I struggled to my feet, still woozy, and started for the front door. But every step I took caused a resurgence of anger, and my desire to harm Amorise was reinvigorated. I stood for a moment, revising my plans. If she had not been roused by the incident with the cleaning unit, and I presumed this to be the case, for I had given no outcry, then I might be able to get to her before she succeeded in locking herself in the panic room. I was not certain what I would do to her if I were able to head her off, but I was willing to let that decision await the moment. But if she had locked herself away, well, the panic room was on the second floor, and I remembered now that I had suggested to McQuiddy that I install a reinforced framework to support the room; he had rejected the idea due to budgetary concerns. It might be possible to set a fire that would eat away the supports beneath it, and the steel box with Amorise inside would come hurtling down—at the very least she would be injured.
I was about to head upstairs to find Amorise's bedroom when from the various rooms and corridors that opened off the entryway there poured an army of household appliances and robots. More than a hundred, by my estimation. I darted back toward the living room, but that avenue of escape was blocked by a green gardening robot, headless yet taller than a man, armed with several pairs of snapping foot-long shears. Chittering and beeping, the machines formed into a semi-circle, forcing me back against the front door. The sight was both frightening and absurd. At their forefront was a twelve-slice toaster that I had made mobile by the addition of six black humanoid feet. It was a conversation piece, a status item intended to evoke laughter. But now, waddling about and lashing its non-functional plug like a maddened tail, the general of a force composed of various cleaners and scrubbers, centipedelike air purifiers, and saucer-sized spiderlike ceiling sweeps, there was little humorous about it. I'd been prepared to deal with the machines individually—en masse they presented a problem. I fumbled out my scrambler and punched in an emergency override. The gardening robot became inactive, but the rest remained jittering, trembling, leaking a high-pitched electronic babble, the moonlight polishing their sleek surfaces.
Deciding that I had a better chance on the move than standing my ground, I leaped over half the force, landing amidst a cluster of sweeps. Several of them clung to my leg as I jumped again, clearing the edge of the marshaled machines, and ran full tilt along a darkened corridor. I managed to scrape the sweeps off my leg, crushing one of them against the wall—I could hear the rest of the machines beeping and squeaking behind me. I pushed through swinging doors into the kitchen, a large cluttered space bright with moonlight. Something rushed at my ankles—I kicked at it and it let out a yelp. It was only a dog, and a smallish one at that. I heard it whimper, its paws clittering on the linoleum as it slunk away. The next instant something bit into my shoulder and buried itself into the wall beside me. An electric knife. It tried to wrench itself free, but I grabbed the hilt and broke off the blade. Blood was trickling down my arm from the point of my shoulder. I wrangled a refrigerator in front of the door, blocking it, and stood for a second, breathing hard. Slants of bone-white light, alternated by zones of deep shadow, fell across the center island and hanging copperware, an enormous range, and a counter lined with bins and appliances. The kitchen was a dangerous place, but I liked my chances there better than out in the corridor. I crawled up on top of the center island just in time to avoid a buzzing object that thudded into the base of the island. I was safe for the moment, but I knew I could not stay there long and I decided to try for the pantry, which opened onto another corridor—this led, after a turn or two, back to the entryway. I walked cautiously across the top of the island, torching a food processor that had been lurking behind a colander, pretending to be an ordinary appliance—half its circuits fused, it lunged forward on stilt-like legs in a futile attempt to maim me, then fell on its side. I stopped with a foot in the air, remembering the microwave, in front of which I was just about to pass. I eased back a step, stood one-footed and removed a shoe. I took a couple of warm-ups and then slung the shoe at the door of the oven. A beam of ruby light speared it, causing it to burst into flame. I skipped to the other end of the island before the oven's laser could reset. I sat on the edge of the island, holding the laser torch at the ready, and stretched my foot down. A toy truck rolled out of the shadows and tried to impale my foot with the electrified spike extruded from its grille—I hit it with a swing of the torch and it expired with a tinny rattle.
The pantry door, a flat white rectangle with a recessed square, looking rather like an invitation blank that had not yet been printed upon, lay twenty feet from the island. I did not believe there were any other mobile units left in the kitchen, but adrenalized as I was, I couldn't be sure. I stretched out my foot again, and when nothing attacked it, I leaped down and dived through the door. The air inside the pantry was sweet, musty. I flattened myself against the shelves and scanned the area. No sign of activity. I went to the opposite end of the room and thought what to do. A mad dash seemed to be the best solution—if I remained in the pantry, sooner or later the little army of machines would break through the kitchen door and push on in. The narrow windows that flanked the front door were of ordinary glass. If I could reach the entryway, I thought, I might be able to smash one of the windows and squeeze through it. I shrugged off my jacket and wrapped it about my right forearm. I cracked the pantry door, scanned. Then, one-shoed, I raced along the corridor. But on rounding a corner, I caught sight of a large indistinct shape hovering in the air, silhouetted against the light of the entryway. I put on the brakes. It was a moth, a gray death's-head moth with a ten-inch wingspan. Beyond it, also hovering, were a number of smaller moths. Twelve in all. I had manufactured them for McQuiddy, but he'd told me the client had rejected them as being too dangerous and that they would be returned. Each powered by a microscopic chip; a brush of their wings, coated with a contact poison, would cause a painful death. Amorise must have taken them to another craftsman and had them activated. The ultrasonic whistle, which I'd brought to counter a machine guarding her bedroom, would keep the moths away if I played the correct tones, but I had designed the moths to be difficult to control—the tones would have to be exact, and because I had not thought of them in some time, I was less than certain in my memory. Nevertheless, I had no choice. It was barely conceivable that Amorise had rendered them non-lethal, but I could not trust that she had. The fibers of the wings had been saturated with poison, and to minimize the effect would require painstaking work of which very few people were capable.
With trembling fingers, I took the whistle from the inside pocket of my jacket and set it to my lips. If I were to gasp, if my breath were to falter to the least degree as I played the pattern of notes, the moths would attack me. I moved forward, one careful step at a time, playing the progression that, I believed, would keep me safe. The largest moth drifted to within inches of my face, so close I could see every detail of the ghostly patterns on its carapace and read the words I had imprinted as a macabre joke half-hidden in the patterns—Death Courtesy of David LeGary. The tip of its wing fluttered past my cheek and then slid away without touching me. I had the urge to let out a sigh of relief, but I held firm and continued my inaudible tootling. Two more moths flittered near, and though my chest muscles tightened, I managed to keep my throat relaxed and played my way past them. A group of four, the smallest of the bunch, darted at me, dancing on air like gray leaves in a storm. I swallowed in reflex, but thankfully this occurred during an interval. I thought I heard my heart slugging against my chest wall. The five remaining moths formed into a picket line across the corridor. I mustered my resolve and went forward, my cheeks puffed, trying not to blink, watchful of their every flutter, and they parted before me, fluttering up toward the ceiling. Once past them I kept playing for a few steps, and then, my breath sobbing out, I ran.
As I came into the entryway, my feet skidded on the marble floor, but I righted myself and pushed hard toward the window to the right of the front door, sh
owing like a narrow box of moonlight. Upon reaching it, I slammed my elbow against the glass, splintering it. But as I knocked aside the shards that remained stuck in the frame, I heard an electric gabbling at my back, and on turning, saw the army of household machines wobbling, whirring, vibrating, scuttling toward me. This time they did not hesitate. The toaster waddled forward, leading a group charge. I kicked at the thing and sent it flying, but it delivered a painful jolt to my ankle with its plug. A ceiling sweep bunched its silvery legs and propelled itself into a feathery leap that left it clinging to my shirtfront—I hurled it against the wall before it could sting me with its wire molding brushes. For the next two or three minutes, like Gulliver among the Lilliputians, I engaged in battle with this cartoonish troop, swinging the torch in wild arcs, brushing the sweeps off my clothing, crushing the littlest ones underfoot. But I received countless shocks, and at last one of the sweeps managed to scale the back of my trousers and shirt and deliver a jolt to my neck that knocked me flat.
I must have lost consciousness for a time, because when next I looked about, the army had withdrawn, leaving behind their scorched and crumpled casualties. Painfully, I struggled to my feet, and as I leaned against the door, trying to get my bearings, to decipher the patterns of moonlight and shadow that lay across the entryway, the lights went on, confusing me for an instant. Standing at the top of the stairs were Amorise and Joan Gwynne, both dressed in nightgowns. At the bottom of the stair, his back to the banister, was Carl McQuiddy, wearing black slacks and turtleneck. He offered me an amused smile. Amorise, too, smiled, but it was an expression of pure triumph. Joan appeared upset.
"That was epic, David," said Amorise. "Truly entertaining."
The workings of my mind were clumsy, impaired, and I could only stare at the three of them, though I felt anger pressing against the fogginess that hampered my thoughts, like a dome of heat bulging up from some buried molten turbulence. Then Amorise drew Joan into a kiss, one almost as deep as that she had given her on stage at theMartinique, and the anger broke through, not clearing my head but seeming to irradiate the fog.
"And, of course, your machines are delightful," Amorise said, breaking from the kiss. "Such a wonderful imagery. I imagine it must be strange for you to be attacked by them. Rather like old friends turning traitor."
I tried to speak, but succeeded only in making a strangled noise. McQuiddy chuckled and said to Amorise, "I don't think he's up to a conversation."
"Fuck you!" I said.
"Well, we don't really have much to say to one another, anyway." Amorise took Joan's hand and they descended partway down the stairs. "David knows what he has to do … don't you, David?"
"I'm not going to do anything for you," I told her. "And there's nothing you can do to make me."
"I don't know," Amorise said. "I might find a way. You tried to assault me at the club. You stole from my locker at Emerald Street. Now you've broken into my home and destroyed considerable of my property. Those are serious charges. What will you say in your defense? That I've kissed the soul of a poet dead these six hundred years into your body? That won't gain you much credence."
"I have a witness who'll back me up," I said. "John Wooten."
"Oh, I don't think you can count on John," McQuiddy said. "He was extremely distressed by the way you spoke to him earlier today."
That they had been privy to my private communications did not surprise me, but McQuiddy's assured demeanor was unnerving.
"You don't have any friends, David," Amorise said. "You offend everyone who tries to befriend you. No one cares about you. In fact, they'd love to see you fall."
I was beginning to regain control of my body, to be more aware of my surroundings. The chandelier that lit the entryway applied a high gloss to McQuiddy's forehead and put glittering points in the eyes of the two women.
"You did this!" I said to Amorise. "It's not me."
"Did I?" Amorise laughed. "The anger, the disdain for others … they've always been part of you. You were the perfect subject."
"Actually," McQuiddy said, "I think it's a distinct improvement. At least the bastard will serve some purpose now."
His smile acted on me like a goad, and I sprinted toward him. He flicked out a macroweb, but the strands dissolved as they touched me, and I knocked him off-balance with a glancing blow to the cheek. He recovered quickly and reached into his trouser pocket—for another weapon, I assumed. Before he could withdraw his hand, I struck him hard in the neck with my fist, and then again flush on the jaw. He fell backward, cracking his head on the banister, and went down. I stood over him, waiting for him to stand. His eyes were open, lips parted. Dark blood was pooling beneath his head, spreading across the marble floor. I knew he was dead, but I hunkered down beside him anyway and touched my fingers to his throat, hoping to detect a pulse. Yet at the same time I exulted in the death of my old tormentor, Tacque Thibault.
"Oh, David! What will you do now?"
Amorise was pointing a small caliber automatic with a chrome finish at me. Joan stood at her shoulder, her expression horrified.
"You can wait for the police here if you like," said Amorise. "Or if you prefer, you can make a run for it. But I can guarantee that the authorities will meet you at the ferry dock."
I wiped my fingers on my slacks to clean them of McQuiddy's blood and glared hatefully at her.
"There's something you may want to factor in to your decision," said Amorise, descending the stair—she gestured at me to move away from McQuiddy and I complied, retreating to the door. "Running will certainly lend the appearance of guilt. If you stay, you might be able to justify a plea of self-defense. Of course the validity of such a plea will depend upon my testimony. And I'm certain I'll be too distraught for several days to be clear on the details of what has happened here. Perhaps in the interim, you'll consider how you might influence my decision."
Once again I was astonished by the neatness of her scheme. I recalled Villon's fragmentary history, how he had been charged with murder and released once it was established that he had acted in self-defense. Had he begun writing "The Testament" while incarcerated, and changed his mind after his release? So I suspected, and I suspected further that Amorise had been instrumental in obtaining that release, and that when he had failed to complete the Text, she had subsequently managed to have him indicted for another capital crime, which she then managed to have commuted. She was duplicating those events to a nicety. The Sublime Act was halfway to being complete.
"For example," Amorise went on, "I might testify that I'd been having difficulty with your machines and called you here to make some adjustments. I might say that poor Carl had tampered with the machines with the idea of killing you. He has a history of enmity with you. You caught him in the act of sabotage. He attacked you and you defended yourself. Who knows what his specific motives might have been. An emotional entanglement, perhaps. It's well known that he was attracted to Joan."
I tried to catch Joan's eye. Concern was written in her face, but she refused to look at me. I believed she wanted to help me, but could not, being under Amorise's thrall.
Amorise kneeled beside McQuiddy and to my surprise, still pointing the gun at me, she kissed him on the mouth. She closed her eyes, as if savoring the kiss, and then smiled as if enjoying a subtle aftertaste. The kiss had been brief, not at all like the one she had given me at Emerald Street. I imagined the soul must quit the body more readily than it entered, and that McQuiddy's sour scrap of vitality now was lodged in some secret cavity within Amorise's flesh.
"It may cross your mind to try and take the gun from me," she said. "Let me assure you, I'm an excellent shot. I won't kill you, but I will happily cripple you. It'll make your self-defense plea slightly more difficult to justify. But I can always say I was confused—I thought you had attacked Carl and realized too late what the actual circumstances were."
I did not hesitate in making a decision, for in truth there was no decision to be made. She had walled me off from
every possibility but one.
"I'll wait for the police," I said.
· · · · ·
All the events of this world are liable to a variety of interpretations. I have always understood this, but only lately have I come to recognize the absolute rule of this truism, and the corresponding impossibility of penetrating to the heart of any action. Either there is no heart, no immutable center, or else the ultimate nature of the universe is a profound ambiguity that will not admit to certainty. I believe the nature of the Sublime Act reflects that essential imprecision, that core deceptiveness. Evidence of this may or may not have been presented me on the third day of my incarceration in the King County Jail, when I received a visit from Amorise LeDore.
The guard ushered me into a closed-in metal booth equipped with a telephone and scored with graffiti, most of it obscene in character. Seated opposite me, separated by a divider of scarred, clear plastic, Amorise was wearing a green silk blouse adorned with delicate silver accents. Her long black hair was loose about her shoulders, and her hawkish face was made up to seem softer and more feminine. She picked up her receiver and asked, with no apparent irony, how I was doing.
"Is that a formality?" I asked. "Or do you really care?"
"Of course I care, David. You're dear to me … as you well know."
Though I despised her, I had become acclimated to hate—it was an environment in which I dwelled, and I felt I could speak to her without losing my temper.
"Then you'll be glad to hear I've been writing," I said, and held up several sheets of paper that I had brought with me from my cell.
"May I see?"
One after the other I pressed the pages against the plastic so she could read them. When she had done she said, "It's good … but not up to standard. You'll have to do better."
Anthology of Speculative Fiction, Volume Two Page 43
