Anthology of Speculative Fiction, Volume Two

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Anthology of Speculative Fiction, Volume Two Page 393

by Short Story Anthology


  "I get you," he said. "Thank you, sir." Before the Securitat man could say any more, Lawrence was on his way.

  #

  The man from Anja's building had a different sweater on, but the new one -- bulky wool the color of good chocolate -- was every bit as handsome as the one he'd had on before. He was wearing some kind of citrusy cologne and his hair fell around his ears in little waves that looked so natural they had to be fake. Lawrence saw him across the Starbucks and had a crazy urge to duck away and change into better clothes, just so he wouldn't look like such a fucking hayseed next to this guy. I'm a New Yorker, he thought, or at least I was. I belong here.

  "Hey, Lawrence, fancy meeting you here!" He shook Lawrence's hand and gave him a wry, you-and-me-in-it-together smile. "How's the vision quest coming?"

  "Huh?"

  "The Anomaly -- that's what you're chasing, aren't you? It's your little rite of passage. My sister had one last year. Figured out that some guy who travelled from Fort Worth to Portland, Oregon, every week was actually a fictional construct invented by cargo smugglers who used his seat to plant a series of mules running heroin and cash. She was so proud afterwards that I couldn't get her to shut up about it. You had the holy fire the other night when I saw you."

  Lawrence felt himself blushing. "It's not really 'holy' -- all that religious stuff, it's just a metaphor. We're not really spiritual."

  "Oh, the distinction between the spiritual and the material is pretty arbitrary anyway. Don't worry, I don't think you're a cultist or anything. No more than any of us, anyway. So, how's it going?"

  "I think it's over," he said. "Dead end. Maybe I'll get an easier Anomaly next time."

  "Sounds awful! I didn't think you were allowed to give up on Anomalies?"

  Lawrence looked around to see if anyone was listening to them. "This one leads to the Securitat," he said. "In a sense, you could say that I've solved it. I think the guy I'm looking for ended up with his sister."

  The man's expression froze, not moving one iota. "You must be disappointed," he said, in neutral tones. "Oh well." He leaned over the condiment bar to get a napkin and wrestled with the dispenser for a moment. It didn't cooperate, and he ended up holding fifty napkins. He made a disgusted noise and said, "Can you help me get these back into the dispenser?"

  Lawrence pushed at the dispenser and let the man feed it his excess napkins, arranging them neatly. While he did this, he contrived to hand Lawrence a card, which Lawrence cupped in his palm and then ditched into his inside jacket pocket under the pretense of reaching in to adjust his pan.

  "Thanks," the man said. "Well, I guess you'll be going back to your campus now?"

  "In the morning," Lawrence said. "I figured I'd see some New York first. Play tourist, catch a Broadway show."

  The man laughed. "All right then -- you enjoy it." He did nothing significant as he shook Lawrence's hand and left, holding his paper cup. He did nothing to indicate that he'd just brought Lawrence into some kind of illegal conspiracy.

  Lawrence read the note later, on a bench in Bryant Park, holding a paper bag of roasted chestnuts and fastidiously piling the husks next to him as he peeled them away. It was a neatly cut rectangle of card sliced from a health-food cereal box. Lettered on the back of it in pencil were two short lines:

  Wednesdays 8:30PM Half Moon Cafe 164 2nd Ave

  The address was on the Lower East Side, a neighborhood that had been scorchingly trendy the last time Lawrence had been there. More importantly: it was Wednesday.

  #

  The Half Moon Cafe turned out to be one of those New York places that are so incredibly hip they don't have a sign or any outward indication of their existence. Number 164 was a frosted glass door between a dry-cleaner's and a Pakistani grocery store, propped open with a squashed Mountain Dew can. Lawrence opened the door, heart pounding, and slipped inside. A long, dark corridor stretched away before him, with a single door at the end, open a crack, dim light spilling out of it. He walked quickly down the corridor, sure that there were cameras observing him.

  The door at the end of the hallway had a sheet of paper on it, with HALF MOON CAFE laser-printed in its center. Good food smells came from behind it, and the clink of cutlery, and soft conversation. He nudged it open and found himself in a dim, flickering room lit by candles and draped with gathered curtains that turned the walls into the proscenia of a grand and ancient stage. There were four or five small tables and a long one at the back of the room, crowded with people, with wine in ice-buckets at either end.

  A very pretty girl stood at the podium before him, dressed in a conservative suit, but with her hair shaved into a half-inch brush of electric blue. She lifted an eyebrow at him as though she was sharing a joke with him and said, "Welcome to the Half Moon. Do you have a reservation?"

  Lawrence had carefully shredded the bit of cardboard and dropped its tatters in six different trash cans, feeling like a real spy as he did so (and realizing at the same time that going to all these different cans was probably anomalous enough in itself to draw suspicion).

  "A friend told me he'd meet me here," he said.

  "What was your friend's name?"

  Lawrence stuck his chin in the top of his coat to tell his pan to stop warning him that he was breathing too shallowly. "I don't know," he said. He craned his neck to look behind her at the tables. He couldn't see the man, but it was so dark in the restaurant --

  "You made it, huh?" The man had yet another fantastic sweater on, this one with a tight herringbone weave and ribbing down the sleeves. He caught Lawrence sizing him up and grinned. "My weakness -- the world's wool farmers would starve if it wasn't for me." He patted the greeter on the hand. "He's at our table." She gave Lawrence a knowing smile and the tiniest hint of a wink.

  "Nice of you to come," he said as they threaded their way slowly through the crowded tables, past couples having murmured conversations over candlelight, intense business dinners, an old couple eating in silence with evident relish. "Especially as it's your last night in the city."

  "What kind of restaurant is this?"

  "Oh, it's not any kind of restaurant at all. Private kitchen. Ormund, he owns the place and cooks like a wizard. He runs this little place off the books for his friends to eat in. We come every Wednesday. That's his vegan night. You'd be amazed with what that guy can do with some greens and a sweet potato. And the cacao nib and avocado chili chocolate is something else."

  The large table was crowded with men and women in their thirties, people who had the look of belonging. They dressed well in fabrics that draped or clung like someone had thought about it, with jewelry that combined old pieces of brass with modern plastics and heavy clay beads that clicked like pool-balls. The women were beautiful or at least handsome -- one woman with cheekbones like snowplows and a jawline as long as a ski-slope was possibly the most striking person he'd ever seen up close. The men were handsome or at least craggy, with three-day beards or neat, full mustaches. They were talking in twos and threes, passing around overflowing dishes of steaming greens and oranges and browns, chatting and forking by turns.

  "Everyone, I'd like you to meet my guest for the evening." The man gestured at Lawrence. Lawrence had told the man his name, but he made it seem like he was being gracious and letting Lawrence introduce himself.

  "Lawrence," he said, giving a little wave. "Just in New York for one more night," he said, still waving. He stopped waving. The closest people -- including the striking woman with the cheekbones -- waved back, smiling. The furthest people stopped talking and tipped their forks at him or at least cocked their heads.

  "Sara," the cheekbones woman said, pronouncing the first "a" long, "Sah-rah," and making it sound unpretentious. The low-key buzzing from Lawrence's pan warned him that he was still overwrought, breathing badly, heart thudding. Who were these people?

  "And I'm Randy," the man said. "Sorry, I should have said that sooner."

  The food was passed down to his end. It was delicious, almost as
good as the food at the campus, which was saying something -- there was a dedicated cadre of cooks there who made gastronomy their 20 percent projects, using elaborate computational models to create dishes that were always different and always delicious.

  The big difference was the company. These people didn't have to retreat to belong, they belonged right here. Sara told him about her job managing a specialist antiquarian bookstore and there were a hundred stories about her customers and their funny ways. Randy worked at an architectural design firm and he had done some work at Sara's bookstore. Down the table there were actors and waiters and an insurance person and someone who did something in city government, and they all ate and talked and made him feel like he was a different kind of man, the kind of man who could live on the outside.

  The coals of the conversation banked over port and coffees as they drifted away in twos and threes. Sara was the last to leave and she gave him a little hug and a kiss on the cheek. "Safe travels, Lawrence." Her perfume was like an orange on Christmas morning, something from his childhood. He hadn't thought of his childhood in decades.

  Randy and he looked at each other over the litter on the table. The server brought a check over on a small silver tray and Randy took a quick look at it. He drew a wad of twenties in a bulldog clip out of his inside coat pocket and counted off a large stack, then handed the tray to the server, all before Lawrence could even dig in his pocket.

  "Please let me contribute," he managed, just as the server disappeared.

  "Not necessary," Randy said, setting the clip down on the table. There was still a rather thick wad of money there. Lawrence hadn't been much of a cash user before he went into the Order and he'd seen hardly any spent since he came back out into the world. It seemed rather antiquarian, with its elaborate engraving. But the notes were crisp, as though freshly minted. The government still pressed the notes, even if they were hardly used any longer. "I can afford it."

  "It was a very fine dinner. You have interesting friends."

  "Sara is lovely," he said. "She and I -- well, we had a thing once. She's a remarkable person. Of course, you're a remarkable person, too, Lawrence."

  Lawrence's pan reminded him again that he was getting edgy. He shushed it.

  "You're smart, we know that. 88th percentile. Looks like you could go higher, judging from the work we've evaluated for you. I can't say as your performance as a private eye is very good, though. If I hadn't intervened, you'd still be standing outside Anja's apartment building harassing her neighbors."

  His pan was ready to call for an ambulance. Lawrence looked down and saw his hands clenched into fists. "You're Securitat," he said.

  "Let me put it this way," the man said, leaning back. "I'm not one of Anja's neighbors."

  "You're Securitat," Lawrence said again. "I haven't done anything wrong --"

  "You came here," Randy said. "You had every reason to believe that you were taking part in something illegal. You lied to the Securitat man at Penn Station today --"

  Lawrence switched his pan's feedback mechanisms off altogether. Posy, at her window, a penny stuck in the governor of her radiator, rose in his mind.

  "Everyone was treating me like a criminal -- from the minute I stepped out of the Order, you all treated me like a criminal. That made me act like one -- everyone has to act like a criminal here. That's the hypocrisy of the world, that honest people end up acting like crooks because the world treats them like crooks."

  "Maybe we treat them like crooks because they act so crooked."

  "You've got it all backwards," Lawrence said. "The causal arrow runs the other direction. You treat us like criminals and the only way to get by is to act criminal. If I'd told the Securitat man in Penn Station the truth --"

  "You build a wall around the Order, don't you? To keep us out, because we're barbarians? To keep you in, because you're too fragile? What does that treatment do, Lawrence?"

  Lawrence slapped his hand on the table and the crystal rang, but no one in the restaurant noticed. They were all studiously ignoring them. "It's to keep you out! All of you, who treated us --"

  Randy stood up from the table. Bulky figures stepped out of the shadows behind them. Behind their armor, the Securitat people could have been white or black, old or young. Lawrence could only treat them as Securitat. He rose slowly from his chair and put his arms out, as though surrendering. As soon as the Securitat officers relaxed by a tiny hair -- treating him as someone who was surrendering -- he dropped backwards over the chair behind him, knocking over a little two-seat table and whacking his head on the floor so hard it rang like a gong. He scrambled to his feet and charged pell-mell for the door, sweeping the empty tables out of the way as he ran.

  He caught a glimpse of the pretty waitress standing by her podium at the front of the restaurant as he banged out the door, her eyes wide and her hands up as though to ward off a blow. He caromed off the wall of the dark corridor and ran for the glass door that led out to Second Avenue, where cars hissed by in the night.

  He made it onto the sidewalk, crashed into a burly man in a Mets cap, bounced off him, and ran downtown, the people on the sidewalk leaping clear of him. He made it two whole storefronts -- all the running around on the Campus handball courts had given him a pretty good pace and wind -- before someone tackled him from behind.

  He scrambled and squirmed and turned around. It was the guy in the Mets hat. His breath smelled of onions and he was panting, his lips pulled back. "Watch where you're going --" he said, and then he was lifted free, jerked to his feet.

  The blood sang in Lawrence's ears and he had just enough time to register that the big guy had been lifted by two blank, armored Securitat officers before he flipped over onto his knees and used the posture like a runner's crouch to take off again. He got maybe ten feet before he was clobbered by a bolt of lightning that made every muscle in his body lock into rigid agony. He pitched forward face-first, not feeling anything except the terrible electric fire from the taser-bolt in his back. His pan died with a sizzle up and down every haptic point in his suit, and between that and the electricity, he flung his arms and legs out in an agonized X while his neck thrashed, grating his face over the sidewalk. Something went horribly crunch in his nose.

  #

  The room had the same kind of locks as the Securitat room in Penn Station. He'd awakened in the corner of the room, his face taped up and aching. There was no toilet, but there was a chair, bolted to the floor, and three prominent video cameras.

  They left him there for some time, alone with his thoughts and the deepening throb from his face, his knees, the palms of his hands. His hands and knees had been sanded raw and there was grit and glass and bits of pebble embedded under the skin, which oozed blood.

  His thoughts wanted to return to the predicament. They wanted to fill him with despair for his situation. They wanted to make him panic and weep with the anticipation of the cells, the confession, the life he'd had and the life he would get.

  He didn't let them. He had spent sixteen years mastering his thoughts and he would master them now. He breathed deeply, noticing the places where his body was tight and trembling, thinking each muscle into tranquility, even his aching face, letting his jaw drop open.

  Every time his thoughts went back to the predicament, he scrawled their anxious message on a streamer of mental ribbon which he allowed to slip through his mental fingers and sail away.

  Sixteen years of doing this had made him an expert, and even so, it was not easy. The worries rose and streamed away as fast as his mind's hand could write them. But as always, he was finally able to master his mind, to find relaxation and calm at the bottom of the thrashing, churning vat of despair.

  When Randy came in, Lawrence heard each bolt click and the hiss of air as from a great distance, and he surfaced from his calm, watching Randy cross the floor bearing his own chair.

  "Innocent people don't run, Lawrence."

  "That's a rather self-serving hypothesis," Lawrence said. The
cool ribbons of worry slithered through his mind like satin, floating off into the ether around them. "You appear to have made up your mind, though. I wonder at you -- you don't seem like an idiot. How've you managed to convince yourself that this --" he gestured around at the room "-- is a good idea? I mean, this is just --"

  Randy waved him silent. "The interrogation in this room flows in one direction, Lawrence. This is not a dialogue."

  "Have you ever noticed that when you're uncomfortable with something, you talk louder and lean forward a little? A lot of people have that tell."

  "Do you work with Securitat data-streams, Lawrence?"

  "I work with large amounts of data, including a lot of material from the Securitat. It's rarely in cleartext, though. Mostly I'm doing sigint -- signals intelligence. I analyze the timing, frequency and length of different kinds of data to see if I can spot anomalies. That's with a lower-case 'a', by the way." He was warming up to the subject now. His face hurt when he talked, but when he thought about what to say, the hurt went away, as did the vision of the cell where he would go next. "It's the kind of thing that works best when you don't know what's in the payload of the data you're looking at. That would just distract me. It's like a magician's trick with a rabbit or a glass of water. You focus on the rabbit or on the water and what you expect of them, and are flummoxed when the magician does something unexpected. If he used pebbles, though, it might seem absolutely ordinary."

  "Do you know what Zbigniew Krotoski was working on?"

  "No, there's no way for me to know that. The streams are enciphered at the router with his public key, and rescrambled after he's done with them. It's all zero-knowledge."

 

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