The Essential G. K. Chesterton

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by G. K. Chesterton


  Cyrus Pym was standing up rigid and almost pallid. "Do you actually mean to suggest--" he cried.

  "Yes," said Michael; "I do mean to suggest that. Innocent Smith has had many wooings, and many weddings for all I know; but he has had only one wife. She was sitting on that chair an hour ago, and is now talking to Miss Duke in the garden.

  "Yes, Innocent Smith has behaved here, as he has on hundreds of other occasions, upon a plain and perfectly blameless principle. It is odd and extravagant in the modern world, but not more than any other principle plainly applied in the modern world would be. His principle can be quite simply stated: he refuses to die while he is still alive. He seeks to remind himself, by every electric shock to the intellect, that he is still a man alive, walking on two legs about the world. For this reason he fires bullets at his best friends; for this reason he arranges ladders and collapsible chimneys to steal his own property; for this reason he goes plodding around a whole planet to get back to his own home; and for this reason he has been in the habit of taking the woman whom he loved with a permanent loyalty, and leaving her about (so to speak) at schools, boarding-houses, and places of business, so that he might recover her again and again with a raid and a romantic elopement. He seriously sought by a perpetual recapture of his bride to keep alive the sense of her perpetual value, and the perils that should be run for her sake.

  "So far his motives are clear enough; but perhaps his convictions are not quite so clear. I think Innocent Smith has an idea at the bottom of all this. I am by no means sure that I believe it myself, but I am quite sure that it is worth a man's uttering and defending.

  "The idea that Smith is attacking is this. Living in an entangled civilization, we have come to think certain things wrong which are not wrong at all. We have come to think outbreak and exuberance, banging and barging, rotting and wrecking, wrong. In themselves they are not merely pardonable; they are unimpeachable. There is nothing wicked about firing a pistol off even at a friend, so long as you do not mean to hit him and know you won't. It is no more wrong than throwing a pebble at the sea--less, for you do occasionally hit the sea. There is nothing wrong in bashing down a chimney-pot and breaking through a roof, so long as you are not injuring the life or property of other men. It is no more wrong to choose to enter a house from the top than to choose to open a packing-case from the bottom. There is nothing wicked about walking round the world and coming back to your own house; it is no more wicked than walking round the garden and coming back to your own house. And there is nothing wicked about picking up your wife here, there, and everywhere, if, forsaking all others, you keep only to her so long as you both shall live. It is as innocent as playing a game of hide-and-seek in the garden. You associate such acts with blackguardism by a mere snobbish association, as you think there is something vaguely vile about going (or being seen going) into a pawnbroker's or a public-house. You think there is something squalid and commonplace about such a connection. You are mistaken.

  "This man's spiritual power has been precisely this, that he has distinguished between custom and creed. He has broken the conventions, but he has kept the commandments. It is as if a man were found gambling wildly in a gambling hell, and you found that he only played for trouser buttons. It is as if you found a man making a clandestine appointment with a lady at a Covent Garden ball, and then you found it was his grandmother. Everything is ugly and discreditable, except the facts; everything is wrong about him, except that he has done no wrong.

  "It will then be asked, `Why does Innocent Smith continue far into his middle age a farcical existence, that exposes him to so many false charges?' To this I merely answer that he does it because he really is happy, because he really is hilarious, because he really is a man and alive. He is so young that climbing garden trees and playing silly practical jokes are still to him what they once were to us all. And if you ask me yet again why he alone among men should be fed with such inexhaustible follies, I have a very simple answer to that, though it is one that will not be approved.

  "There is but one answer, and I am sorry if you don't like it. If Innocent is happy, it is because he IS innocent. If he can defy the conventions, it is just because he can keep the commandments. It is just because he does not want to kill but to excite to life that a pistol is still as exciting to him as it is to a schoolboy. It is just because he does not want to steal, because he does not covet his neighbour's goods, that he has captured the trick (oh, how we all long for it!), the trick of coveting his own goods. It is just because he does not want to commit adultery that he achieves the romance of sex; it is just because he loves one wife that he has a hundred honeymoons. If he had really murdered a man, if he had really deserted a woman, he would not be able to feel that a pistol or a love-letter was like a song-- at least, not a comic song."

  "Do not imagine, please, that any such attitude is easy to me or appeals in any particular way to my sympathies. I am an Irishman, and a certain sorrow is in my bones, bred either of the persecutions of my creed, or of my creed itself. Speaking singly, I feel as if man was tied to tragedy, and there was no way out of the trap of old age and doubt. But if there is a way out, then, by Christ and St. Patrick, this is the way out. If one could keep as happy as a child or a dog, it would be by being as innocent as a child, or as sinless as a dog. Barely and brutally to be good--that may be the road, and he may have found it. Well, well, well, I see a look of skepticism on the face of my old friend Moses. Mr. Gould does not believe that being perfectly good in all respects would make a man merry."

  "No," said Gould, with an unusual and convincing gravity; "I do not believe that being perfectly good in all respects would make a man merry."

  "Well," said Michael quietly, "will you tell me one thing? Which of us has ever tried it?"

  A silence ensued, rather like the silence of some long geological epoch which awaits the emergence of some unexpected type; for there rose at last in the stillness a massive figure that the other men had almost completely forgotten.

  "Well, gentlemen," said Dr. Warner cheerfully, "I've been pretty well entertained with all this pointless and incompetent tomfoolery for a couple of days; but it seems to be wearing rather thin, and I'm engaged for a city dinner. Among the hundred flowers of futility on both sides I was unable to detect any sort of reason why a lunatic should be allowed to shoot me in the back garden."

  He had settled his silk hat on his head and gone out sailing placidly to the garden gate, while the almost wailing voice of Pym still followed him: "But really the bullet missed you by several feet." And another voice added: "The bullet missed him by several years."

  There was a long and mainly unmeaning silence, and then Moon said suddenly, "We have been sitting with a ghost. Dr. Herbert Warner died years ago."

  Chapter V

  How the Great Wind Went from Beacon House

  Mary was walking between Diana and Rosamund slowly up and down the garden; they were silent, and the sun had set. Such spaces of daylight as remained open in the west were of a warm-tinted white, which can be compared to nothing but a cream cheese; and the lines of plumy cloud that ran across them had a soft but vivid violet bloom, like a violet smoke. All the rest of the scene swept and faded away into a dove-like gray, and seemed to melt and mount into Mary's dark-gray figure until she seemed clothed with the garden and the skies. There was something in these last quiet colours that gave her a setting and a supremacy; and the twilight, which concealed Diana's statelier figure and Rosamund's braver array, exhibited and emphasized her, leaving her the lady of the garden, and alone.

  When they spoke at last it was evident that a conversation long fallen silent was being revived.

  "But where is your husband taking you?" asked Diana in her practical voice.

  "To an aunt," said Mary; "that's just the joke. There really is an aunt, and we left the children with her when I arranged to be turned out of the other boarding-house down the road. We never take more than a week of this kind of holiday, but sometimes we take
two of them together."

  "Does the aunt mind much?" asked Rosamund innocently. "Of course, I dare say it's very narrow-minded and--what's that other word?-- you know, what Goliath was--but I've known many aunts who would think it--well, silly."

  "Silly?" cried Mary with great heartiness. "Oh, my Sunday hat! I should think it was silly! But what do you expect? He really is a good man, and it might have been snakes or something."

  "Snakes?" inquired Rosamund, with a slightly puzzled interest.

  "Uncle Harry kept snakes, and said they loved him," replied Mary with perfect simplicity. "Auntie let him have them in his pockets, but not in the bedroom."

  "And you--" began Diana, knitting her dark brows a little.

  "Oh, I do as auntie did," said Mary; "as long as we're not away from the children more than a fortnight together I play the game. He calls me `Manalive;' and you must write it all one word, or he's quite flustered."

  "But if men want things like that," began Diana.

  "Oh, what's the good of talking about men?" cried Mary impatiently; "why, one might as well be a lady novelist or some horrid thing. There aren't any men. There are no such people. There's a man; and whoever he is he's quite different."

  "So there is no safety," said Diana in a low voice.

  "Oh, I don't know," answered Mary, lightly enough; "there's only two things generally true of them. At certain curious times they're just fit to take care of us, and they're never fit to take care of themselves."

  "There is a gale getting up," said Rosamund suddenly. "Look at those trees over there, a long way off, and the clouds going quicker."

  "I know what you're thinking about," said Mary; "and don't you be silly fools. Don't you listen to the lady novelists. You go down the king's highway; for God's truth, it is God's. Yes, my dear Michael will often be extremely untidy. Arthur Inglewood will be worse--he'll be untidy. But what else are all the trees and clouds for, you silly kittens?"

  "The clouds and trees are all waving about," said Rosamund. "There is a storm coming, and it makes me feel quite excited, somehow. Michael is really rather like a storm: he frightens me and makes me happy."

  "Don't you be frightened," said Mary. "All over, these men have one advantage; they are the sort that go out."

  A sudden thrust of wind through the trees drifted the dying leaves along the path, and they could hear the far-off trees roaring faintly.

  "I mean," said Mary, "they are the kind that look outwards and get interested in the world. It doesn't matter a bit whether it's arguing, or bicycling, or breaking down the ends of the earth as poor old Innocent does. Stick to the man who looks out of the window and tries to understand the world. Keep clear of the man who looks in at the window and tries to understand you. When poor old Adam had gone out gardening (Arthur will go out gardening), the other sort came along and wormed himself in, nasty old snake."

  "You agree with your aunt," said Rosamund, smiling: "no snakes in the bedroom."

  "I didn't agree with my aunt very much," replied Mary simply, "but I think she was right to let Uncle Harry collect dragons and griffins, so long as it got him out of the house."

  Almost at the same moment lights sprang up inside the darkened house, turning the two glass doors into the garden into gates of beaten gold. The golden gates were burst open, and the enormous Smith, who had sat like a clumsy statue for so many hours, came flying and turning cart-wheels down the lawn and shouting, "Acquitted! acquitted!" Echoing the cry, Michael scampered across the lawn to Rosamund and wildly swung her into a few steps of what was supposed to be a waltz. But the company knew Innocent and Michael by this time, and their extravagances were gaily taken for granted; it was far more extraordinary that Arthur Inglewood walked straight up to Diana and kissed her as if it had been his sister's birthday. Even Dr. Pym, though he refrained from dancing, looked on with real benevolence; for indeed the whole of the absurd revelation had disturbed him less than the others; he half supposed that such irresponsible tribunals and insane discussions were part of the mediaeval mummeries of the Old Land.

  While the tempest tore the sky as with trumpets, window after window was lighted up in the house within; and before the company, broken with laughter and the buffeting of the wind, had groped their way to the house again, they saw that the great apish figure of Innocent Smith had clambered out of his own attic window, and roaring again and again, "Beacon House!" whirled round his head a huge log or trunk from the wood fire below, of which the river of crimson flame and purple smoke drove out on the deafening air.

  He was evident enough to have been seen from three counties; but when the wind died down, and the party, at the top of their evening's merriment, looked again for Mary and for him, they were not to be found.

  The End

  THE MAN WHO KNEW TOO MUCH

  By Gilbert K. Chesterton

  CONTENTS

  THE MAN WHO KNEW TOO MUCH: I. THE FACE IN THE TARGET II. THE VANISHING PRINCE III. THE SOUL OF THE SCHOOLBOY IV. THE BOTTOMLESS WELL V. THE FAD OF THE FISHERMAN VI. THE HOLE IN THE WALL VII. THE TEMPLE OF SILENCE VIII. THE VENGEANCE OF THE STATUE

  THE MAN WHO KNEW TOO MUCH

  I. THE FACE IN THE TARGET

  Harold March, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape of liberty, he was still young enough to remember his politics and not merely try to forget them. For his errand at Torwood Park was a political one; it was the place of appointment named by no less a person than the Chancellor of the Exchequer, Sir Howard Horne, then introducing his so-called Socialist budget, and prepared to expound it in an interview with so promising a penman. Harold March was the sort of man who knows everything about politics, and nothing about politicians. He also knew a great deal about art, letters, philosophy, and general culture; about almost everything, indeed, except the world he was living in.

  Abruptly, in the middle of those sunny and windy flats, he came upon a sort of cleft almost narrow enough to be called a crack in the land. It was just large enough to be the water-course for a small stream which vanished at intervals under green tunnels of undergrowth, as if in a dwarfish forest. Indeed, he had an odd feeling as if he were a giant looking over the valley of the pygmies. When he dropped into the hollow, however, the impression was lost; the rocky banks, though hardly above the height of a cottage, hung over and had the profile of a precipice. As he began to wander down the course of the stream, in idle but romantic curiosity, and saw the water shining in short strips between the great gray boulders and bushes as soft as great green mosses, he fell into quite an opposite vein of fantasy. It was rather as if the earth had opened and swallowed him into a sort of underworld of dreams. And when he became conscious of a human figure dark against the silver stream, sitting on a large boulder and looking rather like a large bird, it was perhaps with some of the premonitions proper to a man who meets the strangest friendship of his life.

  The man was apparently fishing; or at least was fixed in a fisherman's attitude with more than a fisherman's immobility. March was able to examine the man almost as if he had been a statue for some minutes before the statue spoke. He was a tall, fair man, cadaverous, and a little lackadaisical, with heavy eyelids and a highbridged nose. When his face was shaded with his wide white hat, his light mustache and lithe figure gave him a look of youth. But the Panama lay on the moss beside him; and the spectator could see that his brow was prematurely bald; and this, combined with a certain hollowness about the eyes, had an air of headwork and even headache. But the most curious thing about him, realized after a short scrutiny, was that, though he looked like a fisherman, he was not fishing.

  He was holding, instead of a rod, something that might have been a landing-net which some fishermen use, but which was much more like the ordi
nary toy net which children carry, and which they generally use indifferently for shrimps or butterflies. He was dipping this into the water at intervals, gravely regarding its harvest of weed or mud, and emptying it out again.

 

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