When the kites came down for the third time, Leonardo jumped from the sling seat, falling to the ground. Seconds later, as if slapped by he same hand that had pulled them into the sky, the kites crashed, splintering, as their sails snapped and fluttered, as if still yearning for the airy heights.
"Are you all right, Maestro," Niccolo shouted, running toward Leonardo.
"Yes," Leonardo said, although his back was throbbing in pain and his right arm, which he had already broken once before, was numb. But he could move it, as well as all his fingers. "I'm fine." He surveyed the damage. "Let's salvage what we can."
They fastened the broken kites onto the sled and walked through wildflower dotted fields and pastures back to the bottega. "Perhaps now, Maestro, you'll trust your original Great Bird," Niccolo said. "You mustn't bury it with Tista."
"What are you talking about?" Leonardo asked.
"These kites are too...dangerous. They're completely at the mercy of the wind; they dragged you along the ground; and you almost broke your arm. Isn't that right, Maestro?"
Leonardo detected a touch of irony in Niccolo's voice. So the boy was having it up on his master. "Yes," Leonardo said. "And what does that prove?"
"That you should give this up."
"On the contrary, Nicco. This experiment has only proved how safe my new Great Bird will be."
"But you—"
Leonardo showed Niccolo his latest drawing of a biplane based on his idea of open ended boxes placed at the ends of timber spars.
"How could such a thing fly?" Niccolo asked.
"That's a soaring machine safe enough for Lorenzo himself. If I could show the First Citizen that he could command the very air, do you think he would regret the few days it will take to build and test the new machine?"
"I think it looks very dangerous...and I think the kites are very dangerous, Maestro."
Leonardo smiled at Niccolo. "Then at least after today you no longer think I am a coward."
"Maestro, I never thought that."
But even as they approached the city, Leonardo could feel the edges of his dream, the dark edges of nightmare lingering; and he knew that tonight it would return.
The dream of falling. The dream of flight.
Tista....
He would stay up and work. He would not sleep. He would not dream. But the dream spoke to him even as he walked, told himit was nature and would not be conquered. And Leonardo could feel himself
Falling.
If Leonardo were superstitious, he would have believed it was a sign.
When the roof of Verrochio's bottega gave way, falling timber and debris destroyed almost everything in Leonardo's studio; and the pelting rain ruined most of what might have been salvaged. Leonardo could rewrite his notes, for they were safe in the altar of his memory cathedral; he could rebuild models and replenish supplies, but his painting of the Madonna—his gift for Lorenzo—was destroyed. The canvass torn, the oils smeared, and the still-sticky varnish surface spackled with grit and filth. Most everything but the three paintings of his nightmare-descent into Hell was destroyed. They were placed against the inner wall of the studio, a triptych of dark canvasses, exposed, the varnish still sticky, protected by a roll of fabric that had fallen over them. And in every one of them Leonardo could see himself as a falling or fallen figure.
The present of the future.
"Don't you think this is a sign from the gods?" Niccolo asked after he and Leonardo had salvaged what they could and moved into another studio in Verrochio's bottega.
"Do you now believe in the Greek's pantheon?" Leonardo asked.
Looking flustered, Niccolo said, "I only meant—"
"I know what you meant." Leonardo smiled tightly. "Maestro Andrea might get his wish...he might yet sell those paintings to the good monks. In the meantime, we've got work to do, which we'll start at first light."
"We can't build your Great Bird alone," Niccolo insisted.
"Of course we can. And Francesco will allocate some of his apprentices to help us."
"Maestro Andrea won't allow it."
"We'll see," Leonardo said.
"Maestro, your Great Bird is already built. It is ready, and Lorenzo expects you to fly it."
"Would that the roof fell upon it." Leonardo gazed out the window into the streets. The full moon illuminated the houses and bottegas and shops and palazzos in weak gray light that seemed to be made brighter by the yellow lamplight trembling behind vellum covered windows. He would make Lorenzo a model of his new soaring machine, his new Great Bird; but he would not see the First Citizen until it was built and tested. Indeed, he stayed up the night redrawing his designs, reworking his ideas, as if the destruction of his studio had been a blessing. He sketched cellular box kite designs that he combined into new forms for gliding machines, finally settling on a design based almost entirely on the rectangular box kite forms. He had broken away from the natural bird-like forms, yet this device was not unnatural in its simplicity. He detailed crosshatch timber braces, which would keep his cellular wing surfaces tight. He made drawings and diagrams of the cordage. The pilot would sit in a sling below the double wings, which were webbed as the masts of a sailing vessel; and the rudder would be attached to long spars that stretched behind him at shoulder height. A ship to sail into the heavens.
Tomorrow he would build models to test his design. To his mind, the ship was already built, for it was as tangible as the notebook he was staring into.
Notebook in hand, he fell asleep, for he had been little removed from dreams; and dream he did, dreams as textured and deep and tinted as memory. He rode his Great Bird through the moonlit night, sailed around the peaks of mountains as if they were islands in a calm, warm sea; and the winds carried him, carried him away into darkness, into the surfaces of his paintings that had survived the rain and roof, into the brushstroked chiaroscuro of his imagined hell.
Eight
"Tell Lorenzo that I'll have a soaring machine ready to impress the archbishop when he arrives," Leonardo said. "But he's not due for a fortnight."
"You've taken too long already." Sandro Botticelli stood in Leonardo's new studio, which was small and in disarray; although the roof had been repaired, Leonardo did not want to waste time moving back into his old room. Sandro was dressed as a dandy, in red and green, with dags and a peaked cap pulled over his thick brown hair. It was a festival day, and the Medici and their retinue would take to the streets for the Palio, the great annual horse race. "Lorenzo sent me to drag you to the Palio, if need be."
"If Andrea had allowed Francesco to help me—or at least lent me a few apprentices—I would have it finished by now."
"That's not the point."
"That's exactly the point."
"Get out of your smock; you must have something that's not covered with paint and dirt."
"Come, I'll show you what I've done," Leonardo said. "I've put up canvass outside to work on my soaring machine. It's like nothing you've ever seen, I promise you that. I'll call Niccolo, he'll be happy to see you."
"You can show it to me on our way, Leonardo. Now get dressed. Niccolo has left long ago."
"What?"
"Have you lost touch with everyone and everything?" Sandro asked. "Niccolo is at the Palio with Andrea...who is with Lorenzo. Only you remain behind."
"But Niccolo was just here."
Sandro shook his head. "He's been there for most of the day. He said he begged you to accompany him."
"Did he tell that to Lorenzo, too?"
"I think you can trust your young apprentice to be discreet."
Dizzy with fatigue, Leonardo sat down by a table covered with books and models of kites and various incarnations of his soaring machine. "Yes, of course, you're right, Little Bottle."
"You look like you've been on a binge. You've got to start taking care of yourself, you've got to start sleeping and eating properly. If you don't, you'll lose everything, including Lorenzo's love and attention. You can't treat him as you do
the rest of your friends. I thought you wanted to be his master of engineers."
"What else has Niccolo been telling you?"
Sandro shook his head in a gesture of exasperation, and said, "Change your clothes, dear friend. We haven't more than an hour before the race begins."
"I'm not going," Leonardo said, his voice flat. "Lorenzo will have to wait until my soaring machine is ready."
"He will not wait."
"He has no choice."
"He has your Great Bird, Leonardo."
"Then Lorenzo can fly it. Perhaps he will suffer the same fate as Tista. Better yet, he should order Andrea to fly it. After all, Andrea had it built it for him."
"Leonardo...."
"It killed Tista.... It's not safe."
"I'll tell Lorenzo you're ill," Sandro said.
"Send Niccolo back to me. I forbid him to—"
But Sandro had already left the studio, closing the large inlaid door behind him.
Exhausted, Leonardo leaned upon the table and imagined that he had followed Sandro to the door, down the stairs, and outside. There he surveyed his canvass- covered makeshift workshop. The air was hot and stale in the enclosed space. It would take weeks working alone to complete the new soaring machine. Niccolo should be here. Then Leonardo began working at the cordage to tighten the supporting wing surfaces. This machine will be safe, he thought; and he worked, even in the dark exhaustion of his dreams, for he had lost the ability to rest.
Indeed he was lost.
In the distance he could hear Tista. Could hear the boy's triumphant cry before he fell and snapped his spine. And he heard thunder. Was it the shouting of the crowd as he, Leonardo, fell from the mountain near Vinci? Was it the crowd cheering the Palio riders racing through the city? Or was it the sound of his own dream-choked breathing?
"Leonardo, they're going to fly your machine."
"What?" Leonardo asked, surfacing from deep sleep; his head ached and his limbs felt weak and light, as if he had been carrying heavy weights.
Francesco stood over him, and Leonardo could smell the man's sweat and the faint odor of garlic. "One of my boys came back to tell me...as if I'd be rushing into crowds of cutpurses to see some child die in your flying contraption." He took a breath, catching himself. "I'm sorry, Maestro. Don't take offense, but you know what I think of your machines."
"Lorenzo is going to demonstrate my Great Bird now?"
Francesco shrugged. "After his brother won the Palio, Il Magnifico announced to the crowds that an angel would fly above them and drop Hell's own fire from the sky. And my apprentice tells me that inquisitore are all over the streets and are keeping everyone away from the gardens near Santi Apostoli."
That would certainly send a message to the Pope; the church ofSanti Apostoli was under the protection of the powerful Pazzi family, who were allies of Pope Sixtus and enemies of the Medici.
"When is this supposed to happen?" Leonardo asked the foreman as he hurriedly put on a new shirt; a doublet; and calze hose, which were little more than pieces of leather to protect his feet.
Francesco shrugged. "I came to tell you as soon as I heard."
"And did you hear who is to fly my machine?"
"I've told you all I know, Maestro." Then after a pause, he said, "But I fear for Niccolo. I fear he has told Il Magnifico that he knows how to fly your inventions."
Leonardo prayed he could find Niccolo before he came to harm. He too feared that the boy had betrayed him, had insinuated himself into Lorenzo's confidence, and was at this moment soaring over Florence in the Great Bird. Soaring over the Duomo, the Baptistry, and the Piazza della Signoria, which rose from the streets like minarets around a heavenly dome .
But the air currents over Florence were too dangerous. He would fall like Tista, for what was the city but a mass of jagged peaks and precipitous cliffs.
"Thank you, Francesco," Leonardo said, and, losing no time, he made his way through the crowds toward the church of Santi Apostoli. A myriad of smells delicious and noxious permeated the air: roasting meats, honeysuckle, the odor of candle wax heavy as if with childhood memories, offal and piss, cattle and horses, the tang of wine and cider, and everywhere sweat and the sour ripe scent of perfumes applied to unclean bodies. The shouting and laughter and stepping-rushing-soughing of the crowds were deafening, as if a human tidal wave was making itself felt across the city. The whores were out in full regalia, having left their district which lay between Santa Giovanni and Santa Maria Maggiore; they worked their way through the crowds, as did the cutpurses and pickpockets, the children of Firenze's streets. Beggars grasped onto visiting country villeins and minor guildesmen for a denari and saluted when the redcarroccios with their long scarlet banners and red, dressed horses passed. Merchants and bankers and wealthy guildesmen rode on great horses or were comfortable in their carriages, while their servants walked ahead to clear the way for them with threats and brutal proddings.
The frantic, noisy streets mirrored Leonardo's frenetic inner state, for he feared for Niccolo; and he walked quickly, his hand openly resting on the hilt of his razor-sharp dagger to deter thieves and those who would slice open the belly of a passer-by for amusement.
He kept looking for likely places from which his Great Bird might be launched: the dome of the Duomo, high brick towers, the roof of the Baptistry...and he looked up at the darkening sky, looking for his Great Bird as he pushed his way through the crowds to the gardens near the Santi Apostoli, which was near the Ponte Vecchio. In these last few moments, Leonardo became hopeful. Perhaps there was a chance to stop Niccolo...if, indeed, Niccolo was to fly the Great Bird for Lorenzo.
Blocking entry to the gardens were both Medici and Pazzi supporters, two armies, dangerous and armed, facing each other. Lances and swords flashed in the dusty twilight. Leonardo could see the patriarch of the Pazzi family, the shrewd and haughty Jacopo de' Pazzi, an old, full-bodied man sitting erect on a huge, richly carapaced charger, His sons Giovanni, Francesco, and Guglielmo were beside him, surrounded by their troops dressed in the Pazzi colors of blue and gold. And there, to Leonardo's surprise and frustration, was his great Eminence the Archbishop, protected by the scions of the Pazzi family and their liveried guards. So this was why Lorenzo had made his proclamation that he would conjure an angel of death and fire to demonstrate the power of the Medici...and Florence. It was as if the Pope himself were here to watch.
Beside the Archbishop, in dangerous proximity to the Pazzi, Lorenzo and Giuliano sat atop their horses. Giuliano, the winner of the Palio, the ever handsome hero, was wrapped entirely in silver, his silk stomacher embroidered with pearls and silver, a giant ruby in his cap; while his brother Lorenzo, perhaps not handsome but certainly an overwhelming presence, wore light armor over simple clothes. But Lorenzo carried his shield, which contained "Il Libro," the huge Medici diamond reputed to be worth 2,500 ducats.
Leonardo could see Sandro behind Giuliano, and he shouted his name; but Leonardo's voice was lost in the din of twenty thousand other voices. He looked for Niccolo, but he could not see him with Sandro or the Medici. He pushed his way forward, but he had to pass through an army of the feared Medici-supported Companions of the Night, the darkly-dressed Dominican friars who held the informal but hated title ofinquisitore. And they were backed up by Medici sympathizers sumptuously outfitted by Lorenzo in armor and livery of red velvet and gold.
Finally, one of the guards recognized him, and he escorted Leonardo through the sweaty, nervous troops toward Lorenzo and his entourage by the edge of the garden.
But Leonardo was not to reach them.
The air seemed heavy and fouled, as if the crowd's perspiration was rising like heat, distorting shape and perspective. Then the crowds became quiet, as Lorenzo addressed them and pointed to the sky.
Everyone looked heavenward.
And like some gauzy fantastical winged creature that Dante might have contemplated for his Paradisio, the Great Bird soared over Florence, circling high above the church
and gardens, riding the updrafts and the currents that swirled invisibly above the towers and domes and spires of the city. Leonardo caught his breath, for the pilot certainly looked like Niccolo; surely a boy rather than a full-bodied man. He looked like an awkward angel with translucent gauze wings held in place with struts of wood and cords of twine. Indeed, the glider was as white as heaven, and Niccolo—if it was Niccolo—was dressed in a sheer white robe.
The boy sailed over the Pazzi troops like a bird swooping above a chimney, and seasoned soldiers fell to the ground in fright, or awe, and prayed; only Jacopo Pazzi, his sons, and the Archbishop remained steady on their horses. As did, of course, Lorenzo and his retinue.
And Leonardo could hear a kind of buzzing, as if he were in the midst of an army of cicadas, as twenty thousand citizens prayed to the soaring angel for their lives as they clutched and clicked black rosaries.
The heavens had opened to give them a sign, just as they had for the Hebrews at Sinai.
The boy made a tight circle around the gardens and dropped a single fragile shell that exploded on impact, throwing off great streams of fire and shards of shrapnel that cut down and burned trees and grass and shrub. Then he dropped another, which was off mark, and dangerously close to Lorenzo's entourage. A group of people were cut down by the shrapnel, and lay choking and bleeding in the streets. Fire danced across the piazza. Horses stampeded. Soldiers and citizens alike ran in panic. The Medici and Pazzi distanced themselves from the garden, their frightened troops closing around them like Roman phalanxes. Leonardo would certainly not be able to get close to the First Citizen now. He shouted at Niccolo in anger and frustration, for surely these people would die; and Leonardo would be their murderer. He had just killed them with his dreams and drawings. Here was truth. Here was revelation. He had murdered these unfortunate strangers as surely as he had killed Tista. It was as if his invention now had a life of its own, independent of its creator.
Anthology of Speculative Fiction, Volume Two Page 72
