by Jack Vance
Breaugh snorted. "Nobody's suggesting anything to anybody."
"And he says he'll get in touch with you soon."
Mario left without formality, returned to where he had left Zaer. The old man with the hot red eyes was gone.
Ralston Ebery had many enemies, so Mario found. There were a large number of acquaintances, no friends. And there was one white-faced creature that seemed to live only to waylay him, hiss vileness. That was Letya Arnold, a former employee in the research laboratories.
Mario ignored the first and second meetings, and on the third he told the man to keep out of Ms way. "Next time I'll call the police."
"Filth-tub," gloated Arnold. "You wouldn't dare! The publicity would ruin you, and you know it, you know it!"
Mario inspected the man curiously. He was clearly ill. His breath reeked of internal decay. Under a loose gray-brown jacket his chest was concave, his shoulders pushed forward like doorknobs. His eyes were a curious shiny black, so black that the pupils were indistinguishable from the iris, and the eyes looked like big black olives pressed into two bowls of sour milk.
"There's a patrolman now," said Arnold. "Call him, mucknose, call him!"
Quickly Mario turned, walked away, and Arnold's laughter rang against his back.
Mario asked Louis Correaos about Letya Arnold. "Why wouldn't I dare have him arrested?"
And Correaos turned on him one of his long quizzical stares. "Don't you know?"
Mario remembered that Correaos thought he was Ebery. He rubbed his forehead. "I'm forgetful, Louis, Tell me about Letya Arnold."
"He worked in the radiation lab, figured out some sort of process that saved fuel. We naturally had a legal right to the patent." Correaos smiled sardonically. "Naturally we didn't use the process, since you owned stock in World Air-Power, and a big block of Lamarr Atomics. Arnold began unauthorized use. We took it to court, won, recovered damages. It put Arnold into debt and he hasn't been worth anything since."
Mario said with sudden energy, "Let me see that patent, Louis."
Correaos spoke into the mesh and a minute later a sealed envelope fell out of the slot into the catch-all.
Correaos said idly, "Myself, I think Arnold was either crazy or a fake. The idea he had couldn't work. Like perpetual motion."
Letya Arnold had written a short preface to the body of the paper, this latter a mass of circuits and symbols unintelligible to Mario.
The preface read:
Efficiency in propulsion is attained by expelling ever smaller masses at ever higher velocities. The limit, in the first case, is the electron. Expelling it at speeds approaching that of light, we find that its mass increases by the well-known effect. This property provides us a perfect propulsive method, capable of freeing flight from its dependence upon heavy loads of material to be ejected at relatively slow velocities. One electron magnetically repelled at near-light speeds, exerts as much forward recoil as many pounds of conventional fuel....
Mario knew where to find Letya Arnold. The man sat brooding day after day in Tanagra Square, on a bench beside the Centennial Pavilion. Mario stopped in front of him, a young-old man with a hysterical face.
Arnold looked up, arose eagerly, almost as if he would assault Mario physically.
Mario in a calm voice said, "Arnold, pay attention a minute. You're right, I'm wrong."
Arnold's face hung slack as a limp bladder. Attack needs resistance on which to harden itself. Feebly his fury asserted itself. He reeled off his now-familiar invective. Mario listened a minute.
"Arnold, the process you invented-have you ever tested it in practice?"
"Of course, you swine. Naturally. Of course. What do you take me for? One of your blow-hard call-boys?"
"It works, you say. Now listen, Arnold: we're working on a new theory at Ebery Air-car. We're planning to put out value at low cost. I'd like to build your process into the new model. If it actually does what you say. And I'd like to have you come back to work for us."
Letya Arnold snorted, his whole face a gigantic sneer. "Put that propulsion into an air-boat? Pah! Use a drop-forge to kill a flea? Where's your head, where's your head? It's space-drive; that's where we're going. Space!"
It was Mario's turn to be taken aback. "Space? Will it work in space?" he asked weakly.
"Work? It's just the thing! You took all my money-you!" The words were like skewers, dripping an acrid poison. "If I had my money now, patent or no patent, I'd be out in space. I'd be ducking around Alpha Centauri, Sinus, Vega, Capella!"
The man was more than half-mad, thought Mario. He said, "You can't go faster than light."
Letya Arnold's voice became calm, crafty. "Who said I can't? You don't know the things I know, swine-slut"
Mario said, "No, I don't but all that aside, I'm a changed man, Arnold. I want you to forget any injustice I may have done you. I want you back at work for Ebery Air-car. I'd like you to adapt the drive for public use."
Again Arnold sneered. "And kill everything that happened to be behind you? Every electron shot from the reactor would be like a meteor; there'd be blasts of incandescent air; impact like a cannon-ball. No, no-space. That's where the drive must go...."
"You're hired, if you want to be," said Mario patiently. "The laboratory's waiting for you. I want you to work on that adaptation. There must be some kind of shield." Noting the taut clamp to Arnold's mouth, he said hastily, "If you think you can go faster than light, fine! Build a ship for space and I'll test fly it myself. But put in your major effort on the adaptation for public use, that's all I ask."
Arnold, cooler by the minute, now exhibited the same kind of sardonic unbelief Mario had noticed in Correaos. "Blow me, but you've changed your tune, Ebery. Before it was money, money, money. If it didn't make you money, plow it under. What happened to you?"
"The Chateau d'lf," said Mario. "If you value your sanity, don't go there. Though God knows," and he looked at Arnold's wasted body, "you couldn't do much worse for yourself than you've already done."
"If it changes me as much as it's changed you, I'm giving it a wide berth. Blow me, but you're almost human."
"I'm a changed man," said Mario. "Now go to Correaos, get an advance, go to a doctor."
On his way to the Rothenburg Building and Kubal Associates it came to him to wonder how Ebery was using his body. In his office he ran down a list of detective agencies, settled on Brannan Investigators, called them, put them to work.
CHAPTER VII
Inventor With a Grudge
Investigator Murris Slade, the detective, was a short thickset man with a narrow head. Two days after Mario had called the Brannan agency, he knocked at Mario's workroom at Kubal Associates.
Mario looked through the wicket in the locked door, admitted the detective, who said without preamble, "I've found your man."
"Good," said Mario, returning to his seat "What's he doing?"
Slade said, in a quiet accentless voice, "There's no mystery or secrecy involved. He seems to have changed his way of living in the last few months. I understand he was quite a chap, pretty well-liked, nothing much to set him apart. One of the idle rich. Now he's a hell-raiser, a woman-chaser, and he's been thrown out of every bar in town."
My poor body, thought Mario. Aloud: "Where's he living?"
"He's got an apartment at the Atlantic-Empire, fairly plush place. It's a mystery where he gets his money."
The Atlantic-Empire seemed to have become a regular rendezvous for Chateau d'lf alumni, thought Mario. He said, "I want a weekly report on this man. Nothing complicated-just a summary of where he spends his time. Now, I've got another job for you...."
The detective reported on the second job a week later.
"Mervyn Alien is an alias. The man was born Lloyd Paren, in Vienna. The woman is his sister, Thane Paren. Originally he was a photographer's model, something of a playboy-up until a few years ago. Then he came into a great deal of money. Now, as you probably know, he runs the Chateau d'lf. I can't get anything on
that. There's rumors, but anybody that knows anything won't talk. The rumors are not in accord with Paren's background, which is out in the open- no medical or psychosomatic training. The woman was originally a music student, a specialist in primitive music. When Paren left Vienna, she came with him. Paren lives at 5600 Exmoor Avenue-that's the Chateau d'lf. Thane Paren lives in a little apartment about a block away, with an old man, no relative. Neither one seems to have any intimate friends, and there's no entertaining, no parties. Not much to go on."
Mario reflected a few moments, somberly gazing out the window, while Munis Slade sat impassively waiting for Mario's instructions. At last Mario said, "Keep at it. Get some more on the old man Thane Paren lives with."
One day Correaos called Mario on the telescreen. "We've got the new model blocked out." He was half-placating, half-challenging, daring Mario to disapprove of his work.
"I think we've done a good job," said Correaos. "You wanted to give it a final check."
"I'll be right over," said Mario.
The new model had been built by hand at the Donnic River Plant and flown into Lanchester under camouflage. Correaos managed the showing as if Mario were a buyer, in whom he was trying to whip up enthusiasm.
"The idea of this model-I've tentatively called it the Air-farer-was to use materials which were plain and cheap, dispense with all unnecessary ornament-which, in my opinion, has been the bane of the Ebery Air-car. We've put the savings into clean engineering, lots of room, safety. Notice the lift vanes, they're recessed, almost out of reach. No drunk is going to walk into them. Those pulsors, they're high, and the deflection jets are out of reach. The frame and fuselage are solid cast plancheen, first job like this in the business."
Mario listened, nodded appreciatively from time to time. Apparently Correaos had done a good job. He asked, "How about what's-his-name-Arnold? Has he come up with anything useful?"
Correaos bared his teeth, clicked his tongue. "That man's crazy. He's a walking corpse. All he thinks, all he talks, are his pestiferous electrons, what he calls a blast effect. I saw a demonstration, and I think he's right. We can't use it in a family vehicle."
"What's the jet look like?"
Correaos shrugged. "Nothing much. A generator-centaurium powered-a miniature synchrotron. Very simple. He feeds a single electron into the tube, accelerates it to the near-light speed, and it comes roaring out in a gush as thick as your arm."
Mario frowned. "Try to steer him back onto something useful. He's got the brains. Has he been to a doctor?"
"Just Stapp, the insurance doctor. Stapp says it's a wonder he's alive now. Galloping nephritis or necrosis-some such thing." Correaos spoke without interest. His eyes never left his new Airfarer. He said with more life in his voice, "Look into the interior, notice the wide angle of vision; also the modulating glare filter. Look right up into the sun, all you want. Notice the altimeter, it's got a positive channel indicator, that you can set for any given locality. Then the pressur-izer, it's built in under the rear seat-see it?-saves about twenty dollars a unit over the old system. Instead of upholstery, I've had the framework machined smooth, and sprayed it with sprinjufloss."
"You've done a good job, Louis," said Mario. "Go ahead with it."
Correaos took a deep breath, released it, shook his head. I'll be dyed-double-and-throttled!"
"What's the trouble?"
"I don't get you at all," said Correaos, staring at Mario as if he were a stranger. "If I didn't know you stem to stern, I'd say you were a different man. Three months ago, if I'd tried to put something cleanly designed in front of you, you'd have gone off like one of Arnold's electrons. You'd have called this job a flying bread-box. You'd have draped angel's-wings all over the outside, streamlined the dashboard fixtures, built in two or three Louis Fifteenth book cases. I don't know what-all. If you didn't look so healthy, I'd say you were sick."
Mario said with an air of sage deliberation, "Ebery Air-car has taken a lot of money out of the public. The old Ebery managed to keep itself in the air, but it cost a lot and looked like a pagoda on wings. Now we'll start giving "Em quality. Maybe they'll turn it down."
Correaos laughed exultantly. "If we can't sell ten million of these, I'll run one up as high as she'll go and jump."
"Better start selling, then."
"I hope you don't have a relapse," said Correaos, "and order a lot of fancy fittings."
"No," said Mario mildly. "She'll go out just as she is, so long as I have anything to say about it."
Correaos slapped the hull of the Airfarer approvingly, turned a quizzical face to Mario. "Your wife has been trying to get in touch with you. I told her I didn't know where you were. You'd better call her-if you want to stay married. She was talking about divorce."
Mario looked off into the distance, uncomfortably aware of Correaos's scrutiny. "I told her to go ahead with it. It's the best thing for everybody concerned. Fairest for her, at any rate."
Correaos shook his head. "You're a funny fellow, Ebery. A year ago you'd have fired me a dozen times over."
"Maybe I'm getting you fat for the slaughter," suggested Mario.
"Maybe," said Correaos. "Letya Arnold and I can go into business making electron elephant guns."
Two hundred thousand artisans swarmed over the Tower, painting, plastering, spraying, fitting in pipes, wires, pouring terazzo, concrete, plancheen, installing cabinets, a thousand kinds of equipment. Walls were finished with panels of waxed and polished woods, the myriad pools were tiled, the gardeners landscaped the hanging parks, the great green bowers in the clouds.
Every week Mervyn Alien conferred with Taussig and old man Kubal, approving, modifying, altering, canceling, expanding. From recorded copies of the interviews Mario worked, making the changes Alien desired, meshing them carefully into his own designs.
Months passed. Now Mervyn Alien might not have recognized this man as Ralston Ebery. At the Ebery Air-car office in the Aetherian Block, his employees were astounded, respectful. It was a new Ralston Ebery-though, to be sure, they noticed the old gestures, the tricks of speech, habits of walking, dressing, involuntary expressions. This new Ralston Ebery had sloughed away fifty pounds of oil and loose flesh. The sun had tinted the white skin to a baby pink. The eyes, once puffy, now shone out of meaty cheeks; the leg muscles were tough with much walking; the chest was deeper, the lungs stronger from the half-hour of swimming every afternoon at four o'clock.
And at last the two hundred thousand artisans packed their tools, collected their checks. Maintenance men came on the job. Laborers swept, scrubbed, polished. The Empyrean Tower was complete-a solidified dream, a wonder of the world. A building rising like a pine tree, supple and massive, overbounding the minuscule streets and squares below. An edifice not intended for grace, yet achieving grace through its secure footing, its incalculable tapers, set-backs, thousand terraces, thousand taxiplats, million windows.
The Empyrean Tower was completed. Mervyn Alien moved in on a quiet midnight, and the next day the Chateau d'lf at 5600 Exmoor Avenue, Meadowlands, was vacant, for sale or for lease.
The Chateau d'lf was now Level 900, Empyrean Tower. And Roland Mario ached with eagerness, anxiety, a hot gladness intense to the point of lust. He was slowly cleaning off his desk when Taussig poked his head into the office.
"Well, what are you planning to do now?"
Mario inspected Taussig's curious face. "Any more big jobs?"
"Nope. And not likely to be. At least not through old man Kubal."
"How come? Has he retired?"
"Retired? Shucks, no. He's gone crazy. Schizo."
Mario drummed his fingers on his desk. "When did all this happen?"
"Just yesterday. Seems like finishing the Empyrean was too much for him. A cop found him in Tanagra Square talking to himself, took him home. Doesn't know his nephew, doesn't know his housekeeper. Keeps saying his name is Bray, something like that."
"Bray?" Mario rose to his feet, his forehead knotting. Breaugh. "Sound
s like senile decay," he said abstractedly.
"That's right," Taussig responded, still fixing Mario with bright curious eyes. "So what are you going to do now?"
"I quit," said Mario, with an exaggerated sweep of the arm. "I'm done, I'm like old man Kubal. The Empyrean Tower's too much for me. I've got senile decay. Take a good look, Taussig, you'll never see me again." He closed the door in Taussig's slack face. He stepped into the elevator, dropped to the second level, hopped the high-speed strip to his small apartment at Melbourne House. He thumbed the lock, the scanner recognized his prints, the door slid back. Mario entered, closed the door. He undressed Ebery's gross body, wrapped it in a robe, sank with a grunt into a chair beside a big low table.
The table held a complex model built of wood, metal, plastic, vari-colored threads. It represented Level 900, Empyrean Tower-the Chateau d'lf.
Mario knew it by heart. Every detail of an area a sixth of a mile square was pressed into his brain.
Presently Mario dressed again, in coveralls of hard gray twill. He loaded his pockets with various tools and equipment, picked up his handbag. He looked at himself in the mirror, at the face that was Ebery and yet not quite Ebery. The torpid glaze had left the eyes. The lips were no longer puffy, the jowls had pulled up, his face was a meaty slab. Thoughtfully Mario pulled a cap over his forehead, surveyed the effect. The man was unrecognizable. He attached a natty wisp of mustache. Ralston Ebery no longer existed.
Mario left the apartment. He hailed a cab, flew out to Meadowlands. The Empyrean Tower reared over the city like a fence post standing over a field of cabbages. An aircraft beacon scattered red rays from a neck-twisting height. A million lights from nine hundred levels glowed, blended into a rich milky shimmer. A city in itself, where two million, three million men and women might live their lives out if they so wished. It was a monument to the boredom of one man, a man sated with life. The most magnificent edifice ever built, and built for the least consequential of motives that ever caused one rock to be set on another. The Empyrean Tower, built from the conglomerate resources of the planet's richest wealth, was a gigantic toy, a titillation, a fancy.
