by JA Huss
Katya Kalashova is some of the worst news I’ve ever had the pleasure of fucking. This girl is dragging a lot of baggage around behind her.
My hand is on my dick before I can think. I’m tugging on the button, then the zipper. One hand lifts up my shirt to bare my stomach while the other hand presses play on the video. I push record on the webcam as she resumes her erotic art. Her paintbrush is spelling out commands I already want to follow. Kiss me here, it spells. And here, it spells. And here.
My cock lengthens, hardens. I fist it, leaning back in the chair, closing my eyes so I can pretend she’s not onscreen, but right here in the room with me. I start breathing harder as I imagine her the way she was the last night we spent together. We were fucking at my place for most of it. I took her from behind, her face pushed up against the wall. Her tits bouncing, my balls smacking her with each thrust. That erotic sound of skin on skin that echoed up into the high ceilings of my construction-zone of a house.
I jerk myself a little faster, my hand slamming down to the base of my shaft, then rising again until my thumb peaks over the tip of my cock. Again, and again as I picture her that last night. Standing naked in the moonlight as I tried to convince myself. That my part in her life was over. That I would not miss her.
It was a lie. And that’s why she ended up with those tattoos.
I fucked her at Sick Boyz that night too. It was late—or early, depends how you think of the night. I had her in the chair. She was wearing a skirt and she was topless. I fucked her mouth, I fucked her pussy, I fucked her ass.
I fucked her like I would never fuck her again.
She left for the East Coast the next morning, Harvard, she said, and I felt sick about it. I felt sick about letting her go. I felt sick about the time we spent together. And I felt sick about how we met.
Why we met.
“Katya…” I moan, just before my release. “Why did you come back? I know it’s you,” I say. “Katya Kalashova. I really never thought I’d see you again.”
I laugh. Not because it’s funny. But because it’s so damn ironic. “Well, I can’t see you yet, can I? But you’re here for a reason.” I pause. “I will see you and if you try to leave town again, sneak away like a fucking coward…”
I stop talking and just concentrate on the image of her in my mind. On how I wish it was her hand jerking me off instead of mine. Hot, sticky semen spurts out of my cock and becomes a pool of thick, white come on my stomach.
“Uh…” a voice says from the stairwell. “Knock, knock, you fucking pervert. And who the hell is Katya? Don’t tell me, you finally got a girlfriend?”
I open my eyes, stare at the asshole who just interrupted the best fantasy jerk-off I’d had in years, and reach for one of the promotional Zombie Run t-shirts on my desk. I wipe myself off as he comes further into my office
“Well, well, well,” I say, tossing the shirt aside and putting my dick away. “Look who it is. What the fuck are you doing in my town, Mr. Corporate?”
Chapter Two - KATYA
From my top-floor apartment in the sleek new building in downtown Fort Collins I can see his whole world. His office, two buildings down from mine. The Fort Collins Theater, the tattoo shop, and the bike shop. I don’t usually get a look at so many of his family members all at once, so today is special.
I pull the sheer white curtains aside just an inch when he approaches the window—his posture telling me he has things on his mind—and my heart begins to gallop.
So tall. Six foot two, it says in his dossier. One hundred ninety-five pounds. But those two descriptors say nothing about his body. Not in any real sense. He is all muscle, always has been since I can remember. His blond hair is newly cut. Not shaved, not exactly. But very closely cropped. Like a cage fighter trying to limit the liability that comes with long locks.
I can’t see his eyes from here but I know they are blue. Not some romantic blue, not some tropical-island blue, not some sapphire blue. But gray-blue. Like the clouds off in the distance, hanging over the mountains as rain pours down in buckets.
I know he likes to wear jeans. Well-worn denim with holes and those little white strings. His everyday shirts always come with a message. Shrike Bikes or Hook-Me-Up or Sick Boyz, Inc. He likes long sleeves because he’s hiding what’s underneath. Even in the summer he wears thermals instead of t-shirts. His boots are always dark brown, the leather well-worn, scuffed and cracked. The classic engineer buckles are unseen under his pant leg, but just knowing they’re there makes him more manly.
He is high-end blue-collar on most days.
But when he dresses for an occasion—a meeting, a wedding, a night out—he has the whitest of collars. The most impeccably tailored bespoke suits—always requiring an extended trip to London to be fitted in person on Savile Row—that make his cut muscles disappear into straight lines and sharp edges that draw the eye down—or up, depending where you start—until you realize that this is not just a man wearing clothing… he’s a work of art.
If you are lucky enough to see him bare—and that really requires the kind of luck you only find hidden inside four-leaf clovers or right-side-up horseshoes—you realize what he is through and through.
Oliver Shrike. The Modern Gentleman.
My heart pounds faster inside my chest when he turns away from the window. I will wait here for many minutes to see if I can catch another glimpse. But no amount of seeing him from afar will suffice.
I need to make contact.
He doesn’t come back. He’s a busy man, after all. How many spare minutes does he have in his day to gaze out a window?
I turn away as well. Withdraw back into my apartment filled with custom-made furniture and the art I have created over the past four years. I take a seat on the couch, my legs off to the side, fluffing my long hair and striking my pose as I hold the remote control in my hand.
Click.
I take a picture.
I like to have a still to start things out. Maybe I can sell it later?
But then my thumb finds the right button on the remote and the red light flashes on the camera mounted on the tripod several feet away.
“Hello,” I say, looking into the lens. I start every video with a hello. It’s good manners to greet people when you first make contact. “It has been more than four years since I last saw you.”
I stop to lick my lips. Not to be seductive. He won’t see that gesture because I am framed only from waist to shoulders. But just because of the nervous feeling that overtakes me each time I do this.
“Yesterday was…” I stop to smile. “Surprising, tantalizing, and almost unbearable.”
I saw him up close yesterday. He was coming out of the coffee shop at the Fort Collins Theater, cardboard paper cup in hand, and he was whistling the way only country boys know how. Boys who had a lot of time on their hands growing up. Boys who spent their days outside trying to mimic birdsongs. Who skipped rocks across a river and picked weedy purple flowers for their mothers before they went home for dinner.
I wasn’t even following him. I was walking home after picking up some bread from Anna Amici’s, the little Italian restaurant and bakery down near Laurel Street. There was a crowd of people in my way, but once the image of Oliver Shrike is burned into your brain, it stays there. I picked him out of that crowd immediately. Maybe it was his white Shrike Bikes thermal, or the way his body moves when he walks—that long stride or the tipped-up chin—that alerted me.
But I like to think we have this connection. Some kind of string that binds us together. Signals or vibrations that are attuned to the Law of Attraction. Because he looked right at me. Saw though me, thank God, but right at me.
I stopped walking and a child bumped into me from behind, my sudden stillness catching him off guard. The world kept going, his face disappeared, reappeared briefly as he reached for the door to the old bank building, and then disappeared again as he went inside.
I sigh for the camera. “When will you see me for real aga
in?”
I say it with longing. And I do long for that day, which—God, my heart is beating so fast—could be today. But the possibility makes me so nervous.
He will have questions and he will want answers.
“Yesterday,” I say, forcing myself back on track, “I worked, as usual. And you’ll be happy to know that it was all legitimate business. A patron came to my online gallery and wanted the original self-portrait I did that last time we were together. Is that a good sign or a bad sign? I can’t decide. I only put it up for sale three days ago. No,” I say, smiling at him in the lens. “Don’t worry. I don’t need the money. That’s not why I did it. I just…” My words trail off. “I would just like a fresh start. And I’m tired of looking back, you know? So why keep it? I don’t display it. I mean, good God!” I laugh. “My walls do not need my naked body on them. And I didn’t keep it because of modesty, either. My face is hidden. I still do them that way, as you can see. Shoulders down, only. But out with the old, right? It’s all too much. It weighs me down.”
I look at the window again, knowing that one side of my body will be cast in shadow. Makes the whole thing more dramatic. My fingertips stroke circles around my nipples, then I pinch them, making them bunch up like hard, little spikes.
The wetness pools between my legs when I picture him watching this.
Stay focused, Kat. “So that was a good start. They paid in full. I spent most of the day packing it up properly. I sold the frame too. It’s an odd size, remember? So the frame is custom. They go together like marriage partners. And then I took it down to the post office.”
I stop to think of the war I waged inside my head as I stood in line for postage, insurance, and tracking. Should I pop in to the Fort Collins Theater and get dinner? Maybe bump into him again? Or one of his people? But no, I decided no. A chance encounter is not how I want our reunion to take place.
It needs to be tightly controlled.
“And then I went home and cooked linguini with shrimp for dinner.” I stare into the camera. “I wonder what you did. What does your day look like? Who do you talk to regularly?” A sudden stab of jealousy courses through my blood. All those people who get to hear his voice, see his face, be near him, if only to talk about receipts, or web security, or whatever.
They are all so much nearer than me.
My body slumps, just slightly. Shoulders rounded in defeat. Head down, hands clasped together in my lap. “I want to see you again,” I whisper.
And then I straighten up and look at the camera.
“Well, I guess I need to get to work. Maybe today will be the day?”
I click the button on the remote and the flashing red light disappears.
The phone in the kitchen rings. I smile, knowing who that is, and then unfold my legs and stand up, grabbing the robe draped over the chair and putting it on. I tie the sash as I walk to the kitchen and pick up the phone on the third ring, just before it hits voicemail.
“Hey,” I say into the receiver.
“Oh, my God. I’m so tired. I was up all night working on this stupid mid-term project. I have this huge presentation this afternoon and my partner was late for every single meeting we had. She’s so lazy. Why do I have to always get stuck with the unmotivated ones, Katya? Why do people even come to college if they don’t want to give a hundred percent? Coffee? I really need some.”
My sister makes me smile. She’s dramatic and serious. Brilliant and tenacious. And her life has been nothing like mine. “Sure,” I say. “Starbucks in the student center?”
A knock at my door makes me jump.
“I’m here.” She laughs. “We can go across the street to the theater coffee shop. We never get to go there.”
I think about that for a minute.
“Are you gonna let me in? Or will I have to stand out here until one of your uptight neighbors calls security?”
“Yes,” I say, snapping out of the panic. “One sec.”
I rush over to the door and pull it open. My sister is there, dark blonde hair spilling out from under a thick wool hat, her hands tucked inside her coat pockets, backpack over one shoulder.
I step aside to let her in and she rushes past me. “Come on, let’s go. They have that new cinnamon-flavor drink. Have you tried it yet?” She’s still talking into her phone for a few words before she remembers to end the call.
“I just got up,” I say, looking both ways in the hallway real fast before closing the door. “Can you give me twenty minutes?”
“Sis,” she whines. “I have class in thirty. We won’t have time.”
“Well, I wasn’t expecting you to show up here so early.”
“I know but I neeeeeed coffee. Just throw on jeans and a hoodie. You can come right back home in twenty minutes.” She tugs on my hand. “Come on. Come on, come on, come on.”
I want to gulp down the fear inside me at the thought of going into the theater coffee shop, but Lily is very in my face right now. “OK, just give me a sec.”
I rush off down the hallway and throw on some light-wash jeans, a gray blouse with a ruffled hem, and a belted pink jacket to pull me together.
My feet slip into a comfortable pair of gray felt clogs and I grab my purse off the nightstand as I make my way back into the living room.
Lily is standing over my camera tripod, looking very much like she’s trying to find the right button to play back the footage I just took.
“What are you doing?”
“Oh, my God,” she says, jumping back. “Sorry. It’s just you never show me any of your work. Did you just…” She looks at the camera. “You know…”
“Take pictures?” I say, walking over and removing the camera from the tripod and taking it into the kitchen so I can lock it inside the safe. “Yes. But if you think I’m showing you, you’re out of your mind.”
“I can see them all online, you know. I have seen them all online.”
“I know,” I say, shutting the safe. “But those are all finished. You know I don’t like to share the raw images.”
Lily stares at me for a long second. Like she’s seriously thinking things through. I can practically see her mind whirling. “If you got it, flaunt it,” she says. “Just embrace it, sis. I mean, how many women can say they make money with their bodies and it doesn’t involve sex?”
“I flaunt it quite enough, thank you,” I say, motioning her towards the door. “And there’s no way you’ll make your class if we stop at the theater for coffee. So I’ll walk you back on campus and we’ll grab one from the street vendor.”
“That’s no fun,” she says, slightly whiny. I open the door and we both walk through. “The whole point was cinnamon, Katya.”
“We’ll get cinnamon the next time you show up, providing that you have more time. You know the line over at the theater will be out the door at this time of day.”
I don’t really expect a fight from her. And I don’t get one. Lily is not too confrontational. Her opinions are as strong as anyone’s, but she’s rarely up for a fight. Especially when she knows I’m right.
So we twine our arms together and walk the three blocks down to campus, stopping at the corner of Laurel and College for a coffee.
“Did you hear about the zombie biker thing this weekend?” Lily asks, once we get our coffee and we’re headed towards her class in the Clark Building.
“Now why would I ever care about that?” I say, faking a smile as I take a sip of my drink.
“Oh, please. I know all about your sordid history, Katya.”
I almost choke. “What?”
“The tattoos?” She gives me a sideways glance from the corner of her eye. “Come on. You were into a guy like that once for sure. I never saw him, but I remember you sneaking out of the house after you thought I was asleep every time a motorcycle came near. And now that you’re back… well, why not hook up again? He’s still here, right?”
“No,” I say quickly. “I never had a biker boy. And no, that guy is not still here.
He graduated a long time ago and moved away, just like everyone else.”
“Bummer,” Lily says. “Well, this is me.” She motions to the Clark Building. “Wish me luck on that presentation. If that stupid Brittany messes me up, I will kick her ass.”
“You will not.” I laugh. “I can’t even picture that in my wildest dreams.”
“I won’t, but I’ll want to.” And then she turns, waving over her shoulder, and disappears into a crowd of college kids as they all climb the stairs and enter the building.
I finish my coffee as I walk back the way we came. I won’t be able to put her off the Fort Collins Theater for much longer. It’s a very popular place with the students. It’s a restaurant, coffee shop, and theater. They have live events every once in a while, but mostly it plays those artsy indie films that always end up with awards only pretentious people know about. And this week, it’s a haunted house for Halloween.
But I won’t have to confront that place today and that’s the only thing that matters.
I will be taking the alley back to my building, unwilling to chance another trip down College in full view of Oliver’s office window. I want to look up there so bad as I cross the street, but it’s windy, so I duck my head into it and keep on track, turning left into the alley that will hide me for three blocks.
When I get back into my apartment, I take my clothes off again, tie the silky tea-green robe around my body, and get the camera from the safe.
I don’t edit it. I wasn’t recording the audio and I know my face was not in the frame, so why bother. There’s really nothing on there but his words on my breasts.
It’s enough. It’s always been enough.
I open my laptop, pull up the website, Hook-Me-Up, and log in.
No messages flash from my little mailbox icon in the upper right corner, but that’s not surprising. My profile is private.
What does take me by surprise are the little red “like” hearts and the one-new-view alert on each of my three previously uploaded videos.
Someone watched them.
And they left me a video response in the closed comments.
