The Essential G. K. Chesterton

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by G. K. Chesterton


  Bret Harte had to deal with countries and communities of an almost unexampled laxity, a laxity passing the laxity of savages, the laxity of civilised men grown savage. He dealt with a life which we in a venerable and historic society may find it somewhat difficult to realise. It was the life of an entirely new people, a people who, having no certain past, could have no certain future. The strangest of all the sardonic jests that history has ever played may be found in this fact: that there is a city which is of all cities the most typical of innovation and dissipation, and a certain almost splendid vulgarity, and that this city bears the name in a quaint old European language of the most perfect exponent of the simplicity and holiness of the Christian tradition; the city is called San Francisco. San Francisco, the capital of the Bret Harte country, is a city typifying novelty in a manner in which it is typified by few modern localities. San Francisco has in all probability its cathedrals, but it may well be that its cathedrals are less old and less traditional than many of our hotels. If its inhabitants built a temple to the most primal and forgotten god of whose worship we can find a trace, that temple would still be a modern thing compared with many taverns in Suffolk round which there lingers a faint tradition of Mr. Pickwick. And everything in that new gold country was new, even to the individual inhabitants. Good, bad, and indifferent, heroes and dastards, they were all men from nowhere.

  Most of us have come across the practical problem of London landladies, the problem of the doubtful foreign gentleman in a street of respectable English people. Those who have done so can form some idea of what it would be to live in a street full of doubtful foreign gentlemen, in a parish, in a city, in a nation composed entirely of doubtful foreign gentlemen. Old California, at the time of the first rush after gold, was actually this paradox of the nation of foreigners. It was a republic of incognitos: no one knew who anyone else was, and only the more ill-mannered and uneasy even desired to know. In such a country as this, gentlemen took more trouble to conceal their gentility than thieves living in South Kensington would take to conceal their blackguardism. In such a country everyone is an equal, because everyone is a stranger. In such a country it is not strange if men in moral matters feel something of the irresponsibility of a dream. To plan plans which are continually miscarrying against men who are continually disappearing by the assistance of you know not whom, to crush you know not whom, this must be a demoralising life for any man; it must be beyond description demoralising for those who have been trained in no lofty or orderly scheme of right. Small blame to them indeed if they become callous and supercilious and cynical. And the great glory and achievement of Bret Harte consists in this, that he realised that they do not become callous, supercilious, and cynical, but that they do become sentimental and romantic, and profoundly affectionate. He discovered the intense sensibility of the primitive man. To him we owe the realisation of the fact that while modern barbarians of genius like Mr. Henley, and in his weaker moments Mr. Rudyard Kipling, delight in describing the coarseness and crude cynicism and fierce humour of the unlettered classes, the unlettered classes are in reality highly sentimental and religious, and not in the least like the creations of Mr. Henley and Mr. Kipling. Bret Harte tells the truth about the wildest, the grossest, the most rapacious of all the districts of the earth--the truth that, while it is very rare indeed in the world to find a thoroughly good man, it is rarer still, rare to the point of monstrosity, to find a man who does not either desire to be one, or imagine that he is one already.

  ALFRED THE GREAT

  The celebrations in connection with the millenary of King Alfred struck a note of sympathy in the midst of much that was unsympathetic, because, altogether apart from any peculiar historical opinions, all men feel the sanctifying character of that which is at once strong and remote; the ancient thing is always the most homely, and the distant thing the most near. The only possible peacemaker is a dead man, ever since by the sublime religious story a dead man only could reconcile heaven and earth. In a certain sense we always feel the past ages as human, and our own age as strangely and even weirdly dehumanised. In our own time the details overpower us; men's badges and buttons seem to grow larger and larger as in a horrible dream. To study humanity in the present is like studying a mountain with a magnifying glass; to study it in the past is like studying it through a telescope.

  For this reason England, like every other great and historic nation, has sought its typical hero in remote and ill-recorded times. The personal and moral greatness of Alfred is, indeed, beyond question. It does not depend any more than the greatness of any other human hero upon the accuracy of any or all of the stories that are told about him. Alfred may not have done one of the things which are reported of him, but it is immeasurably easier to do every one of those things than to be the man of whom such things are reported falsely. Fable is, generally speaking, far more accurate than fact, for fable describes a man as he was to his own age, fact describes him as he is to a handful of inconsiderable antiquarians many centuries after. Whether Alfred watched the cakes for the neat-herd's wife, whether he sang songs in the Danish camp, is of no interest to anyone except those who set out to prove under considerable disadvantages that they are genealogically descended from him. But the man is better pictured in these stories than in any number of modern realistic trivialities about his favourite breakfast and his favourite musical composer. Fable is more historical than fact, because fact tells us about one man and fable tells us about a million men. If we read of a man who could make green grass red and turn the sun into the moon, we may not believe these particular details about him, but we learn something infinitely more important than such trivialities, the fact that men could look into his face and believe it possible. The glory and greatness of Alfred, therefore, is like that of all the heroes of the morning of the world, set far beyond the chance of that strange and sudden dethronement which may arise from the unsealing of a manuscript or the turning over of a stone. Men may have told lies when they said that he first entrapped the Danes with his song and then overcame them with his armies, but we know very well that it is not of us that such lies are told. There may be myths clustering about each of our personalities; local saga-men and chroniclers have very likely circulated the story that we are addicted to drink, or that we ferociously ill-use our wives. But they do not commonly lie to the effect that we have shed our blood to save all the inhabitants of the street. A story grows easily, but a heroic story is not a very easy thing to evoke. Wherever that exists we may be pretty certain that we are in the presence of a dark but powerful historic personality. We are in the presence of a thousand lies all pointing with their fantastic fingers to one undiscovered truth.

  Upon this ground alone every encouragement is due to the cult of Alfred. Every nation requires to have behind it some historic personality, the validity of which is proved, as the validity of a gun is proved, by its long range. It is wonderful and splendid that we treasure, not the truth, but the very gossip about a man who died a thousand years ago. We may say to him, as M. Rostand says to the Austrian Prince:

  "Dors, ce n'est pas toujours la Lgende qui ment: Une rve est parfois moins trompeur qu'un document."

  To have a man so simple and so honourable to represent us in the darkness of primeval history, binds all the intervening centuries together, and mollifies all their monstrosities. It makes all history more comforting and intelligible; it makes the desolate temple of the ages as human as an inn parlour.

  But whether it come through reliable facts or through more reliable falsehoods the personality of Alfred has its own unmistakable colour and stature. Lord Rosebery uttered a profound truth when he said that that personality was peculiarly English. The great magnificence of the English character is expressed in the word "service." There is, perhaps, no nation so vitally theocratical as the English; no nation in which the strong men have so consistently preferred the instrumental to the despotic attitude, the pleasures of the loyal to the pleasures of the royal position. We have had
tyrants like Edward I. and Queen Elizabeth, but even our tyrants have had the worried and responsible air of stewards of a great estate. Our typical hero is such a man as the Duke of Wellington, who had every kind of traditional and external arrogance, but at the back of all that the strange humility which made it physically possible for him without a gleam of humour or discomfort to go on his knees to a preposterous bounder like George IV. Across the infinite wastes of time and through all the mists of legend we still feel the presence in Alfred of this strange and unconscious self-effacement. After the fullest estimate of our misdeeds we can still say that our very despots have been less self-assertive than many popular patriots. As we consider these things we grow more and more impatient of any modern tendencies towards the enthronement of a more self-conscious and theatrical ideal. Lord Rosebery called up before our imaginations the picture of what Alfred would have thought of the vast modern developments of his nation, its immense fleet, its widespread Empire, its enormous contribution to the mechanical civilisation of the world. It cannot be anything but profitable to conceive Alfred as full of astonishment and admiration at these things; it cannot be anything but good for us that we should realise that to the childlike eyes of a great man of old time our inventions and appliances have not the vulgarity and ugliness that we see in them. To Alfred a steamboat would be a new and sensational sea-dragon, and the penny postage a miracle achieved by the despotism of a demi-god.

  But when we have realised all this there is something more to be said in connection with Lord Rosebery's vision. What would King Alfred have said if he had been asked to expend the money which he devoted to the health and education of his people upon a struggle with some race of Visigoths or Parthians inhabiting a small section of a distant continent? What would he have said if he had known that that science of letters which he taught to England would eventually be used not to spread truth, but to drug the people with political assurances as imbecile in themselves as the assurance that fire does not burn and water does not drown? What would he have said if the same people who, in obedience to that ideal of service and sanity of which he was the example, had borne every privation in order to defeat Napoleon, should come at last to find no better compliment to one of their heroes than to call him the Napoleon of South Africa? What would he have said if that nation for which he had inaugurated a long line of incomparable men of principle should forget all its traditions and coquette with the immoral mysticism of the man of destiny?

  Let us follow these things by all means if we find them good, and can see nothing better. But to pretend that Alfred would have admired them is like pretending that St. Dominic would have seen eye to eye with Mr. Bradlaugh, or that Fra Angelico would have revelled in the posters of Mr. Aubrey Beardsley. Let us follow them if we will, but let us take honestly all the disadvantages of our change; in the wildest moment of triumph let us feel the shadow upon our glories of the shame of the great king.

  MAETERLINCK

  The selection of "Thoughts from Maeterlinck" is a very creditable and also a very useful compilation. Many modern critics object to the hacking and hewing of a consistent writer which is necessary for this kind of work, but upon more serious consideration, the view is not altogether adequate. Maeterlinck is a very great man; and in the long run this process of mutilation has happened to all great men. It was the mark of a great patriot to be drawn and quartered and his head set on one spike in one city and his left leg on another spike in another city. It was the mark of a saint that even these fragments began to work miracles. So it has been with all the very great men of the world. However careless, however botchy, may be the version of Maeterlinck or of anyone else given in such a selection as this, it is assuredly far less careless and far less botchy than the version, the parody, the wild misrepresentation of Maeterlinck which future ages will hear and distant critics be called upon to consider.

  No one can feel any reasonable doubt that we have heard about Christ and Socrates and Buddha and St. Francis a mere chaos of excerpts, a mere book of quotations. But from those fragmentary epigrams we can deduce greatness as clearly as we can deduce Venus from the torso of Venus or Hercules _ex pede Herculem_. If we knew nothing else about the Founder of Christianity, for example, beyond the fact that a religious teacher lived in a remote country, and in the course of his peregrinations and proclamations consistently called Himself "the Son of Man," we should know by that alone that he was a man of almost immeasurable greatness. If future ages happened to record nothing else about Socrates except that he owned his title to be the wisest of men because he knew that he knew nothing, they would be able to deduce from that the height and energy of his civilisation, the glory that was Greece. The credit of such random compilations as that which "E.S.S." and Mr. George Allen have just effected is quite secure. It is the pure, pedantic, literal editions, the complete works of this author or that author which are forgotten. It is such books as this that have revolutionised the destiny of the world. Great things like Christianity or Platonism have never been founded upon consistent editions; all of them have been founded upon scrap-books.

  The position of Maeterlinck in modern life is a thing too obvious to be easily determined in words. It is, perhaps, best expressed by saying that it is the great glorification of the inside of things at the expense of the outside. There is one great evil in modern life for which nobody has found even approximately a tolerable description: I can only invent a word and call it "remotism." It is the tendency to think first of things which, as a matter of fact, lie far away from the actual centre of human experience. Thus people say, "All our knowledge of life begins with the amoeba." It is false; our knowledge of life begins with ourselves. Thus they say that the British Empire is glorious, and at the very word Empire they think at once of Australia and New Zealand, and Canada, and Polar bears, and parrots and kangaroos, and it never occurs to any one of them to think of the Surrey Hills. The one real struggle in modern life is the struggle between the man like Maeterlinck, who sees the inside as the truth, and the man like Zola, who sees the outside as the truth. A hundred cases might be given. We may take, for the sake of argument, the case of what is called falling in love. The sincere realist, the man who believes in a certain finality in physical science, says, "You may, if you like, describe this thing as a divine and sacred and incredible vision; that is your sentimental theory about it. But what it is, is an animal and sexual instinct designed for certain natural purposes." The man on the other side, the idealist, replies, with quite equal confidence, that this is the very reverse of the truth. I put it as it has always struck me; he replies, "Not at all. You may, if you like, describe this thing as an animal and sexual instinct, designed for certain natural purposes; that is your philosophical or zological theory about it. What it is, beyond all doubt of any kind, is a divine and sacred and incredible vision." The fact that it is an animal necessity only comes to the naturalistic philosopher after looking abroad, studying its origins and results, constructing an explanation of its existence, more or less natural and conclusive. The fact that it is a spiritual triumph comes to the first errand boy who happens to feel it. If a lad of seventeen falls in love and is struck dead by a hansom cab an hour afterwards, he has known the thing as it is, a spiritual ecstasy; he has never come to trouble about the thing as it may be, a physical destiny. If anyone says that falling in love is an animal thing, the answer is very simple. The only way of testing the matter is to ask those who are experiencing it, and none of those would admit for a moment that it was an animal thing.

  Maeterlinck's appearance in Europe means primarily this subjective intensity; by this the materialism is not overthrown: materialism is undermined. He brings, not something which is more poetic than realism, not something which is more spiritual than realism, not something which is more right than realism, but something which is more real than realism. He discovers the one indestructible thing. This material world on which such vast systems have been superimposed--this may mean anything. It may be a dream,
it may be a joke, it may be a trap or temptation, it may be a charade, it may be the beatific vision: the only thing of which we are certain is this human soul. This human soul finds itself alone in a terrible world, afraid of the grass. It has brought forth poetry and religion in order to explain matters; it will bring them forth again. It matters not one atom how often the lulls of materialism and scepticism occur; they are always broken by the reappearance of a fanatic. They have come in our time: they have been broken by Maeterlinck.

 

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