21.2 Miniature of Allegra, unknown artist. Courtesy of the John Murray Collection.
23.1 William Shelley, 1819 (oil), by Amelia Curran. The Carl H. Pforzheimer Collection of Shelley and His Circle, the New York Public Library, Astor, Lenox and Tilden Foundations.
26.1 Putney Bridge and Village from Fulham, c. 1750 (oil on canvas), anonymous. HIP/Art Resource, New York.
27.1 Margaret King, Lady Mountcashell (physionotrace) by Edme Quenedy, c. 1801. The Carl H. Pforzheimer Collection of Shelley and His Circle, the New York Public Library, Astor, Lenox and Tilden Foundations.
29.1 Edward Ellerker Williams notebook. Prell Collection of Edward J. Trelawny, Special Collections, Claremont Colleges Library, Claremont, CA.
29.2 Portrait of Jane Williams by George Clint, 1822. Bodleian Library, University of Oxford.
31.1 Edward Trelawny, photogravure by Annan & Swan, from a portrait by Joseph Severn. Florence A. Thomas Marshall, The Life and Letters of Mary Wollstonecraft Shelley, vol. 2 (London, 1889), http://www.gutenberg.org/files/37956/37956-h/37956-h.htm.
33.1 Casa Magni. Edward Trelawny, Records of Byron, Shelley, and the Author, vol. 1 (New York: Benjamin Blom, 1878), p. 144.
33.2 Shelley’s sketches of boats. Bodleian Library, University of Oxford. Shelley adds. E. 18, p. 106.
33.3 Self-portrait by Edward Ellerker Williams (1793–1822). Private collection/Bridgeman Images.
33.4 The Funeral of Shelley, 1889 (oil on canvas), by Louis Edouard Paul Fournier (b. 1857). © Walker Art Gallery, National Museums Liverpool/Bridgeman Images.
34.1 The diary of William Godwin. Bodleian Library, University of Oxford. See also Victoria Myers, David O’Shaughnessy, and Mark Philp, eds., William Godwin’s Diary: Reconstructing a Social and Political Culture 1788–1836 (Oxford: Oxford Digital Library, 2010), http://godwindiary.bodleian.ox.ac.uk/index2.html.
34.2 Old St. Pancras church, London (engraving), by George Cooke (1793–1849). Private collection/© Look and Learn/Peter Jackson Collection/Bridgeman Images.
35.1 Mary Shelley (watercolor on ivory laid on card), by Reginald Easton, sometime between 1851 and 1893. Bodleian Library, University of Oxford, Shelley relics (d).
39.1 Portrait of Mary Shelley by Richard Rothwell. National Portrait Gallery, London, photo © Tarker/Bridgeman Images.
39.2 Shelley’s grave. Courtesy of Brooks Richon.
40.1 Mary Wollstonecraft’s grave. Courtesy of Brooks Richon.
BY CHARLOTTE GORDON
Mistress Bradstreet: The Untold Life of America’s First Poet
The Woman Who Named God: Abraham’s Dilemma and the Birth of Three Faiths
Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
ABOUT THE AUTHOR
CHARLOTTE GORDON is the author of Mistress Bradstreet: The Untold Life of America’s First Poet and The Woman Who Named God: Abraham’s Dilemma and the Birth of Three Faiths. She has also published two books of poetry, When the Grateful Dead Came to St. Louis and Two Girls on a Raft. She is an associate professor of English at Endicott College and lives in Gloucester, Massachusetts.
charlottegordonbooks.com
@Chargordbooks
Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley Page 72
