman agreed, "and it's totally out of the question. We can't have that act on our stage, not with a man like that involved in it. There's no reason why Ian Duncan can't play his jug; it's a basic political right and I wouldn't be surprised if it's a satisfactory act. But it's against our tradition to have an outsider participate; our stage is for our own people exclusively, always has been and always will. So there's no need even to discuss this." He eyed the sky pilot critically.
"True," Doyle said, "but it is a blood relative of one of our people, right? It's legal for one of us to invite a relative to watch the talent shows … so why not let him participate? This means a lot to Ian; I think you know he's been failing, lately. He's not a very intelligent person. Actually, he should be doing a manual job, I suppose. But if he has artistic ability, for instance this jug concept—"
Examining his documents, Klugman saw that a White House scout would be attending a show at the Abraham Lincoln in two weeks. The best acts at the building would of course be scheduled that night … the Duncan Brothers and Their Baroque Jug Band would have to compete successfully in order to obtain that privilege, and there were a number of acts which—Klugman thought—were probably superior. After all, jugs … and not even electronic jugs, at that.
The Collected Stories of Philip K. Dick 4: The Minority Report Page 178
