Feltheryn swallowed hard.
"Did she then make a contribution?" he asked, opening the door of the dressing room and offering a silent prayer to whichever deity was responsible for the safe return of his lady.
"Well, no," said Glisselrand sheepishly: a very unusual mode of response for her. "She said that at the moment she had nothing suitable in the house. And ... Well, I hope that you won't be too upset with me, Lamby, but, well, I ... I told her I would leave her name with Lempchin out front, so that she could come to see a show for free. Her name is Ischade, and I am sure that when things look up for her, financially, we'll see her" in the audience all the time."
And as if the previous week's ordeals weren't enough, the morning after Glisselrand gave Ischade a free pass to the theater, Lempchin brought home a dog, a scruffy little bitch with a disturbing gleam in her eye and a glittering nimbus of something about her that made Feltheryn loath to say no when the boy proffered the usual tale of having been followed, and could he keep her?
"If you can teach her tricks!" the master player said. "And if you name her Beneficence,"
"Master Feltheryn," said Lempchin, with a worried but reasonable look on his pudgy face, "you can't go out and call a dog: *Here, Beneficence!'Everyone will laugh, and besides, it won't carry!"
"You are right," said Feltheryn. "But when I was a boy, before I became an actor, I had a dog named Beneficence and we called her Benny, which will carry quite well, don't you think?"
"Oh, yes. Master Feltheryn, yes! Thank you!" cried Lempchin.
The small dog looked up at Feltheryn with an expression of scandalized horror, and for a moment he thought she understood exactly what he was saying. She backed away and let a low growl escape her lips.
"I am afraid it is that, Benny, or find another home," said Feltheryn firmly.
The dog hesitated, as if she would do jus! that rather than answer to her new name; but at that moment Molin Torchholder entered the back of the theater and headed down the center aisle, and that seemed to change everything. She looked at Molin, looked back at Feltheryn, did three neat back flips in the air, then disappeared into the scenery before Molin got to the stage.
"A born actress," Feltheryn said, and rumpled Lempchin's hair before turning his attention to his patron.
"I have heard," Molin said, without preamble and with embarrassment, "that Rosanda will be attending the theater. Could you keep me advised of the nights you expect her, so that I can absent myself?"
ACT TWO
As if by divine edict (and in Sanctuary, it seemed the only way that it could happen) things began to go well. Vomistritus's broadsides stayed up, but his poisonous commentary failed to cut too deeply into the theater's receipts. Those who took the critic at face value and stayed away were balanced by those who were intrigued by his acerbic pen into coming to see what could possibly be so bad.
Lalo delivered final sketches for The Chambermaid's Wedding and they proved to be his most inspired designs to date. The flowery pergola for the wedding scene was of surpassing loveliness, and construction of the costumes and properties was begun with much enthusiasm by all concerned.
Lady Sashana proved not only beautiful and enthusiastic, but an apt pupil as well. Glisselrand actually blushed when the disguised Schoolgirl sang her the serenade, and that was no small tribute from an actress who had played the part more than fifty times.
As for Myrtis: she was pleased to contribute the talents of some of her younger protegees to the production, and the girls themselves were pleased and delighted (and amused) to be playing the Chambermaid's virgin bridesmaids.
"The only problem," Myrtis commented, "is that song in which they sing about being pure and chaste. Some of their customers may be in the audience, and if the poor men laugh, their wives will figure it out!"
Lempchin discovered that his new dog could leam any trick with the greatest of ease. It was not long before he had persuaded Glisselrand to sew a fluffy collar for the mutt, and not much more time before Benny had got a role in the show, doing tricks for the Countess in the wedding scene.
Master Chollandar stopped by the theater to deliver some glue and related how Vomistritus had demanded half the enormous payment for exclusive rights to the solvent returned on the basis of the one unauthorized use in freeing Rosanda, Rounsnouf, and Lempchin.
"I argued with him," said Chollandar, "but in the end I figured I would have to give him what he wanted. And that's not so bad, because it was really a lot of money that he paid. But I made him print, on each broadside, that the glue was dangerous and might not be removable. And I told him that if he didn't print the message on the poster, I would not be responsible for the consequences."
"Did he accept that?" asked Feltheryn.
"Oh, yes," said Chollandar. "I think he enjoys the idea of spreading something dangerous around Sanctuary. It makes him feel sinister, maybe."
Near the closing of The Falling Star a small purse appeared on the table in the greenroom, directly after the performance. Although Lempchin did not remember admitting her, a note within the purse identified the gold it contained as a "small" gift from Ischade; and Glisselrand commented that she was happy the dear shy woman had not only fallen upon better times, but, it seemed from the size of the gift, now reveled in them.
Glisselrand finished the red, purple, and orange quilt, and one day when rehearsals had gone especially well presented it to Sashana: who accepted it gracefully and in the spirit in which the gift was intendedSashana then asked Evenita (in private) if she had anything for a headache, and Evenita, who also possessed a quilt, rushed to an apothecary for some of the little leaves whose crushed essence was palliative for eyestrain.
The Falling Star closed, there was the usual closing-night party for the cast and a few friends, then the serious business of preparation for the next play began. Old sets were torn down, wood and canvas cannibalized, and the theater rang with repeated speeches and reeked with the smell of paint.
Lowan Vigeles and Lady Rosanda sent their regrets that they had not managed to see the recently closed play, but with their regrets they sent a request for the best seats in the house for opening night of The Chambermaid's Wedding. This presented a problem, as the best seats in the house were those in the royal box, and they would surely be occupied by Prince Kadakithis and the Beysa Shupansea, who, Rounsnouf assured Feltheryn, were not the favorite people of the Rankan household at Land's End.
Feltheryn asked Glisselrand's advice in the matter (which was his usual procedure in such thorny circumstances) and she quickly composed a note to Lowan Vigeles expressing regret that the best seats were those in the royal box, which had been flocked at the expense of the prince and the Beysa, who would most surely be in attendance.
"Do you think it wise to say that?" Feltheryn asked as he read the note.
"Read on," his lady commanded.
The note further expressed regret that the theater did not have a second box of equivalent splendor, and noted that in Ranke the company's theater had possessed three such boxes: the royal one at the center, and the two at the sides of the stage which allowed the attendance of visiting dignitaries and guests of the company's director. The note then politely asked whether Lowan Vigeles would like to have the royal box on the second night or a lesser box on opening night, and appended the opinion that many attendees preferred the second night, as the initial nervousness of the performance by then had dissipated.
Feltheryn smiled.
"I see you are angling for more pomp and nocking," he said; and Glisselrand grinned.
"It couldn't hurt, my dear," she said.
Rehearsals continued, the costumes and sets were finished, and in no time at all it was opening night. Lowan Vigeles and Rosanda elected the royal box on the second night, Molin Torchholder accompanied the prince and the Beysa for the first night, and everything went as smoothly as melon with custard. In fact, by the end of the first act the impossible seemed to be taking place.
"Yes,
that's him!" said Rounsnouf, who was playing the servant who turned out to be the father of the bridegroom, who was played by Snegelringe. "That laugh is unmistakable. Look out through the peephole' You see, that big, fat, ugly man? That's Vomistritus, and he actually seems to be enjoying himself!"
Feltheryn looked, saw, and had to agree that Vomistritus was big, fat, and ugly. His face was like a cantaloupe about to spoil. He had sagging chins aplenty and a grayish tone to his skin that made one wonder if he coupled regularly with corpses. His stubby fingers rested wetly on the rail and his bulgy eyes were bloodshot. His mouth was slack; Feltheryn wondered if he drooled as well. His teeth were snaggly when he smiled, and his smile was not unlike that of a shark. He wore loose robes of gooseturd green that failed to conceal his corpulence.
The young woman who sat next to him was pretty, and obviously paid for her participation.
"Suppose he turns out to be an honest critic?" asked Lady Sashana, stunning in tight blue satin breeches and a white brocade coat.
"An honest critic?" asked Snegelringe, standing close to her but as yet unable to affect her with his charms (she knew his hairline was receding under the wig).
"Yes," said Sashana. "Suppose he is actually doing what he thinks he is doing. It may be that tomorrow morning we will awake and find a good review glued all over town."
"Such things have occurred, my child," said Glisselrand, "but rarely. I don't think it is that critics go to the theater hoping to see a bad play so much as that they have seen so many plays they are numbed to the experience. I suspect they are like courtesans: always hoping for the exceptional and most of the time disappointed."
"That," said Feltheryn, taking his eye from the peephole that allowed the actors to see the audience without being seen, "and the fact that it is easier to cut a thing to ribbons than it is to imbue it with life."
"That's from The Choice of Mages, isn't it?" Sashana asked.
"Yes." Feltheryn smiled. "When Demetus realizes that even a child can kill, but that he, the greatest of magicians, cannot give life to the dead; not true life- That's when he abandons the warrior's path."
Sashana sighed. "I'd love to play Retifa!" she said.
Glisselrand's eyebrows shot up and for a moment Feltheryn wondered whether the company would make it to the second act of tonight's show. Retifa was one of Glisselrand's favorite parts.
"Of course," Sashana continued, "I'd need about thirty years of experience on the stage before I'd attempt it. And then I just might not have the talent. It takes a truly great actress, like you, Glisselrand, to carry off that part. Have you ever played it?"
Feltheryn relaxed, assured that equilibrium had been reestablished: and then it was time for the second-act curtain.
By the end of the play everybody in the cast was ebullient, and when the bows were all finished they were giddy with mutual congratulations. It was agreed that never had the town of Sanctuary known so much laughter, so much sheer good feeling. They all hurried to the greenroom and took seats behind the table, backed by big jardinieres full of flowers and potted palms, and soon the room was filled with people congratulating them.
The prince and the Beysa came first, then Molin Torchholder, then several noble families responsible for various aspects of the production. It was a shock to Feltheryn when he looked up and saw the doorway filled with goose-turd green, but he took it in good stride when Vomistritus waddled forward and began to congratulate them all.
"Never seen it so good!" the critic burbled in a loud but ill-supported baritone voice. "Such finesse! Such style! So much tastier than that tawdry tragedy you did last time' My compliments' You may be sure my broadsides will read in your behalf on the morrow. You, Madame Glisselrand, were superb! I was fare to weeping when you contemplated the Count's infidelity. And you. Master Feltheryn, were such a masterful buffoon; how did you manage that last scene, apologizing to her on one knee? One would have thought a man of your age would have difficulty with so much spriteliness. Ah, but my greatest accolades are for you, Lady Sashana! Your step! Your song! Your amorous elegance! How could anyone resist your entreaties? Why, I must confess, I thought the Countess to have a heart of stone when you pled your case! And if I felt so, then rest assured, all your audience must surely have felt so! For is that not the purpose of a critic? To stand in for the whole audience? To try and feel the play, not merely as he would alone, but as each and every viewer would feel it? Not so different from a director's Job, is it. Master Feltheryn? Only you try to stand in for the audience before the play is played, and I try to stand in for them once you have prepared it. To see whether what you saw is what they see. You see? See! Saw! Ha ha!"
And thus he went on, for considerably longer than was seemly for a man at the head of a queue, and in considerable contradiction to the tenor of his previous tone regarding the troupe. When finally he left, and the rest of the weil-wishers had paid their respects and departed, the whole company was exhausted. They repaired to the kitchen, where Lempchin had broken out cold pasties, and when they had finished rehashing the night's triumphs and restoring the energy expended by acting, they all went to bed, happy: and wondering, each in his or her private way, if perhaps the slight magic resident in the play had wrought some change in Vomistritus.
The second night was as glittering a triumph as the first. Not only did Lowan Vigeles and Rosanda attend, they brought with them enough gladiators that there was barely enough room in the theater for seating. The gladiators were all dressed in their most elaborate noncombat gear, so the candlelight flashing off gold in the audience was very near distracting from the spectacle on stage. Only Lady Rosanda outshone them. She had dressed in High Rankan style in a way that was quite as impressive as the formal cosa the Beysa had worn the night before.
Except, of course, that the Lady Rosanda kept her nipples covered.
By the third morning Vomistritus's review was plastered all over town, and it was gushing with praise for the production and everyone in it. If any unreasonable prejudice could be found in his words (Rounsnouf noted over a breakfast of hot lemon-grass tisane and egg bread fried in bacon grease) it was the opulence of his praise for Sashana.
"No doubt she's wonderful," he mumbled as he chewed. "Just not that wonderful!"
Thus it came as a surprise when, on the fourth morning after the play had opened. Lady Sashana arrived at the theater with her bodyguard servants and declared her intention to kill the Emperor's cousin, and the price be damned.
"My poor child!" Feltheryn exclaimed, pulling a chair out from the table so that she could sit down and noting that her face was bruised. "What on earth has happened?"
Lady Sashana clenched her fists on the table before her and tried to speak, but her breath was coming hard and the emotions that stormed across her face were too varied and confused for articulation. Feltheryn looked to the bodyguards and noted that they also bore bruises; and cuts and abrasions as well. Worse, each cast his eyes to the floor as Feltheryn looked at him, and the red bum of shame colored all their features.
"He-" Sashana began, but she choked on the words.
Glisselrand came into the kitchen, saw Sashana, and immediately put a cup of hot tisane before her. Myrtis entered behind Glisselrand and froze, her face going professionally blank.
Sashana drank some of the tisane, coughed, then tried again.
"Last night after the performance I received a note from Vomistritus. It said that he was having a small supper party and requested my attendance. After all the nice things he said about the production, and about my performance, I decided to go."
"At that hour of the night?" asked Glisselrand. "In Sanctuary?"
Sashana smiled ruefully.
"I am not a fool; at least not a complete fool! I took along my bodyguards, with the very good excuse that it would be unsafe for me to travel the streets that late without them. Vomistritus met me at the door himself and seemed more than pleased to admit my men. He ordered his servants to provide them with wine and mea
t, then led me to the upper chamber where the party was."
She took another sip from her cup.
"At once I divined my state, for the room was set for supper for only two. I turned to go, but the door had been locked from the outside. I demanded that he open the door, but he laughed. I used the best voice that you taught me and called for my men, but there was no response.
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