When Last I Died

Home > Other > When Last I Died > Page 14
When Last I Died Page 14

by Gladys Mitchell


  "Oh, ah," said the old man, deflated. He handed her the keys. "No good me telling you which is for which door. You'd never remember 'em all," he continued. Mrs. Bradley accepted the formidable bunch.

  "I shall proceed according to the method of trial and error," she said. Lugubriously the old man watched her approach the drawing-room, and then he shuffled away to his dinner.

  Mrs. Bradley had chosen her time carefully. She had discovered the hour at which the custodian dined, and the average amount of time he spent over his meal. She knew that she had approximately two hours at her disposal. It was her intention to make a thorough examination of the house and to repeat this examination, if she thought it necessary, once more before the first séance was held. She had arranged that this séance should be held after dark, and had rented the house for the twenty-four hours beginning at ten in the morning.

  She did not go into the drawing-room until the caretaker was out of sight. Then she unlocked it and went straight across to the window. It was in front of this window that the body of Cousin Tom must have fallen. Taking a folding ruler from her skirt-pocket, she measured the height of the room. She had already formed a mental estimate of the height of the bedroom window-sill from the ground, and her measurements showed the drawing-room ceiling to be twelve feet high.

  She wanted to go upstairs and measure the height of the bedroom from which Cousin Tom had fallen, and prove to her own satisfaction that, allowing for flooring, there was no secret cavity between the rooms. She was trying to account for the poltergeist.

  If, as she supposed, the phenomena were not genuine, then it was necessary to discover some hiding place from which the perpetrator of what had turned out to be a very grim joke could have emerged and to which he could have returned whilst 'haunting' the house.

  There was the possibility, of course, that the phenomena might be genuine, and this point she did not overlook. Nevertheless, in as much of the literature relating to poltergeist activity as she had been able to procure, there seemed no evidence of anything beyond mischief and a certain amount of childish spite behind the poltergeist manifestations. Murder, for instance, seemed quite outside the scope of poltergeist behaviourism, and she had not the slightest hesitation in accepting, as a working hypothesis, Mrs. Muriel Turney's conviction that Cousin Tom had met with foul play.

  The house itself, as she had realised upon her first visit and in spite of the somewhat irritating presence of the old man, was a most extraordinary place. Stone-built in the most hideous and uncompromising style of the middle of the nineteenth century, it retained evidence of having been erected on the site of a very much older building, for in some respects it adhered to the Elizabethan ground-plan upon which an earlier house had been built.

  Of all the picturesque features of its foundation, however, it retained nothing but some panelling by the side of an obviously reconstructed fireplace in the dining-room.

  The windows were large and rectangular, and opened up and down by means of sashcords, some of which were in need of replacement. The staircases were narrow and Victorian, even the front one. On the servants' staircase there was not room for two people to pass.

  It was a cheerless house; sinisterly cheerless, for the bright sunshine streamed in through the windows, particularly of the drawing-room, which faced south, and of the bedroom immediately above it, and yet a kind of spiritual dankness seemed to permeate every part of the building.

  Mrs. Bradley was particularly free from morbid fears and nervous fancies, but she would not have been in the least surprised, she felt, as she went from room to room, tapping, pacing and measuring, to turn round and find the ghost of Cousin Tom, of Bella Foxley, or even of Aunt Flora, standing in the doorway watching her. As for the front stairs, she stood quite two minutes in the bare and chilly hall looking at them before she could bring herself to mount.

  Once on the first floor, however, she shook off this irrational sensation, and explored as fully and measured as carefully as she had done down below.

  In connection with the alleged activities of the poltergeist she did establish one thing. That was that the contents of the bedroom from which (or in which) Cousin Tom had met his death could be shot over the banisters into the hall without trouble, and that anybody decanting furniture, ornaments or anything else portable into the well provided by the turn of the stairs, would have ample time to escape before the investigators could catch him. As for the sound of his footsteps, that, to a convinced ghost-hunter, would not necessarily convey any doubts. Poltergeists can be heard to move about, she had read, and, in fact, their footsteps were often audible without anything being visible.

  The route taken by a person playing practical jokes or hide-and-seek with a victim would most likely be along the passage to the bathroom, she deduced. This passage, unlighted for about half a dozen yards beyond the bedroom door, proceeded, under a square-topped archway and down one step, to a fairly large bathroom and to the back stairs. These stairs led down to the kitchen and up to the attics, and were lighted at the top by a large window which overlooked the almost enclosed courtyard. This window, oddly enough, could be closed by shutters on the inside of the glass.

  The bathroom door opened on the right of the passage, at the end of which was another bedroom which overlooked the garden. There was a rather similar passage at the opposite end of the landing, but on this side there was no bathroom, and the bedrooms were considerably smaller.

  There was one item of particular interest which she had overlooked on her previous visits. This was that a small room, apparently a dressing-room, opened off the side of what, to herself, she called Cousin Tom's room, but the communicating-door had been papered over, so that, at a casual glance, it was unlikely that the fact that it was not quite flush with the rest of the wall would be apparent.

  She went over and examined it again when she had explored the bathroom passage to its end. The job of disguising the doorway had been so well done that it almost seemed as though deliberate thought had been given to the possibility of hiding it. She ran her finger round the opening, being very careful not to press hard enough to break the wall-paper, and then went into the adjoining room to study the doorway from that side. The same neat, careful job had been made, and she now noted more particularly a fact which had struck her before—that the opening from the passage leading into this smaller room was not, and never had been, a doorway in which to hang a door— it was merely an arch which had been formed by removing bricks from the passage wall.

  Whether these alterations had any sinister implication still had to be discovered. She noted them, and passed on. The attics, which she thought might repay inspection, proved disappointing in that they were entirely empty. Whatever lumber the house might once have harboured was not now on this top floor. She inspected the boards closely. They were dusty, but not unduly so, and she supposed that these rooms, in common with the other parts of the house to which the public were not usually admitted, received attention at intervals from the caretaker and his daughter. There was an absence of cobwebs which suggested that the last cleaning of the attics had been of fairly recent date.

  She walked over to the window in each room and looked out, but beyond an extended view of the country around the house, the windows had nothing to offer. She tested the catches. They were rusty, and it did not seem as though the windows could have been opened for some considerable time, certainly not when the rooms had last been cleaned.

  The attics did not cover the whole of the floor beneath, but belonged, it seemed, to the older part of the present structure, for the rooms on the opposite side of the house had no attics built over them. The lower roofs could be seen from two of the attic windows. The courtyard could not be seen from any of the upstair windows except the shuttered window on the stairs.

  She was about to descend the narrow stairs when she noticed what seemed to be ventilation holes in the partition wall at the top of the staircase. When the attic doors were shut this partition wall was in d
arkness. She looked back, and saw that one of the doors which she believed she had shut and locked was swinging slowly open.

  With a feeling more of interest than of anything approaching alarm, she went back to find out what had happened. She had not anticipated anything in the way of a supernatural occurrence, but she was relieved, all the same, to discover that the trouble was due to a defective lock and did not emanate from the realm of the spirits.

  She pushed the door wide open, and went back to examine the air-holes. It was now obvious that they ventilated a large cupboard, or small, unlighted room, on the opposite side of the passage. The door of it had been papered over to match the rest of the decorations of the attic corridor, and again, like the door into the dressing-room on the floor below, would, in the ordinary-way, pass unnoticed. She traced the outline of the door beneath the paper, closed the attic door again, and this time, fastened it securely, and then, with some part of her theory if not proved, at any rate capable of proof, she returned to the first floor and made an exhaustive search.

  Nothing further was to be discovered there, however, and she spent the next three-quarters of an hour in checking the plan of the house which formed the only illustration to the little guidebook she had purchased on her previous visit, and in preparing a sketch-plan of her own on which she marked the door with the faulty lock, the position of the two attic cupboards, the blocked-up and papered-over communicating door between the largest bedroom, and the window with the inside shutters and the dressing-room at the top of the stairs.

  Her next objective was the courtyard. This was a rectangular strip of garden which had been made almost into a quadrangle by the addition of the newest wing. It was overgrown with tall weeds, the willow-herb flourishing particularly. There was a well at one corner, close to the scullery door. A couple of boards formed the cover. She removed them, peered into the well and then replaced the boards.

  Although it was broad daylight, the courtyard looked eerie and desolate. It was silent, too, and the surrounding buildings seemed to shut out the sun. It was curious, she thought, that none of the windows, even of the new buildings, overlooked it. It seemed chilly out there. Mrs. Bradley made a careful exploration, even parting continually the long weeds to make certain that the surface of the courtyard was everywhere the same. This examination yielded nothing.

  She left the house before the caretaker returned to it. Then, later in the afternoon, she sought him out, and asked him one or two trivial questions before she put to him the important query suggested by her visit.

  "What has become of the well-cover, I wonder?" she said, in the most casual tone she could command.

  "Well-cover? It was covered with two planks last time I were here," he responded stupidly. "What do you mean about a well-cover?"

  "I shouldn't have thought two planks would have been sufficient to cover so deep a well, and one which has the opening level with the ground," replied Mrs. Bradley. "But, of course, it's no business of mine. One thing, I see that you are able to keep the flap of the cellar staircase screwed down. That's something."

  "If any of the visitors brings children, I keeps my eye on things," said the old man. "Anyway, this yere courtyard beant on the reg'lar routine. Nothing to see out here. I've give up most of the garden, too, I 'ave. Just keep the front a bit tidy. I thought maybe some of them it belonged to might pay a jobbing gardener to come in now and again. It's a mort of work for an old fellow like me, and I can't keep upsides with it nohow. Barring the little wife of that poor gentleman as was killed, and she only come the once, I don't believe anybody's took that much interest in doing a bit of spade-work. Seems a shame, like, don't it?"

  Mrs. Bradley emphatically dissented from this view, but she did not say so. As soon as she left the haunted house this time she went back to Miss Biddle.

  "I'm becoming a nuisance," she remarked, "but there is one thing I want to know, and I don't know of anybody else who can help me. These screamings and knockings that seem to have been heard before the death of Mr. Tom Turney ...?"

  "I'never heard them myself," Miss Biddle confessed, "but I know who did, and that's my daily woman. But weren't they heard after the death?"

  "What kind of witness would she make? I mean, is she the kind to exaggerate what she heard?"

  "Oh, yes, certainly. On the other hand, she certainly did hear something. I put down in my commonplace book what she said at the time, and I attach importance to it because it was the first that anybody heard, it seems, of that part of the hauntings, so that it could not have been the result of hearsay, or owing anything to village gossip."

  Mrs. Bradley mentally blessed the commonplace book, of which she had heard on her previous visit, and begged that it might be produced. The entry was not dated—a point not of very great importance, since Cousin Tom's death was referred to, and this fixed the time sufficiently for those circumstances which she suspected that she was investigating.

  The entry read: Mrs. Gubb very excited and upset. She says she heard screams and yells from the haunted house as she came past this morning on her way here. The other day the new tenant, a Mr. Turney, fell out of a bedroom window and was killed. Mrs. Gubb says that what with one thing and another, nobody will want to go near that house, even in daylight, soon.

  Mrs. Bradley asked permission to make a copy of the entry, and, having made it, autographed a copy of one of her own books at Miss Biddle's deprecating but eager request, departed, went back to the inn, carefully collated such information as she now possessed, heard half a dozen more legends of ancient hauntings from the villagers, and went off again to interview Mrs. Muriel.

  "I want you to come back to that house with me, Mrs. Turney," she said. A request couched in such terms was almost bound to be refused, and Mrs. Bradley was not at all surprised to hear Cousin Muriel reply :

  "Oh, no, really, really, I couldn't. You don't know what you're asking! I'll tell you anything you like about the house, but I couldn't possibly set foot in it again, and nobody ought to expect it."

  As Mrs. Bradley did not expect it she inclined her head sympathetically and added :

  "You came to hear of the house through Bella Foxley, and you say that she had recommended houses to you before?"

  "Well, yes. She had rather a flair, Tom used to say. She found Hazy for us. You know—that house where two men of the Plague Year walk about and say, "Bring out your dead." Of course, they never did say it while we were there, and so Tom couldn't put much about it in the article he wrote. We only stayed a month, but it was a very interesting old house, and we had a good deal of success with planchette there. Although, I might tell you, I don't really like planchette. It makes me think— it almost makes me believe——"

  "Did your husband ask a fee for admission to his séances?"

  "Why, how else could we have lived?" asked Cousin Muriel. "He certainly did not get very much for his writing."

  "Then—if you don't object to the question—did he never encounter people who were disappointed when the séance, we will say, produced no results?"

  "The séances always produced results," responded Muriel. "If it wasn't one thing it would be another. That was what was so wonderful, and rather frightening, really. Tom never had what you might call a barren séance."

  "Really?" said Mrs. Bradley, noting down this extraordinary fact.

  "Oh, no," said Muriel eagerly. "I don't know whether you've attended many séances, but Tom could induce the spirits. He had the most wonderful powers."

  "Oh? So your husband was a medium?"

  "No. I was. But I could only work through him. He always said he got wonderful results with me. They used to scare me sometimes, all the same. I mean, you can go too far ... that's what people say."

  "Tell me," said Mrs. Bradley after a pause, "did Miss Foxley have mediumistic powers?"

  "Bella? Oh, dear no! She was terribly materialistic. She used to sit with us——"

  "Always?" asked Mrs. Bradley sharply.

  "Well, if she w
as staying in the house. Not otherwise, of course. Although Tom did say once that when I was in a trance Bella came and spoke. Oh, only her astral body or something, of course. I'm afraid I don't remember all the terms. But, at any rate, she projected herself, it seems——"

  "By means of the road or the railway," was Mrs. Bradley's mental note upon this——"

 

‹ Prev