“I meant of course, to instruct,” said Mrs. Leveret, flurried by the unexpected distinction between two terms which she had supposed to be synonymous. Mrs. Leveret’s enjoyment of the Lunch Club was frequently marred by such surprise; and not knowing her own value to the other ladies as a mirror for their mental complacency she was sometimes troubled by a doubt of her worthiness to join in their debates. It was only the fact of having a dull sister who thought her clever that saved her from a sense of hopeless inferiority.
“Do they get married in the end?” Mrs. Roby interposed.
“They—who?” the Lunch Club collectively exclaimed.
“Why, the girl and the man. It’s a novel, isn’t it? I always think that’s the one thing that matters. If they’re parted it spoils my dinner.”
Mrs. Plinth and Mrs. Ballinger exchanged scandalised glances, and the latter said: “I should hardly advise you to read ‘The Wings of Death’ in that spirit. For my part, when there are so many books one has read, I wonder how any one can find time for those that are merely amusing.”
“The beautiful part of it,” Laura Glyde murmured, “is surely just this—that no one can tell how ‘The Wings of Death’ ends. Osric Dane, overcome by the awful significance of her own meaning, has mercifully veiled it—perhaps even from herself—as Apelles, in representing the sacrifice of Iphigenia, veiled the face of Agamemnon.”
“What’s that? Is it poetry?” whispered Mrs. Leveret to Mrs. Plinth, who, disdaining a definite reply, said coldly: “You should look it up. I always make it a point to look things up.” Her tone added—“though I might easily have it done for me but the footman.”
“I was about to say,” Miss Van Vluyck resumed, “that it must always be a question whether a book can instruct unless it elevates.”
“Oh—” murmured Mrs. Leverett, now feeling herself hopelessly astray.
“I don’t know,” said Mrs. Ballinger, scenting in Miss Van Vluyck’s tone a tendency to depreciate the coveted distinction of entertaining Osric Dane; “I don’t know that such a question can seriously be raised as to a book which has attracted more attention among thoughtful people than any novel since ‘Robert Elsmere.’ ”
“Oh, but don’t you see,” exclaimed Laura Glyde, “that it’s just the dark hopelessness of it all—the wonderful tone-scheme of black on black—that makes it such an artistic achievement? It reminded me when I read it of Prince Rupert’s maniére noire . . . the book is etched, not painted, yet one feels the colour-values so intensely . . . .”
“Who is he?” Mrs. Leveret whispered to her neighbour. “Someone she’s met abroad?”
“The wonderful part of the book,” Mrs. Ballinger conceded, “is that it may be looked at from so many points of view. I hear that as a study of determinism Professor Lupton ranks it with ‘The Data of Ethics.’ ”
“I’m told that Osric Dane spent ten years in preparatory studies before beginning to write it,” said Mrs. Plinth. “She looks up everything—verifies everything. It has always been my principle, as you know. Nothing would induce me, now, to put aside a book before I’d finished it, just because I can buy as many more as I want.”
“And what do you think of ‘The Wings of Death’?” Mrs. Roby abruptly asked her.
It was the kind of question that might be termed out of order, and the ladies glanced at each other as though disclaiming any share in such a breach of discipline. They all knew there was nothing Mrs. Plinth so much disliked as being asked her opinion of a book. Books were written to read; if one read them what more could be expected? To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House. The club had always respected this idiosyncrasy of Mrs. Plinth’s. Such opinions as she had were imposing and substantial: her mind, like her house, was furnished with monumental “pieces” that were not meant to be disarranged; and it was one of the unwritten rules of the Lunch Club that, within her own province, each member’s habits of thought should be respected. The meeting therefore closed with an increased sense, on the part of the other ladies, of Mrs. Roby’s hopeless unfitness to be one of them.
II.
MRS. Leveret, on the eventful day, arrived early at Mrs. Ballinger’s, her volume of Appropriate Allusions in her pocket.
It always flustered Mrs. Leveret to be late at the Lunch Club: she liked to collect her thoughts and gather a hint, as the others assembled, of the turn the conversation was likely to take. Today, however, she felt herself completely at a loss; and even the familiar contact of Appropriate Allusions, which stuck into her as she sat down, failed to give her any reassurance. It was an admirable little volume, compiled to meet all the social emergencies; so that, whether on the occasion of Anniversaries, joyful or melancholy (as the classification ran), of Banquets, social or municipal, or of Baptisms, Church of England or sectarian, its student need never be at a loss for a pertinent reference. Mrs. Leveret, though she had for years devoutly conned its pages, valued it, however, rather for its moral support than for its practical services; for though in the privacy of her own room she commanded an army of quotations, these invariably deserted her at the critical moment, and the only phrase she retained—Canst thou draw out leviathan with a hook?—was one she had never yet found occasion to apply.
To-day she felt that even the complete mastery of the volume would hardly have insured her self-possession; for she thought it probable that, even if she did, in some miraculous way, remember an Allusion, it would be only to find that Osric Dane used a different volume (Mrs. Leveret was convinced that literary people always carried them), and would consequently not recognise her quotations.
Mrs. Leveret’s sense of being adrift was intensified by the appearance of Mrs. Ballinger’s drawing-room. To a careless eye its aspect was unchanged; but those acquainted with Mrs. Ballinger’s way of arranging her books would instantly have detected the marks of recent perturbation. Mrs. Ballinger’s province, as a member of the Lunch Club, was the Book of the Day. On that, whatever it was, from a novel to a treatise on experimental psychology, she was confidently, authoritatively “up.” What became of last year’s books, or last week’s even; what she did with the “subjects” she had previously professed with equal authority; no one had ever yet discovered. Her mind was an hotel where facts came and went like transient lodgers, without leaving their address behind, and frequently without paying for their board. It was Mrs. Ballinger’s boast that she was “abreast with the Thought of the Day,” and her pride that this advanced position should be expressed by the books on her table. These volumes, frequently renewed, and almost always damp from the press, bore names generally unfamiliar to Mrs. Leveret, and giving her, as she furtively scanned them, a disheartened glimpse of new fields of knowledge to be breathlessly traversed in Mrs. Ballinger’s wake. But to-day a number of maturer-looking volumes were adroitly mingled with the primeurs of the press—Karl Marx jostled Professor Bergson, and the “Confessions of St. Augustine” lay beside the last work on “Mendelism”; so that even to Mrs. Leveret’s fluttered perceptions it was clear that Mrs. Ballinger didn’t in the least know what Osric Dane was likely to talk about, and had taken measures to be prepared for anything. Mrs. Leveret felt like a passenger on an ocean steamer who is told that there is no immediate danger, but that she had better put on her life-belt.
It was a relief to be roused from these forebodings by Miss Van Vluyck’s arrival.
“Well, my dear,” the new-comer briskly asked her hostess, “what subjects are we to discuss to-day?”
Mrs. Ballinger was furtively replacing a volume of Wordsworth by a copy of Verlaine. “I hardly know,” she said, somewhat nervously. “Perhaps we had better leave that to circumstances.”
“Circumstances?” said Miss Van Vluyck drily. “That means, I suppose, that Laura Glyde will take the floor as usual, and we shall be deluged with literature.”
Philanthropy and statistics were Miss Van Vluyck’s provinc
e, and she resented any tendency to divert their guest’s attention from these topics.
Mrs. Plinth at this moment appeared.
“Literature?” she protested in a tone of remonstrance. “But this is perfectly unexpected. I understood we were to talk of Orsic Dane’s novel.”
Mrs. Ballinger winced at the discrimination, but let it pass. “We hardly make that our chief subject—at least not too intentionally,” she suggested. “Of course we can let our talk drift in that direction, but we ought to have some other topic as an introduction, and that is what I wanted to consult you about. The fact is, we know so little of Osric Dane’s tastes and interests that it is difficult to make any special preparation.”
“It may be difficult,” said Mrs. Plinth with decision, “but it is necessary. I know what that happy-go-lucky principle leads to. As I told one of my nieces the other day, there are certain emergencies for which a lady should always be prepared. It’s in shocking taste to wear colours when one pays a visit of condolence, or a last year’s dress when there are reports that one’s husband is on the wrong side of the market; and so it is with conversation. All I ask is that I should know beforehand what is to be talked about; then I feel sure of being able to say the proper thing.”
“I quite agree with you,” Mrs. Ballinger assented: “but—”
And at that instant, heralded by the fluttered parlour-maid, Osric Dane appeared upon the threshold.
Mrs. Leveret told her sister afterward that she had known at a glance what was coming. She saw that Osric Dane was not going to meet them half way. That distinguished personage had indeed entered with an air of compulsion not calculated to promote the easy exercise of hospitality. She looked as though she were about to be photographed for a new edition of her books.
The desire to propitiate a divinity is generally in inverse ratio to its responsiveness, and the sense of discouragement produced by Osric Dane’s entrance visibly increased the Lunch Club’s eagerness to please her. Any lingering idea that she might consider herself under an obligation to her entertainers was at once dispelled by her manner: as Mrs. Leveret said afterward to her sister, she had a way of looking at you that made you feel as if there was something wrong with your hat. This evidence of greatness produced such an immediate impression on the ladies that a shudder of awe ran through them when Mrs. Roby, as their hostess led the great personage into the dining-room, turned back to whisper to the others: “What a brute she is!”
The hour about the table did not tend to revise this verdict. It was passed by Osric Dane in the silent deglutition of Mrs. Ballinger’s menu, and by the members of the club in the emission of tentative platitudes which their guest seemed to swallow as perfunctorily as the successive courses of the luncheon.
Mrs. Ballinger’s reluctance to fix a topic had thrown the club into a mental disarray which increased with the return to the drawing-room, where the actual business of discussion was to open. Each lady waited for the other to speak; and there was a general shock of disappointment when their hostess opened the conversation by the painfully commonplace enquiry: “Is this your first visit to Hillbridge?”
Even Mrs. Leveret was conscious that this was a bad beginning; and a vague impulse of deprecation made Miss Glyde interject: “It is a very small place indeed.”
Mrs. Plinth bristled. “We have a great many representative people,” she said, in the tone of one who speaks for her order.
Osric Dane turned to her. “What do they represent?” she asked.
Mrs. Plinth’s constitutional dislike to being questioned was intensified by her sense of unpreparedness; and her reproachful glance passed the question on to Mrs. Ballinger.
“Why,” said that lady, glancing in turn at the other members, “as a community I hope it is not too much to say that we stand for culture.”
“For art—” Miss Glyde interjected.
“For art and literature,” Mrs. Ballinger emended.
“And for sociology, I trust,” snapped Miss Van Vluyck.
“We have a standard,” said Mrs. Plinth, feeling herself suddenly secure on the vast expanse of a generalisation; and Mrs. Leveret, thinking there must be room for more than one on so broad a statement, took courage to murmur: “Oh, certainly; we have a standard.”
“The object of our little club,” Mrs. Ballinger continued, “is to concentrate the highest tendencies of Hillbridge—to centralise and focus its intellectual effort.”
This was felt to be so happy that the ladies drew an almost audible breath of relief.
“We aspire,” the President went on, “to be in touch with whatever is highest in art, literature and ethics.”
Osric Dane again turned to her. “What ethics?” she asked.
A tremor of apprehension encircled the room. None of the ladies required any preparation to pronounce on a question of morals; but when they were called ethics it was different. The club, when fresh from the “Encyclopædia Britannica,” the “Reader’s Handbook” or Smith’s “Classical Dictionary,” could deal confidently with any subject; but when taken unawares it had been known to define agnosticism as a heresy of the Early Church and Professor Froude as a distinguished histologist; and such minor members as Mrs. Leveret still secretly regarded ethics as something vaguely pagan.
Even to Mrs. Ballinger, Osric Dane’s question was unsettling, and there was a general sense of gratitude when Laura Glyde leaned forward to say, with her most sympathetic accent: “You must excuse us, Mrs. Dane, for not being able, just at present, to talk of anything but ‘The Wings of Death.’ ”
“Yes,” said Miss Van Vluyck, with a sudden resolve to carry the war into the enemy’s camp. “We are so anxious to know the exact purpose you had in mind in writing your wonderful book.”
“You will find,” Mrs. Plinth interposed “that we are not superficial readers.”
“We are eager to hear from you,” Miss Van Vluyck continued, “if the pessimistic tendency of the book is an expression of your own convictions or—”
“Or merely,” Miss Glyde thrust in, “a sombre background brushed in to throw your figures into more vivid relief. Are you not primarily plastic?”
“I have always maintained,” Mrs. Ballinger interposed, “that you represent the purely objective method—”
Osric Dane helped herself critically to coffee. “How do you define objective?” she then enquired.
There was a flurried pause before Laura Glyde intensely murmured: “In reading you we don’t define, we feel.”
Osric Dane smiled. “The cerebellum,” she remarked, “is not infrequently the seat of the literary emotions.” And she took a second lump of sugar.
The sting that this remark was vaguely felt to conceal was almost neutralised by the satisfaction of being addressed in such technical language.
“Ah, the cerebellum,” said Miss Van Vluyck complacently. “The club took a course in psychology last winter.”
“Which psychology?” asked Osric Dane.
There was an agonising pause, during which each member of the club secretly deplored the distressing inefficiency of the others. Only Mrs. Roby went on placidly sipping her chartreuse. At last Mrs. Ballinger said, with an attempt at a high tone: “Well, really, you know, it was last year that we took psychology, and this winter we have been so absorbed in—”
She broke off, nervously trying to recall some of the club’s discussions; but her faculties seemed to be paralysed by the petrifying stare of Osric Dane. What had the club been absorbed in? Mrs. Ballinger, with a vague purpose of gaining time, repeated slowly: “We’ve been so intensely absorbed in—”
Mrs. Roby put down her liqueur glass and drew near the group with a smile.
“In Xingu?” she gently prompted.
A thrill ran through the other members. They exchanged confused glances, and then, with one accord, turned a gaze of mingled relief and interrogation on their rescuer. The expression of each denoted a different phase of the same emotion. Mrs. Plinth was the first to c
ompose her features to an air of reassurance: after a moment’s hasty adjustment her look almost implied that it was she who had given the word to Mrs. Ballinger.
“Xingu, of course!” exclaimed the latter with her accustomed promptness, while Miss Van Vluyck and Laura Glyde seemed to be plumbing the depths of memory, and Mrs. Leveret, feeling apprehensively for Appropriate Allusions, was somehow reassured by the uncomfortable pressure of its bulk against her person.
Osric Dane’s change of countenance was no less striking than that of her entertainers. She too put down her coffee-cup, but with a look of distinct annoyance; she too wore, for a brief moment, what Mrs. Roby afterward described as the look of feeling for something in the back of her head; and before she could dissemble these momentary signs of weakness, Mrs. Roby, turning to her with a deferential smile, had said: “And we’ve been so hoping that to-day you would tell us just what you think of it.”
Osric Dane received the homage of the smile as a matter of course; but the accompanying question obviously embarrassed her, and it became clear to her observers that she was not quick at shifting her facial scenery. It was as though her countenance had so long been set in an expression of unchallenged superiority that the muscles had stiffened, and refused to obey her orders.
“Xingu—” she said, as if seeking in her turn to gain time.
Mrs. Roby continued to press her. “Knowing how engrossing the subject is, you will understand how it happens that the club has let everything else go to the wall for the moment. Since we took up Xingu I might almost say—were it not for your books—that nothing else seems to us worth remembering.”
Osric Dane’s stern features were darkened rather than lit up by an uneasy smile. “I am glad to hear that you make one exception,” she gave out between narrowed lips.
“Oh, of course,” Mrs. Roby said prettily; “but as you have shown us that—so very naturally!—you don’t care to talk of your own things, we really can’t let you off from telling us exactly what you think about Xingu; especially,” she added, with a still more persuasive smile, “as some people say that one of your last books was saturated with it.”
Roman Fever and Other Stories Page 4
