by Achy Obejas
Because the smokehouse was isolated in order to realize its function, and its clientele fairly specialized—we sold gourmet meat (including bison, ostrich, and alligator) mostly by phone and online, though our best seller was summer sausage, as common in central Indiana as Oscar Mayer—there wasn’t much foot traffic in and out of the store and I actually spent a great deal of time alone. After I’d processed the orders, packed the UPS boxes, replenished and rearranged the display cases, made coffee, and added some chips to the smoker, there wasn’t much for me to do but sit there, trying to study while avoiding giving too much importance to the noises outside that suggested furtive steps in the yard, or shadows that looked like bodies bent to hide below the windowsill, just waiting for me to lift the frame and expose my neck for strangulation.
* * *
One evening, I came home to find Kimberle with my Santoku knife in hand, little pyramids of chopped onions, green pepper, and slimy octopus arms with their puckering cups arranged on the counter. Brian Eno reached up from the floor, her calico belly and paws extended toward the heaven promised above.
“Dinner,” Kimberle announced as soon as I stepped in, lighting a flame under the wok.
I kicked off my boots, stripped my scarf from around my neck, and let my coat slide from my body, all along yakking about the psychopath and his apparent disinterest this year.
“Maybe he finally died,” offered Kimberle.
“Yeah, that’s what I thought when we were about fifteen, ’cause it took until January that year, remember? But then I realized it’s gotta be more than one guy.”
“You think he’s got accomplices?” Kimberle asked, a tendril of smoke rising from the wok.
“Or copycats,” I said. “I’m into the copycat theory.”
That’s about when I noticed Sapphire angling in an unfamiliar fashion on the bookshelf. Woolf’s Orlando was no longer beside it. Had I considered what my reaction would have been any other time, I might have said rage. But seeing the jaunty leaning that suddenly gave the shelves a deliberately decorated look, I felt like I’d been hit in the stomach. I was still catching my breath when I turned around. The Santoku had left Kimberle’s right hand, embedding its blade upright on the knuckles of her left. Blood seeped sparingly from between her fingers but collected quickly around the octopus pile, which now looked wounded and alive.
I took Kimberle to the county hospital, where they stitched the flaps of skin back together. Her hand, now bright and swollen like an aposematic amphibian, rested on the dashboard all the way home. We drove back in silence, her eyes closed, head inclined and threatening to hit the windshield.
In the kitchen, the onion and green pepper pyramids were intact on the counter but the octopus had vanished. Smudged paw tracks led out Brian Eno’s usual route through the living room window. Kimberle stood unsteadily under the light, her face shadowed. I sat down on the futon.
“What happened to Native Son and Orlando?” I asked.
She shrugged.
“Did you take them?”
She spun slowly on the heel of her boot, dragging her other foot around in a circle.
“Kimberle . . .”
“I hurt,” she said, “I really hurt.” Her skin was a bluish red as she threw herself on my lap and bawled.
* * *
A week later, Native Son and Orlando were still missing but Kimberle and I hadn’t been able to talk about it. Our schedules failed to coincide and my mother, widowed and alone on the other side of town (confused but tolerant of my decision to live away from her), had gone to visit relatives in Miami, leaving me to deal with her cat, Brian Eno’s brother, a daring aerialist she’d named Alfredo Codona, after the Mexican trapeze artist who’d killed himself and his ex-wife. This complicated my life a bit more than usual, and I found myself drained after dealing with the temporarily housebound Alfredo, whose pent-up frustrations tended to result in toppled chairs, broken picture frames, and a scattering of magazines and knickknacks. It felt like I had to piece my mother’s place back together every single night she was gone.
One time, I was so tired when I got home I headed straight for the tub and finished undressing as the hot water nipped at my knees. I adjusted the temperature, then I let myself go under, blowing my breath out in fat, noisy bubbles. I came back up and didn’t bother to lift my lids. I used my toes to turn off the faucet, then went into a semisomnambulist state in which neither my mother nor Alfredo Codona could engage me, Native Son and Orlando were back where they belonged, and Kimberle . . . Kimberle was . . . laughing.
“What . . . ?”
I sat up, water splashing on the floor and on my clothes. I heard the refrigerator pop open, then tenebrous voices. I pulled the plug and gathered a towel around me, but when I opened the door, I was startled by the blurry blackness of the living room. I heard rustling from the futon, conspiratorial giggling, and Brian Eno’s anxious meowing outside the unexpectedly closed window. To my amazement, Kimberle had brought somebody home. I didn’t especially like the idea of her having sex in my living room, but we hadn’t talked about it—I’d assumed, since she was supposedly suicidal, that there wasn’t a need for that talk. Now I was trapped, naked and wet, watching Kimberle hovering above her lover, as agile as the real Alfredo Codona on the high wire.
Outside, Brian Eno wailed, tapping her paws on the glass. I shrugged, as if she could understand, but all she did was unleash a high-pitched scream. It was raining outside. I held tight to the towel and started across the room as quietly as I could. But as I tried to open the window, I felt a hand on my ankle. Its warmth rose up my leg, infused my gut, and became a knot in my throat. I looked down and saw Kimberle’s arm, its jagged tattoos pulsing. Rather than jerk away, I bent to undo her fingers, only to find myself face to face with her. Her lips were glistening, and below her chin was a milky slope with a puckered nipple . . . She moved to make room for me as if it were the most natural thing in the world. I don’t know how or why but my mouth opened to the stranger’s breast, tasting her and the vague tobacco of Kimberle’s spit.
Afterward, as Kimberle and I sprawled on either side of the girl, I recognized her as a clerk from a bookstore in town. She seemed dazed and pleased, her shoulder up against Kimberle as she stroked my belly. I realized that for the last hour or so, as engaged as we’d been in this most intimate of maneuvers, Kimberle and I had not kissed or otherwise touched. We had worked side by side—structureless and free.
“Here, banana boat queen,” Kimberle said with a sly grin as she passed me a joint. Banana boat queen? And I thought: Where the fuck did she get that? How the hell did she think she’d earned dispensation for that?
The girl between us bristled.
Then Kimberle laughed. “Don’t worry,” she said to our guest, “I can do that; she and I go way back.”
* * *
In all honesty, I don’t know when I met Kimberle. It seemed she had always been there, from the very day we arrived from Cuba. Hers was a mysterious and solitary world. I realized that one winter day in my junior year in high school as I was walking home from school just as dusk was settling in. Kimberle pulled up in her Toyota next to me and asked if I wanted a ride. As soon as I got in, she offered me a cigarette. I said no.
“A disgusting habit anyway. You wanna see something?”
“What?”
Without another word, Kimberle aimed the Toyota out of town, past the last deadbeat bar, the strip malls, and the trailer parks, past the ramp to the interstate, until she entered a narrow gravel road with dry cornstalks blossoming on either side. There was a brackish smell, the tang of wet dirt and nicotine. The Toyota danced on the gravel but Kimberle, bent over the wheel, maintained a determined expression.
“Are you ready?”
“Ready . . . ? For what?” I asked, my fingers clutching the shoulder belt.
“This,” she whispered. Then she turned off the headlights.
Before I had a chance to adjust to the tracers, she gunned the car, h
urling it down the black tunnel, the tires spitting rocks as she skidded this way and that, following the eerie spotlight provided by the moon . . . For a moment, we were suspended in air and time. My life did not pass in front of my eyes how I might have expected; instead, I saw images of desperate people on a bounding sea; multitudes wandering Fifth Avenue or the Thames, the shores of the Bosporus or the sands outside the pyramids; mirrors and mirrors, mercury and water; a family portrait in Havana from years before; my mother with her tangled hair, my father tilting his hat in New Orleans or Galveston; the shadows of birds of paradise against a stucco wall; a shallow and watery grave, and another longer passage, a trail of bones. Just then the silver etched the sharp edges of the cornstalks, teasing them to life as specters in black coats . . .
“We’re going to die!” I screamed.
Moments later, the Toyota came to a shaky stop as we both gasped for breath. A cloud of smoke surrounded us, reeking of fermentation and gasoline. I popped open the door and crawled outside, where I promptly threw up.
Kimberle scrambled over the seat and out, practically on top of me. Her arms held me steady. “You okay?” she asked, panting.
“That was amazing,” I said, my heart still racing, “just amazing.”
* * *
Not even a week had gone by when Kimberle brought another girl home, this time an Eastern European professor who’d been implicated with a Cuban during a semester abroad in Bucharest. Rather than wait for me to stumble onto them, they had marched right into my bedroom, naked as newborns. I was going to protest but was too unnerved by their boldness, and then, in my weakness, I was seduced by the silky warmth of skin on either side of me. Seconds later, I felt something hard and cold against my belly and looked down to see Kimberle wearing a harness with a summer sausage dangling from it. The professor sighed as I guided the meat. While she licked and bit at my chin, Kimberle pushed inch by inch into her. At one point, Kimberle was balanced above me, her mouth grazing mine, but we just stared past each other.
Afterward—the professor between us—we luxuriated, the room redolent of garlic, pepper, and sweat. “Quite the little Cuban sandwich we’ve got here,” Kimberle said, passing me what now seemed like the obligatory after-sex joint followed by a vaguely racist comment. The professor stiffened. Like the bookstore girl, she’d turned her back to Kimberle. Instead of rubbing my belly, this one settled her head on my shoulder, then fell happily asleep.
* * *
“Kimberle, you’ve gotta stop,” I said, then hesitated. “I’ve gotta get my books back. Do you understand me?”
Her head was buried under the pillow on the futon, the early-morning light shiny on her exposed shoulder blade. With the white sheet crumpled halfway up her back, she looked like a headless angel.
“Kimberle, are you listening to me?” There was some imperceptible movement, a twitch. “Would you please . . . I’m talking to you.”
She emerged, curtain of yellow hair, eyes smoky. “What makes you think I took them?”
“What? Are you kidding me?”
“Coulda been the bookstore girl, or the professor.”
Since the ménage, the bookstore girl had called to invite me to dinner but I had declined. And the professor had stopped by twice, once with a first edition of Upton Sinclair’s Mental Radio. Tempting—achingly tempting—as that 1930 oddity was, I had refused it.
“I’ll let Kimberle know you stopped by,” I’d added, biting my lip.
“I didn’t come to see Kimberle,” the professor had said, her fingers pulling on my curls, which I’d found disconcerting.
Kimberle was looking at me now, waiting for an answer. “My books were missing before the bookstore girl and the professor,” I replied.
“Oh.”
“We’ve got to talk about that too.”
Down went her head. “Now?” she asked, her voice distant and flimsy like a final communication from a sinking ship.
“Now.”
She hopped up, her hip bones pure cartilage. She shivered. “I’ll be right back,” she said, heading for the bathroom. I dropped back onto the futon, heard her pee into the bowl, then the water running. I scanned the shelf, imagining where Mental Radio might have fit. Silence.
Then: “Kimberle? . . . Kimberle, you all right?” I scrambled to the bathroom, struggled with the knob. “Kimberle, please, let me in.” I imagined her hanging from the light fixture, her veins cascading red into the tub, that polymer pistol bought just for this moment, when she’d stick its tip in her mouth and . . . “Kimberle, goddamnit . . .” Then I kicked, kicked, and kicked again, until the lock bent and the door gave. “Kimberle . . .” But there was nothing, just my breath misting as I stared at the open window, the screen leaning against the tub.
I ran out and around our building but there was no sign of her, no imprint I could find in the snow, nothing. When I tried to start my car to look for her, the engine sputtered and died. I grabbed the keys to Kimberle’s Toyota, which came to life mockingly, and put it into reverse, only to have to brake immediately to avoid a passing station wagon. The Toyota jerked, the duct-taped fender shifted, practically falling, while I white-knuckled the wheel and felt my heart like a reciprocating engine in my chest.
* * *
After that, I made sure we spent as much time together as possible: reading, running, cooking venison I brought from the smokehouse, stuffing it with currants, pecans, and pears, or making smoked bison burgers with Vidalia onions and thyme. On any given night, she’d bring home a different girl to whom we’d minister with increasing aerial expertise. At some point I noticed American Dreams was missing from the shelf but I no longer cared.
One night in late January—our local psychopath still loose, still victimless—I came home from the smokehouse emanating a mesquite and found a naked Kimberle eagerly waiting for me.
“A surprise, a surprise tonight,” she said, helping me with my coat. “Oh my god, you smell . . . sooooo good.”
She led me to my room, where a clearly anxious, very pregnant woman was sitting up in my bed.
“Whoa, Kimberle, I—”
“Hi,” the woman said hoarsely; she was obviously terrified. She was holding the sheet to her ample breasts. I could see giant areolas through the threads, the giant slope of her belly.
“This’ll be great, I promise,” Kimberle whispered, pushing me toward the bed as she tugged on my sweater.
“I dunno . . . I . . .”
Before long Kimberle was driving my hand inside the woman, who barely moved as she begged us to kiss, to please kiss for her.
“I need, I need to see that . . .”
I turned to Kimberle but she was intent on the task at hand. Inside the pregnant woman, my fingers took the measure of what felt like a fetal skull, baby teeth, a rope of blood. Suddenly, the pregnant woman began to sob and I pulled out, flustered and confused. I grabbed my clothes off the floor and started out of the room when I felt something soft and squishy under my bare foot. I bent down to discover a half-eaten field mouse, a bloody offering from Brian Eno who batted it at me, her fangs exposed and feral.
* * *
I left the dead mouse and apartment behind and climbed into my VW. After cranking it awhile, I managed to get it started. I steered out of town, past the strip malls, the cornfields, and the interstate where, years before, Kimberle had made me feel so fucking alive. When I got to the smokehouse, I scaled up a backroom bunk my boss used when he stayed to smoke delicate meats overnight—it was infused with a smell of acrid flesh and maleness. Outside, I could hear branches breaking, footsteps, an owl. I refused to consider the shadows on the curtainless window. The blanket scratched my skin, the walls whined. Trembling there in the dark, I realized I wanted to kiss Kimberle—not for anyone else’s pleasure but for my own.
* * *
The next morning, there was an ice storm and my car once more refused to start. I called Kimberle and asked her to pick me up at the smokehouse. When the Toyota pulled up, I ju
mped in before Kimberle had the chance to park. I leaned toward her but she turned away.
“I’m sorry about last night, I really am,” she said, all skittish, avoiding eye contact.
“Me too.” The Toyota’s tires spun on the ice for an instant then got traction and heaved onto the road. “What was going on with your friend?”
“I dunno. She went home. I said I’d take her but she just refused.”
“Can you blame her?”
“Can I . . . ? Look, it was just fun . . . I dunno why everything got so screwed up.”
I put my head against the frosty passenger window. “What would make you think that would be fun?”
“I just thought we could, you know, do something . . . different. Don’t you wanna just do something different now and again? I mean . . . if there’s something you wanted to do, I’d consider it.”
As soon as she said it, I knew. “I wanna do a threesome with a guy.”
“With . . . with a guy?”
“Why not?”
Kimberle was so taken back, she momentarily lost control. The car slid on the shoulder then skidded back onto the road.
“But . . . wha . . . I mean, what would I do?”
“What do you think?”
“Look, I’m not gonna . . . and he’d want us to . . .” She kept looking from me to the road, each curve back to town now a little slicker, less certain.
I nodded at her, exasperated, as if she were some dumb puppy. “Well, exactly.”
“Exactly? But . . .”
“Kimberle, don’t you ever think about what we’re doing—about us?”
“Us? There is no us.”
She fell on the brake just as we hurled beyond the asphalt but the resistance was catalytic: the car fishtailed as the rear tires hit the road again. My life such as it was—my widowed mother, my useless Cuban passport, the smoke in my lungs, the ache in my chest that seemed impossible to contain—burned through me. We flipped twice and landed in a labyrinth of pointy cornstalks peppered by a sooty snow. There was a moment of silence, a stillness, then the tape ripped and the Toyota’s front end collapsed, shaking us one more time.
