Rip Van Winkle

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by Washington Irving


  London Antiques

  – I do walk

  Methinks like Guido Vaux, with my dark lanthorn,

  Stealing to set the town o’ fire; i’ th’ country

  I should be taken for William o’ the Wisp,

  Or Robin Goodfellow.

  FLETCHER.

  I am somewhat of an antiquity hunter and am fond of exploring London in quest of the reliques of old times. These are principally to be found in the depths of the city, swallowed up and almost lost in a wilderness of brick and mortar; but deriving poetical and romantic interest from the commonplace prosaic world around them. I was struck with an instance of the kind in the course of a recent summer ramble into the city; for the city is only to be explored to advantage in summer time; when free from the smoke and fog, and rain and mud of winter. I had been buffeting for some time against the current of population setting through Fleet Street. The warm weather had unstrung my nerves and made me sensitive to every jar and jostle and discordant sound. The flesh was weary, the spirit faint and I was getting out of humor with the bustling busy throng through which I had to struggle, when in a fit of desperation I tore my way through the crowd, plunged into a bye lane, and after passing through several obscure nooks and angles emerged into a quaint and quiet court with a grass plot in the centre overhung by elms, and kept perpetually fresh and green by a fountain with its sparkling jet of water. A student with book in hand was seated on a stone bench, partly reading, partly meditating on the movements of two or three trim nursery maids with their infant charges.

  I was like an Arab who had suddenly come upon an oasis amid the panting sterility of the desert. By degrees the quiet and coolness of the place soothed my nerves and refreshed my spirit. I pursued my walk and came, hard by, to a very ancient chapel with a low browed saxon portal of massive and rich architecture. The interior was circular and lofty, and lighted from above. Around were monumental tombs of ancient date, on which were extended the marble effigies of warriors in armour. Some had the hands devoutly crossed upon the breast; others grasped the pummel of the sword – menacing hostility even in the tomb! – while the crossed legs of several indicated soldiers of the Faith who had been on crusades to the Holy Land.

  I was in fact, in the chapel of the Knights Templars, strangely situated in the very centre of sordid traffic; and I do not know a more impressive lesson for the man of the world than thus suddenly to turn aside from the high way of busy money seeking life, and sit down among these shadowy sepulchres, where all is twilight, dust and forgetfulness.

  In a subsequent tour of observation I encountered another of these reliques of a ‘foregone world’ locked up in the heart of the city. I had been wandering for some time through dull monotonous streets, destitute of any thing to strike the eye or excite the imagination, when I beheld before me a gothic gate way of mouldering antiquity. It opened into a spacious quadrangle forming the court yard of a stately gothic pile the portal of which stood ‘invitingly open.’

  It was apparently a public edifice, and as I was antiquity hunting I ventured in, though with dubious steps. Meeting no one either to oppose or rebuke my intrusion I continued on until I found myself in a great hall with a lofty arched roof and oaken gallery, all of gothic architecture. At one end of the hall was an enormous fireplace with wooden settles on each side; at the other end was a raised platform or dais, the seat of state, above which was the portrait of a man in antique garb, with a long robe, a ruff and a venerable grey beard.

  The whole establishment had an air of monastic quiet and seclusion, and what gave it a mysterious charm was, that I had not met with a human being since I had passed the threshold.

  Encouraged by this loneliness I seated myself in a recess of a large bow window which admitted a broad flood of yellow sunshine, checquered here and there by tints from panes of colored glass; while an open casement let in the soft summer air. Here leaning my head on my hand and my arm on an old oaken table I indulged in a sort of reverie about what might have been the ancient uses of this edifice. It had evidently been of monastic origin; perhaps one of those collegiate establishments built of yore for the promotion of learning, where the patient monk, in the ample solitude of the cloister, added page to page and volume to volume, emulating in the productions of his brain the magnitude of the pile he inhabited.

  As I was seated in this musing mood a small panneled door in an arch at the upper end of the hall was opened and a number of grey headed old men, clad in long black cloaks, came forth one by one; proceeding in that manner through the hall, without uttering a word, each turning a pale face on me as he passed, and disappearing through a door at the lower end.

  I was singularly struck with their appearance; their black cloaks and antiquated air comported with the style of this most venerable and mysterious pile. It was as if the ghosts of the departed years about which I had been musing were passing in review before me. Pleasing myself with such fancies, I set out, in the spirit of Romance, to explore what I pictured to myself a realm of shadows, existing in the very centre of substantial realities.

  My ramble led me through a labyrinth of interior courts and corridors and delapidated cloisters, for the main edifice had many additions and dependencies, built at various times and in various styles; in one open space a number of boys who evidently belonged to the establishment, were at their sports; but every where I observed those mysterious old grey men in black mantles, sometimes sauntering alone; sometimes conversing in groups: they appeared to be the pervading genii of the place. I now called to mind what I had read of certain colleges in old times where judicial astrology, geomancy, necromancy and other forbidden and magical sciences were taught. Was this an establishment of the kind – and were these black cloaked old men really professors of the black art?

  These surmises were passing through my mind as my eye glanced into a chamber, hung round with all kinds of strange and uncouth objects: implements of savage warfare; strange idols and stuffed alligators; bottled serpents and monsters decorated the mantelpiece; while on the high tester of an old fashioned bed stead grinned a human skull, flanked on each side by a dried cat.

  I approached to regard more narrowly this mystic chamber, which seemed a fitting laboratory for a necromancer, when I was startled at beholding a human countenance staring at me from a dusky corner. It was that of a small, shrivelled old man, with thin cheeks, bright eyes, and grey wiry projecting eyebrows. I at first doubted whether it were not a mummy curiously preserved, but it moved and I saw that it was alive. It was another of these black cloaked old men, and, as I regarded his quaint physiognomy, his obsolete garb, and the hideous and sinister objects by which he was surrounded, I began to persuade myself that I had come upon the Arch Mago, who ruled over this magical fraternity.

  Seeing me pausing before the door he rose and invited me to enter. I obeyed, with singular hardihood, for how did I know whether a wave of his wand might not metamorphose me into some strange monster, or conjure me into one of the bottles on his mantelpiece. He proved, however, to be any thing but a conjuror, and his simple garrulity soon dispelled all the magic and mystery with which I had enveloped this antiquated pile and its no less antiquated inhabitants.

  It appeared that I had made my way into the centre of an ancient asylum for superannuated tradesmen and decayed householders, with which was connected a school for a limited number of boys. It was founded upwards of two centuries since on an old monastic establishment, and retained somewhat of the conventual air and character. The shadowy line of old men in black mantles who had passed before me in the hall, and whom I had elevated into magi, turned out to be the pensioners returning from morning service in the chapel.

  John Hallum the little collector of curiosities whom I had made the arch magician, had been for six years a resident of the place, and had decorated this final nestling place of his old age with reliques and rarities picked up in the course of his life. According to his own account he had been somewhat of a traveller; having been once in
France and very near making a visit to Holland. He regretted not having visited the latter country, ‘as then he might have said he had been there.’ – He was evidently a traveller of the simple kind.

  He was aristocratical too in his notions; keeping aloof, as I found, from the ordinary run of pensioners. His chief associates were a blind man who spoke Latin and Greek, of both which languages Hallum was profoundly ignorant; and a broken down gentleman who had run through a fortune of forty thousand pounds left him by his father, and ten thousand pounds, the marriage portion of his wife. Little Hallum seemed to consider it an indubitable sign of gentle blood as well as of lofty spirit to be able to squander such enormous sums.

  P. S. The picturesque remnant of old times into which I have thus beguiled the reader is what is called the Charter House, originally the Chartreuse. It was founded in 1611 on the remains of an ancient convent by Sir Thomas Sutton, being one of those noble charities set on foot by individual munificence, and kept up with the quaintness and sanctity of ancient times amidst the modern changes and innovations of London. Here eighty broken down men, who have seen better days, are provided, in their old age, with food, clothing, fuel and a yearly allowance for private expenses. They dine together as did the monks of old, in the hall which had been the refectory of the original convent. Attached to the establishment is a school for forty four boys.

  Stow, whose work I have consulted on the subject; speaking of the obligations of the grey headed pensioners, says, ‘They are not to intermeddle with any business touching the affairs of the hospital; but to attend only to the service of God, and take thankfully what is provided for them, without muttering, murmuring or grudging. None to wear weapon, long hair, colored boots, spurs or colored shoes; feathers in their hats, or any ruffian like or unseemly apparel, but such as becomes hospital men to wear.’ ‘And in truth,’ adds Stow, ‘happy are they that are so taken from the cares and sorrows of the world, and fixed in so good a place as these old men are; having nothing to care for, but the good of their souls, to serve God and to live in brotherly love.’

  The Broken Heart

  I never heard

  Of any true affection but ’twas nipt

  With care, that, like the caterpillar, eats

  The leaves of the spring’s sweetest book, the rose.

  MIDDLETON.

  It is a common practice with those who have outlived the susceptibility of early feeling, or have been brought up in the gay heartlessness of dissipated life, to laugh at all love stories, and to treat the tales of romantic passion as mere fictions of novelists and poets. My observations on human nature have induced me to think otherwise. They have convinced me, that however the surface of the character may be chilled and frozen by the cares of the world, or cultivated into mere smiles by the arts of society, still there are dormant fires lurking in the depths of the coldest bosom, which, when once enkindled, become impetuous and are sometimes desolating in their effects. Indeed, I am a true believer in the blind deity, and go to the full extent of his doctrines – Shall I confess it? – I believe in broken hearts and the possibility of dying of disappointed love! – I do not, however, consider it a malady often fatal to my own sex; but I firmly believe that it withers down many a lovely woman into an early grave.

  Man is the creature of interest and ambition. His nature leads him forth into the struggle and bustle of the world. Love is but the embellishment of his early life, or a song piped in the intervals of the acts. He seeks for fame, for fortune, for space in the world’s thought, and dominion over his fellow men. But a woman’s whole life is a history of the affections. The heart is her world: it is there her ambition strives for empire: it is there her avarice seeks for hidden treasures. She sends forth her sympathies on adventure; she embarks her whole soul in the traffic of affection, and if shipwrecked her case is hopeless, for it is a bankruptcy of the heart.

  To a man the disappointment of love may occasion some bitter pangs – it wounds some feelings of tenderness – it blasts some prospects of felicity; but he is an active being – he may dissipate his thoughts in the whirl of varied occupation; or may plunge into the tide of pleasure. Or if the scene of disappointment be too full of painful associations, he can shift his abode at will, and, taking as it were the wings of the morning, can ‘fly to the uttermost parts of the earth and be at rest.’

  But woman’s is comparatively a fixed, a secluded, and a meditative life. She is more the companion of her own thoughts and feelings; and if they are turned to ministers of sorrow, where shall she look for consolation! Her lot is to be wooed and won; and if unhappy in her love, her heart is like some fortress that has been captured, and sacked, and abandoned and left desolate.

  How many bright eyes grow dim – how many soft cheeks grow pale – how many lovely forms fade away into the tomb, and none can tell the cause that blighted their loveliness. As the dove will clasp its wings to its side, and cover and conceal the arrow that is preying on its vitals; so is it the nature of woman to hide from the world the pangs of wounded affection. The love of a delicate female is always shy and silent. Even when fortunate, she scarcely breathes it to herself; but when otherwise, she buries it in the recesses of her bosom, and there lets it cower and brood among the ruins of her peace. With her the desire of the heart has failed. The great charm of existence is at an end. She neglects all the cheerful exercises which gladden the spirits, quicken the pulses and send the tide of life in healthful currents through the veins. Her rest is broken – the sweet refreshment of sleep is poisoned by melancholy dreams – ‘dry sorrow drinks her blood,’ until her enfeebled frame sinks under the slightest external injury. Look for her, after a little while, and you find friendship weeping over her untimely grave, and wondering that one, who but lately glowed with all the radiance of health and beauty, should so speedily be brought down to ‘darkness and the worm.’ You will be told of some wintry chill, some casual indisposition that laid her low – but no one knows of the mental malady which previously sapped her strength and made her so easy a prey to the spoiler.

  She is like some tender tree, the pride and beauty of the grove; graceful in its form; bright in its foliage, but with the worm preying at its heart. We find it suddenly withering when it should be most fresh and luxuriant. We see it drooping its branches to the earth and shedding leaf by leaf; until wasted and perished away, it falls even in the stillness of the forest; and as we muse over the beautiful ruin, we strive in vain to recollect the blast or thunderbolt that could have smitten it with decay.

  I have seen many instances of women running to waste and self neglect, and disappearing gradually from the earth, almost as if they had been exhaled to heaven; and have repeatedly fancied that I could trace their deaths through the various declensions of consumption, cold, debility, languor, melancholy, until I reached the first symptom of disappointed love. But an instance of the kind was lately told to me; the circumstances are well known in the country where they happened, and I shall but give them in the manner in which they were related.

  Every one must recollect the tragical story of young E——the Irish patriot; it was too touching to be soon forgotten. During the troubles in Ireland he was tried, condemned and executed on a charge of treason. His fate made a deep impression on public sympathy. He was so young – so intelligent – so generous – so brave – so every thing that we are apt to like in a young man. His conduct under trial too was so lofty and intrepid. The noble indignation with which he repelled the charge of treason against his country – the eloquent vindication of his name, his pathetic appeal to posterity in the hopeless hour of condemnation – all these entered deeply into every generous bosom, and even his enemies lamented the stern policy that dictated his execution.

  But there was one heart, whose anguish it would be impossible to describe. In happier days and fairer fortunes he had won the affections of a beautiful and interesting girl, the daughter of a late celebrated Irish Barrister. She loved him with the disinterested fervour of a woman�
�s first and early love. When every worldly maxim arrayed itself against him; when blasted in fortune, and disgrace and danger darkened around his name, she loved him the more ardently for his very sufferings. If then his fate could awaken the sympathy even of his foes, what must have been the agony of her whose whole soul was occupied by his image! Let those tell who have had the portals of the tomb suddenly closed between them, and the being they most loved on earth – who have sat at its threshold, as one shut out in a cold and lonely world, from whence all that was most lovely and loving had departed.

  But then the horrors of such a grave! so frightful – so dishonoured! – There was nothing for memory to dwell on that could soothe the pang of separation – none of those tender though melancholy circumstances which endear the parting scene – nothing to melt sorrow into those blessed tears, sent like the dews of heaven, to revive the heart in the parching hour of anguish.

  To render her widowed situation more desolate, she had incurred her father’s displeasure by her unfortunate attachment, and was an exile from the paternal roof. But could the sympathy and kind offices of friends have reached a spirit so shocked and driven in by horror, she would have experienced no want of consolation, for the Irish are a people of quick and generous sensibilities. The most delicate and cherishing attentions were paid her by families of wealth and distinction. She was led into society; and they tried by all kinds of occupations and amusements to dissipate her grief and wean her from the tragical story of her loves. But it was all in vain. There are some strokes of calamity which scathe and scorch the soul; which penetrate to the vital seat of happiness, and blast it, never again to put forth bud or blossom. She never objected to frequent the haunts of pleasure, but was as much alone there, as in the depths of solitude; walking about in a sad reverie, apparently unconscious of the world around her. She carried with her an inward woe that mocked at all the blandishments of friendship, and ‘heeded not the song of the charmer, charm he never so wisely.’

 

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