The Grimscribe's Puppets

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by Joseph S. Pulver, Sr.


  “I saw plans in the apartment. Some kind of sky ladder.” His gestures, indicating uprising levels, stop abruptly when he realizes his closeness to the precipice.

  Cassandra stands on the verge, toes extending into emptiness. “Wrong direction.” She raises a thumb and points it emphatically down.

  Max tries to look down. Such dizziness, he almost swoons. The yawning scale of the abyss. “I came looking for Newton,” he gasps. “I don’t even know how I—”

  “You’ve been meant for this all along.” Cassandra reveals a smile he’s never seen before. It’s terrifying. She isn’t what he thought. Maybe never was.

  A great descent is underway. A metal latticework of trusses and beams penetrating the earth. Rungs on which climbers probe the deepest dark, some of them colleagues, members of his team.

  “H-horrible,” Max stammers.

  “No.” Her smile broadens, disproportionate. More than ugly. Monstrous. “Progress. Culmination of our utmost destiny.”

  Again straining toward the threshold, Max cringes at the bottomless infinitude, desiring at once to turn away and to behold the alien construct of parts made by Cassandra and others like her. Pieces interlock, held in place by anthropometric steel fixtures. Workers swarm the metal grid, suffering at the tension. Ever more join the effort. Machines link in, ratchet lower, and hammer foundational stone. Diamond-tipped burrowers swarm, glistening as they spin.

  Fabrizio approaches from behind. Slowly cooling, he stands beside Cassandra. Max feels a possessive reflex. He’s aware this is absurd.

  “The bosses like you, Max,” Cassandra says. Always hinting, tenuous. Never quite a promise, not tangible enough to grasp. That’s all she’s ever given.

  “We’re ready to bring you in, Max.” In Fabrizio’s half-metal state of flux, his speech is slurred, guttural. “Just stop resisting. Do what you’re told, and you’ll run this. Otherwise...” Grinning, he extends an arm in a dramatic, balletic gesture towards the pit. His skin is clean and white, free of scars.

  Max gives no answer. None is needed. He has no alternative.

  Creatures barely human climb slippery hot from the melt pool, pass without stopping and slither over the brink. Each descends to an ordained position and slowly hardens in place. Bound together in an agonized realm of ash and steel, their relinquished dreams and forgotten pleasures form underpinnings of a new, transformed world.

  The trembling ladder vibrates, emits a head-splitting tone. This resonance harmonizes like an infernal chorus with moans of torment echoing from the depths. Cinder plumes rise, black orchids blooming against seething red. Eyes water and burn, stung by primordial dusts which swirl up from the bitter dark.

  Nothing to see or hear but a hellish roar. The future, unknowable. Max drops to his knees and crawls blindly toward the heat.

  After the Final

  By Richard Gavin

  Are you out there, Professor Nobody?

  I’m hopeful that these words will somehow reach you, wherever you might be, whatever you might be.

  In my starker moments I find myself questioning whether you were ever really here at all, whether those sermons that spilled from your dusty throat were not simply the vestiges of one of my wish-lush dreams.

  But if you did truly grace a classroom with your singular presence, if the trances you evoked were real, then I cannot help but wonder if you might return to your more dedicated pupils, the ones you left behind on this shadow-encrusted planet.

  Do your thoughts ever stray to me, Professor? Rarely, I would wager; rarely, if at all.

  I have roamed many roads, exhausted so many different methods, all in the hope of finding you. Every one of my efforts has come to nothing. But how could it be otherwise? After all, how does one even begin questing after a man known only as Nobody, a man whose vocation is that of a secret shepherd to what he calls “the true macabrists”?

  Macabrist. It was your phrase, yet it chimed so deeply with me that I cannot help but regard it as a grand truth, every bit as immutable as love or fear or pain.

  I shall never forget that first after-hours lecture when you defined a macabrist as “one whose dreams are as a great charnel ground, dimmed by personal eclipses and slaked by a private Styx.” I remember how you stated that the macabrist is free of faith, strictly speaking, but that if they were to invent a religion it would be based not on the supernatural, but rather on the “grubby subnatural; underworlds.” We trawl up our philosophies from our unconscious, and they emerge dripping with abjection.

  I remain determined to gain full admittance to the great subnature, Professor, if only to prove to you that I am worthy of seeing the darkness, that I am truly of the darkness.

  Do you see how assimilated your teachings have become with me? Your “little lectures on supernatural horror,” as you somewhat dismissively called them, made me feel as though I had been granted admittance to the buried sphere from which I’d been wrongly banished, condemned to being born into this world.

  I’d always thought I was the only one who longed for some grue-dimmed otherworld. But in you I had, at long last, found one who understood. You voiced things which had always felt like shameful intuitions to me, ones that I had to keep pent at the back of my mind, perennially praying that they would not leak out to condemn me among the Normals. But you uttered your bent observations plainly, with a boldness that could only have stemmed from experiential knowledge and a confidence I have never possessed.

  You taught us that the Horror toward existence is not only real but is in fact more real than we are, that it is the boundless gory foam upon which all things, known and unknown, merely bob like so much flotsam.

  I was the best pupil you could ever hope for, Professor. If only you would return to experience the fruits of your teachings. I can still see you creeping toward the classroom door on that last night; can still hear your parting words echoing through the halls of my brain: “Good luck on the final.”

  I waited for that final examination, waited an unmentionable span of time. After more anguished nights than I care to recall, I came to suspect that the final was not to be held in the cozy confines of your classroom, but in the world at large.

  And then it all became so obvious. For what were your lectures if not impressions of life beyond the theoretical, echoes of the palpable nightmare that succors us all?

  So I began to prepare for the final.

  My preparations were unique and rigorous. I used the Earth as my reference material. I tested myself in a variety of ways.

  I now have so much to show you, Professor.

  This place, for example: the dank storage locker where I, Maximilian and the others have taken temporary refuge. Instinct instructed me that this city was a good place to stop and try once more to make contact.

  ~*~

  You’ll likely recognize this regulation notebook I’m writing in. It is one of the dozens that I rescued from the ashes of your old schoolhouse. I have stained their leaves with the details of my lavish nightmares, and of the awful waking deeds I’ve committed. (A curious development: I can no longer discern which entries are recollections of my nightmares, which the record of my worldly actions.)

  Do you know that I carry with me a charred fragment of the lectern behind which you once preached, Professor? This blackened splinter is reticulated and warped, and perhaps this is apt. Each night I swaddle it inside my jacket, which doubles as my pillow.

  I do not sleep well upon it.

  Sometimes my fitful slumber is banished by the sound of a school bell. Although I am aware that it is only a passing siren or a car horn or a distant scream, I still instinctively bolt up, thrilled by the possibility that your class is once again in session, that you have returned with fresh teachings from afar.

  Perhaps—and may I be forgiven for any hubris—I can teach you some fresh lessons as well. For example, how you would have relished the trip Maximilian, his entourage, and I made to a neglected estuary in that degenerate little town nort
h of the border. There, under a shawl of polluted cumuli, I hearkened to your tales of the great plague ships that had once damned these shores, how that fleet had emerged from a noxious mist; gliding gracefully into port, their rudders manipulated by a fell spirit far beyond mankind’s grasp. You’d said their hulls had been brittle wormwood, their sails the pelts of gods long-crucified and flayed. These galleons that crept into port and let their cargo of vermin come vomiting out. Rat backs seething with infected tics, their innards black with disease, these creatures that scuttled into every nook of the city, plopping toxic droppings into the grains, tenderly nibbling on slumbering flesh.

  I did what I could to recreate and reify this myth, Professor, using a special white powder I’d concocted.

  I watched the Normals wither inside their pathetic little houses, crumpling like puppets with clipped strings. I of course was unaffected, having donned my proper vestments.

  If only you’d been there with me to share these delights.

  ~*~

  Maximilian has set up his Observatory in another locker a few doors down from mine. Though he was never part of your class, I always believed he was sympathetic to our cause. The wedding of his technical prowess with my instincts resulted in what might be the best tool a cruddy human has to follow your spectral trail, Professor: the Observatory.

  In the early days, just after your departure, Maximilian seemed to be suitably intrigued by my vigorous hunt for you. Because of my passionate descriptions of your lectures along with my more persuasive tactics he eventually agreed to help me try and find you. He was, I believe, sincerely hoping to meet you, to learn what you had to teach. But as the months crawled past without any sign of your return, Maximilian began to lose patience. Our sessions became briefer and more hopeless in tone. I knew it was only a matter of time before I lost Maximilian too.

  When I broke the news to him that we would have to travel further, he was most resistant. It required great incentive, but eventually he acquiesced.

  But earlier today he informed me that he’s had his fill. He begged me to give up the vigil. This, needless to say, will never happen. I managed to deceive Maximilian into believing that tonight would be our last attempt to call you back from the rim of the darkness. Based on this lie of finality, Maximilian reluctantly complied.

  ~*~

  As the grey daylight bled out in gloaming, I donned my vestments and set out to meet with Maximilian at his Observatory.

  I feel I should pause here in order to describe my vestments to you, as I’m sure you would approve of their design, which is every bit as pragmatic as it is aesthetic. With my vestments I become the plague-doctor of old; guising my face beneath a gasmask with a long beak of black leather. My ratty wide-brim hat adds a ceremonial touch, and my ragged duster coat is suggestive of the shroud. With a walking stick of lashed femurs in-hand, I love to stroll the poisoned wastelands.

  Earlier this evening, as I made my way to Maximilian’s locker, the clamped doors passed my peripheral vision in an indistinct swath of corrosion and rust. Boulders of grey clouds had smothered the last of the daylight and made the sky appear heavy and low. There was a distant purl of thunder. The rain never comes.

  Maximilian was pacing about the Observatory’s open doorway when I arrived. The smoke of one of his trademark black cigars swirled about his head like a personal fog. He was wearing his October Coat; a threadbare dressing gown of silk, emblazoned with a tapestry of autumnal-shaded leaves. It billowed about him in a dervish sweep. I gave him this coat some months ago, when we began our quest. I made Maximilian promise me to only wear his vestment on auspicious occasions; namely the sessions when we try to Observe you, Professor.

  I waved to him but he did not reciprocate.

  His first words to me were, “Tonight is the last, J.P.” His tone was one of resignation, even melancholic. “The others and I had a meeting this afternoon and we just can’t do it anymore. If tonight’s probing fails, if we don’t get a response, we’d like your permission to move on.”

  “Move on to where, exactly?” I asked him, hoping he would see that one city is just as doomed as the next. I then enforced the point that my work was not yet done. Maximilian, visibly deflated, flicked his still-fuming cigar onto the littered asphalt. He looked soundlessly skyward. Perhaps for him the clouded constellations offered instruction; I know little of the mechanics of his Observations.

  “Let’s go,” he said coldly before striding back into the Observatory.

  The others were seated around the musty cube of a room. The woman quietly sobbed while mindlessly spinning the gold band on her finger.

  I moved to one of the grubby plastic lawn chairs that were splayed crescent-wise before the hanging bed sheet that doubled as a curtain.

  Maximilian disappeared behind this crude drapery. His and the other shadows beyond it began to move.

  I heard muttering, then the sound of someone screaming.

  The sheet was peeled back, revealing a man; gaunt and naked and quaking. He was seated in a chair made of metal. There were wires taped onto his brow. His limbs were tethered with leather belts.

  Maximilian gave no word of explanation, but our familiarity with the ritual meant none was required.

  He roughly pried the man’s jaws apart in order to administer the tangerine-coloured liquid he regularly prepares in small batches. In no time the lashed man’s screaming ebbed, allowing Maximilian time to check the wires. In a few moments the man’s eyes became like saucers as the lysergic medication took hold.

  Maximilian switched on the antiquated television set that he’d wired up to the man’s head.

  The images on the screen were hazy with snow, but were unquestionably those of some subnatural state, a place replete with teratisms; squirming things, things akin to plucked birds or stillborn infants, things that were withered or reticulated or mere hissing fog. They swam upon the screen, all these abominations, churning upon & within the fabulous unshaped Dark.

  The lines began to form; a topography of sorts. Waves of ugly dull light, like a phosphorescent sludge, passed across the monitor.

  I rose from my chair in order to better study the screen, to better scry the horrors.

  We were searching for you, Professor, peering like seafaring folk looking into a fog, squinting for the signal fires on the shore. After all, where else might you have gone but beneath the surface?

  But you were not there. We could not find you in the foamy Hell.

  “This specimen should be freed,” Maximilian pleaded. He slapped the television’s power switch. Of his own accord, Maximilian actually ordered the woman to “remove him.” Too shocked by this display of insolence, I soundlessly watched as the spindly specimen in the chair was carted off, to where I neither know nor care. Maximilian, head down, stepped out of the room and into the chilly lot beyond it.

  I sat in the Observatory trying to ignore the overwhelming sense of nihilistic hopelessness that was tiding up within me. I looked about and saw only blackness; truly the only thing ever witnessed here by Maximilian or me.

  I rose and shuffled outside.

  Maximilian was standing stoically. Bluish smoke streamed from his freshly-lit cigar. His October Coat was wadded up on the ground, as though it had been flung there in a rage.

  “No more,” he said beseechingly. “Please, J.P., no more.”

  “We can’t just resign from it,” I said. “It’s a part of us.”

  “It’s a part of you,” he corrected me. “But after all these failures, can you not see that I was right all those months ago?” He sighed, placed his hand on my shoulder. It was the first time he’d touched me in ages. “Things have gotten way out of hand, haven’t they? You’ll admit that, won’t you? This isn’t working and you know it, but you probably don’t know how to make it stop. But I’m telling you, J.P., it’s very easy: just let us go. I want to take my family and leave here, this place. We won’t try to stop you, J.P. We won’t even tell the authorities. I give you my wo
rd on that. We don’t want any trouble. We just want your permission to leave.”

  “And go where exactly?” I returned. “The plague’s widespread. It affected more than just Crampton.” (I know it was a lie, Professor, but at the time I was desperate to maintain your vigil.)

  “We’re willing to risk it, J.P. Let us go.”

  I started to laugh. It was a reaction that shocked me just as much as it did Maximilian, who glared at me with disdain.

  “You really don’t get Nobody’s message at all, do you?” he spat.

  “Why don’t you enlighten me?” I said.

  Maximilian ground the cigar under the toe of his shoe. “It’s horribly simple. Think for a moment and you’ll get it. The message is; there is there is nothing to do, there is nowhere to go, there is nothing to be, and most importantly, there is nobody to find. There is no Professor Nobody! There never has been! It’s you, J.P. It’s you.”

  “...preposterous...” I muttered. “...absurd...”

  Maximilian held up his hands. “Think back. I was your therapist, remember? Your parents sent you to me because you were suffering delusions. There was no Professor Nobody, no plague. You killed them with homemade anthrax. I was there. I saw it. My wife and son and I, we’re not your ‘companions,’ we’re your hostages. And we want you to let us go. It’s over, J.P. I’ve been trying to help you see that for weeks now, trying to get you to turn yourself in. But I’m giving up on that. You can keep searching for Professor Nobody if you want to. I won’t stop you. But I’m asking you to let us go. Maybe you’ll do better trying to find him on your own...”

  ~*~

  I don’t remember restoring my companions and the newest specimen, or leaving the Observatory. The next thing I recall is slumping down upon the curb and staring down at the trash heaped there; old wadded newspaper that scuttled from the slightest breeze, and mashed beer cans. Someone had twisted some plastic drinking straws into a rudimentary effigy of a human figure. I stared at its knotted limbs for a little while, wondering if this was the final you had mentioned.

 

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