by Paula Guran
She’ll have to pack up her stuff and move into his handsome house and settle down in his daytime life, because he is probably in love with her. Then he’ll have every beautiful thing that he cares about secured in the last safe place.
And, by God, she’ll bring all his stuff back. She will!
He’s been staring at the stone for so long that he almost forgets to douse the light when it moves. He manages it just as the stone scrapes aside like a manhole cover and her head pops up.
“Oh,” she cries, although he has no idea how she knows he is crouching here in the dark. “Oh, fuck.”
It’s a long way to the bottom. The fall is harder than he thought. By the time he hits the muddy floor of the tunnel underneath his house, Wings Germaine is gone.
He is alone in the narrow tunnel, riveted by the possibility that it’s a dead end and there’s no way out.
He’s even more terrified because a faint glow tells him that there is. To follow Wings, he has to crawl on and out, into the unknown.
Weston goes along on mud-caked hands and slimy knees for what seems like forever before he comes to a place big enough to stand up in. It’s a lot like the hole where the runaway tourist stampeded him, but it is nothing like it. The man-made grotto is wired and strung with dim lights; the air is as foul as it was in the hole where Ted Bishop disappeared, but this one is deserted. He is at a rude crossroads. Access tunnels snake out in five directions, and he has to wonder which one she took and how far they go.
Stupid bastard, he calls, “Wings?”
There is life down here, Weston knows it; she is down here, but he has no idea which way she went or where she is hiding or, in fact, whether she is hiding from him. A man in his right mind, even a heartbroken lover, would go back the way he came, haul himself up and station his caretaker by the opening with a shotgun to prevent incursions until he could mix enough concrete to fill the place and cement the stone lid down so no matter what else happened in his house, she would never get back inside.
Instead he cries, “Wings. Oh, Wings!”
He knows better than to wait. If anything is going to happen here, he has to make it happen.
The idea terrifies him. Worse. There are others here.
For the first time in his well-ordered life, careful Weston, who vowed never to lose anybody or anything he cared about, is lost.
The chamber is empty for the moment, but there is life going on just out of sight; he hears the unknown stirring in hidden grottoes, moving through tunnels like arteries—approaching, for all he knows. The knowledge is suffocating. The man who needs to be alone understands that other lives are unfolding down here; untold masses are deep in their caverns doing God knows what. A born solitary, he is staggered by the pressure of all those unchecked lives raging out of sight and beyond the law or any of the usual agencies of control.
Encroaching. God!
Trembling, he tries, “Wings?”
As if she cares enough to answer.
The tunnels give back nothing. He wants to run after her but he doesn’t know where. Worse, she may see him not as a lover in pursuit but a giant rat scuttling after food. He should search but he’s afraid of what he will find. Much as he misses his things, he’s afraid to find out what Wings has done with them and who she is doing it with.
Overturned, he retreats to the mouth of the tunnel that leads to his house and hunkers down to think.
There are others out there—too many! Accustomed now, Weston can sense them, hear them, smell them in the dense underground air, connected by this tunnel to the treasures he tries so hard to protect. The labyrinth is teeming with life, but he is reluctant to find out who the others are or how they are. They could be trapped underground like him, miserable and helpless, snapped into fetal position in discrete pits they have dug for themselves. They could be killing each other out there, or lying tangled in wild, orgiastic knots doing amazing things to each other in communal passion pits, or thinking great thoughts, writing verse or plotting revolution, or they could be locked into lotus position in individual niches, halfway to Nirvana or—no!—they could be trashing his stolen art. He doesn’t want to know.
It is enough to know that for the moment, he is alone at a dead end and that, in a way, it’s a relief.
Surprise. For the first time since the runaway tourist forced him underground and Wings flew up to the surface and messed up his life, Weston has nothing to hope for and no place to go. And for the first time since he was four years old, he feels safe.
After a time he takes the pick he had strapped to his backpack in case and begins to dig.
In the hours or days that follow, Weston eats, he supposes: By the time the hole is big enough to settle down in, his supply of granola bars is low and the water in his canteen is almost gone, but he is not ready to go back into his house. In between bouts of digging, he probably sleeps. Mostly he thinks and then stops thinking, as his mind empties out and leaves him drifting in the zone. What zone, he could not say. What he wants and where this will end, he is too disturbed and disrupted to guess.
Then, just when he has adjusted to being alone in this snug, reassuringly tight place, when he is resigned to the fact that he’ll never see her again, she comes, flashing into life before him like an apparition and smiling that sexy and annoying, enigmatic smile.
“Wings!”
Damn that wild glamour, damn the cloud of tousled hair, damn her for saying with that indecipherable, superior air, “What makes you think I’m really here?”
The girl folds as neatly as a collapsible tripod and sits cross-legged on the floor of the hole Weston has dug, fixed in place in front of him, sitting right here where he can see her, waiting for whatever comes next.
It’s better not to meet her eyes. Not now, when he is trying to think. It takes him longer than it should to frame the question.
“What have you done with my stuff?”
Damn her for answering the way she does. “What do you care? It’s only stuff.”
Everything he ever cared about simply slides away.
They sit together in Weston’s tight little pocket in the earth. They are quiet for entirely too long. She doesn’t leave but she doesn’t explain, either. She doesn’t goad him and she doesn’t offer herself. She just sits there regarding him. It’s almost more than he can bear.
A question forms deep inside Weston’s brain and moves slowly, like a parasite drilling its way to the surface. Finally it explodes into the still, close air. “Are you the devil, or what?”
This makes her laugh. “Whatever, sweetie. What do you think?”
“I don’t know,” he shouts. “I don’t know!”
“So get used to it.”
But he can’t. He won’t. More or less content with his place in the narrow hole he has dug for himself, Weston says, “It’s time for you to go,” and when she hesitates, wondering, he pushes Wings Germaine outside and nudges her along the access tunnel to the hub, the one place where they can stand, facing. She gasps and recoils. To his astonishment, he is brandishing the pick like a club. Then he clamps his free hand on her shoulder, and with no clear idea what he will do when this part is done or what comes next, he turns Wings Germaine in his steely grip and sends her away. Before he ducks back into his territory Weston calls after her on a note that makes clear to both of them that they are done. “Don’t come back.”
Behind him, the cellar waits, but he can’t know whether he wants to go back to his life. He is fixed on what he has to do. Resolved, relieved because he know this at least, he sets to work on the exit where he left her, erasing it with his pick.
In the alternate universe of Wild Cards, reality diverged from ours on September 15, 1946, when an alien virus was released in the skies over Manhattan, and spread across an unsuspecting Earth. Of those infected, 90% died horribly, drawing the black queen, 9% were twisted and deformed into jokers, while a lucky 1% gained extraordinary and unpredictable powers that made them aces.
SHE
LL GAMES
GEORGE R. R. MARTIN
When he’d moved into the dorm back in September, the first thing that Thomas Tudbury had done was tack up his signed photograph of President Kennedy, and the tattered 1944 Time cover with Jetboy as Man of the Year.
By November, the picture of Kennedy was riddled with holes from Rodney’s darts. Rod had decorated his side of the room with a Confederate flag and a dozen Playboy centerfolds. He hated Jews, niggers, jokers, and Kennedy, and didn’t like Tom much either. All through the fall semester, he had fun; covering Tom’s bed with shaving cream, short-sheeting him, hiding his eyeglasses, filling his desk drawer with dog turds.
On the day that Kennedy was killed in Dallas, Tom came back to his room fighting to hold the tears. Rod had left him a present. He’d used a red pen. The whole top of Kennedy’s head was dripping blood now, and over his eyes Rod had drawn little red Xs. His tongue was sticking out of the corner of his mouth.
Thomas Tudbury stared at that for a long, long time. He did not cry; he would not allow himself to cry. He began to pack his suitcases.
The freshman parking lot was halfway across campus. The trunk on his ’54 Mercury had a broken lock, so he tossed the bags into the seat. He let the car warm up for a long time in the November chill. He must have looked funny sitting there; a short, overweight guy with a crew cut and horn-rim glasses, pressing his head against the top of the steering wheel like he was going to be sick.
As he was driving out of the lot, he spied Rodney’s shiny Olds Cutlass.
Tom shifted to neutral and idled for a moment, considering. He looked around. There was no one in sight; everybody was inside watching the news. He licked his lips nervously, then looked back at the Oldsmobile. His knuckles whitened around the wheel. He stared hard, furrowed his brow, and squeezed.
The door panels gave first, bending inward slowly under the pressure. The headlights exploded with small pops, one after the other. Chrome trim clattered to the ground, and the rear windshield shattered suddenly, glass flying everywhere. Fenders buckled and collapsed, metal squealing in protest. Both rear tires blew at once, the side panels caved in, then the hood; the windshield disintegrated entirely. The crankcase gave, and then the walls of the gas tank; oil, gasoline, and transmission fluid pooled under the car. By then Tom Tudbury was more confident, and that made it easier. He imagined he had the Olds caught in a huge invisible fist, a strong fist, and he squeezed all the harder. The crunch of breaking glass and the scream of tortured metal filled the parking lot, but there was no one to hear. He methodically mashed the Oldsmobile into a ball of crushed metal.
When it was over, he shifted into gear and left college, Rodney, and childhood behind forever.
Somewhere a giant was crying.
Tachyon woke disoriented and sick, his hangover throbbing in time to the mammoth sobs. The shapes in the dark room were strange and unfamiliar. Had the assassins come in the night again, was the family under attack? He had to find his father. He lurched dizzily to his feet, head swimming, and put a hand against the wall to steady himself.
The wall was too close. These weren’t his chambers, this was all wrong, the smell … and then the memories came back. He would have preferred the assassins.
He had dreamed of Takis again, he realized. His head hurt, and his throat was raw and dry. Fumbling in the darkness, he found the chain-pull for the overhead light. The bulb swung wildly when he yanked, making the shadows dance. He closed his eyes to still the lurching in his gut. There was a foul taste at the back of his mouth. His hair was matted and filthy, his clothing rumpled. And worst of all, the bottle was empty. Tachyon looked around helplessly. A six-by-ten on the second floor of a lodging house named ROOMS, on a street called the Bowery. Confusingly, the surrounding neighborhood had once been called the Bowery too—Angelface had told him that. But that was before; the area had a different name now. He went to the window, pulling up the shade. The yellow light of a streetlamp filled the room. Across the street, the giant was reaching for the moon, and weeping because he could not grasp it.
Tiny, they called him. Tachyon supposed that was human wit. Tiny would have been fourteen feet tall if only he could stand up. His face was unlined and innocent, crowned with a tangle of soft dark hair. His legs were slender, and perfectly proportioned. And that was the joke: slender, perfectly proportioned legs could not begin to support the weight of a fourteen-foot-tall man. Tiny sat in a wooden wheelchair, a great mechanized thing that rolled through the streets of Jokertown on four bald tires from a wrecked semi. When he saw Tach in the window, he screamed incoherently, almost as though he recognized him. Tachyon turned away from the window, shaking. It was another Jokertown night. He needed a drink.
His room smelled of mildew and vomit, and it was very cold. ROOMS was not as well heated as the hotels he had frequented in the old days. Unbidden, he remembered the Mayflower down in Washington, where he and Blythe … but no, better not to think of that. What time was it anyway? Late enough. The sun was down, and Jokertown came to life at night.
He plucked his overcoat from the floor and slipped it on. Soiled as it was, it was still a marvelous coat, a lovely rich rose color, with fringed golden epaulets on the shoulders and loops of golden braid to fasten the long row of buttons. A musician’s coat, the man at the Goodwill had told him. He sat on the edge of his sagging mattress to pull on his boots.
The washroom was down at the end of the hall. Steam rose from his urine as it splashed against the rim of the toilet; his hands shook so badly that he couldn’t even aim right. He slapped cold, rust-colored water on his face, and dried his hands on a filthy towel.
Outside, Tach stood for a moment beneath the creaking ROOMS sign, staring at Tiny. He felt bitter and ashamed. And much too sober. There was nothing to be done about Tiny, but he could deal with his sobriety. He turned his back on the weeping giant, slid his hands deep into the pockets of his coat, and walked off briskly down the Bowery.
In the alleys, jokers and winos passed brown paper bags from hand to hand, and stared with dull eyes at the passersby. Taverns, pawnbrokers, and mask shops were all doing a brisk trade. The Famous Bowery Wild Card Dime Museum (they still called it that, but admission was a quarter now) was closing for the day. Tachyon had gone through it once, two years ago, on a day when he was feeling especially guilt-ridden; along with a half-dozen particularly freakish jokers, twenty jars of “monstrous joker babies” floating in formaldehyde, and a sensational little newsreel about the Day of the Wild Card, the museum had a waxworks display whose dioramas featured Jetboy, the Four Aces, a Jokertown Orgy … and him.
A tour bus rolled past, pink faces pressed to the windows. Beneath the neon light of a neighborhood pizza parlor, four youths in black leather jackets and rubber facemasks eyed Tachyon with open hostility. They made him uneasy. He averted his eyes and dipped into the mind of the nearest: mincing pansy looka that hair dye-job fershure thinks he’s inna marching band like to beat his fuckin’ drums but no wait shit there’s better we’ll find us a good one tonight yeah wanna get one that squishes when we hit it. Tach broke the contact with distaste and hurried on. It was old news, and a new sport: come down to the Bowery, buy some masks, beat up a joker. The police didn’t seem to care.
The Chaos Club and its famous All-Joker Revue had the usual big crowd. As Tachyon approached, a long gray limo pulled up to the curb. The doorman, wearing a black tuxedo over luxuriant white fur, opened the door with his tail and helped out a fat man in a dinner jacket. His date was a buxom teenager in a strapless evening gown and pearls, her blonde hair piled high in a bouffant hairdo.
A block farther on, a snake-lady called out a proposition from the top of a nearby stoop. Her scales were rainbow-colored, glistening. “Don’t be scared, Red,” she said, “it’s still soft inside.” He shook his head.
The Funhouse was housed in a long building with giant picture windows fronting the street, but the glass had been replaced with oneway mirrors. Randall stood out front, shiver
ing in tails and domino.
He looked perfectly normal—until you noticed that he never took his right hand out of his pocket. “Hey, Tacky,” he called out. “Whattaya make of Ruby?”
“Sorry, I don’t know her,” Tachyon said.
Randall scowled. “No, the guy who killed Oswald.”
“Oswald?” Tach said, confused. “Oswald who?”
“Lee Oswald, the guy who shot Kennedy. He got killed on TV this afternoon.”
“Kennedy’s dead?” Tachyon said. It was Kennedy who’d permitted his return to the United States, and Tach admired the Kennedys; they seemed almost Takisian. But assassination was part of leadership. “His brothers will avenge him,” he said. Then he recalled that they didn’t do things that way on Earth, and besides, this man Ruby had already avenged him, it seemed. How strange that he had dreamed of assassins.
“They got Ruby in jail,” Randall was saying. “If it was me, I’d give the fucker a medal.” He paused. “He shook my hand once,” he added. “When he was running against Nixon, he came through to give a speech at the Chaos Club. Afterward, when he was leaving, he was shaking hands with everybody.” The doorman took his right hand out of his pocket. It was hard and chitinous, insectile, and in the middle was a cluster of swollen blind eyes. “He didn’t even flinch,” Randall said. “Smiled and said he hoped I’d remember to vote.”
Tachyon had known Randall for a year, but he had never seen his hand before. He wanted to do what Kennedy had done, to grasp that twisted claw, embrace it, shake it. He tried to slide his hand out of the pocket of his coat, but the bile rose in the back of his throat, and somehow all he could do was look away, and say, “He was a good man.” Randall hid his hand again. “Go on inside, Tacky,” he said, not unkindly. “Angelface had to go and see a man, but she told Des to keep your table open.”
