Julius had been gut-shot. He'd clearly survived the fatal wound long enough to reach camp and Paula Booker, because someone had taken stitches before he'd died. Kit's hand settled on Skeeter's shoulder. "I'm sorry, Skeeter." The scout's voice had filled with a compassion that would've touched him, had the pain not been so sharp and terrible.
"Dammit, Kit! That boy wasn't even seventeen yet!" Skeeter jerked around, half-blind and not wanting Kit to notice. He was set to stride out of the monstrous little room, to get outside, to breathe down some fresh air, when he noticed Sid Kaederman. The detective had come up quietly behind them to peer past their shoulders. Even through Skeeter's blinding grief, Sid Kaederman's sudden deathly stillness brought Skeeter's instincts to full, quivering alert. He'd seen that kind of lethal tension before, in one or two of Yesukai's most deadly warriors, men who would've cheerfully slit a friend's throat for looking crosswise in their direction. The look in Kaederman's eyes set the tiny hairs along Skeeter's nape starkly erect.
Kaederman was staring down at the bodies. And for one unguarded moment, Skeeter glimpsed a look of naked shock in his cold eyes. Skeeter followed Kaederman's gaze and realized he wasn't staring at the murdered down-time teenager, but at the other corpse, a man who'd been shot several times through the back, by the look of the wounds. Kaederman's sudden stillness, the stunned disbelief in his eyes, set inner alarms ringing.
Without warning, Kit had Skeeter by the arm. "Easy, Skeeter, you're awfully white around the mouth. Let's get you outside, get some fresh air into your lungs. I know what a terrible shock this is . . ." The former scout was literally dragging him across the saloon's warped floor, past the gawking tourists, outside into the hot sunlight where the air was fresh and a slight breeze carried away the stink of death. An instant after that, the scout thrust a metal flask into his hand and said a shade too loudly, "Swallow this, Skeeter, it'll help."
Whatever Kit was up to, Skeeter decided to play along, since it had taken them out of Kaederman's immediate presence for the moment. Whatever was in the flask, it scalded the back of his throat. Skeeter swallowed another mouthful as Kit steered him down toward the livery stable, one hand solicitously guiding him by the arm, as though taking a distraught and grieving friends away from curious eyes. When they were far enough from the saloon, Kit muttered, "What the hell did you see in Sid Kaederman's face, Skeeter, that caused you to come out of shock so fast? One second, you were falling apart, ready to bawl, and the next you looked like you were ready to kill Kaederman where he stood."
Skeeter glanced into Kit's hard blue eyes. "That why you hustled me out of there so fast?"
Kit snorted. "Damn straight, I did. Didn't want Kaederman to notice the look on your face. Left him staring at the bodies."
"Huh. Well, that's exactly what stopped me in my tracks. The way he was looking at those bodies. Got any idea why the senator's pet bloodhound would go into shock, looking at a dead drover? Because for just a split second, Sid Kaederman was the most stunned man in this entire camp. Like he knew the guy, or something, and didn't expect to find him dead on a pantry floor."
Kit let out a long, low whistle. "I find that mighty interesting, don't you?"
"Interesting? That's not the half of it. There's something screwy about Caddrick's story, all that guff he fed us about Noah Armstrong. Either Caddrick's lying, or somebody fed him a line, because I'm starting to think Noah Armstrong didn't kidnap anybody. And maybe he's not a terrorist, at all."
Kit halted mid-stride, his lean and weathered face falling into lines of astonishment. Grimly, Skeeter told him, all of it. About the wild-eyed kid who'd shouted Noah's name. "And I'm willing to bet," Skeeter added, "it was Noah Armstrong who shot the Ansar Majlis gunmen in the daycare center, when those bastards tried to grab Ianira's kids. They lit out through the Wild West Gate, came up here, and after somebody murdered Julius, Noah Armstrong went on the run with Marcus and the girls. Only . . . Why was Julius posing as a girl?" That part bothered Skeeter. It didn't fit anywhere.
"I wonder," Kit mused softly, "just who Julius was supposed to be? Why, indeed, pose as a girl? Unless, of course, he was acting as a decoy for someone."
"Jenna Caddrick?" Skeeter gasped.
"Isn't any other candidate I can see. But why? And if Noah Armstrong isn't Ansar Majlis, then who the hell is he? And how did he know there would be an attack on Ianira and her family?"
"I've been asking myself those very same questions," Skeeter muttered. "Along with the name of that wild-eyed kid in the crowd."
"You said he was carrying a black-powder pistol?"
Skeeter nodded.
"It would be very interesting," Kit said, scratching the back of his neck absently, "to know if that gun had once been registered to Carl McDevlin."
Skeeter stared. "You mean—that kid might've been Jenna Caddrick? Disguised as a boy?"
Kit's grimace spoke volumes. "She disappeared in the company of Noah Armstrong, whoever he turns out to be. And we know Jenna's a Templar. That gives her a powerful motive to protect Ianira's life. Jenna would certainly be in a position to suspect Ianira's life was in danger, after the attack that killed her aunt and roommate."
Skeeter whistled softly. "I don't like this, Kit. Not one stinking little bit."
"Neither do I," Kit growled, kicking savagely at a dirt clod under his boot toe. It exploded into a shower of dust. "But then, I already didn't like it, and I've never had any reason to trust a single word that came sideways out of John Caddrick's mouth. The question I want answered is what motive Caddrick would have for lying about Noah Armstrong. Surely the FBI would be able to corroborate or disprove his claim that Armstrong is a terrorist?"
Skeeter said uneasily, "Maybe Caddrick bought the FBI? It's been done before."
Kit shot him an intense, unreadable glance, then swore in a language Skeeter didn't recognize. "Skeeter, I really hate it when you say things like that. Because I have this terrible feeling you may just be right."
"Great. So what are we going to do about it?"
"First," and Kit's face closed into a lean, deadly mask, "we find out just what happened in this camp that left two men dead and Marcus on the run for his life, with his kids. Then, we track down Armstrong and our friends. Before another pack of Ansar Majlis killers beats us to it."
As they headed back for the dusty saloon, Skeeter wondered uneasily about yet another mystery: just what Sid Kaederman's role in this lethal mess might be.
Chapter Five
John Lachley laid a sheet of blotter paper gently across the glistening, blood-red ink of the missive he'd just finished, then held the newly penned letter up to the light to read it again, judging the effect. It hadn't been easy, writing in the style of Maybrick's disjointed ramblings. He'd worked very hard to sprinkle the man's irritating Americanisms into the language. But he was proud of the results.
"Dear Boss . . ." the letter began.
I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled. Grand work the last job was. I gave the lady no time to squeal. How can they catch me now. I love my work and want to start again. You will soon hear of me with my funny little games. I saved some of the proper red stuff in a ginger beer bottle over the last job to write with but it went thick like glue and I cant use it. Red ink is fit enough I hope ha. ha. The next job I do I shall clip the ladys ears off and send to the police officers just for jolly wouldn't you. Keep this letter back till I do a bit more wo7rk, then give it out straight. My knife's so nice and sharp I want to get to work right away if I get a chance. Good luck.
Yours truly,
Jack the Ripper
Dont mind me giving the trade name.
P.S. Wasn't good enough to post this before I got all the red ink off my hands curse it No luck yet. They say I'm a doctor now. ha ha
&
nbsp; John Lachley dated the letter September 25th and blew the final line of red ink dry, then chuckled to himself. He'd instructed Maybrick to bring his diary to London during his last visit, and had read the depraved drivel scrawled in it with avid curiosity. He'd copied the madman's way of writing, including his insane insertions of the words ha ha and other underscored phrases here and there. When Maybrick's diary was discovered in Liverpool, this letter would help to hang him.
Perhaps he'd write out a few more letters and cards, drop them in the post over the next few days? After all, once he'd recovered Eddy's wayward missives from Stride and Eddowes, he would no longer need Maybrick for anything save a weight at the end of a gallows rope. He grinned down at the bloody signature line, intensely proud of the appellation he'd thought up. Jack the Ripper . . . Poor James, who referred to himself in his diary as Sir Jim. He'd protest innocence of writing this all the way to the drop. Yes, Lachley smiled, he would write out a few more letters, perhaps scrawl one or two across a newspaper article, something with the word Liverpool in it . . .
A tap at the study door roused him from delightful musings. He hastily slid the letter into his desk drawer and locked it. "Yes? Come!"
His manservant bowed in the doorway. "You asked to be notified when your patient woke, sir."
"Ah, yes, thank you, Charles. I'll see the young lady directly."
"Very good, sir."
Lachley climbed the stairs while planning where to send his traitorous little missive. The editor of the Daily News, perhaps, a respectable newspaper with a large circulation and a keen appetite to solve the mystery of the Whitechapel Murderer. Or maybe the Central News Agency. He wished he might see the face of the editor when that letter landed on the gentleman's desk. Chuckling at his own joke, Lachley entered the room of his comely young captive.
"Good afternoon, dear lady!"
The girl was awake, listless from the effects of the drugs he fed her daily. A spark of terror flared in her eyes as he sat beside the bed. He took her hand, felt the chill of her fingers. "Now, then. Let us chat, Miss Ianira."
A shudder, very faint, ran through her.
He patted her hand. "I have seen what you are capable of, my dear. I intend to make excellent use of your skill." He brushed hair back from her brow, stroked her ashen skin. "How pale you are, today. Come now, you must surely see the advantages of a connection with me? I can give you all of London, all of Britain's power and wealth." He stroked her hand again. "I've obtained the license, you know. Special dispensation." He chuckled. "Knowing Eddy really is such a tremendous help. It isn't easy, getting a special license from the dear old C of E. Clergy are such ruddy sticklers for details. However," he smiled brightly, "you will soon be Mrs. John Lachley and I will strew pearls of gratitude at your feet."
A choked sound escaped pale lips. "No . . ."
He frowned. "No? Of course you shall marry me, dear girl. I cannot have you living under my roof, unmarried. People will talk and talk is one thing I cannot afford."
She was struggling to speak. "My husband . . . children . . ."
Astonishment swept through him. "Married? You are married?" Then he began to laugh. "Widowed, you mean. I shot your dear husband dead in the street. Put a bullet into his head."
She strained away from him, dark eyes wide with revulsion. "No! Not Jenna . . . Marcus."
Lachley frowned again. "The man I shot was not your husband?"
The girl lay trembling, tears sliding down her face. She had given him only one name to call her by, despite the drugs he'd fed her, refusing against all efforts he'd made thus far to reveal her full name.
"What is your husband's surname, girl?"
She shook her head. "What . . . what is a surname?"
"A last name!" he snapped, growing impatient. "Dammit, I know they use surnames even in Greece!"
"Not Greek . . ." she whispered. "Poor Marcus, sold in Rome . . . He'll be frantic . . ."
She was babbling again, raving out of her head. He gripped her wrists, shook her. "Tell me your last name, girl!"
"Cassondra!" she shrieked the word at him, fighting his hold on her. "I am Ianira, Cassondra of Ephesus!"
"Talk sense! There is no city of Ephesus, just a ruin buried only the ancients know where! How did you come to London?"
"Through the gate . . ."
They were back to that again. The sodding gate, whatever the deuce that was. She babbled about it every time he questioned her. Lachley changed his line of attack. "Tell me about the letters. Eddy's letters."
Her eyes closed over a look of utter horror. "Lady, help me . . ."
Losing patience, Lachley poured the drug down her throat, waiting for it to take effect, then put her into a deep trance. She lay without moving, scarcely even breathing beneath the coverlet he straightened over her. "Now, then," he said gently, "tell me about the letters."
Her lips moved. A bare whisper of sound escaped her. "Eight letters . . ."
"Tell me about the eight letters. Who has them?"
"Morgan . . . down in the vaulted room with the tree and the flame that always burns . . ." A shudder tore through her despite the grip of the strong medication. "Polly is dead . . . and poor Annie, who could scarcely breathe . . . Stride carries Eddy's words beneath the knife . . . Kate fears the letter in her pocket, picks hops in the countryside, afraid to touch it . . . and the pretty girl in Miller's Court, she'll die cut into pieces, poor child, for a letter she learned to read in Cardiff . . ."
"What girl in Miller's Court?"
Ianira's eyes had closed, however, so deep in the grip of the drug that no amount of slapping would rouse her. Lachley paced the bedroom in agitation. What girl in Miller's Court? Annie Chapman hadn't mentioned any such person! He narrowed his eyes, thinking back to that last conversation with the doomed prostitute. They'd been interrupted, he recalled, just as she'd been telling him who she'd sold the letters to, mentioning Elizabeth Stride and Catharine Eddowes. He'd thought she was finished, after giving those two names, but wondered now if perhaps that interruption had kept him from learning the name of a third person in possession of Eddy's incriminating letters?
He swore savagely, wondering what in God's name to do now.
The bitch must be found, of course, found and silenced.
She lived in Miller's Court, Ianira had said. He knew the place from his childhood. Miller's Court was not a large space, after all. How many girls from Cardiff could there be, living in that dismal little square? He closed his eyes against such a monstrous spectre. A Welsh girl, in possession of Eddy's Welsh letters . . . Had she already sent a blackmail demand to the palace? Were Eddy's power and position in mortal peril, after all? Because Annie Chapman, the stupid bitch, had neglected to mention a third recipient of her letters?
He drew a deep, calming breath. Surely no blackmail demand had been sent, yet. Eddy would've come to him in a high state of panic, if one had. Hopefully, Polly and Annie's grisly fate had frightened the Welsh tart too deeply to act. Still, she had got to be found and done away with, the sooner the better. God, would this nightmare never come to an end? With yet another woman to trace and destroy, perhaps Lachley ought not send his damning Ripper letter to the press, after all? A moment's consideration, however, convinced him to risk it, anyway. Maybrick would be in London at the end of the week, so this girl in Miller's Court could be eliminated on the same night as Stride and Eddowes. Three women in one weekend was a bit much, true . . .
But he hadn't any real choice.
He spared a glance for the mysterious Ianira, pale and silent in her bed. "You," he muttered aloud, "must wait a bit. Once this business is done, however, I will discover the identity of your husband."
Christ, yet another murder to be undertaken.
This mess occasionally bade fair to drive him insane.
* * *
The silence in the dusty little Colorado mining town was so utterly complete, Skeeter could hear the distant scream of an eagle somewhere over the sunbaked mo
untains. The scrape of his chair as he dragged it harshly around and sat down caused several women to jump. Julius' too-young face, waxen with that ghastly, bluish color death brought, floated in his mind's eye, demanding vengeance. The dark look he bent on Sid Kaederman went unnoticed, because the detective was busy glaring at Orson Travers. Clearly, the Time Tours guide had stalled him off until Kit and Skeeter's return. The silence lay so thick, the creak of wooden floorboards as tourists shifted sounded loud as gunshots.
The moment Kit settled into an easy stance beside Skeeter's chair, Sid Kaederman growled, "All right, Travers, you want to tell us just what's been going on?"
"Yes, let's have the details, please," Kit agreed. "This is messier than you can possibly guess."
Orson Travers, an unhappy man made monumentally unhappier by Kit's pronouncement, cleared his throat. "There wasn't any hint of trouble on the way up here. Oh, it was a rowdy enough bunch, lots of high spirits. We packed our gear in by mule from Colorado Springs, whipped the town into shape for the competition, refurbished a couple of houses to bunk down in, built the target stands and laid out the course of fire for the running action events. All that prep work was part of the package tour, using nineteenth-century techniques to build the competition course and refurbish the camp. And we planned the wedding, of course—"
"Wedding?" Kaederman interrupted, startled.
A pretty girl in a muslin gown blushed crimson and leaned against a tall, gangly kid in buckskins. He grinned. "Got ourselves hitched proper, brought a preacher with us and all, held the ceremony over at the trading post last week."
"Oh, it was so wonderful!" his bride put in excitedly. "There were real Indians and mountain men and everything! And the silliest salesman you ever saw, selling ordinary crescent wrenches, called them a new high-tech invention out of Sweden, patented only three years ago. People were paying outrageous prices for them! It was amazing, I'd never seen anything like it, fur trappers and miners buying crescent wrenches!" The blushing bride was clearly determined not to let the tragedy of a double murder mar her honeymoon.
The House That Jack Built Page 11
