The Portable William Blake

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by Blake, William


  WILLIAM BLAKE.

  TO OZIAS HUMPHRY

  18 January, 1808.

  The design of The Last Judgment, which I have completed, by your recommendation, for the Countess of Egremont, it is necessary to give some account of; and its various parts ought to be described, for the accommodation of those who give it the honour of their attention.

  Christ seated on the Throne of Judgment: before His feet and around Him the Heavens, in clouds, are rolling like a scroll, ready to be consumed in the fires of Angels, who descend with the four trumpets sounding to the four winds.

  Beneath, the earth is convulsed with the labours of the Resurrection. In the caverns of the earth is the Dragon with seven heads and ten horns, chained by two Angels; and above his cavern, on the earth’s surface, is the Harlot, seized and bound by two Angels with chains, while her palaces are falling into ruins, and her counsellors and warriors are descending into the abyss, in wailing and despair.

  Hell opens beneath the Harlot’s seat on the left band, into which the wicked are descending.

  The right hand of the design is appropriated to the Resurrection of the Just; the left hand of the design is appropriated to the Resurrection and Fall of the Wicked.

  Immediately before the Throne of Christ are Adam and Eve, kneeling in humiliation, as representatives of the whole human race. Abraham and Moses kneel on each side beneath them; from the cloud on which Eve kneels, is seen Satan, wound round by the Serpent, and falling headlong; the Pharisees appear on the left hand, pleading their own Righteousness before the Throne of Christ and before the Book of Death, which is opened on clouds by two Angels; many groups of figures are falling from before the throne, and from the sea of fire which flows before the steps of the throne, on which are seen the seven Lamps of the Almighty, burning before the throne. Many figures, chained and bound together, and in various attitudes of despair and horror, fall through the air, and some are scourged by Spirits with flames of fire into the abyss of Hell which opens beneath, on the left hand of the Harlot’s seat; where others are howling and descending into the flames, and in the act of dragging each other into Hell, and of contending and fighting with each other on the brink of perdition.

  Before the Throne of Christ on the right hand, the Just, in humiliation and in exultation, rise through the air with their children and families, some of whom are bowing before the Book of Life, which, is opened on clouds by two Angels; many groups arise in exultation; among them is a figure crowned with stars, and the moon beneath her feet, with six infants around her—she represents the Christian Church. Green hills appear beneath with the graves of the blessed, which are seen bursting with their births of immortality; parents and children, wives and husbands, embrace and arise together, and in exulting attitudes tell each other that the New Jerusalem is ready to descend upon earth; they arise upon the air rejoicing; others, newly awaked from the grave, stand upon the earth embracing and shouting to the Lamb, who cometh in the clouds with power and great glory.

  The whole upper part of the design is a view of Heaven opened, around the Throne of Christ. In the clouds, which roll away, are the four living creatures filled with eyes, attended by seven Angels with seven vials of the wrath of Cod, and above these, seven Angels with the seven trumpets; these compose the cloud which, by its rolling away, displays the opening seats of the Blessed; on the right and the left of which are seen the four-and-twenty Elders seated on thrones to judge the Dead.

  Behind the seat and Throne of Christ appear the Tabernacle with its veil opened, the Candlestick on the right, the Table with Shewbread on the left, and, in the midst, the Cross in place of the Ark, the Cherubim bowing over it.

  On the right hand of the Throne of Christ is Baptism, on His left is the Lord’s Supper—the two introducers into Eternal Life. Women with infants approach the figure of an Apostle, which represents Baptism; and on the left hand the Lord’s Supper is administered by Angels, from the hands of another aged Apostle; these kneel on each side of the throne, which is surrounded by a glory: in the glory many infants appear, representing Eternal Creation flowing from the Divine Humanity in Jesus, who opens the Scroll of Judgment, upon His knees, before the Living and the Dead.

  Such is the Design which you, my dear Sir, have been the cause of my producing, and which, but for you, might have slept till the Last Judgment.

  WILLIAM BLAKE.

  TO GEORGE CUMBERLAND

  19 Decr., 1808.

  DEAR CUMBERLAND,

  I am very much obliged by your kind ardour in my cause, & should immediately Engage in reviewing my former pursuits of painting if I had not so long been turned out of the old channel into a new one, that it is impossible for me to return to it without destroying my present course. New Vanities, or rather new pleasures, occupy my thoughts. New profits seem to arise before me so tempting that I have already involved myself in engagements that preclude all possibility of promising anything. I have, however, the satisfaction to inform you that I have Myself begun to print an account of my various Inventions in Art, for which I have procured a Publisher, & am determin’d to pursue the plan of publishing what I may get printed without disarranging my time, which in future must alone be devoted to Designing & Painting. When I have got my work printed I will send it you first of any body; in the mean time, believe me to be

  Your sincere friend,

  WILL BLAKE.

  TO OZIAS HUMPHRY

  [1809]

  DEAR SIR,

  You will see in this little work the cause of difference between you & me. You demand of me to Mix two things that Reynolds has confess’d cannot be mixed. You will perceive that I not only detest False Art, but have the Courage to say so Publickly & to dare all the Power on Earth to oppose—Florentine & Venetian Art cannot exist together. Till the Venetian & Flemish are destroy’d, the Florentine & Roman cannot Exist; this will be shortly accomplish’d; till then I remain your Grateful, altho’ Seemingly otherwise, I say your Grateful & Sincere

  WILLIAM BLAKE.

  I inclose a ticket of admission if you should honour my Exhibition with a Visit.

  TO DAWSON TURNER

  17 South Molton Street,

  9 June, 1818.

  Sm,

  I send you a List of the different Works you have done me the honour to enquire after—unprofitable enough to me, tho’ Expensive to the Buyer. Those I Printed for Mr. Humphry are a selection from the different Books of such as could be Printed without the Writing, tho’ to the Loss of some of the best things. For they, when Printed perfect, accompany Poetical Personifications & Acts, without which Poems they never could have been Executed.

  These last 12 Prints are unaccompanied by any writing.

  The few I have Printed & Sold are sufficient to have gained me great reputation as an Artist, which was the chief thing Intended. But I have never been able to produce a Sufficient number for a general Sale by means of a regular Publisher. It is therefore necessary to me that any Person wishing to have any or all of them should send me their Order to Print them on the above terms, & I will take care that they shall be done at least as well as any I have yet Produced.

  I am, Sir, with many thanks for your very Polite approbation of my works,

  Your most obedient Servant,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  Feby. 1, 1826.

  DEAR SIR,

  I am forced to write, because I cannot come to you, & this on two accounts. First, I omitted to desire you would come & take a Mutton chop with us the day you go to Cheltenham, & I will go with you to the Coach; also, I will go to Hampstead to see Mrs. Linnell on Sunday, but will return before dinner (I mean if you set off before that), & Second, I wish to have a Copy of Job to shew to Mr. Chantry.

  For I am again laid up by a cold in my stomach; the Hampstead Air, as it always did, so I fear it always will do this, Except it be the Morning air; & That, in my Cousin’s time, I found I could bear with safety & perhaps benefit. I believe my Constitution to b
e a good one, but it has many peculiarities that no one but myself can know. When I was young, Hampstead, Highgate, Homsea, Muswell Hill, & even Islington & all places North of London, always laid me up the day after, & sometimes two or three days, with precisely the same Complaint & the same torment of the Stomach, Easily removed, but excruciating while it lasts & enfeebling for some time after. Sr. Francis Bacon would say, it is want of discipline in Mountainous Places. Sr. Francis Bacon is a Liar. No discipline will turn one Man into another, even in the least particle, & such discipline I call Presumption & Folly. I have tried it too much not to know this, & am very sorry for all such who may be led to such ostentatious Exertion against their Eternal Existence itself, because it is Mental Rebellion against the Holy Spirit, & fit only for a Soldier of Satan to perform.

  Though I hope in a morning or two to call on you in Cirencester Place, I feared you might be gone, or I might be too ill to let you know how I am, & what I wish.

  I am, dear Sir,

  Yours sincerely,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  Tuesday Night [P 1826].

  DEAR SIR,

  I return you thanks for The Two Pounds you now send me. As to Sr. T. Lawrence, I have not heard from him as yet, & hope that he has a good opinion of my willingness to appear grateful, tho’ not able, on account of this abominable Ague, or whatever it is. I am in Bed & at work; my health I cannot speak of, for if it was not for the Cold weather I think I should soon get about again. Great Men die equally with the little. I am sorry for Ld. Ls.; he is a man of very singular abilities, as also for the D. of C.; but perhaps, & I verily believe it, Every death is an improvement of the State of the Departed. I can draw as well a-Bed as Up, & perhaps better; but I cannot Engrave. I am going on with Dante, & please myself.

  I am, dr. Sir, yours sincerely,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  Friday Evening. May 19, 1826.

  DEAR SIR,

  I have had another desperate shivering Fit; it came on yesterday afternoon after as good a morning as I ever experienced. It began by a gnawing Pain in the Stomach, & soon spread a deathly feel all over the limbs, which brings on the shivering fit, when I am forced to go to bed, where I contrive to get into a little perspiration, which takes it quite away. It was night when it left me, so I did not get up, but just as I was going to rise this morning, the shivering fit attacked me again & the pain, with its accompanying deathly feel. I got again into a perspiration, & was well, but so much weaken’d that I am still in bed. This entirely prevents me from the pleasure of seeing you on Sunday at Hampstead, as I fear the attack again when I am away from home.

  I am, dr. Sir,

  Yours sincerely,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  5 July, 1826.

  DEAR SIR,

  I thank you for the Receit of Five Pounds this Morning, & Congratulate you on the receit of another fine Boy; am glad to hear of Mrs. Linnell’s health & safety.

  I am getting better every hour; my Plan is diet only; & if the Machine is capable of it, shall make an old man yet. I go on just as if perfectly well, which indeed I am, except in those paroxysms which I now believe will never more return. Pray let your own health & convenience put all solicitude concerning me at rest. You have a Family, I have none; there is no comparison between our necessary avocations.

  Believe me to be, dr. Sir,

  Yours sincerely,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  February, 1827.

  DEAR SIR,

  I thank you for the five pounds received to-day. Am getting better every morning, but slowly, as I am still feeble and tottering, though all the symptoms of my complaint seem almost gone. The fine weather is very beneficial and comfortable to me. I go on, as I think, improving my engravings of Dante more and more, and shall soon get proofs of these four which I have, and beg the favour of you to send me the two plates of Dante which you have, that I may finish them sufficiently to make show of colour and strength.

  I have thought and thought of the removal. I cannot get my mind out of a state of terrible fear at such a step. The more I think, the more I feel terror at what I wished at first and thought a thing of benefit and good hope. You will attribute it to its right cause—intellectual peculiarity, that must be myself alone shut up in myself, or reduced to nothing. I could tell you of visions and dreams upon the subject. I have asked and entreated Divine help, but fear continues upon me, and I must relinquish the step that I had wished to take, and still wish, but in vain.

  Your success in your profession is, above all things to me, most gratifying. May it go on to the perfection you wish, and more. So wishes also

  Yours sincerely,

  WILLIAM BLAKE.

  TO GEORGE CUMBERLAND

  N 3, FOUNTAIN COURT, STRAND.

  12 April, 1827.

  I have been very near the gates of death, and have returned very weak and an old man, feeble and tottering, but not in spirit and life, not in the real man, the imagination, which liveth for ever. In that I am stronger and stronger, as this foolish body decays. I thank you for the pains you have taken with poor Job. I know too well that the great majority of Englishmen are fond of the indefinite, which they measure by Newton’s doctrine of the fluxions of an atom, a thing which does not exist. These are politicians, and think that Republican art is inimical to their atom, for a line or a lineament is not formed by chance. A line is a line in its minutest subdivisions, straight Or crooked. It is itself, not intermeasurable by anything else. Such is Job. But since the French Revolution Englishmen are all intermeasurable by one another: certainly a happy state of agreement, in which I for one do not agree. God keep you and me from the divinity of yes and no too—the yea, nay, creeping Jesus—from supposing up and down to be the same thing, as all experimentalists must suppose.

  You are desirous, I know, to dispose of some of my works, but having none remaining of all I have printed, I cannot print more except at a great loss. I am now painting a set of the Songs of Innocence and Experience for a friend at ten guineas. The last work I produced is a poem entitled Jerusalem, the Emanation of the Giant Albion, but find that to print it will cost my time the amount of Twenty Guineas. One I have Finish’d. It contains 100 Plates, but it is not likely I shall get a Customer for it.

  As you wish me to send you a list with the Prices of these things, they are as follows:

  The Little Card I will do as soon as Possible, but when you Consider that I have been reduced to a Skeleton, from which I am slowly recovering, you will, I hope, have Patience with me.

  Flaxman is Gone, & we must All soon follow, every one to his Own Eternal House, Leaving the delusive Goddess Nature & her Laws, to get into Freedom from all Law of the Members, into The Mind, in which every one is King & Priest in his own House. God send it so on Earth, as it is in Heaven.

  I am, dear Sir, Yours affectionately,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  25 April, 1827.

  DEAR SIR,

  I am going on better Every day, as I think, both in health & in work. I thank you for The Ten Pounds which I recieved from you this day, which shall be put to the best use; as also for the prospect of Mr. Ottley’s advantageous acquaintance. I go on without daring to count on Futurity, which I cannot do without doubt & Fear that ruins Activity, & are the greatest hurt to an artist such as I am. As to Ugolino, &c., I never supposed that I should sell them; my Wife alone is answerable for their having Existed in any finish’d State. I am too much attach’d to Dante to think much of anything else. I have Proved the Six Plates, & reduced the Fighting devils ready for the Copper. I count myself sufficiently Paid If I live as I now do, & only fear that I may be Unlucky to my friends, & especially that I may not be so to you.

  I am, sincerely yours,

  WILLIAM BLAKE.

  TO JOHN LINNELL

  3 July, 1827.

  DEAR SIR,r />
  I thank you for the Ten Pounds you are so kind as to send me at this time. My journey to Hampstead on Sunday brought on a relapse which is lasted till now. I find I am not so well as I thought. I must not go on in a youthful Style; however, I am upon the mending hand to-day, & hope soon to look as I did; for I have been yellow, accompanied by all the old Symptoms.

  I am, dear Sir,

  Yours sincerely,

  WILLIAM BLAKE.

  VI.

  THE PROPHETIC BOOKS

  THE MARRIAGE OF HEAVEN AND HELL

  (1793)

  THE ARGUMENT

  Rintrah roars & shakes his fires in the burden’d air; Hungry clouds swag on the deep.

  Once meek, and in a perilous path,

  THe just man kept his course along

  The vale of death.

  Roses are planted where thorns grow,

  And on the barren heath

  Sing the honey bees.

  Then the perilous path was planted,

  And a river and a spring

  On every cliff and tomb,

  And on the bleached bones

  Red clay brought forth;

  Till the villain left the paths of ease,

  To walk in perilous paths, and drive

  The just man into barren climes.

  Now the sneaking serpent walks

  In mild humility,

 

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