by Anne Rice
But I went there, trudging through the mud and snow, and again with a vampire's silky ease, I gained access, this time leading the way, snapping the locks silently with my superior strength and lifting the doors as I opened them so no weight would fall upon their creaky hinges, and dashing swiftly across rooms so that mortal eyes perceived no more than cold shadows, if they perceived anything at all.
The air was warm and motionless here, a blessing, but memory told me it had not been so terribly warm for a mortal boy. In the Scriptorium, by the smoky light of cheap oil, several brothers were bent over their slanted desks, working on their copying, as if the printing press were of no concern to them, and surely it was not.
I could see the texts on which they worked and I knew them-the Paterikon of the Kievan Caves Monastery, with its marvelous tales of the Monastery's founders and its many colorful saints.
In this room, laboring over that text, I had learned fully to read and write. I crept now along the wall until my eyes could fall on the page which one monk copied, his left hand steadying the crumbling model from which he worked.
I knew this part of the Paterikon by heart. It was the Tale of Isaac. Demons had fooled Isaac; they had come to him as beautiful angels, and even pretending to be Christ Himself. When Isaac had fallen for their tricks, they had danced with glee and taunted him. But after much meditation and penance, Isaac stood up to these demons.
The monk had just dipped his pen and he wrote now the words with which Isaac spoke:
When you deceived me in the form of Jesus Christ and the angels, you were unworthy of that rank. But now you appear in your true colors-
I looked away. I didn't read the rest. Cleaving there so well to the wall I might have gone on unseen forever. Slowly I looked at the other pages which the monk had copied, which were being let to dry. I found an earlier passage which I'd never forgotten, describing Isaac as he lay, withdrawn from all the world, motionless, and without food for two years: For Isaac was weakened in mind and body and could not turn over on his side, stand up, or sit down; he just lay there on one side, and often worms collected under his thighs from his excrement and urine.
The demons had driven Isaac to this, with their deception. Such temptations, such visions, such confusion and such penance I myself had hoped to experience for the rest of my life when I entered here as a child.
I listened to the pen scratch on the paper. I withdrew, unseen, as if I'd never come.
I looked back at my scholarly brethren.
All were emaciated, dressed in cheap black wool, reeking of old sweat and dirt, and their heads were all but shaved. Their long beards were thin and uncombed.
I thought I knew one of them, had loved him somewhat even, but this seemed remote and not worth considering anymore.
To Marius, who stood beside me as faithfully as a shadow, I confided that I could not have endured it, but we both knew this was a lie. In all likelihood I would have endured it, and I would have died without ever knowing any other world.
I moved into the first of the long tunnels where the monks were buried, and, closing my eyes and cleaving to the mud wall, I listened for the dreams and prayers of those who lay entombed alive for the love of God.
It was nothing but what I could imagine, and exactly as I recalled. I heard the familiar, no longer mysterious words whispered in the Church Slavonic. I saw the prescribed images. I felt the sputtering flame of true devotion and true mysticism, kindled from the weak fire of lives of utter denial.
I stood with my head bowed. I let my temple rest against the mud. I wished to find the boy, so pure of soul, who had opened these cells to bring the hermits just enough food and drink to keep them alive. But I couldn't find the boy. I couldn't. And I felt only a raging pity for him that he had ever suffered here, thin and miserable, and desperate, and ignorant, oh, so terribly ignorant, having but one sensuous joy in life and that was to see the colors of the ikon catch fire.
I gasped. I turned my head and fell stupidly into Marius's arms.
"Don't cry, Amadeo," he said tenderly in my ear.
He brushed my hair from my eyes, and with his soft thumb he even wiped away my tears.
"Tell it all farewell now, son," he said.
I nodded.
In a twinkling we stood outside. I didn't speak to him. He followed me. I headed down the slope towards the waterfront city.
The smell of the river grew stronger, the stench of humans grew stronger, and finally I came to the house that I knew had been my own. What madness this seemed suddenly! What was I seeking? To measure all this by new standards? To confirm for myself that as a mortal child I had never had the slightest chance?
Dear God, there was no justification for what I was, an impious blood drinker, feeding off the luxurious stews of the wicked Venetian world, I knew it. Was this all a vain exercise in self-justification? No, something else pulled me towards the long rectangular house, like so many others, its thick clay walls divided by rough timbers, its fourtiered roof dripping with icicles, this large and crude house that was my home.
As soon as we reached it, I crept around the sides. The slush of the snow had here turned to water, and indeed, the water of the river leaked down the street and into everywhere as it had when I was a child. The water leaked into my fine-stitched Venetian boots. But it could not paralyze my feet as it had once done, because I drew my strength now from gods unknown here, and creatures for whom these filthy peasants, of which I had been one, had no name.
I lay my head against the rough wall, just as I had done in the Monastery, cleaving to the mortar as if the solidity would protect me and transmit to me all that I wanted to know. I could see through a tiny hole in the broken clumps of clay that were forever crumbling, and I beheld in the familiar blaze of candles, and the brighter light of lamps, a family gathered around the warmth of the large brick stove.
I knew them all, these people, though some of their names were gone from my mind. I knew that they were kindred, and I knew the atmosphere that they shared.
But I had to see beyond this little gathering. I had to know if these people were well. I had to know if after that fateful day, when I'd been kidnapped, and my Father no doubt murdered in the wild lands, they had managed to go on with their usual vigor. I had to know, perhaps, what they prayed when they thought of Andrei, the boy with the gift to make ikons so perfectly, ikons not made by human hands.
I heard the harp inside, I heard singing. The voice was that of one of my uncles, one so young he might have been my brother. His name was Borys, and he had since early childhood been good with singing, memorizing easily the old dumys, or sagas, of the knights and heroes, and it was one of them, very rhythmical and tragic, which he was singing now. The harp was small and old, my Father's harp, and Borys strummed the strings in time with his phrases as he all but spoke the story of a lusty and fatal battle for ancient and great Kiev.
I heard the familiar cadences that had been passed down by our people from singer to singer for hundreds of years. I put my fingers up and broke loose a bit of mortar. I saw through the tiny opening the Ikon corner-directly opposite the family gathering around the shimmering fire in the open stove.
Ah, what a spectacle! Amid dozens of little candle stubs and earthen lamps full of burning fat, there stood propped some twenty or more ikons, some very old and darkened in their gold frames, and some radiant, as though only yesterday they'd come alive through the power of God. There were painted eggs stuffed amongst the pictures, eggs beautifully decorated and colored with patterns I could well recall, though even with my vampire eyes I was too far away to see them now.
Many times I had watched the women decorating these sacred eggs for Easter, applying the hot melting wax to them with their wooden pens to mark the ribbons or the stars or the crosses or the lines which meant the ram's horns, or the symbol which meant the butterfly or the stork. Once the wax had been applied, the egg would be dipped in cold dye of amazingly deep color. It had seemed there was an
endless variety, and endless possibility for meaning, in these simple patterns and signs.
These fragile and beautiful eggs were kept for curing the sick, or for protection against the storm. I had hidden such eggs in an orchard for good luck with the coming harvest. I had placed one once over the door of the house in which my sister went to live as a young bride.
There was a beautiful story about these decorated eggs, that as long as the custom was followed, as long as such eggs existed, then the world would be safe from the monster of Evil who wanted always to come and devour all that was.
It was sweet to see these eggs placed there in the proud corner of the Ikons, as always, among the Holy Faces. That I had forgotten this custom seemed a shame and a warning of tragedy to come.
But the Holy Faces caught me suddenly and I forgot all else. I saw the Face of Christ blazing in the firelight, my brilliant scowling Christ, as I had so often painted Him. I had done so many of these pictures, and yet how like the one lost that day in the high grasses of the wild lands was this very one!
But that was impossible. How could anyone have recovered the ikon I had dropped when the raiders took me prisoner? No, it must surely be another, for as I said, I had done so many before my parents had ever gotten up the courage to take me to the monks. Why, all through this town were my ikons. My Father had even brought them to Prince Michael as proud gifts, and it was the Prince who had said that the monks must see my skill.
How stern Our Lord looked now compared to the recollection of the tender musing Christs of Fra Angelico or the noble sorrowful Lord of Bellini. And yet He was warm with my love! He was the Christ in our style, the old style, loving in severe lines, loving in somber color, loving in the manner of my land. And He was warm with the love that I believed He gave to me!
A sickness rose up in me. I felt my Master's hands on my shoulders. He didn't pull me back as I feared. He merely held me and put his cheek against my hair.
I was about to go. It was enough, was it now? But the music broke off. A woman there, my Mother, was she? No, younger, my sister Anya, grown into a woman, talked wearily of how my Father could sing again if somehow they could hide all the liquor from him and make him come back to himself.
My Uncle Borys sneered. Ivan was hopeless, said Borys. Ivan would never see another sober night or day, and would soon die. Ivan was poisoned with liquor, both with the fine spirits he got from the traders by selling off what he stole from this very house, and from the peasant brew he got from those he battered and bullied, still being the terror of the town.
I bristled all over. Ivan, my Father, alive? Ivan, alive to die again in such dishonor? Ivan not slain in the wild fields?
But in their thick skulls, the thoughts of him and the words of him stopped together. My uncle sang another song, a dancing song. No one would dance in this house, where all were tired from their labor, and the women half-blind as they continued to mend the clothes that lay piled in their laps. But the music cheered them and one of them, a boy younger than I had been when I died, yes, my little brother, whispered a soft prayer for my Father, that my Father would not freeze to death tonight, as he had almost done so many times, falling down drunk as he did in the snow.
"Please bring him home," came the little boy's whisper.
Then behind me, I heard Marius say, seeking to put it in order and to calm me:
"Yes, it seems it is true, beyond doubt. Your Father is alive."
Before he could caution me, I went around and opened the door. It was a fierce thing to do, a reckless thing to do, and I ought to have asked Marius's permission, but I was, as I've told you, an unruly pupil. I had to do this.
The wind gusted through the house. The huddled figures shivered and pushed their thick furs up around their shoulders. The fire deep in the mouth of the brick stove flared beautifully.
I knew that I should remove my hat, which in this case was my hood, and that I should face the Ikon corner and cross myself, but I couldn't do this.
In fact, to conceal myself, I pulled my hood up over my head as I shut the door. I stood alone against it. I held the fur cloak up against my mouth, so that nothing was visible of my face except my eyes, and perhaps a shock of reddish hair.
"Why has the drink gotten Ivan?" I whispered, the old Russian tongue coming back to me. "Ivan was the strongest man in this city. Where is he now?"
They were wary and angry at my intrusion. The fire in the stove crackled and danced from its feast of fresh air. The Ikon corner seemed a group of perfect radiant flames unto itself, with its brilliant images and random candles, another fire of a different and eternal sort. The Face of Christ was clear to me in the fluttering light, the eyes seeming to fix me as I stood against the door.
My uncle rose and shoved the harp into the arms of a younger boy I didn't know. I saw in the shadows the children sitting up in their heavily draped beds. I saw their shining eyes looking at me in the dark. The others in the firelight clumped together and faced me.
I saw my Mother, wizened and sad as if centuries had passed since I left her, a veritable crone in the corner, clinging to the rug that covered her lap. I studied her, trying to fathom the cause of her decay. Toothless, decrepit, her knuckles big and chafed and shiny from work, perhaps she was merely a woman being worked too rapidly towards her grave.
A great collection of thoughts and words struck me, as if I were being pelted with blows. Angel, devil, night visitor, terror from the dark, what are you? I saw hands raised, hastily making the Sign of the Cross. But the thoughts came clear in answer to my query.
Who does not know that Ivan the Hunter had become Ivan the Penitent, Ivan the Drunkard, Ivan the Mad, on account of the day in the wild lands when he couldn't stop the Tatars from kidnapping his beloved son, Andrei?
I shut my eyes. It was worse than death what had happened to him! And I had never so much as wondered, never so much as dared to think of him alive, or cared enough to hope that he was, or thought what his fate might be had he lived? All over Venice were the shops in which I might have penned a letter to him, a letter that the great Venetian traders could have carried to some port where it might have been delivered over the famous post roads of the Khan.
I knew all this. Selfish little Andrei knew all this, the details that might have sealed the past for him neatly so that he could have forgotten it. I might have written:
Family, I live and am happy, though I can never come home. Take this money I send to you for my brothers and sisters and my Mother-.
But then I hadn't really ever known. The past had been misery and chaos.
Whenever the most trivial picture had become vivid, then torment had reigned.
My uncle stood before me. He was as big as my Father, and was well dressed in a belted leather tunic and felt boots. He looked down at me calmly but severely.
"Who are you that comes into our house in this manner?" he asked. "What is this Prince that stands before us? You carry a message for us? Then speak, and we will forgive you that you broke the lock on our door."
I drew in my breath. I had no more questions. I knew that I could find Ivan the Drunkard. That he was in the tavern with the fishermen and the fur traders, for that was the only enclosed place he'd ever loved other than his home.
With my left hand, I reached over and found the purse that I always carried, tied, as it should be, to my belt. I ripped it loose, and I handed it to this man. He merely looked at it. Then he drew himself up, offended, and he stepped back.
He seemed then to become part of a deliberate picture with the house. I saw the house. I saw the hand-carved furniture, the pride of the family which had done it, the hand-carved wooden crosses and candlesticks which held the many candles. I saw the painted symbols decorating the wood frames of the windows, and the shelves on which fine homemade pots, kettles and bowls were displayed.
I saw them all in their pride, then, the entire family, the women with the embroidery, as well as those with mending, and I remembered with a lullin
g comfort the stability and the warmth of their daily life.
Yet it was sad, oh, woefully sad, compared to the world I knew!
I stepped forward and I held out the purse again to him, and I said in a muffled voice, still veiling my face:
"I beg you to take this as a kindness to me and that I might save my soul. It's from your nephew, Andrei. He is far, far away in the land to which the slave traders took him, and he will never come home. But he is well and must share some of what he has with his family. He bids me to tell him which of you lives and which of you is dead. If I do not give you this money, and if you don't take it, I will be damned to Hell."
There came no response from them verbally. But I had what I wanted from their minds. I had all of it. Yes, Ivan was alive, and now I, this strange man, was saying that Andrei lived too. Ivan mourned for a son who not only lived but prospered. Life is a tragedy, one way or another. What is certain is that you die.
"I beg you," I said.
My uncle took the proffered purse but with misgivings. It was full of gold ducats, which would buy anywhere.
I let my cloak drop and I pulled off my left glove, and then the rings that covered every finger of my left hand. Opal, onyx, amethyst, topaz, turquoise. I moved past the man and the boys, to the far side of the fire, and laid these respectfully in the lap of the old woman who had been my Mother as she looked up.
I could see that, in a moment, she would know who I was. I covered my face again, but with my left hand, I took my dagger from my belt. It was only a short Misericorde, that little dagger which a warrior takes into battle to dispatch his victims if they are too far gone for salvation and yet not dead. It was a decorative thing, an ornament more than a weapon, and its gold-plated scabbard was thickly lined with perfect pearls.
"For you," I said. "For Andrei's Mother, who always loved her necklace of river pearls. Take this for Andrei's soul." I laid the dagger at my Mother's feet.
