He smiled without humor. “My insights are your insights,” he said. “You don’t need me.”
“But I’d like your company… After all, this may be your future. Don’t you think you’ll be better off if you stir yourself a bit?
His eyes were deep, and I thought I recognized that longing for home which was so strong in me. “Not today. There will be time… perhaps tomorrow.” He nodded to me. “Be careful.”
I could think of no more to say — not then.
I let Filby lead me to the hall. The man waiting for me at the open front door was tall and ungainly, with a shock of rough, graying hair. A trooper stood in the street behind him.
When the tall chap saw me, he stepped forward with a boyish clumsiness incongruous in such a big man. He addressed me by name, and pumped my hand; he had strong, rather battered hands, and I realized that this was a practical experimenter — perhaps a man after my own heart! “I’m glad to meet you so glad,” he said. “I work on assignment to the DChronW that’s the Directorate of Chronic-Displacement Warfare, of the Air Ministry.” His nose was straight, his features thin, and his gaze, behind wire-rimmed spectacles, was frank. He was clearly a civilian, for, beneath the universal epaulets and gas-mask cache, he wore a plain, rather dowdy suit, with a striped tie and yellowing shirt beneath. He had a numbered badge on his lapel. He was perhaps fifty years old.
“I’m pleased,” I said. “Although I fear your face isn’t familiar…”
“Why on earth should it be? I was just eight years old when your prototype CDV departed for the future… I apologize! — that’s ’Chronic Displacement Vehicle.’ You may get the hang of all these acronyms of ours — or perhaps not! I never have; and they say Lord Beaverbrook himself struggles to remember all the Directorates under his Ministry.
“I’m not well-known — not nearly so famous as you! Until a while ago, I worked as nothing more grand than Assistant Chief Designer for the Vickers-Armstrong Company, in the Weybridge Bunker. When my proposals on Time Warfare began to get some notice, I was seconded to the headquarters of the DChronW, here at Imperial. Look,” he said seriously, “I really am so glad you’re here — it’s a remarkable chance that brought you. I believe that we — you and I — could forge a partnership that might change History — that might resolve this damned War forever!”
I could not help but shudder, for I had had my fill of changing History already. And this talk of Time Warfare — the thought of my machine, which had already done so much damage, deployed deliberately for destruction! The idea filled me with a deep dread, and I was unsure how to proceed.
“Now — where shall we talk?” he asked. “Would you like to retire to my room at Imperial? I have some papers which—”
“Later,” I said. “Look — this may seem odd to you — but I’m still newly arrived here, and I’d appreciate seeing a little more of your world. Is that possible?”
He brightened. “Of course! We can have our talk on the way.” He glanced over his shoulder at the soldier, who nodded his permission.
“Thank you,” I said, “Mr.—”
“Actually, it’s Dr. Wallis,” he said. “Barnes Wallis.”
[6]
Hyde Park
Imperial College, it turned out, was situated in South Kensington — it was a few minutes’ walk from Queen’s Gate Terrace. The College had been founded a little after my time, in 1907, from three principal constituent colleges, with which I was familiar: they were the Royal College of Chemistry, the Royal School of Mines and the City and Guilds College. As it happened, in my younger days I had done a little teaching at the Normal School of Science, which had also been absorbed into Imperial; and, emerging now into South Kensington, I was reminded of how I had made the most of my time in London, with many visits to the delights of such establishments as the Empire, Leicester Square. At any rate, I had got to know the area well — but what a transformation I found now!
We walked out through Queen’s Gate Terrace towards the College, and then turned up Queen’s Gate to Kensington Gore, at the southern edge of Hyde Park. We were escorted by a half-dozen soldiers — quite discreet, for they moved about us in a rough circle — but I wondered at the size of the force that might be brought down on us if anything went awry. It did not take long before the sticky heat started to sap my strength — it was like being in a large, hot building — and I took off my jacket and loosened my tie. On Wallis’s advice, I clipped my heavy epaulets to my shirt, and reattached my gas-mask bag to my trouser-belt.
The streets were much transformed, and it struck me that not all the changes between my day and this had been for ill. The banishment of the insanitary horse, the smoke of domestic fires and the fumes of the motorcar — all for reasons of the quality of the air under the Dome — had resulted in a certain freshness about the place. In the major avenues, the roadway was surfaced over by a new, more resilient, glassy material, kept clean by a chain of workmen who pushed about trolley-carts fixed with brushes and sprinklers. The roads were crowded with bicycles, rickshaws and electrical trams, guided by wires which hissed and sparked blue flashes in the gloom; but there were new ways for pedestrians, called the Rows, which ran along the front of the houses at the height of the first storey — and on the second or even third storeys in some places. Bridges, light and airy, ran across the roads to join up these Rows at frequent intervals, giving London — even in this Stygian darkness — something of an Italian look.
Moses later saw a little more of the life of the city than I did, and he reported bustling shops in the West End — despite the privations of the War — and new theaters around Leicester Square, with frontages of reinforced porcelain, and the whole glowing with reflections and illuminated advertisements. But the plays performed were of a dull, educational or improving variety, Moses complained, with two theaters given over to nothing but a perpetual cycle of Shakespeare’s plays.
Wallis and I came past the Royal Albert Hall, which I have always regarded as a monstrosity — a pink hatbox! In the obscurity of the Dome, this pile was picked out by a row of brilliant light beams (projected by Aldis lamps, Wallis said), which made that memorable heap seem still more grotesque, as it sat and shone complacently. Then we cut into the Park at the Alexandra Gate, walked back to the Albert Memorial, and set off along the Lancaster Walk to the north. Ahead of us I could see the flickering of the Babble Machine beams against the Roof, and hear the distant boom of amplified voices.
Wallis kept up a descriptive chatter as we walked. He was good enough company, and I began to realize that he was indeed the sort of man who — in a different History — I might have called a friend.
I remembered Hyde Park as a civilized place: attractive and calm, with its wide walkways and its scattering of trees. Some of the features I had known were still there — I recognized the copper-green cupola of the Bandstand, where I could hear a choir of Welsh miners singing hymns in gusty unison — but this version of the Park was a place of shadows, broken by islands of illumination around lamp-standards. The grass was gone — dead, no doubt, as soon as the sun was occluded — and much of the bare earth had been covered with sheets of timber. I asked Wallis why the Park had not simply been given over to concrete; he gave me to understand that Londoners liked to believe that one day the ugly Dome over their city could safely be demolished, and their home restored to the beauty it had once known — Parks and all.
One part of the Park, near the Bandstand, had been given over to a sort of shanty-town. There were tents, hundreds of them, clustered around crude concrete buildings which turned out to be communal kitchens and bath-houses. Adults, children and dogs picked across the dry, hard-trodden ground between the tents, making their way through the endless, dull processes of living.
“Poor old London has soaked up a lot of refugees in recent years,” Wallis explained. “The population density is so much higher than it was… and yet there’s useful work for them all. They do suffer in those tents, though — and yet there’s n
owhere else to keep them.”
Now we cut off Lancaster Walk and approached the Round Pond at the heart of the Park. This had once been an attractive, uncluttered feature, offering a fine view of Kensington Palace. The Pond was still there, but fenced off; Wallis told me it served as a reservoir to serve the needs of the increased populace. And of the Palace there was only a shell, evidently bombed-out and abandoned.
We stopped at a stand, and were served rather warm lemonade. The crowds milled about, some on bicycles. There was a game of football going on in one corner, with gas-masks piled up to serve as posts; I even heard speckles of laughter. Wallis told me that people would still turn out to the Speakers’ Corner, to hear the Salvation Army, the National Secular Society, the Catholic Evidence Guild, the Anti-Fifth Column League (who waged a campaign against spies, traitors and anyone who might give comfort to the enemy), and so forth.
This was the happiest I had seen people in this benighted time; save for the universal epaulets and masks — and the deadness of the ground beneath, and that awful, looming Roof over all our heads — this might have been a Bank Holiday crowd from any age, and I was struck again by the resilience of the human spirit.
[7]
The Babble Machine
To the north of the Round Pond rows of dingy canvas deck-chairs had been set out, for the use of those wishing to view the news projected on the roof above us. The chairs were mostly occupied; Wallis paid an attendant — the coins were metal tokens, much smaller than the currency of my day — and we settled in two seats with our heads tipped back.
Our silent soldier-attendants moved into place around us, watching us and the crowd.
Dusty fingers of light reached up from Aldis lamps situated (Wallis said) in Portland Place, and splashed gray and white tones across the roof. Amplified voices and music washed down over the passive crowd. The Roof had been white-washed hereabouts and so the kinematographic images were quite sharp. The first sequence showed a thin, rather wild-looking man shaking hands with another, and then posing beside what looked like a pile of bricks; the voices were not quite lined up with the movements of the mouths, but the music was stirring, and the general effect was easy to follow.
Wallis leaned over to me. “We’re in luck! — it is a feature on Imperial College. That’s Kurt Gödel — a young scientist from Austria. You may meet him. We managed to retrieve Gödel recently from the Reich; apparently he wished to defect because he has some crazy notion that the Kaiser is dead, and has been replaced by an impostor… Rather an odd chap, between you and me, but a great mind.”
“Gödel?” I felt a flicker of interest. “The chap behind the Incompleteness of Mathematics, and all of that?”
“Why, yes.” He looked at me curiously. “How do you know about that? — It’s after your time. Well,” he said, “it’s not his achievements in mathematical philosophy we want him for. We’ve put him in touch with Einstein in Princeton” — I forbore to ask who this Einstein was — “and he’s going to start up on a line of research he was pursuing in the Reich. It’ll be another way into time travel for us, we hope. It was quite a coup — I imagine the Kaiser’s boys are furious with each other…”
“And the brick construction beside him? What’s that?”
“Oh, an experiment.” He glanced around with caution. “I shouldn’t say too much — it’s only on the Babble for a bit of show. It’s all to do with atomic fission… I can explain later, if you’re interested. Gödel is particularly keen, apparently, to run experiments with it; in fact I believe we’ve started some tests for him already.”
We were presented, now, with a picture of a troop of rather elderly-looking men in ill-fitting battle-dress, grinning towards the camera. One of them was picked out, a thin, intense-looking chap. Wallis said, “The Home Guard… men and women out of serviceable age, who nevertheless do a bit of soldiering, in case the Invasion of England ever comes. That’s Orwell — George Orwell. A bit of a writer — don’t suppose you know him.”
The news seemed to be finished for now, and a new entertainment blossomed over our heads. This turned out to be a cartoon — a kind of animated drawing, with a lively musical backing. It featured a character called Desperate Dan, I gathered, who lived in a crudely-drawn Texas. After eating a huge cow pie, this Dan tried to knit himself a jumper of wires, using telegraph poles as needles. Inadvertently he created a chain; and when he threw it away in the sea, it sank. Dan fished the chain out and found that he had snagged no less than three German undersea Juggernauts. A naval gentleman, observing this, gave Dan a reward of fifty pounds… and so forth.
I had supposed this entertainment to be fit only for children, but I saw that adults laughed at it readily enough. I found it all rather crude and coarsely imagined propaganda, and I decided that the common slang epithet of “Babble Machine” suited this kinematographic show rather well.
After this entertainment we were treated to some more snippets of news. I saw a burning city — it might have been Glasgow, or Liverpool — where a glow filled the night sky, and the flames were gigantic. Then there were pictures of children being evacuated from a collapsed Dome in the Midlands. They looked like typical town children to me, grinning into the camera, with their outsize boots and dirty skin-waifs, quite helpless in the tide of this War.
Now we entered a section of the show entitled, according to a caption, “Postscript.” First there was a portrait of the King; he was, disconcertingly for me, a skinny chap called Egbert, who turned out to be a remote relation of the old Queen I remembered. This Egbert was one of the few members of the family to have survived audacious German raids in the early days of the War. Meanwhile a plum-voiced actor read us a poem:
“…All shall be well and/ All manner of thing shall be well/ When the tongues of flame are in folded/ Into the crowned knot office/ And the fire and the rose are one…”
And so on! As far as I could make out the piece was representing the effects of this War as a kind of Purgatory, which in the end would cleanse the souls of Humanity. Once I might have agreed with this argument, I reflected; but after my time in the Sphere’s Interior, I think I had come to regard War as no more or less than a dark excrescence, a flaw of the human soul; and any justification for it was just that justification, after the fact of it.
I gathered Wallis didn’t make much of this sort of stuff. He shrugged his shoulders. “Eliot,” he said, as if that explained it all.
Now there came an image of a man: a rather careworn, jowly old fellow with an unruly moustache, tired eyes, ugly ears and a fierce, frustrated sort of manner. He sat with his pipe in his hand, by a fire-place — the pipe was rather obviously unlit — and he began to proclaim in a frail voice a kind of commentary on the day’s events. I thought the chap looked familiar, but at first I couldn’t place him. He wasn’t much impressed by the efforts of the Reich, it seemed — “That vast machine of theirs can’t create a glimmer of that poetry of action which distinguishes War from Mass Murder. It’s a machine — and therefore has no soul.”
He evoked us all to still sterner efforts. He worked the myths of the English countryside — “the round green hills dissolving into the hazy blue of the sky” — and asked us to imagine that English scene torn apart — “to reveal the old Flanders Front, trenches and bomb craters, ruined towns, a scarred countryside, a sky belching death, and the faces of murdered children” — all this last pronounced with something of an apocalyptic glee, I thought.
In a burst of realization, I remembered him. It was my old friend the Writer, withered into an old man! “Why, isn’t that Mr.—?” I said, naming him.
“Yes,” he said. “Did you know him? I suppose you could have… Of course you did! For he wrote up that popular account of your travels in time. It was serialized in The New Review, as I recall; and then put out as a book. That was quite a turning point for me, you know, to come across that… Poor chap’s getting on now, of course — I don’t think he was ever all that healthy — and his fiction isn�
��t what it was, in my view.”
“No?”
“Too much lecturing and not enough action — you know the type! Still, his works of popular science and history have been well received. He’s a good friend of Churchill — I mean the First Lord of the Admiralty — and I suspect your pal has had a great deal of influence on official thinking on the shape of things to come, after the War is done. You know — when we reach the ’Uplands of the Future.’ “ Wallis said, quoting some other speech of my former friend’s. “He’s working on a Declaration of Human Rights, or some such, to which we all must adhere after the War — you know the sort of dreamy affair. But he’s not so effective a speaker. Priestley’s my favorite of that type.”
We listened to the Writer’s perorations for several minutes. For my part, I was gladdened that my old friend had survived the vicissitudes of this grisly history, and had even found a meaningful role for himself — but I was helplessly saddened to see what time had done to the eager young man I had known! As when I had met Filby, I felt a stab of pity for the anonymous multitudes around me, embedded in slow-oozing time and doomed to inexorable decay. And it was a ghastly irony, I thought, that a man with such strong faith in the perfectibility of man should find the greater part of his lifetime dominated by the greatest War in history.
“Come on,” Wallis said briskly. “Let’s walk some more. The shows here repeat themselves pretty quickly anyway…”
Wallis told me more of his background. In the Weybridge Bunker, working for the Vickers-Armstrong Company, he had become a designer of aeronautical devices of some reputation — he was known as a “wizard boffin,” in his words.
The Time Ships Page 21
