The Collected Poems of Lucille Clifton 1965-2010

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The Collected Poems of Lucille Clifton 1965-2010 Page 10

by Lucille Clifton


  line of a nose,

  no lips,

  no behind, hey

  white me

  and i’m wearing

  white history

  but there’s no future

  in those clothes

  so i take them off and

  wake up

  dancing.

  my dream about the cows

  and then i see the cattle of my own town,

  rustled already,

  prodded by pale cowboys with a foreign smell

  into dark pens built to hold them forever,

  and then i see a few of them

  rib thin and weeping low over

  sparse fields and milkless lives but

  standing somehow standing,

  and then i see how all despair is

  thin and weak and personal and

  then i see it’s only

  the dream about the cows.

  my dream about time

  a woman unlike myself is running

  down the long hall of a lifeless house

  with too many windows which open on

  a world she has no language for,

  running and running until she reaches

  at last the one and only door

  which she pulls open to find each wall

  is faced with clocks and as she watches

  all of the clocks strike

  NO

  my dream about falling

  a fruitful woman

  such as myself

  is

  falling

  notices

  she is

  an apple

  thought

  that the blossom

  was always

  thought

  that the tree

  was forever

  fruitful

  a woman

  such as

  myself.

  the fact is the falling.

  the dream is the tree.

  my dream about the second coming

  mary is an old woman without shoes.

  she doesn’t believe it.

  not when her belly starts to bubble

  and leave the print of a finger where

  no man touches.

  not when the snow in her hair melts away.

  not when the stranger she used to wait for

  appears dressed in lights at her

  kitchen table.

  she is an old woman and

  doesn’t believe it.

  when Something drops onto her toes one night

  she calls it a fox

  but she feeds it.

  my dream about God

  He is wearing my grandfather’s hat.

  He is taller than my last uncle.

  when He sits to listen

  He leans forward tilting the chair

  where His chin cups in my father’s hand.

  it is swollen and hard from creation.

  His fingers drum on His knee

  dads stern tattoo.

  and who do i dream i am

  accepting His attentions?

  i am the good daughter who stays at home

  singing and sewing.

  when i whisper He strains to hear me and

  He does whatever i say.

  my dream about the poet

  a man.

  i think it is a man.

  sits down with wood.

  i think he’s holding wood.

  he carves.

  he is making a world

  he says

  as his fingers cut citizens

  trees and things

  which he perceives to be a world

  but someone says that is

  only a poem.

  he laughs.

  i think he is laughing.

  morning mirror

  my mother her sad eyes worn as bark

  faces me in the mirror. my mother

  whose only sin was dying, whose only

  enemy was time, frowns in the glass.

  once again she has surprised me

  in an echo of her life but

  my mother refuses to be reflected;

  thelma whose only strength was love,

  warns away the glint of likeness,

  the woman is loosened in the mirror and

  thelma lucille begins her day.

  or next

  the death of crazy horse

  9/5/1877

  age 35

  in the hills where the hoop

  of the world

  bends to the four directions

  WakanTanka has shown me

  the path men walk is shadow.

  i was a boy when i saw it,

  that long hairs and gray beards

  and myself

  must enter the dream to be real.

  so i dreamed and i dreamed

  and i endured.

  i am the final war chief.

  never defeated in battle.

  Lakotah, remember my name.

  now on this wall my bones

  and my heart

  are warm in the hands of my father.

  WakanTanka has shown me the shadows

  will break

  near the creek called Wounded Knee.

  remember my name, Lakotah.

  i am the final war chief.

  father, my heart,

  never defeated in battle,

  father, my bones,

  never defeated in battle,

  leave them at Wounded Knee

  and remember our name. Lakotah.

  i am released from shadow.

  my horse dreams and dances under me

  as i enter the actual world.

  crazy horse names his daughter

  sing the names of the women sing

  the power full names of the women sing

  White Buffalo Woman who brought the pipe

  Black Buffalo Woman and Black Shawl

  sing the names of the women sing

  the power of name in the women sing

  the name i have saved for my daughter sing

  her name to the ties and baskets and

  the red tailed hawk will take her name and

  sing her power to WakanTanka sing

  the name of my daughter sing she is

  They Are Afraid Of Her.

  crazy horse instructs the young men but in their grief they forget

  cousins if i be betrayed

  paint my body red and

  plunge it in fresh water.

  i will be restored. if not

  my bones will turn to stone

  my joints to flint and my spirit

  will watch and wait.

  it is more than one hundred years.

  grandmother earth rolls her shoulders

  in despair. her valleys are flooded

  fresh with water and blood.

  surely the heart of crazy horse must rise

  and rebone itself.

  to me my tribes.

  to me my horses.

  to me my medicine.

  the message of crazy horse

  i would sit in the center of the world,

  the Black Hills hooped around me and

  dream of my dancing horse. my wife

  was Black Shawl who gave me the daughter

  i called They Are Afraid Of Her.

  i was afraid of nothing

  except Black Buffalo Woman.

  my love for her i wore

  instead of feathers. i did not dance

  i dreamed. i am dreaming now

  across the worlds. my medicine is strong.

  my medicine is strong in the Black basket

  of these fingers. i come through this

  Black Buffalo woman. hear me;

  the hoop of the world is breaking.

  fire burns in the four directions.

  the dreamers are running away from the hills.

  i have seen it. i am crazy horse.

  the death of thelma sayles

  2/13/59<
br />
  age 44

  i leave no tracks so my live loves

  can’t follow. at the river

  most turn back, their souls shivering,

  but my little girl stands alone on the bank

  and watches. i pull my heart out of my pocket

  and throw it. i smile as she catches all

  she’ll ever catch and heads for home

  and her children. mothering

  has made it strong, i whisper in her ear

  along the leaves.

  lives

  to lu in answer to her question

  you have been a fisherman,

  simple and poor. you

  struggled all your days and

  even at the end you fought

  and did not win. your son

  was swimming. fearing

  for his life you

  rushed toward him. and drowned.

  once a doctor, bitter,

  born in a cold climate,

  you turned your scalpel

  on the world and cut your way

  to the hangman.

  humans who speak of royal lives

  amuse Them. you have heard of course

  of the splendid court of sheba;

  you were then. you were not there.

  the message of thelma sayles

  baby, my only husband turned away.

  for twenty years my door was open.

  nobody ever came.

  the first fit broke my bed.

  i woke from ecstasy to ask

  what blood is this? am i the bride of Christ?

  my bitten tongue was swollen for three days.

  i thrashed and rolled from fit to death.

  you are my only daughter.

  when you lie awake in the evenings

  counting your birthdays

  turn the blood that clots your tongue

  into poems. poems.

  the death of joanne c.

  11/30/82

  aged 21

  i am the battleground that

  shrieks like a girl.

  to myself i call myself

  gettysburg. laughing,

  twisting the i.v.,

  laughing or crying, i can’t tell

  which anymore,

  i host the furious battling of

  a suicidal body and

  a murderous cure.

  enter my mother

  wearing a peaked hat.

  her cape billows,

  her broom sweeps the nurses away,

  she is flying, the witch of the ward, my mother

  pulls me up by the scruff of the spine

  incanting Live Live Live!

  leukemia as white rabbit

  running always running murmuring

  she will be furious she will be

  furious, following a great

  cabbage of a watch that tells only

  terminal time, down deep into a

  rabbit hole of diagnosticians shouting

  off with her hair off with her skin and

  i am i am i am furious.

  incantation

  overheard in hospital

  pluck the hairs

  from the head

  of a virgin.

  sweep them into the hall.

  take a needle

  thin as a lash,

  puncture the doorway

  to her blood.

  here is the magic word:

  cancer.

  cancer.

  repeat it, she will

  become her own ghost.

  repeat it, she will

  follow you, she will

  do whatever you say.

  chemotherapy

  my hair is pain.

  my mouth is a cave of cries.

  my room is filled with white coats

  shaped like God.

  they are moving their fingers along

  their stethoscopes.

  they are testing their chemical faith.

  chemicals chemicals oh mother mary

  where is your living child?

  she won’t ever forgive me,

  the willful woman,

  for not becoming a pine box

  of wrinkled dust according to plan.

  i can hear her repeating my dates:

  1962 to 1982 or 3. mother

  forgive me, mother believe

  i am trying to make old bones.

  the one in the next bed is dying.

  mother we are all next. or next.

  leukemia as dream/ritual

  it is night in my room.

  the woman beside me is dying.

  a small girl stands

  at the foot of my bed.

  she is crying and carrying wine

  and a wafer.

  her name is the name i would have given

  the daughter i would have liked to have had.

  she grieves for herself and

  not for the woman.

  she mourns the future and

  not the past.

  she offers me her small communion.

  i roll the wafer and wine on my tongue.

  i accept my body. i accept my blood.

  eat she whispers. drink and eat.

  the message of jo

  my body is a war

  nobody is winning.

  my birthdays are tired.

  my blood is a white flag,

  waving.

  surrender,

  my darling mother,

  death is life.

  chorus: lucille

  something is growing in the strong man.

  it is blooming, they say, but not a flower.

  he has planted so much in me. so much.

  i am not willing, gardener, to give you up to this.

  the death of fred clifton

  11/10/84

  age 49

  i seemed to be drawn

  to the center of myself

  leaving the edges of me

  in the hands of my wife

  and i saw with the most amazing

  clarity

  so that i had not eyes but

  sight,

  and, rising and turning

  through my skin,

  there was all around not the

  shapes of things

  but oh, at last, the things

  themselves.

  “i’m going back to my true identity”

  fjc 11/84

  i was ready to return

  to my rightful name.

  i saw it hovering near

  in blazoned script

  and, passing through fire,

  i claimed it. here

  is a box of stars

  for my living wife.

  tell her to scatter them

  pronouncing no name.

  tell her there is no deathless name

  a body can pronounce.

  my wife

  wakes up, having forgotten.

  my closet door gapes wide,

  an idiot mouth, and inside

  all of the teeth are missing.

  she closes her eyes and weeps

  toward my space in the bed, “Darling,

  something has stolen your wonderful

  shirts and ties.”

  the message of fred clifton

  i rise up from the dead before you

  a nimbus of dark light

  to say that the only mercy

  is memory,

  to say that the only hell

  is regret.

  singing

  one singer falls but the next steps into the empty place and sings . . .

  “December Day in Honolulu”

  Galway Kinnell

  in white america

  1 i come to read them poems

  i come to read them poems,

  a fancy trick i do

  like juggling with balls of light.

  i stand, a dark spinner,

  in the grange hall,

  in the library, in the

&n
bsp; smaller conference room,

  and toss and catch as if by magic,

  my eyes bright, my mouth smiling,

  my singed hands burning.

  2 the history

  1800’s in this town

  fourteen longhouses were destroyed

  by not these people here.

  not these people

  burned the crops and chopped down

  all the peach trees.

  not these people. these people

  preserve peaches, even now.

  3 the tour

  “this was a female school.

  my mother’s mother graduated

  second in her class.

  they were taught embroidery,

  and chenille and filigree,

  ladies’ learning. yes,

  we have a liberal history here.”

  smiling she pats my darky hand.

  4 the hall

  in this hall

  dark women

  scrubbed the aisles

  between the pews

  on their knees.

  they could not rise

  to worship.

  in this hall

 

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