by David Hewson
In a brief conversation as they walked to the villa Rachele D’Amato had told them the man was long gone from the mob and now spent most of his time in Italy or Japan, source of his twin obsessions. In retirement he was a history freak: imperial Rome and the Edo period. Wallis looked about fifty, a good ten years younger than his true age. He was tall, fit and strong. His dark hair was cropped short. He possessed an alert, fine-featured face dominated by large, intelligent eyes which were constantly active. Without the benefit of D’Amato’s briefing, Costa would have said he had the dignified bearing of an intellectual or an artist. There was just one outward sign of his past that she’d warned him about. Before coming to Rome as an emissary for his bosses, Wallis had lived in Tokyo for several years, liaising with the Sumiyoshi-gumi, one of the three big Japanese yakuza families. Somewhere along the way the little finger of his left hand had gone missing in some kind of brotherhood ritual with the Japanese mob. Unlike most ex-yakuza gangsters, he didn’t try to disguise the loss with a prosthetic. Maybe Wallis seemed to think himself above that kind of trick. Or past it, if they were to believe Rachele D’Amato. It occurred to Costa, too, that this act was in itself a ritual, one of belonging, in this case brotherhood. If Teresa Lupo was right, something similar had claimed the life of his stepdaughter.
“War,” Costa said. “Mars is the god of war.”
Wallis beckoned to the girl for more green tea. “Right. But he was much more than that. Indulge me. This is how I amuse myself these days, for half the year anyway, when I’m here.” His Italian was near perfect. If Nic Costa closed his eyes he could have convinced himself he was in the presence of a native. Wallis’s soft, intelligent tones sounded like those of a university professor. “Mars was the father of Romulus and Remus. In a sense he was the very father of Rome. They worshipped him more for that than his warlike aspect. The month of Mars was about the health of the state, which for Romans meant the health of the world. It was about rebirth and renewal through the exercise of power and force.”
“And sacrifice?” Costa asked.
Wallis looked around him, considering his answer. “Maybe. Who knows what you would have seen on this spot two thousand years ago?” He scanned their baffled faces. “You don’t know? Really. I thought the DIA knew everything. I built this villa from scratch ten years ago, on the site of an old temple. It filled my time. I have plenty to fill. Some of the pieces you see here came out of the ground. You won’t tell the Soprintendenza Archeological, will you? I’ve left them to the city in my will. It won’t harm anyone if they spend a little time with me, surely? You’ve got plenty else besides.”
“We’re not here about statues,” Rachele D’Amato said.
Wallis stared at her and there was a note of icy disdain in his dark eyes. “Listen to the Roman talking. You grow up in a place like this and walk around with your eyes closed. Still, people change. It was easier to handle the planning people a decade ago than it would be now. They were more… pliable. I would never have done this today, of course. They’re different. So am I.” He waited. “Signora. You’re from the DIA. We’ve met before, of course. Twice is it? Three times?”
“Twice I believe.”
“Quite. I was generous with my time then. I don’t feel that way anymore. This doesn’t require your presence. You know as well as anyone that I retired not long after my stepdaughter disappeared. You’ve no cause to be here now. I can understand why, in the present circumstances, the police have to call. But I’ve got nothing to say to you.”
Peroni caught Costa’s eye, winked and held up a sly thumb.
“I know all this—” she said, taken aback by his frankness.
He interrupted her. “Then why are you here?”
“Because of who you were.”
“Were,” he repeated. “I try to take this lightly but you must understand. These are recollections of a double loss for me.”
“A double loss?” she asked.
“My wife died in New York not long after Eleanor disappeared.”
The memory broke her confidence. “I forgot,” D’Amato stuttered. “I apologize.”
“You forgot?” He seemed more perplexed than offended. “A detail like that?”
She was struggling to come up with something to keep this conversation alive.
“What happened?” Costa asked, trying to help.
“Ask her.” He nodded. “Like I said. They’re supposed to know everything.”
“I don’t recall,” she murmured.
“No?” There was a brief hint of ironic victory on Wallis’s handsome face. It gave Nic Costa pause for thought: something dark still lurked inside this man. “Read the files. My wife and I separated a year before this happened. I rented an apartment for her on the fiftieth floor of a block near Rockefeller Center. Shortly after Eleanor went missing she stepped off the balcony.”
The three men looked at each other. Costa knew what each of them was thinking: it was impossible to work out precisely how Wallis felt about this event.
“I’m sorry. Nevertheless,” D’Amato persisted, “the protocols demand that the DIA are present if the police interview someone with your kind of record.”
Wallis smiled wanly. “What record? No one’s ever prosecuted me for a thing. I’ve never confessed to any crime. Perhaps I have never committed any crime.”
“Then I apologize but it’s how it must be.”
Wallis shrugged. “The Italian love of bureaucracy is one of the few things about this country I fail to understand. I don’t wish to offend, Signora, but I will repeat myself: you are out of line. I don’t see how I can refuse to speak to the police in these circumstances. You are different.” He pointed to the double doors that led outside to the patio. “This is nothing personal. You must go. If you don’t, I talk to no one. Please…”
“I…” she stuttered, looking at Falcone for support. The inspector shrugged his shoulders. Peroni uttered a low chuckle.
“This is wholly improper,” she hissed, rising from her seat. “We…” she glared at Falcone, “… will talk outside.”
Wallis smiled and watched her walk brusquely out the door. “There’s a Japanese saying: ”Yesterday’s enemy is today’s friend.“ Not always. A shame. She’s a charming woman.”
“First time I heard her called that,” Peroni grumbled.
Wallis looked at him, just a hint of reproach in his eyes. “You think you’ve found my stepdaughter. Are you sure?”
“We’re sure,” Falcone said.
“So why the hell has it taken this long for you to tell me? It’s two weeks since that body turned up.”
Falcone was off his guard. “You knew we had a body?”
“Give me credit,” Wallis said pleasantly. “Eleanor may not have been mine but I loved her anyway. She was a great kid. Bright, charming, interested. I loved her mother too, not that it was easy. I blame myself for most of that. But Eleanor…”
His eyes sparkled when he spoke of her. “She took every good point her mother possessed and just made it bigger. Even at sixteen she was just full of life, involved in everything. History. Language.” He waved his hands around the room. “Let me tell you something I never told that woman from the DIA. Together Eleanor and her mother gave me… this.”
“How?” Costa wondered.
Some long-hidden pain flickered in his eyes. “Because they made me realize it existed. They had the education. They opened the eyes of some kid from the ghetto who’d only dreamed about things up till then. The guys back home put me through a law degree. I got a taste for Latin through that. But until Eleanor and her mom came along I just didn’t get it. The irony is that, if she were alive today, I wouldn’t be what I am. It was her disappearance made me consider what I was. Her loss reshaped my life. It was a bum deal for her. I wish it had never happened.”
He looked at Falcone. “Of course I knew there was a body. A parent who loses a child, even a stepparent, looks at the newspapers differently. We think: is this the end?
Do we now know? Because that becomes the source of the pain. Not the loss itself. Not the images in your head about how she might have died. It’s the absence of knowledge, the doubt that nags away at you, day and night.”
Wallis made a gesture with his hands. He had no more to say.
“You could have called us,” Costa said.
“Every time a girl’s body is found in Italy? Do you have any idea how often I’d be on the phone? Do you know how soon people would start labelling me a crank?”
He was right. Nic Costa had seen enough missing person cases to know what happened when the investigation dwindled to nothing: no body, no leads, no clue as to how someone had disappeared. There was all too often an awkward juncture at which the grieving parents became a burden, one which ought to be supported by the counselling services rather than the police, since they were the only ones who, in truth, could help.
“You’re sure?” Wallis asked again. “You’re absolutely sure?”
“Yes,” Falcone said.
“Yet the papers said something about the body being old?”
Falcone frowned. “It was a mistake on the part of the pathologist. She’d been laid in peat. It made it hard to carry out the normal tests. Also, I was on holiday. There was no one around from the original investigation who could put two and two together.”
“Everyone makes mistakes,” Wallis said. “What can you possibly want of me in these circumstances?”
“I need you to come to the Questura for formal identification.”
Wallis shook his head and almost smiled. “What’s the point in identifying a sixteen-year-old corpse? Besides. You said you knew it was her already.”
“It’s not what you think,” Costa intervened.
“No. I know that. They printed a picture of her in the papers. I saw it at the time and thought… maybe. But what you’ve got isn’t my stepdaughter. It’s a corpse. I’ll make arrangements with an undertaker for the burial. I’ll see her then, when we’re both ready.”
“No,” Falcone said firmly. “That isn’t possible. This is a case of murder, Signor Wallis. The body won’t be released until I allow it. If we bring someone to court…”
They all heard the uncertainty in Falcone’s voice.
Wallis stared at him. “If—”
“I need you to think back to that time again. We have to reopen the case. We have records but perhaps something else has occurred to you.”
“Nothing’s occurred to me,” Wallis replied immediately. “Nothing at all. I told you everything I knew back then. Now I remember less, and maybe that’s for the best.”
“If you think about it,” Costa suggested.
“There’s nothing to think about.”
“The girl was murdered,” Costa said. “Brutally. Perhaps in some kind of ritual.”
Wallis blinked. “Ritual?”
“An ancient Roman ritual. Dionysian perhaps,” Costa continued hopefully. “There’s a place in Pompeü. The Villa of Mysteries. A professor at the university wrote a book about how they might be interpreted. Have you read it?”
Wallis’s cropped head turned sideways. Something in this idea intrigued him. “I read history, not conjecture. I don’t know anything about any Dionysian rituals.”
Costa glanced at Falcone. The villa was full of imperial Roman artefacts. It had been built on the site of an ancient temple. For all he knew, Wallis spent six months of the year pursuing only his private, historical interests. It was inconceivable that he was entirely ignorant of the subject.
“Signor Wallis,” Falcone said quietly. “This may be coincidence, but another girl is missing. It’s possible she ran away today with someone. It’s possible, I put it no more strongly than that, that someone acted out these rituals when your stepdaughter was killed. It’s possible the same person is re-enacting them now. Do you have any idea whether Eleanor was mixed up in some kind of cult?”
Wallis’s passive face creased in surprise. “What? Are you guys kidding me? She was too smart to mess around with that kind of crap. Besides, I’d have noticed something, wouldn’t I?”
“And you didn’t?” Costa asked. “The day she went missing was just like every other?”
Wallis scowled. “I told you all this sixteen years ago. The day she went missing she climbed onto her scooter and rode off for the language school. I watched her go and you know something? I was worried. A kid like that riding a scooter through the middle of Rome. I was worried someone might knock her over. Shows how smart I was, huh?”
Falcone handed over one of the photos from Miranda Julius’s apartment: Suzi, smiling happily outside in the Campo. The man’s reaction was extraordinary. He seemed more shocked by this than anything else they had said or done. Wallis’s face creased with the same pain Costa had seen on the videophone at the gate. He closed his eyes and was silent for almost a minute.
Then he looked at them all, one by one, peering into their faces. “What is this shit? You think you can pull some kind of stunt on me?” Wallis shook his head, unable to go on.
“This is no stunt,” Costa said carefully. “That’s the girl who has just gone missing. She met someone. Someone who persuaded her to have the tattoo on her shoulder, the same one that Eleanor had. Someone who talked to her about these rituals, and told her something would happen. On 17 March, the same day Eleanor went missing. Do you know her?”
Wallis listened attentively. He took a final look at the photograph then handed it back to Falcone. “No. I’m sorry. I shouldn’t have lost my cool like that. The girl reminded me of Eleanor. Her hair… blonde like that. It’s just the same, that’s all. I suppose that’s what you wanted.”
Falcone avoided the man’s fierce gaze. “I want the truth. That’s why we’re here. Nothing else.”
“This is the past for me. You must have some ideas.” Wallis seemed to be pleading for a way out.
“Nothing,” Falcone admitted bitterly. “A corpse. A few coincidences.” He stared at Wallis. “And you.”
“I’m no use to you, Inspector. I’m no use to anyone. Just an old man trying to find a little dignity out here on my own. My stepdaughter’s long dead. I knew she had to be, years ago. You never really believe they just disappear like that, go marry, raise kids or something, and never call. Let me mourn her. This missing girl now… If there was anything I could do I would, I promise.”
Falcone was beginning to flounder. “I need you to come to the station. I need you to identify the body. Go over the statements you made—”
“Statements I made sixteen years ago! There’s nothing I can add to them now.”
“Sometimes, sir,” Costa interjected, “you remember more when you see things from a greater perspective. Small details that meant nothing to you then become important.”
“No,” Wallis said firmly. “I had enough of this crap back then. Listen. Am I under suspicion or something? Do I need to consult a lawyer?”
“If that’s what you want,” Falcone replied. “You’re not under suspicion as far as I’m concerned.”
“Then there’s nothing you can do to force me to come with you. Don’t forget, gentlemen. Way back when I did a law degree. Put through college by guys who needed legal people bad. Maybe this was American law but I still got the attitude if I want it. Don’t pull any funny business. I won’t allow it. This meeting is at an end. I’ll appoint an undertaker to talk to you about the body. When you’re ready for me, I’ll bury the child.”
Wallis clapped his hands. The girl in the white smock came into the room, bending her head, awaiting her orders.
“The gentlemen have finished their business here, Akiko. You’ll show them out, please.”
She bowed and looked pointedly at the door.
“ ”HERE’S THE DEAL. I don’t go around cutting up bodies. You don’t go around interrogating potential witnesses.“ Who does Falcone think he is? If it wasn’t for me he wouldn’t even know half of what he does now. Gratitude, I know, is unreasonable. Just a little respe
ct now and then wouldn’t go amiss.”
Teresa Lupo was at the wheel of her cherry-red Seat Leon doing 160 km/h on the autostrada that led to the coast past Fiumicino airport. Her remarks were addressed to the grubby orange Garfield toy that dangled from the mirror, flaked with grey tobacco ash, like a polyester puppet caught up in the aftermath of Pompeü. The cat was her constant companion on the many solitary journeys she made. It was a good listener.
Falcone’s remarks had stung her all the way back to the office. They burned in her head as she finished the preliminary report on the body from the bog, based on just a few exploratory procedures. They didn’t, she hoped, cloud her judgement. On the face of things there was nothing more to be said about the corpse than they already knew. The girl had died because someone had cut her throat. The knife wound was, she now accepted, rather clean and tidy, more so, in all probability, than one might have expected in Roman times. Then there was the collection of grain and seeds which she’d sent off to a horticultural expert in Florence for analysis. These were the plain facts and, though a fuller autopsy would take place in the morning, Teresa Lupo knew from instinct there was precious little else to be extracted from the body. All the scraps of information that helped them in normal cases—fabric threads, paint, human hairs, traces of blood and, most of all, DNA—were either never there in the first place or got washed away by the brown acid waters that had worked on the poor kid’s corpse.
What continued to bug her was the way Falcone was so cool about the cornerstone of her original theory. Maybe the girl had died only sixteen years before, not the couple of millennia she originally thought. Nevertheless, the idea she first came up with—that all this was somehow hooked into the obscure rites and rituals of Dionysus—still stood. When she held Miranda Julius’s taut, nervous body in the apartment in the Teatro di Marcello she knew that Nic Costa was right. That part of the mystery—who had disappeared with Suzi and why?—still deserved an explanation. Maybe it was more important. Suzi was, as far as anyone knew, still alive.
Falcone was taking a cop’s-eye view of affairs. He could be right. He usually was. Still, she couldn’t shake off the idea that there was an intellectual argument that needed resolving too. Come tomorrow, when Suzi Julius would surely still be missing, Falcone could, if he felt like it, throw people on the street looking high and low for her. He could give her picture to the TV channels and the newspapers and hope someone would recognize it. These actions were, she felt, good and proper. They just weren’t happening soon enough. Falcone had missed a bigger question. With Eleanor Jamieson someone had acted out a ritual that was a couple of thousand years old. Why? What kind of people would behave that way? What motivated them? And—this seemed to her a very big question indeed—where did they get their ideas from? Was there an instruction manual, handed down from generation to generation? If so, by whom?
