Elkins went on. "My departure was carefully planned, and I am supposed to have gone on a voyage to the asteroids, several of which, notably Pallas, Vesta and Ceres, have been colonized by human beings for hundreds of years past.
"I made the actual time-journey in a state of unconsciousness. This, as you will soon learn, was inevitable because of the temporary abstraction from everything that creates or contributes to what we know as consciousness. I was prepared for it, and had made all the necessary calculations and adjustments beforehand, and had carefully synchronized the movement of the vessel in the time-dimension with the movement of the earth and the solar system in space. Geographically speaking, I would not move an inch during the entire trip.
"Rising to an elevation of thirty thousand feet above the earth, I started the time-mechanism. There was a period of absolute oblivion (a second or a million years would have seemed the same) and then, with the ceasing of the time-flight, I recovered my senses. Knowing that I was now in the twentieth century, if my calculations were correct, and not choosing to advertise my strangeness, I sought for a place where I could land quietly and without detection.
"The place which I selected after much circumnavigation and study was an inaccessible cliff in the Catskill Mountains, far from any settlement. There I descended at night and left my machine, whose presence was indetectible either from below or above. I finished my descent of the cliff by the use of an anti-gravitational device, and made my way from the wilderness.
"The next day I was in New York, where, for the most part, I have remained ever since and have carried on unobtrusively my studies of your civilization. For monetary needs, I had brought with me some disinterred coins of your period, and also a few small ingots of chemically wrought gold."
He showed me one of the coins — a silver dollar that was stained almost beyond recognition, like an ancient obolus, by the oxidation of untold centuries. Then he brought out another garment from the clothes-closet — a short flaring tunic of dull red with a long graceful mantle that could be detached at will, since it was fastened to the shoulders by two clasps of carven silver. The fabric, as well as the garment itself, was strange to me. Kronous also brought out a pair of sandals, vaguely resembling those of the ancients, though they were not made of leather but of some stiff, indestructible cloth.
"This," he said, "is the raiment in which I left Akameria, the America of 15,000 A. D. I will have a similar tunic made for you by some costume-tailor here in New York — and also sandals, though I suppose the sandals will have to be made of leather, since the material used in these is a chemical product of my own time. I am planning to leave the day after tomorrow, and I hope that will not be too soon for you.
"Indeed it won't," I replied. "I haven't many preparations to make — there's nothing to do but lock up the laboratory and phone a few friends that I am leaving for a world-tour of indefinite length. I don't imagine there'll be any search-parties."
Two days later, with an hour of daylight still before us, Elkins and I had reached the base of the unsurmountable cliff on which the time-machine was hidden. The last four hours of our journey had been on foot. We were in the wildest section of the Catskills; and staring up at the terrible mountain-wall, I felt an increased awe of my strange companion, who seemed to have no doubt whatever of his ability to scale it.
He opened a small satchel, whose contents he had not hitherto revealed to me, and took out the anti-gravitational device of which he had spoken. The thing was a hollow disk of some dull, unidentifiable metal, with chains of an equally ambiguous material which secured it to the body. Elkins showed me the simple operation of the mechanism which, he said, was electronic in its nature. Then he strapped it to his chest, set the apparatus running, and rose slowly in air till he reached the top of the precipice. There he disappeared from view; but a few moments later, the metal disk was lowered at the end of a long cord for my use in surmounting the cliff.
Following directions, I proceeded to adjust the mechanism and start it going. The feeling of utter weightlessness as I floated upward was a most unique experience. It was as if I were a feather wafted on an imperceptible air-current. Being unused to the apparatus, I did not understand the finer technique of movement beneath its influence; and when I came to the cliff-edge I would have continued to drift skyward if my companion had not reached out and stopped me.
I found myself standing beside him on a broad ledge overhung by another cliff which rose immediately above it. Certainly Elkins could not have chosen a safer hiding-place for this time-machine.
The vessel itself, whose door he now proceeded to unlock, was a long, spindle-shaped affair, evidently designed for swift movement in air or ether. It could not have carried more than three people. Inside, it was lined with lockers and machinery, and three great slings or cradles in which the driver and passengers were immovably suspended. This of course, was requisite during the loss of gravity and normal weight in ether-flight. Elkins said that he had found it equally convenient to strap himself into one of the slings during his voyage in time.
Both of us were still dressed in twentieth century attire. Elkins now donned the tunic and sandals of his own age, which he had brought along in the satchel together with the duplicates that had been made for me by a somewhat mystified costumer. These Elkins directed me to put on. I obeyed, feeling like a masquerader in the odd garb.
"That is the last of Conrad Elkins," said my companion, pointing to his discarded suit. "Henceforth you must call me Kronous Alkon. Your name will seem pretty outlandish among us; so I think I will introduce you as Huno Paskon, a young colonial born on Pallas."
Kronous Alkon now busied himself with the machinery of the vessel. This, to my untrained eye, was awesomely intricate. He adjusted a series of movable rods that were set in a notched board, and seemed to be winding up a clock-like apparatus with a numbered dial and three hands. There were hundreds — perhaps thousands — of figures on the dial.
"That," he said, "is to control within precise limits the extent of our forward movement in the time-dimension. We are all set for the proper year, month and day."
He now fastened me, and then himself, in the complicated slings, and turned to a small key-board with many knobs and levers, which seemed to be distinct from the rest of the machinery.
"These," he said, "are the controls for atmosphere and ether-flight. Before turning on the time-power, I shall rise to a higher altitude and fly south for about fifty miles."
He turned one of the knobs. There was a low, drumming sound; but I would not have been conscious of any movement, if a sudden sunset glow through the vessel's ports had not shown that we were rising above the level of the cliffs.
After a few minutes, Kronous Alkon moved one of the levers; and the drumming ceased. "The power of space-flight," he said, "is provided by atomic disintegration. Now, for the time-flight, I shall make use of a very different kind of power — a strange, complex energy derived from the repercussion of cosmic rays, which will transport us into what, for lack of a better name, is called the fourth dimension.
"Properly speaking, we will be outside of space, and, from a mundane view-point, will be non-existent. I assure you however that there is no danger. When the time-power shuts off automatically in 15,000 A.D., you and I will awaken as if from a deep sleep. The sensation of dropping off may prove rather terrific, but no more so than the taking of certain anaesthetics. Simply let yourself go and realize that there is nothing to fear."
He seized a large rod and gave it a powerful jerk. I felt as if I had received an electric shock that was tearing all my tissues apart and disintegrating me into my ultimate cells and molecules. In spite of the reassurance of Kronous Alkon, I was overwhelmed by an unspeakably confusing terror. I had the sensation of being divided into a million selves, all of which were whirling madly downward in the maelstrom of a darkening gulf. They seemed to go out one by one like sparks as they reached a certain level; till soon all were gone, and there was nothing anyw
here but darkness and unconsciousness. . . .
I came to myself in a manner which was like the direct reversal of my descent into oblivion. First, there was that sense of remote and spark-like entities, which increased to a multitude, all of them drifting upward in cosmic gloom from an ultimate nadir; and then the gradual merging of these entities into one, as the interior of the time-machine resumed coherent outline around me. Then I saw before me the figure of Kronous Alkon, who had twisted about in his sling, and was smiling as he met my gaze. It seemed to me that I had slept for a long, long time.
My companion pressed a knob, and I had the feeling of one who descends in an elevator. It was not necessary for Kronous Alkon to tell me that we were sinking earthward. In less than a minute, trees and buildings were visible through the ports, and there was a slight jar as we landed.
"Now," said Kronous, "we are on my country estate near Djarma, the present capital of Akameria. Djarma is built on the ruins of the city of New York, but is hundreds of miles inland, since there have been extensive geologic changes during the past 13,000 years. You will find that the climate is different too, for it is now sub-tropical. Weather conditions are pretty much under human control, and we have even reduced by artificial means the permanent areas of ice and snow at the poles."
He had unstrapped himself and was performing the same service for me. Then he opened the door of the vessel and motioned me to precede him. I was met by wafts of warm, perfume-laden air as I stepped out on a stone platform adjoining a sort of aerodrome — a great, shining edifice in which were housed various air-craft of unfamiliar types.
Not far away was another building, marked by a light, graceful architecture, with many tiers of open galleries, and high, fantastic, Eiffel-like towers. There were extensive gardens around this building; and broad fields of vegetables that I did not recognize ran away on each side of the distance. Somewhat apart, there stood a group of long, one-storied houses.
"My home," said Kronous. "I trust that everything is well. I left the estate in charge of my two cousins, Altus and Oron. Also, there is Trogh the Martian overseer, and a barracoon of Venusian slaves, who do all the agricultural labor. All our necessary menial and industrial tasks are performed by such slaves, who have been imported to earth for many generations, and are now becoming a problem in themselves. I hope there has not been any trouble during my absence."
I noticed that Kronous had taken from an inner pocket of his tunic a small rod, vaguely resembling a flash-light and having a ball of red glass or crystal at one end. This he was carrying in his hand.
"An electronic projector," he explained. "The current paralyzes, but does not kill, at any distance up to fifty yards. Sometimes we have to use such weapons when the slaves are recalcitrant. The Venusians are a low, vicious type and require careful handling.
We started toward the house, whose lower stories were half-concealed by tall trees and massed shrubbery. No sign of life was manifest, as we followed a winding path among fountains of colored marble, and palms and rhododendrons, and baroque, unearthly-looking plants and flowers that would have baffled a present-day botanist. Kronous told me that some of these latter were importations from Venus. The hot, humid air was saturated with odors which I found oppressive, but which Kronous appeared to inhale with delight.
Rounding a sharp turn in the path, we came to an open lawn immediately in front of the house. Here an unexpected and terrific scene revealed itself. Two men, attired like Kronous, and a huge, barrel-chested, spindle-legged being with an ugly head like that of a hydrocephalous frog, were fronting a horde of bestial creatures who would have made the Neanderthal man look like an example of classic beauty in comparison.
There must have been a score of these beings, many of whom were armed with clubs and stones, which they were hurling at the three who opposed them. Their brown-black bodies were clothed only with patches and tufts of coarse, purple hair; and perhaps half of their number were adorned with thick, bifurcated tails. These I learned later, were the females — the males, for some obscure evolutionary reason, being undistinguished in this respect.
"The slaves!" cried Kronous, as he ran forward with his projector leveled. Following him, I saw the fall of one of the two men beneath the impact of a large stone. A dozen of the slaves were lying senseless on the lawn; and I could see that the persons they were attacking were armed with projectors.
Our approach had not been noticed; and Kronous made deadly use of his weapon at close range, stretching slave after slave on the ground. Turning, and apparently recognizing their master, the remainder began to disperse sullenly. Their rout was completed by the heavy-chested giant, who hurled after them with his catapult-like arms much of the ammunition which they had dropped on beholding Kronous.
"I fear that Altus is badly hurt," said Kronous as we joined the little group on the lawn. The other man, whom Kronous now introduced to me as his cousin Oron, was stooping over the fallen figure and examining a hidden wound from which blood was streaming heavily amid the fine black hair. Oron, who acknowledged the introduction with a courteous nod, had himself been cut and bruised by several missiles.
The introduction had been made in English. Kronous and Oron now began to talk in a language that I could not understand. Apparently some explanation was being made regarding myself, for Oron gave me a quick, curious glance. The giant had ceased hurling stones and clubs after the departing Venusians, and now came to join us.
"That is Trogh, the Martian overseer," said Kronous to me. "Like all of his race he is extremely intelligent. They are an old people with an immemorial civilization that has followed a different trend from ours but is not therefore necessarily inferior; and we of earth have learned much from them, though they are highly reserved and secretive."
The reddish-yellow body of the Martian was attired only in a black loin-cloth. His squat, toad-like features, under the high, bulging, knobby head, were impossible to read; and I was chilled by the sense of an unbridgeable evolutionary gulf as I looked into his icy green eyes.
Culture, wisdom, power, were manifest behind his gaze, but in forms that no human being was properly fitted to understand. He spoke in a harsh, guttural voice, evidently using human language, though the words were difficult to recognize as being in any way related to those employed by Kronous and Oron, because of an odd prolongation of the vowels and consonants.
Carrying among us the still unconscious form of Altus, Oron, Kronous, Trogh and myself entered the portico of the nearby house. Both the architecture and the material of this building were the most beautiful I had ever seen. Much use was made of arabesque arches and light decorative pillars. The material, which resembled a very translucent onyx, was, as Kronous told me, in reality a synthetic substance prepared by atomic transmutation.
Within, there were many couches covered with unknown opulent fabrics of superb design. The rooms were large, with lofty, vaulted ceilings; and in many cases were divided only by rows of pillars, or by tapestries. The furniture was of much beauty, with light, curving lines that conformed to the architecture; and some of it was made from gem-like materials and gorgeous metals that I could not name. There were scores of paintings and statues, mainly of the most bizarre and fantastic nature, and testifying to supreme technical skill. I learned that some of the paintings were first-hand depictions of scenes on alien planets.
We laid Altus on a couch. The man was indeed severely injured, and his breathing was slow and faint. In all likelihood he had suffered some degree of brain-concussion.
Kronous brought out a bulb-shaped mechanism ending in a hollow cone, which, he explained to me, was the generator of a force known as osc — a super-electric energy used in the treatment of wounds as well as of illness in general. It was of sovereign power in restoring the normal processes of health, no matter what the cause of derangement might be.
When the generator was set in action by Kronous, I saw the emission of a green light from the hollow end, falling on the head of the wounded man.
The pulse of Altus became stronger and he stirred a little, but did not awaken as yet. When Kronous turned off the green ray after a few minutes, he asked me to examine the wound; and I found that it was already beginning to heal.
"Altus will be perfectly well in two or three days," said Kronous.
"The real problem," he went on, "is the Venusians — and not only for me but for everyone else. It was a dreadful mistake to bring them to earth in the beginning; they are not only ferocious and intractable, but they breed with the most appalling fecundity, in opposition to the dwindling numbers of the human race. Already they outnumber us five to one; and in spite of our superior knowledge and weapons, I believe that they constitute our worst menace. All that they require is a little organization"
Evening had now fallen. Trogh had retired to his own quarters, presided over by his Martian wife, at some distance from the house. A meal consisting mainly of delicious fruit and vegetables, most of which were new to me, was served by Oron. I learned that one of the vegetables was a species of truffle imported from Venus. After we had eaten, a strong, delicately flavored liqueur, made from a fruit that vaguely resembled both the peach and the pineapple, was brought out in deep, slender glasses of crystal.
The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) Page 10
