The Ellington Century

Home > Other > The Ellington Century > Page 40
The Ellington Century Page 40

by David Schiff


  Ellington, Mercer

  Ellington, Ruth

  Ellington Orchestra, and Black, Brown and Beige, and melody, “rebirth” of, and religious music, and Such Sweet Thunder,. See also names of individual band members

  Ellison, Ralph

  Elman, Ziggy, “And the Angels Sing,”

  Emancipation Proclamation, centenary of

  Emerson, Ida, “Hello My Baby!”

  The Emperor Jones (O'Neill)

  England, Nicholas

  Ertegun, Nesuhi

  essentialism

  Europe, James Reese; Hell-fighters Band

  European culture/music, archives of, baroque music, and continuo, and harmony, and history, and jazz, and melody, Renaissance music, and rhythm, and rubato, and tone colors, and xylophone,. See also classical composers/music; names of individual European composers

  Evans, Bill, “Waltz for Debby,”

  Evans, Gil; Miles Ahead; Porgy and Bess, Sketches of Spain

  “The Evolution of the Negro in Picture, Song, and Story” (historical pageant)

  Evolution of the Negro in Picture, Song, and Story (musical)

  exoticism: and rhythm, and tone colors

  expressionism

  Faddis, Jon

  fascism, protofascism

  Fats Domino

  Feather, Leonard

  feminism

  Fibonacci series

  Fields, Dorothy

  Fifth Avenue Presbyterian Church (New York City)

  fin de siècle, and rhythm, and tone colors

  Finnegan, Bill

  Finnegans Wake (Joyce)

  First World War

  Fitzgerald, Ella

  Five Spot

  Flagello, Nicolas

  Fleming, Renée

  Fletcher Henderson Orchestra

  Flory, Med

  Floyd, Samuel

  folk music, and harmony, and history, and rhythm

  Fonaroff, Nina

  Fontages Legion of Free Haitians

  Forte, Allen

  Forward Day by Day (Episcopal church)

  Foster, Pops

  Foster, Stephen, “Beautiful Dreamer,” “Old Folks at Home,”

  fox-trot

  Franklin, Aretha

  freedom songs

  Freud, Sigmund

  Friars Society Orchestra

  Friedwald, Will

  Fuchs-Robettin, Hanna Werfel

  Fuchs-Robettin, Herbert

  Fuller, Loïe

  “Full Moon and Empty Arms,”

  Furia, Philip

  futurism

  Gaines, Lee: Just A-Sittin' and A-Rockin',”

  Garafola, Lynn

  Garden, Mary

  Garner, Errol

  Gazzelloni, Severino

  Gebrauchsmusik

  Der gelbe Klang (opera)

  gender: in Appalachian Spring, in Black, Brown and Beige, in Lyric Suite, in Rodeo, in Such Sweet Thunder, and tone colors, See also sexuality

  Gensel, John

  George, Nelson

  George, Stefan

  Gershwin, George, death of, and history, and love, and melody; and rhythm

  —music: An American in Paris, “Boy What Love Has Done to Me,” “Do It Again,” “Embraceable You,”, “Fascinating Rhythm,” Girl Crazy, “I Got Rhythm,”; “It Ain't Necessarily So,” “Liza,”, “Love Is Sweeping the Country,” “The Man I Love,” “Nice Work If You Can Get It,” Piano Concerto in F, Porgy and Bess, Preludes, Rhapsody in Blue; “Somebody Love Me,” “Someone to Watch Over Me,”; “Summertime,”

  Gerstl, Richard

  Gesamtkunstwerk

  Gezzelloni, Severino

  Giddins, Gary

  Gilbert and Sullivan

  Gill, Roscoe

  Gillespie, Dizzy, “Koko,” “Things to Come,”

  Giraud, Albert

  Gish, Lillian

  Giuffre, Jimmy

  Glinka, Ruslan and Lyudmila

  Globe Theatre (London)

  Gonsalves, Paul, and Such Sweet Thunder, and “wailing interval,”

  Goodman, Benny, “Bugle Call Rag,” “Solitude,” “Tiger Rag,”

  “Good News,”

  Gordon, Irving

  gospel music

  Gould, Glenn

  Grace Cathedral (San Francisco)

  Graettinger, Bob, “City of Glass,”, “Thermopylae,”

  Graham, Martha, Appalachian Spring, “Daughter of Colchis,”; Dream Ballet (Oklahoma!), “House of Victory,”

  Great American Songbook

  Great Depression

  Greenlee, George

  Green Pastures (film)

  Greer, Sonny

  Grieg, Edvard, Peer Gynt

  Griffith, D. W.

  Grofé, Ferde, Grand Canyon Suite

  Guthrie, Tyrone

  Guthrie, Woody

  Guy, Fred

  habanera

  Haden, Charlie

  Haile Selassie

  Hajdu, David

  Haley, Bill, Bill Haley and the Comets, “Rock Around the Clock,”

  Hall, Adelaide

  Hallock, Ted

  Hamilton, Chico

  Hamilton, Jimmy

  Hamlet (Shakespeare)

  Hamm, Charles

  Hammerstein, Oscar II, “Can't Help Lovin' That Man of Mine,” “Do-re-mi,” The King and I, Oklahoma! “Old Man River,”, Show Boat

  Hammond, John

  handbell, West African

  Handy, W. C., “Aunt Hagar's Blues,” “St. Louis Blues,”

  Hansel and Gretel

  Hardwick, Otto

  Harlem, and history, as “Mongrel Manhattan,” and religious music

  Harlem Renaissance

  “Harmonie du soir” (Baudelaire)

  Harmonielehre (Schoenberg)

  harmony, and atonality, and Bartók, and blues, in “Clothed Woman,”; and Debussy, in “Goodbye Pork Pie Hat,”, and jazz, and modes, and “monotonality,” “plagal cadence,” and Ravel, in “Satin Doll,”, and Schoenberg, and Shostakovich, tonal harmony

  Harney, Ben, “You've Been a Good Old Wagon But You Done Broke Down,”

  Harris, Charles K., “After the Ball,”

  Harris, Roy

  Harris, Will, “Sweet Sue Just You,”

  Harrison, Lou

  Hart, Lorenz, “The Girl Friend,”; “I Didn't Know What Time It Was,” Jumbo, “My Funny Valentine,” “My Heart Stood Still,” “My Romance,” “There's a Small Hotel,” “This Can't Be Love,”

  Hartleben, Otto Erich

  Hartmann, Thomas von

  Harvard Dictionary of Music

  Hauer, J. M.

  Hawkins, Coleman

  Hawkins, Erick

  Hawthorne, Nathaniel

  Haydn, The Creation

  Hegel, Georg Wilhelm Friedrich

  Hellfighters Band

  Henderson, Fletcher, “Casa Loma Stomp,” “Chinatown,” Fletcher Henderson Orchestra, “The Stampede,”, “Wrappin' It Up,”

  Henderson, Horace, “Hotter than ‘ell,”

  Henderson, Luther

  Hendricks, John

  Hendrix, Jimi

  Henry V (Shakespeare)

  Herald Tribune

  Herbert, Victor

  Herman, Woody, band of, “Goosey Gander,”

  Herman McCoy Choir

  heroism

  Heyward, DuBose and Dorothy, Porgy and Bess

  Hibbler, Al

  Hibbs, Leonard

  Higgins, Billy

  Higginson, Henry

  Hillyer, Lonnie

  Hindemith, Paul, and harmony, and history

  —music: Suite 1922, Symphonic Metamorphoses

  Hines, Earl

  Hinton, Matt

  history, and Appalachian Spring, and Black, Brown and Beige, and Harlem, and New World A-Comin,', and Second World War, written by music

  Hodeir, André

  Hodes, Art

  Hodges, Johnny, and Black, Brown and Beige, and con amore, and Concerts of Sacred Mu
sic, death of, and His Orchestra, as “Johnny Lily Pons Hodges,”; and melody; and rhythm, “Squatty Roo,” and Such Sweet Thunder

  Holbein, Hans the Younger

  Holder, Geoffrey

  Holiday, Billie

  Holliger, Heinz

  Holly, Buddy

  Hollywood, and history, Hollywood Democratic Committee, See also movies/movie theaters

  “The Holy City,”

  Hopkins, Gerard Manley

  Horne, Lena

  Horowitz, Vladimir

  House Un-American Activities Committee (HUAC)

  Howard, John Tasker

  Howard, Joseph, “Hello! Ma Baby,” “Hello My Baby!”

  Howard Theatre (Washington, D.C.)

  Howland, John

  “How Long Has This Been Going On,”

  Hubbard, Freddie

  Hughes, Langston

  Hughes, Spike

  “Hunger Artist” (Kafka)

  Hurston, Zora Neale

  Hutcherson, Bobby

  Huysmans, J. K.

  I Ching

  “Impression III (concert)” (Kandinsky painting)

  impressionism

  Independent Citizen's Committee of the Arts, Sciences and Professions

  instinct

  “I Ride an Old Paint,”

  Irving Bunton Singers

  Ives, Charles, Central Park in the Dark, Unanswered Questions, Universe Symphony

  Jackson, Mahalia

  Jackson, Quentin “Butter,”

  “Jack the Bear,”

  Jacobs, Paul

  Jarrett, Keith

  Jazz: A History (Tirro)

  Jazz Harmony at the Piano (Mehegan)

  jazz/jazz musicians, and Appalachian Spring, and Black, Brown and Beige, and blues, and “Carolina Shout,”, and classical composers, and “Cotton Tail,”, free jazz, and harmony, and history, jazz ballad, jazz head, “jazzman as confessional poet,” jazz modernism, and “Madame Zajj,” and melody, modal jazz, “molecule of jazz,” and “My Romance,” and religious music, and rhythm; and “Run Old Jeremiah,”; and “Satin Doll,”, and sex/race, and Such Sweet Thunder, “sus” chord, symphonic jazz, and tone colors, “voicing,”

  Jazz on a Summer's Day (documentary film)

  Jeffries, Herb

  Jenkins, Freddy

  Les Jeunes Voix

  Jewish Americans

  jitterbug

  John Alldis Choir

  Johnson, James P., and history, and melody; and rhythm

  —music: “Carolina Shout,”, “Charleston,” “The Dream,” Harlem Symphony, Yamekraw, “You've Got to Be Modernistic,”

  Johnson, James Weldon

  Johnson, Lonnie

  Johnson, Manzie

  John Wesley A.M.E. Zion (Washington, D.C.)

  Jolson, Al, “Avalon,”

  Jones, A.M.

  Jones, James Earl

  Jones, LeRoi

  Jones, Wallace

  Jonny Spielt Auf

  Joplin, Scott; “Entertainer,” “Maple Leaf Rag,”

  Joyce, James

  Julius Caesar (Shakespeare)

  jungle music

  Kafka, Franz

  Kallman, Chester

  Kandinsky, Wassily, Der gelbe Klang

  Kárpáti, János

  Keats, John

  Keller, Ruby

  Kelly, Wynton

  Kenton, Stan, “Artistry in Rhythm,” band of

  Kentucky Club Orchestra

  Kern, Jerome, “Can't Help Lovin' That Man of Mine,” “Old Man River,”, Show Boat, “They Didn't Believe Me,”

  King, B. B.

  King, Martin Luther, “I have a dream” speech

  “King Porter Stomp,”

  Kirstein, Lincoln, Ballet Caravan

  klangfarbenmelodie

  Klein, Fritz Heinrich

  klezmer music; “Der Shtiler Bulgar,”

  Klimt, Gustave

  Kodály, Zoltán

  Koehler, Ted, “I Got a Right to Sing the Blues,”

  “Ko-Ko,”

  Kokoschka

  Kolodin, Irving

  Korean War

  Kosma, Joseph, “Autumn Leaves,”

  Kostal, Irwin

  Kott, Jan

  Koussevitzky

  Kronos Quartet

  Krupa, Gene

  Ku Klux Klan

  Ladzekpo, Alfred

  Lalo, Edouard, Le Roi d'Ys

  Lambert, Constant

  Lang, Pearl

  Lange, Arthur

  LaRocca, Nick

  La Touche, John, Ballad for Americans

  Laurents, Arthur

  Lawrence, Gertrude

  Layton, Turner Jr., “Way Down Yonder in New Orleans,”

  Lead Belly (Huddie William Ledbetter)

  Lew, Barzillai

  Lewis, David Levering

  Lewis, John

  Lewis, Morgan, “How High the Moon,”

  Library of Congress

  Liebich, Louise

  Lincoln Center

  Lindsay, Vachel

  Lisle, Leconte de

  Liszt; Années de pélerinage; “Orage,” Transcendental Etudes

  Little Richard, “Tutti Frutti,”

  Lock, Graham

  Locke, Alain

  Lockspeiser

  Loesser, Frank, “Spring Will Be a Little Late This Year,”

  Logan, Arthur

  Lomax, Alex

  Lomax, John

  Lombardo, Guy

  Long, Marguerite

  Longshaw, Fred

  Loring, Eugene

  Louvre

  Louÿs, Pierre, Chansons de Bilitis

  love, in “Black and Tan Fantasy,” in “Black Beauty,”, in “The Blue Belles of Harlem,” con amore, in Lyric Suite; in La Mer, and jazz, in Perfume Suite, and race relations, in “Reminiscing in Tempo,”; in Such Sweet Thunder, in “Warm Valley,”. See also sexuality

  Lowell, Robert

  Lunceford Band, “Swinging Uptown,” “White Heat,”

  Macbeth (Shakespeare)

  Macero, Ted

  Mack, Cecil, “Charleston,”

  Maeterlinck

  Mahler, Gustav, archives of, death of

  —music: Adagietto, Das Lied von der Erde, “Resurrection” Symphony, Second Symphony, Sixth Symphony, Third Symphony

  Malcolm X

  Mallarmé, Stéphane

  Mancini, Henry

  Marrow, Esther

  Marsalis, Wynton, Congo Square

  La Marseillaise

  Martin, George

  Marx, Chico

  Matisse, Henri

  May, Billy

  Mazia, Marjorie

  McCarthy, Joseph

  McCarty, Henry

  McEntree, Edgar

  McHugh, Jimmy

  McHugh, Mary

  McPartland, Marian

  McPhail, Jimmy

  “Meet the Flintstones,”

  Mehegan, John

  melody, in “Black Beauty,”; and blues, and classical composers, in “Day Dream,”, in “Freddie Freeloader,”; in “Mood Indigo,”, in “Koko,”, “melody gap,” in “Prelude to a Kiss,”; and sex/race, in “Sophisticated Lady,”; and “standards,”; in “St. Louis Blues,”, supermelody, in “U.M.M.G.,”

  Melody Maker

  Mendelssohn, Felix

  Mercer, Johnny

  Merman, Ethel

  Messiaen, Olivier, Et Exspecto Resurrectionem Mortuorum, “Louange à l'Immortalité de Jésus,” “Modes de valeurs et d'intensité,” Quartet for the End of Time, Vingt Regards

  Methodist Error (Watson)

  Metropolitan Opera House

  A Midsummer Night's Dream (Shakespeare)

  Miley, Bubber

  Milhaud, La création du monde

  Miller, Glenn, “Tiger Rag,”

  Mills, Belwin

  Mills, Florence

 

‹ Prev