by Ann Beattie
“Now tell me,” Mrs. Barrows said, turning to Marshall, as the President put a glass of sherry on the table near her chair. “Harvey sucks” was carved on the tabletop, but Mrs. Barrows didn’t see it, because Barbara had placed a doily over the scratched words. “Tell me if there is even a teeny, tiny chance that you remember Darcy Barrows.”
“Do you have a photograph?” he said.
The President glared at him, slightly upset, slightly encouraging. It was the look of someone who had bet a lot of money on a horse, watching that horse mysteriously and improbably come to a complete stop.
“She used to say that Bob Dylan was a poet, but I never did believe that,” Mrs. Barrows said, nodding as if she had adequately answered Marshall’s question.
“Then whom do you most like to hear sing?” Marshall said. (Butler! Please show these delightful people out now.)
“Kiri Te Kanawa,” Mrs. Barrows said.
She went up a notch in his estimation. As did the President, for dropping out of this Theater of the Absurd conversation as quickly as possible.
“And what do you think of the plays of Harold Pinter?” he asked, gesturing behind him as if they were shelved in the bookcases, instead of what truly interested college students: old Time magazines and books of Garfield cartoons.
“The inability of people to communicate,” Mrs. Barrows said. “It is a challenging problem.”
“If you were to offer us the funds to hire a poet,” Marshall said, “I would insist that you, personally, introduce that poet at the reading he or she would give when they arrived on campus.”
“My goodness!” Mrs. Barrows said. “Why, I have no training. I only know what I like.”
“Then I’d be happy to help you focus your ideas as you’re writing the introduction,” Marshall said.
President Llewellyn watched this volley as if he were watching a tennis match in slow motion. His own glass of sherry was empty.
“Tell me the truth now: Do you remember my Darcy?” Mrs. Barrows said.
“If you don’t have a picture, I don’t have a story,” Marshall said, smiling, as if he’d made a great joke.
She shook her finger at him and picked up her purse. She un-snapped it and unzipped a pouch inside. From the pouch she took a small leather folder. Inside, behind the plastic on the first page, was a photograph of a rather plain, round-faced, brown-haired girl. It was only her headband that made him remember her. Darcy Barrows: that tall, shy girl who sat front row center, never speaking unless called on. The girl who wore headbands with little plastic animals on them, or sparkling stars. Five or six years ago: Darcy Barrows.
“I see from your eyes you remember,” Mrs. Barrows said. “The eyes can never hide a lack of recognition.”
“She sat in the first row. I guess she did like my class,” he said.
“And do you know, she lives one and one quarter miles from my husband and me, and every day she doesn’t visit—with my grandchild, I might add!—she phones and reads us a poem.”
“You couldn’t ask for more as a teacher,” he said.
“Inspirational,” the President said.
“I think Darcy Starflyx should give the introduction!” Mrs. Barrows said.
“Her married name?” the President said.
“Her stage name?” Marshall said.
She ignored the President and poked her finger at Marshall: her sign that he was being funny, but naughty.
Which he continued to be for another ten minutes, before the President, who was still puzzled about how things had gone so well when they had seemed so bizarre, stood and announced that they must “firm up the details” in his office and have Mrs. Barrows on her way well before dark.
(Butler! See that these people are pointed in the right direction.)
On the way out, Marshall picked up his mail. Maybe he should be an actor, he thought. But his performance had only been so good because Mrs. Barrows had been so good. Probably, if he had tried this act without her, he would have been about as funny as the Marx Brothers with no foil. In her way, Mrs. Barrows had been as charmingly perplexed as Margaret Dumont. All in all, a surreal afternoon. He looked at the junk mail and decided that no, the perfect finale to the day would not be having radial tires put on the car at a 10 percent faculty discount.
“Hey, Mr. Lockard, way to go,” a student said as he passed him on the stairs. The things the students said in greeting were formulaic, but didn’t really mean anything. The English language could be abandoned entirely. People could communicate by grunts. The graffiti were already everywhere, the new hieroglyphics. Words could be restricted to bathroom walls. Texts could be dispensed with. All right! as the students said. All fucking right.
In the parking lot, a girl in sweatpants and a blue parka was running in a widening circle, guiding a yelping puppy on a leash.
“Take it easy you don’t exhaust him,” Marshall called.
“He’s doing!” the girl laughed, continuing to run.
That wasn’t exactly what the girl meant, either, he thought. But if he thought too much, he’d be in a state of despair.
“Way to go!” he hollered, with false cheer.
“I’m like wiped,” the girl screamed back.
So was he. And he would be glad to return to his house, and to his adult wife, Sonja, who was so fluent in English.
Dearest Martine,
What was I thinking of? I do not, myself, want a dog! That is the simple truth. Lately I have found myself engaged in speculative thought that later seems quite perplexing.
Apropos my last letter: Do you think that sending a note to the Burks might persuade them to come to dinner another night? Might they return to the area specifically to see us, even though they will have relocated to Washington? I would ask them myself, but I know that she, in particular, is so fond of you that I think you might succeed better.
Am I being too overbearing, planning so far ahead? If so, ignore this note entirely, and I will contact the Burks myself once we’ve returned.
Fondly,
M.
4
WITH THE NEW aluminum snow shovel in the trunk, her felt-lined boots pulled off and placed to drip on the floor of the passenger’s side, wearing wool socks and flats with crushed heels that she kept in the car and used as driving shoes, Sonja pulled out of the driveway and bumped carefully into the narrow channel cleared by the snow-plow, reaching up to flip down the visor, moving her hand to the tape deck to click in the cassette and hear the rest of the Claudio Arrau recording she had begun to listen to the day before. On the seat beside her was a canvas bag filled with things she thought Evie might want or need: lotion, magazines, new underpants, cookies. The drive to the nursing home took about an hour, and though Marshall had offered to drive her to see his stepmother this coming Saturday, she decided she’d been housebound too long; the drive would do her good, as well as cheering Evie. And now she was being rewarded by Claudio Arrau playing Chopin. The music was as clear and direct as the channel the snowplow had pushed open—the sort of music, she thought, that made you aware that other possibilities surrounded it, music that suggested a physical place, where unheard tones might be as real as heaped snow.
Evie had smoked three packs a day until she had a stroke. Six cigarettes a day until, a year later, she had the second. Now she begged an occasional cigarette from the male night nurse, entered into somber-faced agreements with the doctor that such transgressions would stop. It was so difficult to come to terms with: fashionable Evie, with her once neatly permed hair, become a streaming-haired witch in layers of clothes as odd as the things teenagers wore at the mall: pleated skirts over skinny trousers; tights with rolled anklets; mismatched cardigans and blouses that dangled beneath the sweaters. Her conversations were equally dishevelled: ragged references to things in the present; slightly strange diction, so that the Queen of England became the London Queen, as in: What do I care how I look? It’s not as if the London Queen’s coming for a visit. Annus became “a
nus” as Evie summarized the London Queen’s travails for Sonja: O bad year of fires, marriages gone wrong, the doe eyes of her middle son’s babies bug-big in the camera’s flash, their redheaded mother smiling, her white teeth orthodontically straight, though her life had wavered. Much cleavage; a cuckolded husband; publicly nibbled toes.
Sonja, herself, was certainly not the London Queen. In fact, though her blue earmuffs had become her favorite winter hat, they were not coordinated with her camouflage boots and, unlike the Queen’s old-lady handbags with their small handles—handbags ladies hold the way children hold buckets of wet sand at the beach—the black leather bag with the drawstring Sonja carried slung over her shoulder had lasted over fifteen years. Once, among the sunken treasures on the handbag’s linty bottom, there had been a rather large zippered makeup bag, now replaced by a smaller quilted bag. When the black mascara dried up, Sonja had not replaced it. The bronze eyeliner had gotten lost somewhere; when she could not find the same shade, she had replaced it with dark blue. Now the makeup bag contained only a small bottle of aspirin, a stub of blue eyeliner. Tampons had taken over. Once the handbag had been a treasure trove of things she found necessary and interesting: compact corkscrews; miniature bottles of perfume; keys to many people’s apartments; photo books crammed with pictures of herself and her boyfriends, later a small foldout book of her wedding pictures, soon overlaid by pictures of friends’ children. Now the purse contained a travel-size package of Kleenex, and usually a few coupons floated around like buoyant bits of driftwood, along with deteriorating peppermint Life Savers and rumpled bills she’d forgotten to mail. The Mont Blanc fountain pen she had practiced writing her married name with over and over was long gone, lost somewhere, replaced by a felt-tip. Her wallet contained a single photograph of Marshall. On the flip side of the rectangle of clear plastic was her AAA card. She also had one credit card—one more than she vowed she would ever have—which she kept tucked in a separate compartment in her wallet so she wouldn’t be tempted to pull it out. On one corner was a hologram of a bird that flashed spectral colors and appeared to be flying as you jiggled the card. It seemed more suitable as an element of a mobile that might dangle over a child’s crib than as a plastic symbol of your own potential flights of fancy that could dazzle all the while you were depleting your bank account.
She was, she realized—with the notable exception of her involvement with Tony Hembley—rather conservative. A practical person who thought that if something was serviceable, it didn’t need to be replaced. And she had believed in recycling long before it became popular. Old tie-dyed T-shirts had been stitched into colorful foam-filled animals and donated to the church bazaar; trading beads she would no longer wear had been unstrung and added to light-pulls; embroidered free-flowing dresses had become summer nightgowns. Though maybe, come to think of it, it wasn’t judiciousness so much as a desire to make the past fit in with the present. Though it surely couldn’t be dovetailed, perhaps the past could at least unapologetically sidle up beside the furniture or clothes or philosophy of the present moment.
What, she wondered, had put her in this suddenly philosophical mood—especially on a day when the music she was listening to perfectly augmented the melting world outside, when she was driving familiar roads for familiar reasons? She thought, as Arrau softly played the notes whose near echo of sameness was the ending of the piece, that she must have subconsciously selected music that sounded haunted. It was the sound track for the morning after, music to soothe the sometimes-mad, adagio as antidote to a difficult day.
She passed the dry cleaner’s and forgot until she was at the intersection that she’d left clothes there she needed to pick up. She envisioned her recent progress in reverse: she couldn’t stop the mental image of her car turned back past the dry cleaner’s, retracing her route on Locust Avenue, which curved into Daymer Drive, then the turn onto snowy Hollowell Road, backtracking all the way to her driveway. And then what? Reenter the house and retrace her steps, return to the point where she was still curled in bed, snug and sleepy—act as if she had no obligations? After the visit to the nursing home, she would be driving to UPS to mail a box of clothes to the family in Appalachia she and Marshall sponsored, and after that she would try to get the car washed before buying groceries. One good thing about winter was that groceries could be left safely in the car for long periods while she did other things. She could leave them there and get on the highway and drive half an hour to Hembley and Hembley, find out if she was scheduled to show a house, then listen to the phone messages, hope that the one contract she had in the works was progressing without trouble, check the listings to see if anything had sold (not likely; in her position, it wasn’t necessary to keep posted on all the hysterical cover stories in the magazines, informing everyone that the boom days of ’80s real estate were over).
She turned into the parking lot outside the nursing home. Three places were reserved for doctors, six for staff, two for the handicapped. There were five cars in staff parking. The rest of the places were empty, though a motorcycle was parked horizontally at the back of one of the doctor’s spots. A red pickup was parked in visitor parking and a blue Chevrolet with Florida plates. She pulled her white Toyota in between the truck and the Chevy, thinking: how patriotic.
At the station inside the entrance she was greeted by a pudgy woman sausage-stuffed into a pastel-green uniform, who immediately announced it was her first week on the job, so she didn’t recognize anybody. The woman entered Evie’s name on the computer and, reading the screen, told Sonja everything was much the same; Evie was continuing to progress in physical therapy, her conjunctivitis was cured, and she had resumed sleeping normally. The woman spoke brightly, as if anything merely normal could be viewed as amazing progress. Evie had been such an active person all her life, and now she was only a person about whom things were said: she did this; she did that; this is cured; another day passed uneventfully. How slowly they must pass, Sonja thought. How very slowly they must pass. As Sonja sniffed a gardenia in a vase on the counter, the woman complimented Sonja’s blue earmuffs, which hung around her neck like Walkman headphones. In such settings, there were always so many things left unsaid, Sonja thought: the tacit understanding that we’re-okay-they’re-screwed was like an eyewink that didn’t have to transpire.
Evie and the other residents were at Time with Tots, a weekly visit from a neighboring preschool. Getting off the elevator, Sonja could hear the squeals. First the hospital staff had tried bringing pets in to cheer the nursing home patients, but that resulted in petty jealousies and despondency when the pets were trotted off; then they decided on children, which, surprisingly, the patients seemed not to project onto so much and from whom they did not expect so many things.
Sonja stood in the doorway of the large sunny room at the end of the hallway, the place where patients snacked or talked between scheduled activities, watching the thin-as-a-rail nurse flicking her fingers on a tambourine. Other tambourines had been passed out to the patients. As children tumbled through cartwheels or various contortions on a big rubber mat, under the direction of their preschool teacher, tambourines jingled out of sync, shaken by a woman in a wheelchair and a tall man who sat on a sofa, methodically patting another man’s hand, his free hand madly jingling the tambourine, his knee jumping nervously. Evie sat in a small chair—small Evie in her small chair—and Sonja was happy to see that today Evie had sufficient strength to sit there without being tied in. There were about twelve patients in the room, half seeming to enjoy the children’s tumbling, the other half sleeping or staring somewhere else. Evie was one of the patients staring somewhere else. For a few seconds, before she took a deep breath and walked into the room, Sonja reflected that Evie’s look of hazy concentration had been constant throughout her life: the slight frown, the stigmatic gaze, her mouth the only sure giveaway as to whether she was happy or sad. Today Evie was sad. Droop-lipped, she looked at the action, frowned, and looked away—though who wouldn’t intensify her w
ince in the cacophony of the tambourines? Sonja made her way carefully around the room’s perimeter, smiling in response to the thin nurse’s half smile, stopping to shake the hand of a man in a wheelchair who extended a bony hand in greeting. “I’m not senile,” the man said, as they shook hands. Loud jingling drowned out her response of “I’m sure you’re not.” “It’s music and tumbling,” he said.
Evie saw her coming, and her mouth eased into a surprised smile. Her speech had been thick since the last stroke, so Sonja’s name sounded like “Toada.” Sonja smiled at the idea of herself as a toad-woman, some absurd creature in a sci-fi movie—Toada, with supernatural abilities to … what? Swim through air, webbed feet kicking behind her, swimming for the distance. No amount of kicking would change this fact: after half an hour Sonja would leave and Evie wouldn’t; it was Evie who should have the supernatural powers, Evie who needed empowerment to escape. After she asked how Sonja was, the second question would inevitably be about Marshall. She had stopped asking about Gordon, but she always inquired about Marshall. Why did he call but not visit? Was he still so dissatisfied with academic life? Was he taking care of himself?
From the pocket of her housedress, Evie brought out a card. It was from a childhood friend, who now lived in California—a card meant to be humorous that depicted two old crones with fur coats over their pajamas and Barbarella hair, each drinking champagne, the message easily paraphrasable as “You’re only as old as you feel.” “Hairy,” Evie said. She meant “very,” but at first Sonja thought Evie was wryly commenting on the hairdos. Sonja left Evie to get a wheelchair so they could talk privately in Evie’s room. The wheelchairs were lined up just outside the door: new wheelchairs with red leather seats, all marked on the back FLOOR 2, quite a few with bumper stickers on the back: I’D RATHER BE WRITING MY NOVEL; I SKIED POTRERO HILL.
As they left the room, the children were holding hands and circling, beginning to sing. Their shrill voices, reciting a poem they’d memorized, seemed grating—and what did the poem, about the coming of spring, have to do with going in a circle? The nurse and the teacher recited the poem: something about crocus popping up with pink heads.… Sonja was glad she and Evie could escape the room. As she wheeled her down the hallway, Evie inspected the contents of her gift bag, took out the cookies, planning a hiding place for the cookies once they got to the room. Underpants and cookies always disappeared. Maybe it was the Tooth Fairy gone mad, become the Underpants and Cookies Fairy, a malevolent goblin who stole instead of giving. Sonja discussed the possibility with Evie; Evie told her she wouldn’t joke if she had to spend as much time as she did listening to senile imaginings. They settled themselves in the room, which had a hospital bed, but which was furnished with Evie’s own furniture. Though it wasn’t a depressing room, Sonja was depressed to think that, for Evie, it had come to this—a little room down a little corridor, where she would swallow little pills from little cups that would be of little help.
