"Aren't Mr. Taylor's views very extreme?" she said to her husband the same evening.
"I am afraid they are," he replied. "I was quite grieved at the last Diocesan Conference at the way in which he spoke. The dear old bishop had given an address on Auricular Confession; he was forced to do so, you know, after what had happened, and I must say that I never felt prouder of our beloved Church."
Mr. Dixon told all the Homeric story of the conference, reciting the achievements of the champions, "deploring" this and applauding that. It seemed that Mr. Taylor had had the audacity to quote authorities which the bishop could not very well repudiate, though they were directly opposed to the "safe" Episcopal pronouncement.
Mrs. Dixon of course was grieved; it was "sad" to think of a clergyman behaving so shamefully.
"But you know, dear," she proceeded, "I have been thinking about that unfortunate Taylor boy and his disappointments, and after what you've just told me, I am sure it's some kind of judgment on them both. Has Mr. Taylor forgotten the vows he took at his ordination? But don't you think, dear, I am right, and that he has been punished: 'The sins of the fathers'?"
Somehow or other Lucian divined the atmosphere of threatenings and judgments, and shrank more and more from the small society of the countryside. For his part, when he was not "mooning" in the beloved fields and woods of happy memory, he shut himself up with books, reading whatever could be found on the shelves, and amassing a store of incongruous and obsolete knowledge. Long did he linger with the men of the seventeenth century; delaying the gay sunlit streets with Pepys, and listening to the charmed sound of the Restoration Revel; roaming by peaceful streams with Izaak Walton, and the great Catholic divines; enchanted with the portrait of Herbert the loving ascetic; awed by the mystic breath of Crashaw. Then the cavalier poets sang their gallant songs; and Herrick made Dean Prior magic ground by the holy incantation of a verse. And in the old proverbs and homely sayings of the time he found the good and beautiful English life, a time full of grace and dignity and rich merriment. He dived deeper and deeper into his books; he had taken all obsolescence to be his province; in his disgust at the stupid usual questions, "Will it pay?" "What good is it?" and so forth, he would only read what was uncouth and useless. The strange pomp and symbolism of the Cabala, with its hint of more terrible things; the Rosicrucian mysteries of Fludd, the enigmas of Vaughan, dreams of alchemists—all these were his delight. Such were his companions, with the hills and hanging woods, the brooks and lonely waterpools; books, the thoughts of books, the stirrings of imagination, all fused into one phantasy by the magic of the outland country. He held himself aloof from the walls of the fort; he was content to see the heaped mounds, the violent height with faerie bulwarks, from the gate in the lane, and to leave all within the ring of oaks in the mystery of his boyhood's vision. He professed to laugh at himself and at his fancies of that hot August afternoon, when sleep came to him within the thicket, but in his heart of hearts there was something that never faded—something that glowed like the red glint of a gypsy's fire seen from afar across the hills and mists of the night, and known to be burning in a wild land. Sometimes, when he was sunken in his books, the flame of delight shot up, and showed him a whole province and continent of his nature, all shining and aglow; and in the midst of the exultation and triumph he would draw back, a little afraid. He had become ascetic in his studious and melancholy isolation, and the vision of such ecstasies frightened him. He began to write a little; at first very tentatively and feebly, and then with more confidence. He showed some of his verses to his father, who told him with a sigh that he had once hoped to write—in the old days at Oxford, he added.
"They are very nicely done," said the parson; "but I'm afraid you won't find anybody to print them, my boy."
So he pottered on; reading everything, imitating what struck his fancy, attempting the effect of the classic meters in English verse, trying his hand at a masque, a Restoration comedy, forming impossible plans for books which rarely got beyond half a dozen lines on a sheet of paper; beset with splendid fancies which refused to abide before the pen. But the vain joy of conception was not altogether vain, for it gave him some armor about his heart.
The months went by, monotonous, and sometimes blotted with despair. He wrote and planned and filled the waste-paper basket with hopeless efforts. Now and then he sent verses or prose articles to magazines, in pathetic ignorance of the trade. He felt the immense difficulty of the career of literature without clearly understanding it; the battle was happily in a mist, so that the host of the enemy, terribly arrayed, was to some extent hidden. Yet there was enough of difficulty to appall; from following the intricate course of little nameless brooks, from hushed twilight woods, from the vision of the mountains, and the breath of the great wind, passing from deep to deep, he would come home filled with thoughts and emotions, mystic fancies which he yearned to translate into the written word. And the result of the effort seemed always to be bathos! Wooden sentences, a portentous stilted style, obscurity, and awkwardness clogged the pen; it seemed impossible to win the great secret of language; the stars glittered only in the darkness, and vanished away in clearer light. The periods of despair were often long and heavy, the victories very few and trifling; night after night he sat writing after his father had knocked out his last pipe, filling a page with difficulty in an hour, and usually forced to thrust the stuff away in despair, and go unhappily to bed, conscious that after all his labor he had done nothing. And these were moments when the accustomed vision of the land alarmed him, and the wild domed hills and darkling woods seemed symbols of some terrible secret in the inner life of that stranger—himself. Sometimes when he was deep in his books and papers, sometimes on a lonely walk, sometimes amidst the tiresome chatter of Caermaen "society," he would thrill with a sudden sense of awful hidden things, and there ran that quivering flame through his nerves that brought back the recollection of the matted thicket, and that earlier appearance of the bare black boughs enwrapped with flames. Indeed, though he avoided the solitary lane, and the sight of the sheer height, with its ring of oaks and molded mounds, the image of it grew more intense as the symbol of certain hints and suggestions. The exultant and insurgent flesh seemed to have its temple and castle within those olden walls, and he longed with all his heart to escape, to set himself free in the wilderness of London, and to be secure amidst the murmur of modern streets.
II
Table of Contents
Lucian was growing really anxious about his manuscript. He had gained enough experience at twenty-three to know that editors and publishers must not be hurried; but his book had been lying at Messrs Beit's office for more than three months. For six weeks he had not dared to expect an answer, but afterwards life had become agonizing. Every morning, at post-time, the poor wretch nearly choked with anxiety to know whether his sentence had arrived, and the rest of the day was racked with alternate pangs of hope and despair. Now and then he was almost assured of success; conning over these painful and eager pages in memory, he found parts that were admirable, while again, his inexperience reproached him, and he feared he had written a raw and awkward book, wholly unfit for print. Then he would compare what he remembered of it with notable magazine articles and books praised by reviewers, and fancy that after all there might be good points in the thing; he could not help liking the first chapter for instance. Perhaps the letter might come tomorrow. So it went on; week after week of sick torture made more exquisite by such gleams of hope; it was as if he were stretched in anguish on the rack, and the pain relaxed and kind words spoken now and again by the tormentors, and then once more the grinding pang and burning agony. At last he could bear suspense no longer, and he wrote to Messrs Beit, inquiring in a humble manner whether the manuscript had arrived in safety. The firm replied in a very polite letter, expressing regret that their reader had been suffering from a cold in the head, and had therefore been unable to send in his report. A final decision was promised in a week's time, and the let
ter ended with apologies for the delay and a hope that he had suffered no inconvenience. Of course the "final decision" did not come at the end of the week, but the book was returned at the end of three weeks, with a circular thanking the author for his kindness in submitting the manuscript, and regretting that the firm did not see their way to producing it. He felt relieved; the operation that he had dreaded and deprecated for so long was at last over, and he would no longer grow sick of mornings when the letters were brought in. He took his parcel to the sunny corner of the garden, where the old wooden seat stood sheltered from the biting March winds. Messrs Beit had put in with the circular one of their short lists, a neat booklet, headed: Messrs Beit & Co.'s Recent Publications.
He settled himself comfortably on the seat, lit his pipe, and began to read: "A Bad Un to Beat: a Novel of Sporting Life, by the Honorable Mrs. Scudamore Runnymede, author of Yoicks, With the Mudshire Pack, The Sportleigh Stables, etc., etc., 3 vols. At all Libraries." The Press, it seemed, pronounced this to be a "charming book. Mrs. Runnymede has wit and humor enough to furnish forth half-a-dozen ordinary sporting novels." "Told with the sparkle and vivacity of a past-mistress in the art of novel writing," said the Review; while Miranda, of Smart Society, positively bubbled with enthusiasm. "You must forgive me, Aminta," wrote this young person, "if I have not sent the description I promised of Madame Lulu's new creations and others of that ilk. I must a tale unfold; Tom came in yesterday and began to rave about the Honorable Mrs. Scudamore Runnymede's last novel, A Bad Un to Beat. He says all the Smart Set are talking of it, and it seems the police have to regulate the crowd at Mudie's. You know I read everything Mrs. Runnymede writes, so I set out Miggs directly to beg, borrow or steal a copy, and I confess I burnt the midnight oil before I laid it down. Now, mind you get it, you will find it so awfully chic." Nearly all the novelists on Messrs Beit's list were ladies, their works all ran to three volumes, and all of them pleased the Press, the Review, and Miranda of Smart Society. One of these books, Millicent's Marriage, by Sarah Pocklington Sanders, was pronounced fit to lie on the school-room table, on the drawing-room bookshelf, or beneath the pillow of the most gently nurtured of our daughters. "This," the reviewer went on, "is high praise, especially in these days when we are deafened by the loud-voiced clamor of self-styled 'artists.' We would warn the young men who prate so persistently of style and literature, construction and prose harmonies, that we believe the English reading public will have none of them. Harmless amusement, a gentle flow of domestic interest, a faithful reproduction of the open and manly life of the hunting field, pictures of innocent and healthy English girlhood such as Miss Sanders here affords us; these are the topics that will always find a welcome in our homes, which remain bolted and barred against the abandoned artist and the scrofulous stylist."
He turned over the pages of the little book and chuckled in high relish; he discovered an honest enthusiasm, a determination to strike a blow for the good and true that refreshed and exhilarated. A beaming face, spectacled and whiskered probably, an expansive waistcoat, and a tender heart, seemed to shine through the words which Messrs Beit had quoted; and the alliteration of the final sentence; that was good too; there was style for you if you wanted it. The champion of the blushing cheek and the gushing eye showed that he too could handle the weapons of the enemy if he cared to trouble himself with such things. Lucian leant back and roared with indecent laughter till the tabby tom-cat who had succeeded to the poor dead beasts looked up reproachfully from his sunny corner, with a face like the reviewer's, innocent and round and whiskered. At last he turned to his parcel and drew out some half-dozen sheets of manuscript, and began to read in a rather desponding spirit; it was pretty obvious, he thought, that the stuff was poor and beneath the standard of publication. The book had taken a year and a half in the making; it was a pious attempt to translate into English prose the form and mystery of the domed hills, the magic of occult valleys, the sound of the red swollen brook swirling through leafless woods. Day-dreams and toil at nights had gone into the eager pages, he had labored hard to do his very best, writing and rewriting, weighing his cadences, beginning over and over again, grudging no patience, no trouble if only it might be pretty good; good enough to print and sell to a reading public which had become critical. He glanced through the manuscript in his hand, and to his astonishment, he could not help thinking that in its measure it was decent work. After three months his prose seemed fresh and strange as if it had been wrought by another man, and in spite of himself he found charming things, and impressions that were not commonplace. He knew how weak it all was compared with his own conceptions; he had seen an enchanted city, awful, glorious, with flame smitten about its battlements, like the cities of the Sangraal, and he had molded his copy in such poor clay as came to his hand; yet, in spite of the gulf that yawned between the idea and the work, he knew as he read that the thing accomplished was very far from a failure. He put back the leaves carefully, and glanced again at Messrs Beit's list. It had escaped his notice that A Bad Un to Beat was in its third three-volume edition. It was a great thing, at all events, to know in what direction to aim, if he wished to succeed. If he worked hard, he thought, he might some day win the approval of the coy and retiring Miranda of Smart Society; that modest maiden might in his praise interrupt her task of disinterested advertisement, her philanthropic counsels to "go to Jumper's, and mind you ask for Mr. C. Jumper, who will show you the lovely blue paper with the yellow spots at ten shillings the piece." He put down the pamphlet, and laughed again at the books and the reviewers: so that he might not weep. This then was English fiction, this was English criticism, and farce, after all, was but an ill-played tragedy.
The rejected manuscript was hidden away, and his father quoted Horace's maxim as to the benefit of keeping literary works for some time "in the wood." There was nothing to grumble at, though Lucian was inclined to think the duration of the reader's catarrh a little exaggerated. But this was a trifle; he did not arrogate to himself the position of a small commercial traveler, who expects prompt civility as a matter of course, and not at all as a favor. He simply forgot his old book, and resolved that he would make a better one if he could. With the hot fit of resolution, the determination not to be snuffed out by one refusal upon him, he began to beat about in his mind for some new scheme. At first it seemed that he had hit upon a promising subject; he began to plot out chapters and scribble hints for the curious story that had entered his mind, arranging his circumstances and noting the effects to be produced with all the enthusiasm of the artist. But after the first breath the aspect of the work changed; page after page was tossed aside as hopeless, the beautiful sentences he had dreamed of refused to be written, and his puppets remained stiff and wooden, devoid of life or motion. Then all the old despairs came back, the agonies of the artificer who strives and perseveres in vain; the scheme that seemed of amorous fire turned to cold hard ice in his hands. He let the pen drop from his fingers, and wondered how he could have ever dreamed of writing books. Again, the thought occurred that he might do something if he could only get away, and join the sad procession in the murmuring London streets, far from the shadow of those awful hills. But it was quite impossible; the relative who had once promised assistance was appealed to, and wrote expressing his regret that Lucian had turned out a "loafer," wasting his time in scribbling, instead of trying to earn his living. Lucian felt rather hurt at this letter, but the parson only grinned grimly as usual. He was thinking of how he signed a check many years before, in the days of his prosperity, and the check was payable to this didactic relative, then in but a poor way, and of a thankful turn of mind.
The old rejected manuscript had almost passed out of his recollection. It was recalled oddly enough. He was looking over the Reader, and enjoying the admirable literary criticisms, some three months after the return of his book, when his eye was attracted by a quoted passage in one of the notices. The thought and style both wakened memory, the cadences were familiar and beloved. He rea
d through the review from the beginning; it was a very favorable one, and pronounced the volume an immense advance on Mr. Ritson's previous work. "Here, undoubtedly, the author has discovered a vein of pure metal," the reviewer added, "and we predict that he will go far." Lucian had not yet reached his father's stage, he was unable to grin in the manner of that irreverent parson. The passage selected for high praise was taken almost word for word from the manuscript now resting in his room, the work that had not reached the high standard of Messrs Beit & Co., who, curiously enough, were the publishers of the book reviewed in the Reader. He had a few shillings in his possession, and wrote at once to a bookseller in London for a copy of The Chorus in Green, as the author had oddly named the book. He wrote on June 21st and thought he might fairly expect to receive the interesting volume by the 24th; but the postman, true to his tradition, brought nothing for him, and in the afternoon he resolved to walk down to Caermaen, in case it might have come by a second post; or it might have been mislaid at the office; they forgot parcels sometimes, especially when the bag was heavy and the weather hot. This 24th was a sultry and oppressive day; a grey veil of cloud obscured the sky, and a vaporous mist hung heavily over the land, and fumed up from the valleys. But at five o'clock, when he started, the clouds began to break, and the sunlight suddenly streamed down through the misty air, making ways and channels of rich glory, and bright islands in the gloom. It was a pleasant and shining evening when, passing by devious back streets to avoid the barbarians (as he very rudely called the respectable inhabitants of the town), he reached the post-office; which was also the general shop.
"Yes, Mr. Taylor, there is something for you, sir," said the man. "Williams the postman forgot to take it up this morning," and he handed over the packet. Lucian took it under his arm and went slowly through the ragged winding lanes till he came into the country. He got over the first stile on the road, and sitting down in the shelter of a hedge, cut the strings and opened the parcel. The Chorus in Green was got up in what reviewers call a dainty manner: a bronze-green cloth, well-cut gold lettering, wide margins and black "old-face" type, all witnessed to the good taste of Messrs Beit & Co. He cut the pages hastily and began to read. He soon found that he had wronged Mr. Ritson—that old literary hand had by no means stolen his book wholesale, as he had expected. There were about two hundred pages in the pretty little volume, and of these about ninety were Lucian's, dovetailed into a rather different scheme with skill that was nothing short of exquisite. And Mr. Ritson's own work was often very good; spoilt here and there for some tastes by the "cataloguing" method, a somewhat materialistic way of taking an inventory of the holy country things; but, for that very reason, contrasting to a great advantage with Lucian's hints and dreams and note of haunting. And here and there Mr. Ritson had made little alterations in the style of the passages he had conveyed, and most of these alterations were amendments, as Lucian was obliged to confess, though he would have liked to argue one or two points with his collaborator and corrector. He lit his pipe and leant back comfortably in the hedge, thinking things over, weighing very coolly his experience of humanity, his contact with the "society" of the countryside, the affair of the The Chorus in Green, and even some little incidents that had struck him as he was walking through the streets of Caermaen that evening. At the post-office, when he was inquiring for his parcel, he had heard two old women grumbling in the street; it seemed, so far as he could make out, that both had been disappointed in much the same way. One was a Roman Catholic, hardened, and beyond the reach of conversion; she had been advised to ask alms of the priests, "who are always creeping and crawling about." The other old sinner was a Dissenter, and, "Mr. Dixon has quite enough to do to relieve good Church people."
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