by Ed Gorman
“It sure doesn’t.”
“And anyways, he tole me that when a friend of his got sent up, he quit doin’ bad stuff and buckled down and got himself a partial scholarship.” Clink of bottle neck on glass. This time he didn’t offer me any. He sat back and started rocking in his chair. “I think he knew something was comin’.”
“I’m not sure what you mean.”
“That white girl, Lucy. He said she was all tensed up lately. So many people on them. Her folks and that rich boy she used to go out with. And then them bikers always following him around and makin’ fun of him. She told him she had nightmares about something terrible happenin’ to him.”
“How did he feel about it all?”
“Oh, it was getting to him, too. Reason he always liked our town here was because folks were nice to him. He said he never seen so many nice white folks. The bikers and them like that, they didn’t like him. But I mean most folks—we got a nice little town here, Sam. Still is. Even when he was goin’ out with Lucy, people still hired him for the jobs he did. And was nice to him and everything. But there’s always a few—”
I stood up.
“I’ll find them, Cy, the ones who did it.”
“There you go soundin’ like Marshal Dillon again.” He’d allowed himself the one joke. Then: “The colored, we’ve had to put up with shit like this all our lives. I want you to get ’em, Sam, and get ’em good and don’t let that stupid bastard Cliffie get in your way, either.”
Rage and tears, rage and tears. Job was the only book of the Bible that held any meaning for me. Rage and tears against the unfathomable ways of God. Or as Graham Greene put it, “the terrible wisdom of God.” If there was a God. And if not, rage and tears against the unfathomable randomness of it all.
“You do me a favor and go in there and turn up Nat for me?”
“Sure.”
Cole was singing “Lost April,” one of my favorite songs of his. The wan melancholy of it matched my mood exactly.
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This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 2004 by Ed Gorman
Cover design by Mauricio Diaz
978-1-4804-6273-1
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