So when Tig came along, accompanied by two curs, who had faithfully followed him from his home, and when she learned the details of his story, she took him in, curs and all, and, having bathed the three of them, made them part and parcel of her home. This was after the demise of the second husband, and at a time when Nora felt that she had done all a woman could be expected to do for Hymen.
Tig was a preposterous baby. The curs were preposterous curs. Nora had always been afflicted with a surplus amount of laughter—laughter which had difficulty in attaching itself to anything, owing to the lack of the really comic in the surroundings of the poor. But with a red-headed and freckled baby boy and two trick dogs in the house, she found a good and sufficient excuse for her hilarity, and would have torn the cave where echo lies with her mirth, had that cave not been at such an immeasurable distance from the crowded neighbourhood where she lived.
At the age of four Tig went to free kindergarten; at the age of six he was in school, and made three grades the first year and two the next. At fifteen he was graduated from the high school and went to work as errand boy in a newspaper office, with the fixed determination to make a journalist of himself.
Nora was a trifle worried about his morals when she discovered his intellect, but as time went on, and Tig showed no devotion for any woman save herself, and no consciousness that there were such things as bad boys or saloons in the world, she began to have confidence. All of his earnings were brought to her. Every holiday was spent with her. He told her his secrets and his aspirations. He admitted that he expected to become a great man, and, though he had not quite decided upon the nature of his career,—saving, of course, the makeshift of journalism,—it was not unlikely that he would elect to be a novelist like—well, probably like Thackeray.
Hope, always a charming creature, put on her most alluring smiles for Tig, and he made her his mistress, and feasted on the light of her eyes. Moreover, he was chaperoned, so to speak, by Nora Finnegan, who listened to every line Tig wrote, and made a mighty applause, and filled him up with good Irish stew, many coloured as the coat of Joseph, and pungent with the inimitable perfume of “the rose of the cellar.” Nora Finnegan understood the onion, and used it lovingly. She perceived the difference between the use and abuse of this pleasant and obvious friend of hungry man, and employed it with enthusiasm, but discretion. Thus it came about that whoever ate of her dinners, found the meals of other cooks strangely lacking in savour, and remembered with regret the soups and stews, the broiled steaks, and stuffed chickens of the woman who appreciated the onion.
When Nora Finnegan came home with a cold one day, she took it in such a jocular fashion that Tig felt not the least concern about her, and when, two days later, she died of pneumonia, he almost thought, at first, that it must be one of her jokes. She had departed with decision, such as had characterized every act of her life, and had made as little trouble for others as possible. When she was dead the community had the opportunity of discovering the number of her friends. Miserable children with faces which revealed two generations of hunger, homeless boys with vicious countenances, miserable wrecks of humanity, women with bloated faces, came to weep over Nora’s bier, and to lay a flower there, and to scuttle away, more abjectly lonely than even sin could make them.
If the cats and the dogs, the sparrows and horses to which she had shown kindness, could also have attended her funeral, the procession would have been, from a point of numbers, one of the most imposing the city had ever known. Tig used up all their savings to bury her, and the next week, by some peculiar fatality, he had a falling out with the night editor of his paper, and was discharged. This sank deep into his sensitive soul, and he swore he would be an underling no longer—which foolish resolution was directly traceable to his hair, the colour of which, it will be recollected, was red.
Not being an underling, he was obliged to make himself into something else, and he recurred passionately to his old idea of becoming a novelist. He settled down in Nora’s basement rooms, went to work on a battered type-writer, did his own cooking, and occasionally pawned something to keep him in food. The environment was calculated to further impress him with the idea of his genius.
A certain magazine offered an alluring prize for a short story, and Tig wrote one, and rewrote it, making alterations, revisions, annotations, and interlineations which would have reflected credit upon Honoré; Balzac himself. Then he wrought all together, with splendid brevity and dramatic force,—Tig’s own words,—and mailed the same. He was convinced he would get the prize. He was just as much convinced of it as Nora Finnegan would have been if she had been with him.
So he went about doing more fiction, taking no especial care of himself, and wrapt in rosy dreams, which, not being warm enough for the weather, permitted him to come down with rheumatic fever.
He lay alone in his room and suffered such torments as the condemned and rheumatic know, depending on one of Nora’s former friends to come in twice a day and keep up the fire for him. This friend was aged ten, and looked like a sparrow who had been in a cyclone, but somewhere inside his bones was a wit which had spelled out devotion. He found fuel for the cracked stove, somehow or other. He brought it in a dirty sack which he carried on his back, and he kept warmth in Tig’s miserable body. Moreover, he found food of a sort—cold, horrible bits often, and Tig wept when he saw them, remembering the meals Nora had served him.
Tig was getting better, though he was conscious of a weak heart and a lamenting stomach, when, to his amazement, the sparrow ceased to visit him. Not for a moment did Tig suspect desertion. He knew that only something in the nature of an act of Providence, as the insurance companies would designate it, could keep the little bundle of bones away from him. As the days went by, he became convinced of it, for no sparrow came, and no coal lay upon the hearth. The basement window fortunately looked toward the south, and the pale April sunshine was beginning to make itself felt, so that the temperature of the room was not unbearable. But Tig languished; sank, sank, day by day, and was kept alive only by the conviction that the letter announcing the award of the thousand-dollar prize would presently come to him.
One night he reached a place, where, for hunger and dejection, his mind wandered, and he seemed to be complaining all night to Nora of his woes. When the chill dawn came, with chittering of little birds on the dirty pavement, and an agitation of the scrawny willow “pussies,” he was not able to lift his hand to his head. The window before his sight was but “a glimmering square.” He said to himself that the end must be at hand. Yet it was cruel, cruel, with fame and fortune so near! If only he had some food, he might summon strength to rally—just for a little while! Impossible that he should die! And yet without food there was no choice.
Dreaming so of Nora’s dinners, thinking how one spoonful of a stew such as she often compounded would now be his salvation, he became conscious of the presence of a strong perfume in the room. It was so familiar that it seemed like a sub-consciousness, yet he found no name for this friendly odour for a bewildered minute or two. Little by little, however, it grew upon him, that it was the onion—that fragrant and kindly bulb which had attained its apotheosis in the cuisine of Nora Finnegan of sacred memory. He opened his languid eyes, to see if, mayhap, the plant had not attained some more palpable materialization.
Behold, it was so! Before him, in a brown earthen dish,—a most familiar dish,—was an onion, pearly white, in placid seas of gravy, smoking and delectable. With unexpected strength he raised himself, and reached for the dish, which floated before him in a halo made by its own steam. It moved toward him, offered a spoon to his hand, and as he ate he heard about the room the rustle of Nora Finnegan’s starched skirts, and now and then a faint, faint echo of her old-time laugh—such an echo as one may find of the sea in the heart of a shell.
The noble bulb disappeared little by little before his voracity, and in contentment greater than virtue can give, he sank back upon his pillow and slept.
Two hours
later the postman knocked at the door, and receiving no answer, forced his way in. Tig, half awake, saw him enter with no surprise. He felt no surprise when he put a letter in his hand bearing the name of the magazine to which he had sent his short story. He was not even surprised, when, tearing it open with suddenly alert hands, he found within the check for the first prize—the check he had expected.
All that day, as the April sunlight spread itself upon his floor, he felt his strength grow. Late in the afternoon the sparrow came back, paler, and more bony than ever, and sank, breathing hard, upon the floor, with his sack of coal.
“I’ve been sick,” he said, trying to smile. “Terrible sick, but I come as soon as I could.”
“Build up the fire,” cried Tig, in a voice so strong it made the sparrow start as if a stone had struck him.“Build up the fire, and forget you are sick. For, by the shade of Nora Finnegan, you shall be hungry no more!”
A Spectral Collie
William Percy Cecil happened to be a younger son, so he left home—which was England—and went to Kansas to ranch it. Thousands of younger sons do the same, only their destination is not invariably Kansas.
An agent at Wichita picked out Cecil’s farm for him and sent the deeds over to England before Cecil left. He said there was a house on the place. So Cecil’s mother fitted him out for America just as she had fitted out another superfluous boy for Africa, and parted from him with an heroic front and big agonies of mother-ache which she kept to herself.
The boy bore up the way a man of his blood ought, but when he went out to the kennel to see Nita, his collie, he went to pieces somehow, and rolled on the grass with her in his arms and wept like a booby. But the remarkable part of it was that Nita wept too, big, hot dog tears which her master wiped away. When he went off she howled like a hungry baby, and had to be switched before she would give anyone a night’s sleep.
When Cecil got over on his Kansas place he fitted up the shack as cosily as he could, and learned how to fry bacon and make soda biscuits. Incidentally, he did farming, and sunk a heap of money, finding out how not to do things. Meantime, the Americans laughed at him, and were inclined to turn the cold shoulder, and his compatriots, of whom there were a number in the county, did not prove to his liking. They consoled themselves for their exiled state in fashions not in keeping with Cecil’s traditions. His homesickness went deeper than theirs, perhaps, and American whiskey could not make up for the loss of his English home, nor flirtations with the gay American village girls quite compensate him for the loss of his English mother. So he kept to himself and had nostalgia as some men have consumption.
At length the loneliness got so bad that he had to see some living thing from home, or make a flunk of it and go back like a cry baby. He had a stiff pride still, though he sobbed himself to sleep more than one night, as many a pioneer has done before him. So he wrote home for Nita, the collie, and got word that she would be sent. Arrangements were made for her care all along the line, and she was properly boxed and shipped.
As the time drew near for her arrival, Cecil could hardly eat. He was too excited to apply himself to anything. The day of her expected arrival he actually got up at five o’clock to clean the house and make it look as fine as possible for her inspection. Then he hitched up and drove fifteen miles to get her. The train pulled out just before he reached the station, so Nita in her box was waiting for him on the platform. He could see her in a queer way, as one sees the purple centre of a revolving circle of light; for, to tell the truth, with the long ride in the morning sun, and the beating of his heart, Cecil was only about half-conscious of anything. He wanted to yell, but he didn’t. He kept himself in hand and lifted up the sliding side of the box and called to Nita, and she came out.
But it wasn’t the man who fainted, though he might have done so, being crazy homesick as he was, and half-fed and overworked while he was yet soft from an easy life. No, it was the dog! She looked at her master’s face, gave one cry of inexpressible joy, and fell over in a real feminine sort of a faint, and had to be brought to like any other lady, with camphor and water and a few drops of spirit down her throat. Then Cecil got up on the wagon seat, and she sat beside him with her head on his arm, and they rode home in absolute silence, each feeling too much for speech. After they reached home, however, Cecil showed her all over the place, and she barked out her ideas in glad sociability. After that Cecil and Nita were inseparable. She walked beside him all day when he was out with the cultivator, or when he was mowing or reaping. She ate beside him at table and slept across his feet at night. Evenings when he looked over the Graphic from home, or read the books his mother sent him, that he might keep in touch with the world, Nita was beside him, patient, but jealous. Then, when he threw his book or paper down and took her on his knee and looked into her pretty eyes, or frolicked with her, she fairly laughed with delight.
In short, she was faithful with that faith of which only a dog is capable—that unquestioning faith to which even the most loving women never quite attain.
However, Fate was annoyed at this perfect friendship. It didn’t give her enough to do, and Fate is a restless thing with a horrible appetite for variety. So poor Nita died one day mysteriously, and gave her last look to Cecil as a matter of course; and he held her paws till the last moment, as a stanch friend should, and laid her away decently in a pine box in the cornfield, where he could be shielded from public view if he chose to go there now and then and sit beside her grave.
He went to bed very lonely, indeed, the first night. The shack seemed to him to be removed endless miles from the other habitations of men. He seemed cut off from the world, and ached to hear the cheerful little barks which Nita had been in the habit of giving him by way of goodnight. Her amiable eye with its friendly light was missing, the gay wag of her tail was gone; all her ridiculous ways, at which he was never tired of laughing, were things of the past.
He lay down, busy with these thoughts, yet so habituated to Nita’s presence, that when her weight rested upon his feet, as usual, he felt no surprise. But after a moment it came to him that as she was dead the weight he felt upon his feet could not be hers. And yet, there it was, warm and comfortable, cuddling down in the familiar way. He actually sat up and put his hand down to the foot of the bed to discover what was there. But there was nothing there, save the weight. And that stayed with him that night and many nights after.
It happened that Cecil was a fool, as men will be when they are young, and he worked too hard, and didn’t take proper care of himself; and so it came about that he fell sick with a low fever. He struggled around for a few days, trying to work it off, but one morning he awoke only to the consciousness of absurd dreams. He seemed to be on the sea, sailing for home, and the boat was tossing and pitching in a weary circle, and could make no headway. His heart was burning with impatience, but the boat went round and round in that endless circle till he shrieked out with agony.
The next neighbours were the Taylors, who lived two miles and a half away. They were awakened that morning by the howling of a dog before their door. It was a hideous sound and would give them no peace. So Charlie Taylor got up and opened the door, discovering there an excited little collie.
“Why, Tom,” he called, “I thought Cecil’s collie was dead!”
“She is,” called back Tom.
“No, she ain’t neither, for here she is, shakin’ like an aspin, and a beggin’ me to go with her. Come out, Tom, and see.”
It was Nita, no denying, and the men, perplexed, followed her to Cecil’s shack, where they found him babbling.
But that was the last of her. Cecil said he never felt her on his feet again. She had performed her final service for him, he said. The neighbours tried to laugh at the story at first, but they knew the Taylors wouldn’t take the trouble to lie, and as for Cecil, no one would have ventured to chaff him.
“Covers for Twelve”
He was glad she was beautiful. He liked to take a beautiful woman in to dinner. H
e noticed the diamond star in her hair, and he noticed, too, the pink tint of her bare shoulders, and the curves, full and tender, sweeping down from her chin. Her eyes were dark and narrow and sidelong in their glance, and suited the perfume of sandalwood that came from her gown. They did not speak as they walked down the long hall together between the palms. But when they were at the table and he had looked casually up and down the length of it, he said to her:
“This is a very beautiful scene.”
She looked up and down the glittering length, too, and then at him with those oriental eyes.
“Is it?” she said.
“Why do you question it?” he asked.
“Why?” she repeated, “because I see not only the substance of things that are, but also the shadow of things not seen.”
It was those words, or the odour of the sandalwood, or the mystery of her glance, or something that he could not name, that seemed to bring the whole pleasant pageant of the feast before him, not as if he were a part of it, but as if it were a scene that he was watching from afar. The lilies nodded among the ferns down the length of the table, and the crystal dishes caught the rosy gleam of the light in a thousand facets. The glasses stood grouped before each plate, like fragments of the prism, purple, red, and yellow, in blendings fair as an opal. The servants moved noiselessly about the lofty room, studiedly obsequious. The voices of the women, gay and excited, broke on the ear sharply. Why must they all be gay, he wondered. Why should they all laugh so? One wore pearls about her neck; one had English violets; one showed the deep wrinkles of pride in her face; one was timid, and bore her shameless gown with a sort of innocent protest, yielding up her maiden modesty to satisfy a fashion. One was splendid, with large, sophisticated eyes. She knew the world, and the ways of it. Her hair was the colour, of corn and her dress was like the poppy.
The Collected Supernatural and Weird Fiction of Elia W. Peattie Page 6
