by Anne Rice
Even the older, sorrier dwellings, not too ornate but nevertheless monstrous in size, were plastered in colors, a rose so deep it seemed to come from crushed petals, a green so thick it seemed to have been mixed from the opaque water itself.
Out into the Piazza San Marco we came, amid the long fantastically regular arcades on both sides.
It seemed the very gathering place of Heaven as I stared at the hundreds milling before the distant golden domes of the church.
Golden domes. Golden domes.
Some old tale had been told to me of golden domes, and I had seen them in a darkling picture, had I not? Sacred domes, lost domes, domes in flames, a church violated, as I had been violated. Ah, ruin, ruin was gone, laid waste by the sudden eruption all around me of what was vital and whole! How had all this been born out of wintry ashes? How had I died among snows and smoking fires and come to rise here beneath this caressing sun?
Its warm sweet light bathed beggars and tradesmen; it shone on princes passing with pages to carry their ornate velvet trains behind them, on the booksellers who spread their books beneath scarlet canopies, lute players who vied for small coins.
The wares of the wide diabolical world were displayed in the shops and market stalls-glassware such as I have never beheld, including goblets of all possible colors, not to mention little figurines of glass including animals and human beings and other filmy shining trinkets. There were marvelously bright and beautifully turned beads for rosaries; magnificent laces in grand and graceful patterns, including even snowy white pictures of actual church towers and little houses with windows and doors; great feathery plumes from birds I couldn't name; other exotic species flapping and screeching in gilt cages; and the finest and most magnificently worked multicolored carpets only too reminiscent of the powerful Turks and their capital from which I'd come. Nevertheless, who resists such carpets? Forbidden by law to render human beings, Moslems rendered flowers, arabesques, labyrinthian curlicues and other such designs with bold dyes and awe-inspiring exactitude. There were oils for lamps, tapers, candles, incense, and great displays of glistering jewels of indescribable beauty and the most delicate work of the goldsmiths and silversmiths, in plate and ornamental items both newly made and old. There were shops that sold only spices. There were shops that sold medicines and cures. There were bronze statues, lion heads, lanterns and weapons. There were cloth merchants with the silks of the East, the finest woven wools dyed in miraculous tints, cotton and linen and fine specimens of embroidery, and ribbons galore.
Men and women here appeared immensely wealthy, feasting casually on fresh meat tarts in the cookshops, drinking clear red wine and eating sweet cakes full of cream.
There were booksellers offering the new printed books, of which the other apprentices told me eagerly, explaining the marvelous invention of the printing press, which had only lately made it possible for men far and wide to acquire not only books of letters and words but books of drawn pictures as well.
Venice already had dozens of small print shops and publishers where the presses were hard at work producing books in Greek as well as Latin, and in the vernacular tongue-the soft singing tongue- which the apprentices spoke amongst themselves.
They let me stop to glut my eyes on these wonders, these machines that made pages for books.
But they did have their chores, Riccardo and the others-they were to scoop up the prints and engravings of the German painters for our Master, pictures made by the new printing presses of old wonders by Memling, Van Eyck, or Hieronymus Bosch. Our Master was always in the market for them. Such drawings brought the north to the south. Our Master was a champion of such wonders. Our Master was pleased that over one hundred printing presses filled our city, that he could throw away his coarse inaccurate copies of Livy and Virgil and have now corrected printed texts.
Oh, it was such a load of information.
And no less important than the literature or paintings of the universe was the matter of my clothes. We had to get the tailors to stop everything to dress me properly according to small chalk drawings which the Master had made.
Handwritten letters of credit had to be taken to the banks. I was to have money. Everyone was to have money. I had never touched such a thing as money.
Money was pretty-Florentine gold or silver, German florins, Bohemian groschens, fancy old coins minted under the rulers of Venice who were called the Doges, exotic coins from the Constantinople of old. I was given a little sack of my own clinking clanking money. We tied our "purses" to our belts.
One of the boys bought me a small wonder because I stared at it. It was a ticking watch. I couldn't grasp the theory of it, this tiny ticking thing, all encrusted with jewels, and not all the hands pointed at the sky would teach me. At last with a shock I realized: It was, beneath its filigree and paint, its strange glass and bejeweled frame, a tiny clock!
I closed my hand on it and felt dizzy. I had never known clocks to be anything but great venerable things in bell towers or on walls.
"I carry time now," I whispered in Greek, looking to my friends.
"Amadeo," said Riccardo. "Count the hours for me."
I wanted to say that this prodigious discovery meant something, something personal. It was a message to me from some other too hastily and perilously forgotten world. Time was not time anymore and never would be. The day was not the day, nor the night the night. I couldn't articulate it, not in Greek, nor any tongue, nor even in my feverish thoughts. I wiped the sweat from my forehead. I squinted into the brilliant sun of Italy. My eyes clapped upon the birds who flew in great flocks across the sky, like tiny pen strokes made to flap in unison. I think I whispered foolishly, "We are in the world."
"We are in the center of it, the greatest city of it!" Riccardo cried, urging me on into the crowds. "We shall see it before we get locked up in the tailor's, that's for damned sure."
But first it was time for the sweetshop, for the miracle of chocolate with sugar, for syrupy concoctions of unnameable but bright red and yellow sweets.
One of the boys showed to me his little book of the most frightening printed pictures, men and women embraced in carnality. It was the stories of Boccaccio. Riccardo said he would read them to me, that it was in fact an excellent book to teach me Italian. And that he would teach me Dante too.
Boccaccio and Dante were Florentines, said one of the other boys, but all in all the two weren't so bad.
Our Master loved all kinds of books, I was told, you couldn't go wrong spending your money on them, he was always pleased with that. I'd come to see that the teachers who came to the house would drive me crazy with their lessons. It was the studia humanitatis that we must all learn, and it included history, grammar, rhetoric, philosophy and ancient authors ... all of this so much dazzling words that only revealed its meaning to me as it was often repeated and demonstrated in the days to come.
We could not look too good for our Master either, that was another lesson I must learn. Gold and silver chains, necklaces with medallions and other such trinkets were bought for me and laid over my neck. I needed rings, jeweled rings. We had to bargain fiercely with the jewelers for these, and I came out of it wearing a real emerald from the new world, and two ruby rings carved with silver inscriptions which I couldn't read.
I couldn't get over the sight of my hand with a ring. To this very night of my life, some five hundred years after, you see, I have a weakness for jeweled rings. Only during those centuries in Paris when I was a penitent, one of Satan's discalced Children of the Night, during that long slumber only, did I give up my rings. But we'll come to that nightmare soon enough.
For now, this was Venice, I was Marius's child and romped with his other children in a manner that would be repeated for years ahead.
On to the tailor.
As I was measured and pinned and dressed, the boys told me stories of all those rich Venetians who came to our Master seeking to have even the smallest piece of his work. As for our Master, he, claiming that he wa
s too wretched, sold almost nothing but occasionally did a portrait of a woman or man who struck his eye. These portraits almost always worked the person into a mythological subject-gods, goddesses, angels, saints. Names I knew and names I'd never heard of tripped off the boys' tongues. It seemed here all echoes of sacred things were swept up in a new tide.
Memory would jolt me only to release me. Saints and gods, they were one and the same? Wasn't there a code to which I should remain faithful that somehow dictated these were but artful lies? I couldn't get it clear in my head, and all around me was such happiness, yes, happiness. It seemed impossible that these simple shining faces could mask wickedness. I didn't believe it. Yet all pleasure to me was suspect. I was dazzled when I could not give in, and overcome when I did surrender, and as the days followed I surrendered with ever greater ease all the time.
This day of initiation was only one of hundreds, nay, thousands that were to follow, and I don't know when I started to understand with any preciseness what my boy companions said. That time came, however, and rather quickly. I do not remember being the naive one very long.
On this first excursion, it was magic. And high above the sky was the perfect blue of cobalt, and the breeze from the sea was fresh and moist and cool. There above were massed the scudding clouds I had seen so wondrously rendered in the paintings of the palazzo, and there came my first hint that the paintings of my Master were no lie.
Indeed when we entered, by special permission, the Doges' chapel, San Marco, I was caught by the throat by its splendor-its walls of gleaming tessellated gold. But another shock followed hard upon my finding myself virtually entombed in light and in riches. Here were stark, somber figures, figures of saints I knew.
These were no mystery to me, the almond-eyed tenants of these hammered walls, severe in their straight careful drapery, their hands infallibly folded in prayer. I knew their halos, I knew the tiny holes made in the gold to make it glitter ever more magically. I knew the judgment of these bearded patriarchs who gazed impassively on me as I stopped, dead in my tracks, unable to go on.
I slumped to the stone floor. I was sick.
I had to be taken from the church. The noise of the piazza rose over me as if I were descending to some awful denouement. I wanted to tell my friends it was inevitable, not their fault.
The boys were in a fluster. I couldn't explain it. Stunned, sweating all over and lying limp at the base of a column, I listened dully as they explained to me in Greek that this church was only part of all I had seen. Why should it frighten me so? Yes, it was old, yes, it was Byzantine, as so much in Venice was. "Our ships have traded with Byzantium for centuries. We are a maritime empire." I tried to grasp it.
What came clear in my pain was only that this place had not been a special judgment upon me. I had been taken from it as easily as I had been brought into it. The sweet-voiced boys with the gentle hands who surrounded me, who offered me cool wine to drink and fruit to eat that I might recover, they did not hold this place in any terrible dread.
Turning to the left of me, I glimpsed the quays, the harbor. I ran towards it, thunderstruck by the sight of the wooden ships. They stood at anchor four and five deep, but beyond them was enacted the greatest miracle: great galleons of deep ballooning wood, their sails collecting the breeze, their graceful oars chopping the water as they moved out to sea.
Back and forth the traffic moved, the huge wooden barks dangerously close to one another, slipping in and out of the mouth of Venice, while others no less graceful and impossible at anchor disgorged abundant goods.
Leading me stumbling to the Arsenale, my companions comforted me with the sight of the ships being built by ordinary men. In days to come I would hang about at the Arsenale for hours, watching the ingenious process by which human beings made such immense barks that to my mind should rightly sink.
Now and then in snatches I saw images of icy rivers, of barges and flatboats, of coarse men reeking of animal fat and rancid leather. But these last ragged tidbits of the winter world from which I'd come faded.
Perhaps had this not been Venice, it would have been a different tale.
In all my years in Venice, I never tired of the Arsenale, of watching the ships being built. I had no problem gaining access by means of a few kind words and coins, and it was ever my delight to watch these fantastical structures being constructed of bowed ribs, bent wood and piercing masts. Of this first day, we were rushed through this yard of miracles. It was enough.
Yes, well, it was Venice, this place that must erase from my mind, at least for a while, the clotted torment of some earlier existence, some congestion of all truths I would not face.
My Master would never have been there, had it not been Venice.
Not a month later he would tell me matter-of-factly what each of the cities of Italy had to offer him, how he loved to watch Michelangelo, the great sculptor, hard at work in Florence, how he went to listen to the fine teachers in Rome.
"But Venice has an art of a thousand years," he said as he himself lifted his brush to paint the huge panel before him. "Venice is in itself a work of art, a metropolis of impossible domestic temples built side by side like waxen honeycombs and maintained in ever flowing nectar by a population as busy as bees. Behold our palaces, they alone are worthy of the eye."
As time passed he would school me in the history of Venice, as did the others, dwelling on the nature of the Republic, which, though despotic in its decisions and fiercely hostile to the outsider, was nevertheless a city of "equal" men. Florence, Milan, Rome-these cities were falling under the power of small elites or powerful families and individuals, while Venice, for all her faults, remained governed by her Senators, her powerful merchants and her Council of Ten.
On that first day, an everlasting love for Venice was born in me. It seemed singularly devoid of horrors, a warm home even for its well- dressed and clever beggars, a hive of prosperity and vehement passion as well as staggering wealth.
And in the tailor shop, was I not being made up into a prince like my new friends?
Look, had I not seen Riccardo's sword? They were all noblemen.
"Forget all that has gone before," said Riccardo. "Our Master is our Lord, and we are his princes, we are his royal court. You are rich now and nothing can hurt you."
"We are not mere apprentices in the ordinary sense," said Albinus.
"We are to be sent to the University of Padua. You'll see. We are tutored in music and dance and manners as regularly as in science and literature. You will have time to see the boys who come back to visit, all gentlemen of means. Why, Giuliano was a prosperous lawyer, and one of the other boys was a physician in Torcello, an island city nearby.
"But all have independent means when they leave the Master," explained Albinus. "It's only that the Master, like all Venetians, deplores idleness. We are as well off as lazy lords from abroad who do nothing but sample our world as though it were a dish of food."
By the end of this first sunlighted adventure, this welcome into the bosom of my Master's school and his splendid city, I was combed, trimmed and dressed in the colors he would forever choose for me, sky blue for the stockings, a darker midnight blue velvet for a short belted jacket, and a tunic of an even fairer shade of azure embroidered with tiny French fleur-de-lis in thick gold thread. A bit of burgundy there might be for trimming and fur; for when the sea breezes grew strong in winter, this paradise would be what these Italians called cold.
By nightfall, I pranced on the marble tile with the others, dancing for a while to the lutes played by the younger boys, accompanied by the fragile music of the Virginal, the first keyboard instrument I had ever seen.
When the last of twilight had died beautifully into the canal outside the narrow pointed arched windows of the palazzo, I roamed about, catching random glances of myself in the many dark mirrors that rose up from the marble tile to the very ceiling of the corridor, the salon, the alcove, or whatever beautifully appointed room I should find.
I sang new words in unison with Riccardo. The great state of Venice was called the Serenissima. The black boats of the canals were gondolas. The winds that would come soon to make us all crazy were called the Sirocco. The most high ruler of this magical city was the Doge, our book tonight with the teacher was Cicero, the musical instrument which Riccardo gathered up and played with his plucking fingers was the lute. The great canopy of the Master's regal bed was a baldaquin trimmed each fortnight with new gold fringe.
I was ecstatic.
I had not merely a sword but a dagger.
Such trust. Of course I was lamblike to these others, and pretty much a lamb to myself. But never had anyone entrusted to me such bronze and steel weapons. Again, memory played its tricks. I knew how to throw a wooden spear, how to ... Alas, it became a wisp of smoke, and there lay in the air around it that I'd been committed not to weapons, but to something else, something immense which exacted all I could give it. Weapons were forbidden for me.
Well, no more. No more, no more, no more. Death had swallowed me whole and thrown me forth here. In the palazzo of my Master, in a salon of brilliantly painted battle scenes, with maps upon the ceiling, with windows of thick molded glass, I drew my sword with a great singing sound and pointed it at the future. With my dagger, after examining the emeralds and rubies of its handle, I sliced an apple in two with a gasp.
The other boys laughed at me. But it was all friendly, kind.
Soon the Master would come. Look. From room to room the youngest fellows among us, little boys who had not come out with us, now moved quickly, lifting their tapers to torches and candelabra. I stood in the door, looking to yet another and another and another. Light burst forth soundlessly in each of these rooms.
A tall man, very shadowy and plain, came in with a tattered book in his hand. His long thin hair and plain wool robe were black. His small eyes were cheerful, but his thin mouth was colorless and belligerently set.
The boys all groaned.
High narrow windows were closed against the cooler night air.
