by Harlan Coben
Sandra shook her head, not believing her. "And you think the guy from Photomat stuck it in there?"
"I don't know anymore. But you still haven't explained--what about the picture made him call you?"
Sandra hesitated.
"I know about Geri Duncan," Grace said.
"You know what about Geri Duncan?"
"That she's the girl in the picture. And that she was murdered."
That made Sandra sit up. "She died in a fire. It was an accident."
Grace shook her head. "It was set intentionally."
"Who told you that?"
"Her brother."
"Wait, how do you know her brother?"
"She was pregnant, you know. Geri Duncan. When she died in that fire, she was carrying a baby."
Sandra stopped and looked up in horror. "Grace, what are you doing?"
"I'm trying to find my husband."
"And you think this is helping?"
"You told me yesterday you didn't know anyone in the picture. But you just admitted you knew Geri Duncan, that she died in a fire."
Sandra closed her eyes.
"Did you know Shane Alworth or Sheila Lambert?"
Her voice was soft. "Not really, no."
"Not really. So their names are not totally unfamiliar to you?"
"Shane Alworth was a classmate of Jack's. Sheila Lambert, I think, was a friend from a sister college or something. So what?"
"Did you know that the four of them played together in a band?"
"For a month maybe. Again so what?"
"The fifth person in the picture. The one with her head turned. Do you know who she is?"
"No."
"Is it you, Sandra?"
She looked up at Grace. "Me?"
"Yes. Is it you?"
There was a funny look on Sandra's face now. "No, Grace, it's not me."
"Did Jack kill Geri Duncan?"
The words just came out. Sandra's eyes opened as if she'd been slapped. "Are you out of your mind?"
"I want the truth."
"Jack had nothing to do with her death. He was overseas already."
"So why did the picture freak him out?"
She hesitated.
"Why, dammit?"
"Because he didn't know Geri was dead until then."
Grace looked confused. "Were they lovers?"
"Lovers," she repeated, as if she'd never heard the word before. "That's a pretty mature term for what they were."
"Wasn't she dating Shane Alworth?"
"I guess. But they were all just kids."
"Jack was fooling around with his friend's girlfriend?"
"I don't know how friendly Jack and Shane were. But yes, Jack slept with her."
Grace's head began to whirl. "And Geri Duncan got pregnant."
"I don't know anything about that."
"But you know she's dead."
"Yes."
"And you know Jack ran away."
"Before she died."
"Before she was pregnant?"
"I just told you. I never knew she was pregnant."
"And Shane Alworth and Sheila Lambert, they're both missing too. You want to tell me it's all a coincidence, Sandra?"
"I don't know."
"So what did Jack say when he called you?"
She let loose a deep sigh. Her head dropped. She was silent for a while.
"Sandra?"
"Look, that picture has to be, what, fifteen, sixteen years old? When you just gave it to him like that, out of the blue . . . how did you think he'd react? With Geri's face crossed out. So Jack went to the computer. He did a Web search--I think he used the Boston Globe's archives. He found out she's been dead this whole time. That was why he called me. He wanted to know what happened to her. I told him."
"Told him what?"
"What I knew. That she died in a fire."
"Why would that make Jack run out?"
"That I don't know."
"What made him run overseas in the first place?"
"You have to let this go."
"What happened to them, Sandra?"
She shook her head. "Forget the fact that I'm his attorney and that it's protected. It is simply not my place. He's my brother."
Grace reached out and took Sandra's hands in hers. "I think he's in trouble."
"Then what I know can't help him."
"They threatened my children today."
Sandra closed her eyes.
"Did you hear what I said?"
A man in a business suit leaned into the room. He said, "It's time, Sandra." She nodded and thanked him. Sandra pulled her hands away, stood, smoothed out the lines of her suit.
"You have to stop this, Grace. You have to go home now. You have to protect your family. It's what Jack would want you to do."
Chapter 38
The threat at the supermarket had not taken.
Wu was not surprised. He had been raised in an environment that stressed the power of men and the subordination of women, but Wu had always found it to be more hope than truth. Women were harder. They were more unpredictable. They handled physical pain better--he knew this from personal experience. When it came to protecting their loved ones, they were far more ruthless. Men would sacrifice themselves out of machismo or stupidity or the blind belief that they would be victorious. Women would sacrifice themselves without self-deception.
He had not been in favor of making the threat in the first place. Threats left enemies and uncertainty. Eliminating Grace Lawson earlier would have been routine. Eliminating her now would be riskier.
Wu would have to return and handle the job himself.
He was in Beatrice Smith's shower, dyeing his hair back to its original color. Wu usually wore it bleached blond. He did this for two reasons. The first reason was basic: He liked the way it looked. Vanity, perhaps, but when Wu looked in the mirror he thought the surfer-blond, gel-spiked style worked on him. Reason two, the color--a garish yellow--was useful because it was what most people remembered. When he brought his hair back to its natural state of everyday Asian-black, flattened it down, when he changed his clothes from the modern hip style to something more conservative, donned a pair of wire-rimmed spectacles, well, the transformation was very effective.
He grabbed Jack Lawson and dragged him down into the basement. Lawson did not resist. He was barely conscious. He was not doing well. His mind, already stretched, had perhaps snapped. He would not survive much longer.
The basement was unfinished and damp. Wu remembered the last time he'd been in a similar setting, out in San Mateo, California. The instructions had been specific. He had been hired to torture a man for exactly eight hours--why eight Wu had never learned--and then break bones in both the man's legs and arms. Wu had manipulated the broken bones so that the jagged edges sat next to nerve bundles or near the surface of the skin. Any movement, even the slightest, would cause excruciating pain. Wu locked the basement and left the man by himself. He checked up on him once a day. The man would plead, but Wu would just stare silently. It took eleven days for the man to die of starvation.
Wu found a strong pipe and chained Lawson to it. He also cuffed his arms behind his back around a support wall. He put the gag back into his mouth.
Then he decided to test the binds.
"You should have gotten every copy of that photograph," Wu whispered.
Jack Lawson's eyes rolled up.
"Now I'll have to pay your wife a visit."
Their gazes locked. A second passed, no more, and then Lawson sprang to life. He began to flail. Wu watched him. Yes, this would be a good test. Lawson struggled for several minutes, a fish dying on the line. Nothing gave way.
Wu left him alone then, still fighting his chains, to find Grace Lawson.
Chapter 39
Grace did not want to stay for the press conference.
Being in the same room with all these mourners . . . She didn't like to use the term "aura," but it seemed to fit. The room had a bad aura
. Shattered eyes stared at her with a yearning that was palpable. Grace understood, of course. She was no longer the conduit to their lost children--too much time had passed for that. Now she was the survivor. She was there, alive and breathing, while their children rotted in the grave. On the surface there was still affection, but beneath that Grace could feel rage at the unfairness of it all. She had lived--their children had not. The years had offered no reprieve. Now that Grace had children of her own, she understood in a way that would have been impossible fifteen years ago.
She was about to slide out the back door when a hand took firm hold of her wrist. She turned and saw it was Carl Vespa.
"Where are you going?" he asked.
"Home."
"I'll give you a ride."
"That's okay. I can hire a car."
His hand, still on her wrist, tightened for a brief moment and again Grace thought she saw something detonate behind his eyes. "Stay," he said.
It was not a request. She searched his face, but it was oddly calm. Too calm. His demeanor--so off with the surroundings, so different from the flash of fury she'd seen last night--frightened her anew. Was this really the man she was trusting with her children's lives?
She sat next to him and watched Sandra Koval and Wade Larue take to the podium. Sandra pulled the microphone closer and started up with the standard cliches about forgiveness and starting over and rehabilitation. Grace watched the faces around her shut down. Some cried. Some pursed their lips. Some visibly shook.
Carl Vespa did none of that.
He crossed his legs and leaned back. He surveyed the proceedings with a casualness that scared her more than the worst scowl. Five minutes into Sandra Koval's statement, Vespa's eyes shifted toward Grace. He saw that she'd been watching him. Then he did something that made her shiver.
He winked at her.
"Come on," he whispered. "Let's get out of here."
With Sandra still talking, Carl Vespa rose and headed for the door. Heads turned and there was a brief hush. Grace followed. They took the elevator down in silence. The limousine was right out front. The big burly guy was in the driver's seat.
"Where's Cram?" Grace asked.
"On an errand," Vespa said, and Grace thought she saw the trace of a smile. "Tell me about your meeting with Ms. Koval."
Grace recounted her conversation with her sister-in-law. Vespa stayed silent, gazing out the window, his index finger gently tapping his chin. When she finished, he asked, "Is that everything?"
"Yes."
"Are you sure?"
She did not like the lilt in his tone.
"What about your recent"--Vespa looked up, scanning for the word--"visitor?"
"You mean Scott Duncan?"
Vespa had the oddest grin. "You are aware, of course, that Scott Duncan works for the U.S. attorney's office."
"Used to," she corrected.
"Yes, used to." His voice was too relaxed. "What did he want with you?"
"I told you."
"Did you?" He shifted in his chair, but he still did not face her. "Did you tell me everything?"
"What's that supposed to mean?"
"Just a question. Was this Mr. Duncan your only recent visitor?"
Grace did not like how this was going. She hesitated.
"Nobody else you'd like to tell me about?" he continued.
She tried to search his face for a clue, but he kept it turned away from her. What was he talking about? She mulled it over, replayed the past few days . . .
Jimmy X?
Could Vespa somehow know about Jimmy stopping by after his concert? It was possible, of course. He had found Jimmy in the first place--it would stand to reason that he'd have someone following him. So what should Grace do here? Would saying something now just compound the issue? Maybe he didn't know about Jimmy. Maybe opening her mouth now would just get her in deeper trouble.
Play it vague, she thought. See where it goes. "I know I asked for your help," she said, her tone deliberate. "But I think I'd like to handle this on my own now."
Vespa finally turned toward her and faced her full. "Really?"
She waited.
"Why is that, Grace?"
"Truth?"
"Preferably."
"You're scaring me."
"You think I'd harm you?"
"No."
"Then?"
"I just think it might be best--"
"What did you tell him about me?"
The interruption caught her off guard. "Scott Duncan?"
"Is there anyone else you talked to about me?"
"What? No."
"So what did you say to Scott Duncan about me?"
"Nothing." Grace tried to think. "What could I tell him anyway?"
"Good point." He nodded, more to himself than at Grace. "But you were never very specific on why Mr. Duncan paid you this visit." Vespa folded his hands and put them on his lap. "I'd very much like to know the details."
She didn't want to tell him--didn't want him involved anymore--but there was no way to avoid it. "It's about his sister."
"What about her?"
"Do you remember the girl crossed out in that picture?"
"Yes."
"Her name was Geri Duncan. She was his sister."
Vespa frowned. "And that's why he came to you?"
"Yes."
"Because his sister was in the photograph?"
"Yes."
He sat back. "So what happened to her, this sister?"
"She died in a fire fifteen years ago."
Vespa surprised Grace then. He didn't ask a follow-up question. He didn't ask for clarification. He simply turned away and stared out the window. He did not speak again until the car pulled into the driveway. Grace opened the door to get out, but there was some kind of locking system on it, like the safety lock she'd used when the kids were small, and she could not open it from the inside. The burly driver came around and took hold of the door handle. She wanted to ask Carl Vespa what he planned on doing now, if he'd indeed leave them alone, but his body language was wrong.
Calling him in the first place had been a mistake. Telling him she wanted him out of this may have compounded it.
"I'll keep my men on until you pick up the children from school," he said, still not facing her. "Then you'll be on your own."
"Thank you."
"Grace?"
She looked back at him.
"You should never lie to me," he said.
His voice was ice. Grace swallowed hard. She wanted to argue, to tell him that she hadn't, but she worried that it would sound too defensive--protesting too much. So she simply nodded.
There were no good-byes. Grace headed up the walk alone. Her step teetered from something more than the limp.
What had she done?
She wondered about her next step. Her sister-in-law had said it best: Protect the children. If Grace were in Jack's shoes, if she had gone missing for whatever reason, that would be what she'd want. Forget me, she'd tell him. Keep the children safe.
So now, like it or not, Grace was out of the rescue business. Jack was on his own.
She'd pack now. She'd wait until three o'clock, until school was let out, and then she'd pick up the children and drive to Pennsylvania. She'd find a hotel where you didn't need a credit card. Or a B&B. Or a rooming house. Whatever. She'd call the police, maybe that Perlmutter even. She'd tell him what was going on. But first she needed her children. Once they were safe, once she had them in her car and was on the road, she'd be okay.
She reached her front door. There was a package on the step. She bent down and picked it up. The box had a New Hampshire Post logo on it. The return address read: Bobby Dodd, Sunrise Assisted Living.
It was Bob Dodd's files.
Chapter 40
Wade Larue sat next to his lawyer, Sandra Koval.
He wore brand-new clothes. The room did not smell of prison, that horrid combination of decay and disinfectant, of fat guards and urine, of stains tha
t never come out, and that in and of itself was a strange adjustment. Prison becomes your world, getting out an impossible daydream, like imagining life on other planets. Wade Larue had gone inside at the age of twenty-two. He was now thirty-seven. That meant he had spent pretty much all his adult years inside that place. That smell, that horrid smell, was all he knew. Yes, he was still young. He had, as Sandra Koval repeated mantralike, his whole life in front of him.
