Half goddesses, our hearts can never tire —
All earthly, womanly with love’s soft fire!
It is not true that we were born of spray,
Mingled with moonlight glancing on the water!
Where silent Pindus rears up to the day
His tree-crowned head, Melpomene, dark daughter
Of deathless Memory, paused in her way,
Ere Heracles, half mad with rage and slaughter,
Had fought with Achelous in that glade
Whence the great river plunges through the shade.
The lofty maid, the dark-browed Tragic Muse
Lingered and loved the fountain of the river
As the day fainted. Then the rising dews Wetted the arrow
Love drew from his quiver
And made it heavy-winged its flight refuse.
At half its range the shaft, with tremulous shiver
Struck full upon the breast of the great stream
And piercing deeply stirred love’s first wild dream.
Up rose the mighty torrent in white mist
And in his strong wet arms the maid entwined,
Bathed her black tresses and her dark cheek kissed.
Clasping her to him, as though he would bind
Her heart to his, he bore her where he list,
To distant depths; wherein the ocean kind
Received their godlike loves in deep-sea room
Where waves are still and nameless beauties bloom.
She was our mother. Here, upon these rocks,
She brought us forth amid the ocean’s roar,
And wrung the sea salt from her raven locks,
Singing to seaward down the sounding shore.
Here, where the wild sea-bird our music mocks,
She left us, through the sunset clouds to soar
High on white wings, in springing arch of flight
Toward the transcendent homes of heavenly light.
She taught our lips the strange entrancing strains
That draw men down to join the shadowy throng.
She taught us how to weave and wind wild chains
Of sounds about men’s ears, sweet, soft and strong
She gave us of love’s fire, that love’s life drains,
She left us all her heaven-born gift of song.
Rest, mariners! The moon sinks to the deep
While we breathe songs and kisses through your sleep.
The moon already touched the low sea line, and the great shadow of the yacht’s sails fell upon the darkening shore. Suddenly there was a stir in the water and the long dark shape of a strangely-fashioned vessel, dim and indistinct amid the half-light, loomed up from the water, gliding swiftly and making noiseless circles in the sea, as though propelled by an unseen power. Augustus felt an icy chill run through his frame. A cool breeze began to fill the sails of the cutter, and carried her slowly away from the island. Chard grasped the helm mechanically, gazing back at the faces of the Siren sisters, and at the moving shadow of the ship, straining his earn to catch the last words of their song.
Once more their voices rose, full of a fateful, passionate temptation: —
The sweep and the splash of the strokes come nearer,
The dull quick knock of oars swung in the tholes,
Till the white faces gleam in the moonlight clearer
Of sailors who sell for our song their souls!
The dark ship looms in the brightness above us,
The long keel grates on the deadly strand,
The strong white bodies of men that would love us
Leap from the bow to the soft wet sand!
Our arms go round them, our cold lips wound them,
Our sweet song lulls them to rest and sleep.
With our breath, and the mist of our breath, we have drowned them,
Just as the moon sinks into the deep.
We have silver lips, and hearts of lead,
To kiss and caress till the sailor is dead,
To soothe him and breathe on his curly head,
To drain his blood till his soul is sped,
To blow the sea-foam o’er the dead man’s bed,
When the stars are dark and the moon is fled
From the deep sea.
The wild strains died away like a dirge on the cool air as the yacht ran swiftly forward. The moon was gone, but another light was on the water. The east was already blushing, and the fair Dawn Maiden scattered her rose-leaves in the path of the coming morn.
In their deep chairs, Lady Brenda, Gwendoline and Diana sat motionless and pale, while Augustus, paler even than they, stood upright and held the helm. But the shades of the dead men were gone, and the living were alone together in the cool peace of the stealing twilight.
Greifenstein
CONTENTS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER I
FRAU VON SIGMUNDSKRON was not really much past middle age, though the people in the village generally called her the old baroness. Her hair was very white and she was thin and pale; her bold features, almost emaciated, displayed the framework of departed beauty, and if her high white forehead and waxen face were free from lines and wrinkles, it must have been because time and grief could find no plastic material there in which to trace their story. She was a very tall woman, too, and carried her head erect and high, walking with a firmness and elasticity of step such as would not have been expected in one whose outward appearance conveyed so little impression of strength. It is true that she had never been ill in her life and that her leanness was due to the most natural of all causes; but these facts were not patent to the observer, and for reasons which will presently appear she herself would have been the last to mention them. There was something, too, in the look of her blue eyes, shaded by long brown lashes which had retained their colour, that forbade any expression of sympathy. The least experienced of mankind would have seen at a glance that she was the proudest of women, and would have guessed that she must be one of the most reticent. She moved and spoke as though Sigmundskron were still what it had been in former days, and she had brought up her only child to be as much like herself, as it was possible that anything so young and fair could resemble what was already a type of age and gravity.
Poverty is too insignificant a word to describe the state in which the mother and daughter lived, and had lived for many years. They had no means of subsistence whatever beyond the pension accorded to the widow of Lieutenant von Sigmundskron, ‘fallen on the field of honour,’ as the official report had expressed it, in the murderous war with France. He had been the last of his name and at the time of his death had no relations living; two years earlier he had married a girl as penniless and as noble as himself, and had lived to see a daughter born, destined to inherit his nobility, his penury, and the bare walls of his ancestral home.
Sigmundskron had been a very grand castle in its day, and the half-ruined walls of the old stronghold still rose majestically from the summit of the crag. Indeed the ruin was more apparent than real as yet, and a few thousands judiciously expended upon the masonry would have sufficed to restore the buildings to their original completeness. Many a newly enriched merchant or banker would have pa
id a handsome price for the place, though the land was gone and the government owned the forest up to the very foot of the rock. But the Lady of Sigmundskron would rather have starved to death in her vaulted chamber than have taken half the gold in Swabia to sign away her dead husband’s home. Moreover, there was Greif, and Greif was to marry Hilda, after which all would be well again. Greif, with his money, would build and restore and furnish the old castle, and bring back the breath of life into the ancient halls and corridors. But in order that Greif might marry Hilda, it was necessary that Hilda should grow up beautiful, and to grow up at all, it was necessary that Hilda should be fed.
It had come to that, to the very question of food, of mere bread to eat. There was not enough for two, but Hilda must not starve. That was the secret which no one, not even Hilda herself must ever understand. During the first years, it had not been so hard to live. There had been a few poor jewels to sell, a few odds and ends that had brought a little money. While Hilda was a little child it had been easier, for she had needed but few clothes and, being little, had needed to eat less. But at last there had come a day when Frau von Sigmundskron, not so thin nor so pale as now, had seen a hungry look stealing into the eyes of the fair-haired girl. It was little enough that they had between them, but the mother said to herself that she could keep alive with less. The careful economy which bought nothing not capable of sustaining life and strength could go no further. There were but so many pence a day for food, and to expend more to-day was to starve tomorrow. From that moment Frau von Sigmundskron began to complain of headache, and especially of loss of appetite. She could not eat, she said. She did not think there was anything the matter, and she would doubtless be better in a few days. But the days ran on to weeks, the weeks to months, and the months to years, and Hilda grew tall and fair, unconsciously eating her mother’s portion of the daily bread. No hermit ever lived upon so little as sufficed for the baroness; no perishing, shipwrecked wretch ever measured out so carefully the ounce of biscuit that must maintain life from day to day; no martyr ever submitted more patiently and silently to his sufferings. But Hilda grew, and the years sped on, and Greif would come in time.
Greif, upon whom such great hopes were centred, was a distant cousin as well as a neighbour. The relationship was on the side of Hilda’s mother, whose grandfather had been a Greifenstein, and who might have been expected to accept some assistance from her rich connexions, especially as she was quite willing that her daughter should marry their only son. But the baroness was a woman whose pride forbade her to accept under the pressure of necessity what had not been offered freely in other times. It must be admitted also that the Greifensteins, though well aware that the Sigmundskrons were extremely poor, were far from suspecting that they were in need of bread. They knew that the castle was still the unhampered property of the two ladies, and they supposed that if things were really in a bad state, the baroness would raise money upon it. She never alluded to her affairs when she was with her relations, and excused herself from asking them to stay with her, on the ground of her poor health. On rare occasions Greifenstein and his wife drove over to the castle, and were invariably admitted by the same soberly-dressed, middle-aged woman, who showed them into the same old-fashioned room, whence, having made their visit, they returned to the outer gate by the way they had come. That is all they ever saw of Sigmundskron. Twice in the year, also, Hilda and her mother were invited to stay a fortnight at Greifenstein, but no one would have supposed from their behaviour that the luxury of the latter place surprised them, or seemed in any way preferable to what they enjoyed at home. Hilda’s education had not been neglected. Among her earliest recollections was her mother’s constant injunction never to make remarks upon what she saw in other houses. The child was not long in learning what the warning meant, and as she had inherited a plentiful share of her mother’s pride she almost unconsciously imitated her mother’s behaviour. Greif himself was the only person who might have known something of the true state of the case; but as he had been accustomed to be in love with his cousin ever since they had been children he would have feared to hurt her feelings by asking questions. For Hilda was reticent even with him, not from any shame at the idea of being thought poor, but because she was too proud to have it thought that either she or her mother could ever need the help of the Greifensteins.
Furthermore, if the baroness’s reluctance to ask for assistance has not been sufficiently explained, there is one more consideration which might alone have sufficed to account for her conduct. Between her and Greif’s mother there existed a great and wholly insurmountable antipathy. She could not understand how Greifenstein could have married such a woman. There was a mystery about it which she had never fathomed. Greifenstein himself was a stern, silent man of military appearance, a mighty hunter in the depths of the forest, a sort of grizzled monument of aristocratic strength, tough as leather, courteous in his manner, with that stiff courtesy that never changes under any circumstances, rigid in his views, religious, loyal, full of the prejudices that make the best subjects in a kingdom and the bitterest opponents of all change.
In appearance and manner Frau von Greifenstein presented the most complete contrast to her husband. She had been pretty, fair and sprightly in her youth, she was now a faded blonde, full of strange affectations and stilted sentiments. Possessing but indifferent taste, she nevertheless devoted much time to the adornment of her person. She was small of stature, but delicately made, and if her nervous desire to please had granted to her outward personality a moment’s repose during the day, she might still have passed muster as a fairly good-looking woman. Unfortunately she was animated by an unceasing activity in trivial matters, and was rarely silent. Some women make one think of a printed page in which there are too many italics, and too many useless marks of exclamation. At first, their constant cries of admiration and outbursts of enthusiasm produce a vague sense of uneasiness in the listener, which soon develops to a feeling of positive distress and generally ends in a real and deep-rooted dislike. At the beginning one looks about anxiously for the object which could produce so grotesque a smile. There is nothing, for the conversation has been as lead, but the smile does not subside; it only passes through the endless variations that succeed each other from the inane grin to the affected simper which is meant to be tender. The whole face moves perpetually, as the facial muscles of a corpse, excited by an electric current, seem to parody all the expression of living human sentiment.
But Frau von Greifenstein was not in reality so foolish as might have been thought. Her silliness was superficial. One part of her life had been full of strange circumstances, and if the whole truth were told it would appear that she had known how to extract a large amount of personal advantage from situations which to many persons would have seemed hopeless. She and her husband rarely left their castle in the Black Forest, and it might naturally be supposed that their life there was exceedingly dull and monotonous. In her own heart Clara von Greifenstein recognised that her present luxurious retirement was a paradise compared with the existence she must have led if she had not known how to help herself at the right moment. During the earlier years of her marriage, the recollection of her antecedents had been so painful as to cause her constant anxiety, and at one time she had even gone so far as to keep a sum of money about her, as though expecting to make a sudden and unexpected journey. But five and twenty years and more had passed, without bringing any untoward incident, and she felt herself very secure in her position. Moreover a son had been born to her and was growing up to be very like his father. Without Greif there is no knowing what turn affairs might have taken, for although Clara’s husband maintained towards her the same stiffly considerate behaviour which had always characterised him in their relations to each other, he certainly admitted to himself that she was not growing old gracefully; and it is even possible that, in some remote glen of the forest, his grave features may have occasionally allowed themselves a look of sorrowful regret, or even of actual repugnanc
e, when he thought of his wife’s spasmodic smiles and foolish talk. Possibly, too, he may have sometimes speculated upon her probable condition before she had married her first husband, for he himself had found her a widow of apparently little more than five and twenty years of age. But if any suggestion at all derogatory to Greifenstein had presented itself to his mind, his pride would assuredly have lost no time in smothering the thought. Was she not the mother of Greif? And besides, if all were to be told, was there not an unpleasantly dark spot in his own family, in the shape of his half-brother, Kuno von Rieseneck? Indeed the existence of Kuno von Rieseneck, concerning whom Clara knew nothing, was the reason why Greifenstein had lived for so many years in the country, only travelling outside of Germany when he travelled at all. He wondered that his wife, being ignorant of the story, should be willing to share the solitude of the Black Forest without a murmur, and her submission in itself suggested that she, too, might have some good cause for preferring a retired life. But if he had been satisfied with what he knew of her five and twenty years ago, he was not the man to allow himself any dissatisfaction now that Clara was the mother of that stalwart young fellow who was heir to all the Greifenstein property.
In the month of July Greif was to come home from the University, and immediately afterwards Hilda and her mother were to come over for their half-yearly visit. The ancient place where this family meeting was convened was so unlike most castles as to deserve a word of description.
The Swabian Black Forest is literally black, save when the winter snow is heavy on the branches of the huge trees and lies in drifts beneath them, covering the soft carpet of fir needles to the depth of many feet. The landscape is extremely melancholy and in many parts is absolutely monotonous. At intervals of several miles the rock juts suddenly out of the forest, generally at places where the Nagold, more a torrent than a river, makes a sharp bend. Many of these steep and stony promontories are crowned by ancient strongholds, chiefly in ruins, though a very few are still in repair and are inhabited by their owners. The name of Greifenstein will not be found on any map of the district, but those who know that wild and unfrequented country will recognise the spot. The tumbling stream turns upon itself at a sharp angle, swirling round the base of a precipitous and wedge-like cliff. So steep are the sides that they who chose the summit for a fortress saw no need of building any protection, save one gigantic wall which bestrides the wedge of rock, thus cutting off a triangular platform, between the massive bulwark and the two precipices that meet at the apex of the figure. This single fortification is a solid piece of masonry, enormously thick and of great height; its two extremities being surmounted by pointed towers, connected by a covered walk along the top of the wall, which, even at that height, is fully six feet wide and nearly a hundred in length. This was the rampart behind which the Greifensteins had dwelt in security through many generations, in the stormy days of the robber barons. So sure were they of their safety, that they had built their dwelling-place on the other side of the bulwark in a manner that offered no suggestion of war or danger. The house was Gothic in style, full of windows and ornamented with spacious balconies and much fine stonework. The three-cornered platform was converted into a flower-garden, surrounded by a parapet. Protected on the north side by the huge wall, and fully exposed to the southern sun, the plants throve in an almost artificial spring, and in the summer jets of water played in the marble basins and cooled the hot, pine-scented air.
Complete Works of F Marion Crawford Page 321
