Maggie seemed astonished at this. She pushed up at her mantle, as if to shove it from her head. She did that at times when it was downloading too much information to her. "That would require a more sophisticated level of technology than even we have!" she said. "We've never crossed dimensional boundaries."
Felph shrugged. "Qualeewooh technology differs from ours, yet I doubt it is `more sophisticated.' "
Maggie said, "This is incredible. My mantle has no information on these masks; as a Lord of Technology, I should know something of them."
Gallen's own mantle whispered to him. "The nature of the artifacts discovered here has been classified as secret. It is vital that such technology not fall into Dronon hands."
Until now, Gallen had thought it exceedingly odd that the government would conspire to hide an entire world. Now he got an uneasy feeling that they had stumbled onto something darker and more important than he ever would have imagined.
Softly, Maggie asked, "What proof do you have of such a level of technology?"
"Ah," Felph smiled. "I see your reservations. A technologist doesn't want dreams and alien voices whispering in her ear. She wants hardware." He bent his head. "Unfortunately, not much has survived the past twenty thousand years. You can search the aeries--the Qualeewoohs call them cloo holes, but all you will find are cave paintings. But some evidence exists. Come back here, into this passage."
Felph hobbled to a hole that had been excavated in the back of the chamber, then led them through a corridor that sloped down, then suddenly opened into a far larger chamber, an almost perfect oval.
Here, things were far different from the room above. Felph had installed a very dim continual light on one wall. Mounted on the wall opposite from the light was bolted a metal panel with graceful lines etched deeply into it. Whereas the previous walls had all been covered with exotic pictographs, these loops and whorls were clearly different. They didn't seem to be writing. They didn't represent anything.
"Can you guess what this is?" Felph asked.
Maggie drew close and studied the metal panel. "This isn't the low-quality silver we've seen on Qualeewooh spirit masks. This is a solid sheet of platinum." The panel was nearly two meters tall and ten long. "Something this big had to have been milled in a foundry." She studied the grooves in the metal. They followed two separate tracks, mirror images of one another, that led from the floor to the ceiling and back down again in graceful sweeps. "It looks like writing etched into the metal," Maggie said, uncertain.
But even Gallen guessed that these weren't pictographs, not representational characters at all. "These etched tracks are so narrow and deep: the grooves must have been cut with a laser." When she examined the etchings closely, she suddenly bolted backward in surprise.
"A recording?" Maggie said, astonished. "These grooves are an audio recording?"
"More than just audio!" Felph said. "It's an audiovisual recording from the second expansion, approximately thirty thousand years ago. This predates nearly every civilization on Earth. Our ancestors were just learning to shape stone, while these people were developing laser technology and recording studios, performing brain surgeries and actively terraforming their own planet to make it more suitable. You should see the stone aqueducts on Fire River--over four thousand miles of covered aqueducts in all--and most of it is still usable."
Felph brought a small device from the pocket of his robe, something that looked like a high-tech top--a spindle on a round spool with a thin, curved handle. He placed it in one of the grooves on the lower right-hand corner of the metal plate, and twisted. There was a snapping sound as a lock snicked open. A heavy rumbling followed.
A hole opened in the stone floor, and a statue began rising up, revealing the shape of a birdlike creature sculpted from colored glass. The figure was corroding, miserable in appearance, but Gallen could sense the general appearance of the being.
The Qualeewooh had light-colored feathers on its chest, while the longer plumage on its wings was mostly tan with some green tips at its wings. The statue showed the creature with its wings upraised, and Gallen could distinctly see the tiny hands--each with four long fingers, at the apex of each wing. The Qualeewooh's brownish neck was long and slender, with a blaze of white at the throat, and its head held a large beaklike snout, with many teeth that were needlesharp, including two large pairs of upper fangs that reminded Gallen of a boar's tusks. As with any bird, the eyes were set on each side of its head, so that the Qualeewooh could see in any direction above, below, or to either side. Somehow, even from only this crude icon, Gallen would have recognized that this creature was sentient.
But this creature seemed more than intelligent. It carried itself with a pride, with a majesty, few humans could have aspired to. Perhaps it was the spirit mask that the statue wore. This particular mask was formed of platinum, inlaid with cabochons of dark blue azurite. The spirit mask flamed up and outward into some mystical crown, and the glass eyes of the statue stared deeply from this mask, secretive, wise--but mostly, most frighteningly, malevolent.
There were other oddities about the statue. On its fingers the Qualeewooh wore heavy rings, each shaped like a long, raking claw. On its chest it wore a bandolier with many tiny implements that might have been tools or keys.
There, in the dark room, gazing at this ancient glass statue that barely caught the light in the darkness, Gallen felt a primal, palpable fear. Something about this creature made him step back. He suspected this was no representation of a Qualeewooh lord or philosopher. This was a demon.
The sight of the statue affected the others in the same way. Everyone had moved back from it. Felph appeared not to notice. He still had his little device in the track on the platinum wall, and now he placed an identical device into a groove on the lower right side. "These are models of the spindles a Qualeewooh used. I've motorized these, so that they'll play over the recording. In ancient times, there were no motors. A nest mother would have stood here, a spindle in each claw, flapping her wings to play the recording. You can imagine what it would look like."
He pretended to grab both implements and begin running them through the narrow grooves, pulling them toward him, raising them slightly, then pushing them back out along their tracks, then pulling them back in.
The. result of his odd motions was that Felph suddenly looked as if he were a bird, mimicking the motions of flight, flapping his wings.
When he finished his demonstration, he reached down to the spindles, pushed a button on each one, and the spindles actually began to move.
A quavering sound issued from the spindles, remarkably loud. It was a song-reed pipes, thunderous drums, some strange instrument that might have been a wood paddle scraping over stone.
It was a marvelous melody--rich, exotic, completely alien and yet immediately recognizable as music. One could hear high winds whistling through crevices, the music of flapping wings and beating hearts.
Qualeewoohs were singing in that song, too.
The ancient Qualeewooh language was raucous, with many squawks among its frantic whistling. It was a dramatic weaving of sound, like voices crying in a jungle over the peeping of frogs. The Qualeewoohs' cries reverberated throughout the chamber--a challenging tone that might have been voicing curses or deprecations.
Orick shouted in astonishment, "Look in its eyes!"
Gallen stared into the eyes of the statue, and saw that somehow--he could not see the source--an image was being projected through the statue. In the black depths of the statue's eyes Gallen could discern five Qualeewoohs winging over the red deserts of Ruin, soaring over rocky bluffs. From overhead, a second flock of Qualeewoohs plummeted with deadly grace from cloudy skies, diving into their fellows, talons stretched out, apparently fitted with metal spurs. The attackers slashed the necks and wings of their adversaries. A squawking roar filled the room, as if a hundred Qualeewoohs shrieked in pain and terror, then the image focused on two Qualeewoohs who soared and dived, battling in the sky.
&nb
sp; The sounds softened, almost breathless, and Gallen suspected this recording recounted the tale of these two Qualeewoohs. It must have been an epic battle, for it lasted more than ten minutes, and Gallen was astonished at what he saw--Qualeewoohs flying in complex loops, twisting dives, terrifying strikes and heroic dodges.
In the end, one Qualeewooh plummeted in a dazzling pattern, as if trapped in a whirlwind, spiraling down. In the last second of its attack, it reached out with one wing, where its tiny hand carried a thin blade, and smote off the head of its adversary.
Thus the adversary tumbled to earth, end over end, its head somersaulting in the air.
The vanquishing Qualeewooh soared on over the plains, master of all it surveyed.
For the next several minutes of the recording, all one could see was a lone Qualeewooh flying through endless empty skies, accompanied by a ringing song that could only have come from some type of pipes or whistles, unaccompanied by other instruments, until at last the remaining Qualeewooh reached a mountain aerie and entered a cave.
In the back of the cave, Qualeewooh chicks huddled in downy feathers, shaking amid the shells of their eggs, snaking querulous peeps as the dark lord approached, beak open, displaying his razor-sharp teeth.
There the tale ended.
Gallen's logic told him that this recording showed a major battle between good and evil. If so, something was certainly amiss. This was not a heroic tale as he understood it: of the Qualeewoohs who had fought, the loser was not the aggressor, but the defender. The defender, a smaller Qualeewooh, had worn a simple spirit mask of bright silver, unadorned with any gaudy stones. In all the encounters, it had heeled away, retreating with great speed and desperation toward a distant line of hills. True, it did rake its attacker on occasions, but only in self-defense.
And the song, the strange song at the end that sounded like reed pipes, seemed to Gallen not to be trumpeting victory, nor sounding an anthem of peace.
Instead, it was a bewailing tune, a howling. I am the dark god of the skies, the icon had cried. Through victory I am diminished.
When Felph's spindles reached the lowest bottom corners of the panel, the song ended. The glass statue receded down into the floor, where the stone doors slid back in place with a snick.
Felph turned around, pocketed the devices that let him play the recording.
Gallen stood in the solemn chamber, with his friends around him. Beside him he could feel Maggie standing close, shivering from fear. Gallen remained utterly silent, the alien music ringing through his head. No one spoke. No one wanted to be the first to break the spell the Qualeewooh music had woven. The whole battle, the symbolism, was utterly alien. But Gallen felt that, somehow, he understood.
He wondered how this cave had appeared to the Qualeewoohs, thirty thousand years ago: many nesting sites had probably been here in the cliffs. The chicks would have come into this cave, in the darkness, Gallen imagined. Perhaps the chicks would have been small, so young they hadn't grown their adult plumage. So they would have been ugly, gangling things with small wings and large heads.
A priestess would have stood before the platinum panel and waved her wings, as if taking flight. Immediately the dark god would rise behind her, its malevolent intent glowing in its eyes. Each chick would have had its head turned to the side, gazing at the dark god with one eye only. Perhaps the victim of the murder symbolized the priestess in her flight. That sounded somehow right.
Gallen realized that the defender in the battle had been lighter of color. Female, perhaps? The death of virtue, the end of civilization. That's what the dark god brought.
He stared at the scene in his imagination, lost in thought, until Felph said quietly, "I first came to Ruin nearly seven hundred years ago, as an archaeologist. I was part of a team that discovered this site. All the others, they've moved on to other worlds, other ruins. But I've stayed to study the Qualeewoohs and their civilization.
"You see, they are not unlike us. Their ancestors were violent hunters, lords of the skies. They traveled in great flocks that darkened the heavens. When they descended on the twisted jungles, they carried off what they desired.
"And like our ancestors, they grew to be too numerous, and began to war.
"But they were not really like us," Felph mused, and his tone was somber. He stared at the floor, his dark eyes unfocused, his gaze directed inward.
"Man was content to live with war, and even gloried in it. But the Qualeewoohs never romanticized it, never saw it as a necessity, nor even really tolerated it. "
"What happened to them, then?" Orick asked, his deep voice full of awe. "Why did they die out?"
"They haven't, as I said," Felph answered. "But if our astrophysical models are correct, things here changed about thirty thousand years ago, during the fourth expansion. Ruin circles a small sun, as you can see--one too small to regularly burn away the planet's polar ice caps. Darksun drew close to its larger sister every six years in a very elliptical orbit, and when the suns reached perigee. the combined light provided enough heat to melt the polar caps here on Ruin. With this melting, water would fill the shallow seas, and as the tangles enlarged, the local flora and fauna populations would explode for a few years.
"But about twenty-eight thousand years ago, something changed the orbits. It may have been that a large planetary body passed through the system, or even hit Darksun, skewing its orbit, making it more and more elliptical. On a cosmic scale, the variations in orbit appear minor, but the changes here on Ruin have been dramatic.
"The result has been that the six-year cycle now takes three hundred years to complete. The free water here on Ruin is becoming more and more concentrated at the poles, and now, even when the ice caps do melt, they can't melt completely."
"So the Qualeewoohs died out?" Maggie asked.
"No, not exactly," Felph said. "Their numbers were on the decline even before this tragedy. That is what intrigued me about them You see, Qualeewoohs are intelligent creatures--smarter than the average human who isn't genetically enhanced.
'No, they weren't dying out. What happened is this: in the early days of human technology, our ancestors' innovations concentrated in several areas--the production of shelter, transportation, food, and weapons of war.
"But the Qualeewoohs never needed these. They needed no transportation. Because they were winged creatures, they were free to hunt and move at will. Indeed, I can find no evidence that, outside of litters for carrying their sick, the Qualeewooh ever created any kind of vehicle.
"As far as shelter goes, their needs seemed minimal. The Qualeewoohs, unlike humans, cannot live in extreme cold. Their wings and necks dissipate too much heat, so they were never free to expand beyond their lower temperate regions. Nor can they nest near the tangles, where predators steal their eggs. So they nest in mountainous areas above the tangles--and there were plenty of nesting sites.
`Also, the Qualeewoohs, unlike humans, are pure carnivores. The ancients did develop methods of ranching--controlling predators and unwanted herbivores. The tangles provided them with hundreds of different natural pesticides and whatnot. But because the Qualeewooh are carnivores, their numbers naturally stabilized at smaller populations than human populations would. Indeed, food became the predominant limiting factor in their expansion.
"But war, of course, was their big problem. When driven by hunger, Qualeewoohs engaged in the worst sort of cannibalism. A well-fed Qualeewooh is a magnificently moral creature, but when a Qualeewooh starves, when its brain suffers from a lack of sugars, it enters a dark state that the Qualeewoohs call `The Voracion.' A Qualeewooh, so afflicted becomes a terrible, mindless predator--slaying anything but its own mate in an effort to survive. Thus, starving adults would forage into the nesting territories of enemy flocks, slaying the females, eating eggs and chicks. In lean years, terrible things happened.”
"In an effort to abolish the slaughter, the Qualeewoohs focused their research efforts. The Qualeewoohs did not seek to protect themselves fro
m their neighbors, as humans did. Mankind developed all sorts of fascinating myths about how other tribes of humans were `evil' and inferior so we could continue to justify our war efforts.
"But among Qualeewoohs, who could fly, there was no boundary between peoples. A global language developed early in their civilization, along with two or three very similar global cosmologies, and everyone understood one another. One Qualeewooh could join with any flock he or she chose, and, it appears to me, the Qualeewoohs' territorial instinct never developed as strongly as did mankind's.
"And there is one more thing you must understand: the Qualeewoohs were brilliant mathematicians. They could estimate populations of animals, count their citizens, study the prevailing weather, then calculate accurately how many of their own people they could supply with food and water.
"So when the Qualeewoohs turned to the problem of war, they took a pragmatic approach. Instead of trying to search endlessly for new sources of food and water, instead of trying to defend themselves from the inevitable depredations of others--their technology focused on self-control."
"You mean to limiting their numbers?" Gallen asked.
"No," Felph said. "That was but a small part of their program. I mean that they turned toward social and genetic manipulation. That they practiced genetic manipulation is obvious. We've found fossilized plants from the tangle and compared their DNA to that in current samples. The dew trees, which serve as the platform for all other life here on Ruin, show a common pattern of genetic manipulation across twenty-three separate species. The Qualeewoohs inserted the instructions for a common root and hibernation
system through all those species. It is only because of these genetic manipulations that any life at all still thrives on this planet.
"But even more importantly than their manipulations of the flora and fauna, they developed a genetic upgrade which they spread among their own kind. They inserted a gene into their thirty-second chromosome that makes it terrifying, utterly intolerable, for one Qualeewooh to be near another adult of the same sex. The very sight of an adult Qualeewooh of the same sex sends both individuals into flight. "
Lords of the Seventh Swarm, Book 3 of the Golden Queen Series Page 7
