by Anne Rice
Many a time he had witnessed this black denial of life in mortals. He had heard the wisest of them say, "Life is not worth it," and he had never fathomed it; well, he understood it now.
Vaguely he knew she had turned to those around him. She was welcoming Santino and Pandora into the house.
As if in a trance, he saw her turn to lead the way. Her hair was so long it fell to her waist in back, a great mass of soft red curls. And he felt the urge to touch it, see if it was as soft as it looked. How positively remarkable that he could be distracted by something lovely at this moment, something impersonal, and that it could make him feel all right; as if nothing had happened; as if the world were good. He beheld the shrine intact again; the shrine at the center of his world. Ah, the idiot human brain, he thought, I how it seizes whatever it can. And to think Armand was waiting, so near. . . .
She led them through a series of large, sparely furnished rooms.
The place for all its openness had the air of a citadel; the ceiling beams were enormous; the fireplaces, each with a roaring blaze, were no more than open stone hearths.
So like the old meeting halls of Europe in the dark times, when the Roman roads had fallen to ruin and the Latin tongue had been forgotten, and the old warrior tribes had risen again. The Celts had been triumphant in the end really. They were the ones who conquered Europe; its feudal castles were no more than Celtic encampments; even in the modern states, the Celtic superstitions, more than Roman reason, lived on.
But the appointments of this place hearkened back to even earlier times. Men and women had lived in cities built like this before the invention of writing; in rooms of plaster and wood; among things woven, or hammered by hand.
He rather liked it; ah, the idle brain again, he thought, that he could like something at such a time. But the places built by immortals always intrigued him. And this one was a place to study slowly, to come to know over a great span of time.
Now they passed through a steel door and into the mountain itself. The smell of the raw earth enclosed him. Yet they walked in new metal corridors, with walls of tin. He could hear the generators, the computers, all the sweet humming electrical sounds that had made him feel so safe in his own house.
Up an iron stairs they went. It doubled back upon itself again and again as Maharet led them higher and higher. Now roughened walls revealed the innards of the mountain, its deep veins of colored clay and rock. Tiny ferns grew here; but where did the light come from? A skylight high above. Little portal to heaven. He glanced up thankfully at the bare glimmer of blue light.
Finally they emerged on a broad landing and entered a small darkened room. A door lay open to a much larger chamber where the others waited; but all Marius could see for the moment was the bright shock of distant firelight, and it made him turn his eyes away.
Someone was waiting here in this little room for him, someone whose presence he had been unable, except by the most ordinary means, to detect. A figure who stood behind him now. And as Maharet went on into the large room, taking Pandora and Santino and Mael with her, he understood what was about to happen. To brace himself he took a slow breath and closed his eyes.
How trivial all his bitterness seemed; he thought of this one whose existence had been for centuries unbroken suffering; whose youth with all its needs had been rendered truly eternal; this one whom he had failed to save, or to perfect. How many times over the years had he dreamed of such a reunion, and he had never had the courage for it; and now on this battlefield, in this time of ruin and upheaval, they were at last to meet.
"My love," he whispered. He felt himself chastened suddenly as he had been earlier when he had flown up and up over the Snowy wastes past the realm of the indifferent clouds. Never had he spoken words more heartfelt. "My beautiful Amadeo," he said.
And reaching out he felt the touch of Armand's hand-Supple still this unnatural flesh, supple as if it were human, and cool and so soft. He couldn't help himself now. He was weeping. He opened his eyes to see the boyish figure standing before him. Oh, such an expression. So accepting, so yielding. Then he opened his arms.
Centuries ago in a palazzo in Venice, he had tried to capture in imperishable pigment the quality of this love. What had been its lesson? That in all the world no two souls contain the same secret, the same gift of devotion or abandon; that in a common child, a wounded child, he had found a blending of sadness and simple grace that would forever break his heart? This one had understood him! This one had loved him as no other ever had. Through his tears he saw no recrimination for the grand experiment that had gone wrong. He saw the face that he had painted, now darkened slightly with the thing we naively call wisdom; and he saw the same love he had counted upon so totally in those lost nights.
If only there were time, time to seek the quiet of the forest- some warm, secluded place among the soaring redwoods-and there talk together by the hour through long unhurried nights. But the others waited; and so these moments were all the more precious, and all the more sad.
He tightened his arms around Armand. He kissed Armand's lips, and his long loose vagabond hair. He ran his hand covetously over Armand's shoulders. He looked at the slim white hand he held in his own. Every detail he had sought to preserve forever on canvas; every detail he had certainly preserved in death.
"They're waiting, aren't they?" he asked. "They won't give us more than a few moments now."
Without judgment, Armand nodded. In a low, barely audible voice, he said, "It's enough. I always knew that we would meet again." Oh, the memories that the timbre of the voice brought back. The palazzo with its coffered ceilings, beds draped in red velvet. The figure of this boy rushing up the marble staircase, his face flushed from the winter wind off the Adriatic, his brown eyes on fire. "Even in moments of the greatest jeopardy," the voice continued, "I knew we would meet before I would be free to die." "Free to die?" Marius responded. "We are always free to die, aren't we? What we must have now is the courage to do it, if indeed it is the right thing to do."
Armand appeared to think on this for a moment. And the soft distance that crept into his face brought back the sadness again to Marius. "Yes, that's true," he said.
"I love you," Marius whispered suddenly, passionately as a mortal man might. "I have always loved you. I wish that I could believe in anything other than love at this moment; but I can't."
Some small sound interrupted them. Maharet had come to the door.
Marius slipped his arm around Armand's shoulder. There was one final moment of silence and understanding between them. And then they followed Maharet into an immense mountaintop room.
All of glass it was, except for the wall behind him, and the distant iron chimney that hung from the ceiling above the blazing fire. No other light here save the blaze, and above and beyond, the sharp tips of the monstrous redwoods, and the bland Pacific sky with its vaporous clouds and tiny cowardly stars.
But it was beautiful still, wasn't it? Even if it was not the sky over the Bay of Naples, or seen from the flank of Annapurna or from a vessel cast adrift in the middle of the blackened sea. The mere sweep of it was beautiful, and to think that only moments ago he had been high up there, drifting in the darkness, seen only by his fellow travelers and by the stars themselves. The joy came back to him again as it had when he looked at Maharet's red hair. No sorrow as when he thought of Armand beside him; just joy, impersonal and transcendent. A reason to remain alive.
It occurred to him suddenly that he wasn't very good at bitterness or regret, that he didn't have the stamina for them, and if he was to recapture his dignity, he had better shape up fast.
A little laugh greeted him, friendly, unobtrusive; a little drunken maybe, the laugh of a fledgling who lacked common sense. He smiled in acknowledgment, darting a glance at the amused one, Daniel. Daniel the anonymous "boy" of Interview with the Vampire. It hit him quickly that this was Armand's child, the only child Armand had ever made. A good start on the Devil's Road this creature had, this exuber
ant and intoxicated being, strengthened with all that Armand had to give.
Quickly he surveyed the others who were gathered around the oval table.
To his right and some distance away, there was Gabrielle, with her blond hair in a braid down her back and her eyes full of undisguised anguish; and beside her, Louis, unguarded and passive as always, staring at Marius mutely as if in scientific inquiry or worship or both; then came his beloved Pandora, her rippling brown hair free over her shoulders and still speckled with the tiny sparkling droplets of melted frost. Santino sat to her right, finally, looking composed once more, all the dirt gone from his finely cut black velvet clothes.
On his left sat Khayman, another ancient one, who gave his name silently and freely, a horrifying being, actually, with a face even smoother than that of Maharet. Marius found he couldn't take his eyes off this one. Never had the faces of the Mother and the Father so startled him, though they too had had these black eyes and jet black hair. It was the smile, wasn't it? The open, affable expression fixed there in spite of all the efforts of time to wash it away. The creature looked like a mystic or a saint, yet he was a savage killer. Recent feasts of human blood had softened his skin just a little, and given a faint blush to his cheeks.
Mael, shaggy and unkempt as always, had taken the chair to Khayman's left. And after him came another old one, Eric, past three thousand years by Marius's reckoning, gaunt and deceptively fragile in appearance, perhaps thirty when he died. His soft brown eyes regarded Marius thoughtfully. His handmade clothes were like exquisite replicas of the store-bought goods men of business wore today.
But what was this other being? The one who sat to the right of Maharet, who stood directly opposite Marius at the far end? Now, this one truly gave him a shock. The other twin was his first rash conjecture as he stared at her green eyes and her coppery red hair.
But this being had been alive yesterday, surely. And he could find no explanation for her strength, her frigid whiteness; the piercing manner in which she stared at him; and the overwhelming telepathic power that emanated from her, a cascade of dark and finely delineated images which she seemed unable to control. She was seeing with uncanny accuracy the painting he had done centuries ago of his Amadeo, surrounded by blackwinged angels as he knelt in prayer. A chill passed over Marius.
"In the crypt of the Talamasca," he whispered. "My painting?" He laughed, rudely, venomously. "And so it's there!"
The creature was frightened; she hadn't meant to reveal her thoughts. Protective of the Talamasca, and hopelessly confused, she shrank back into herself. Her body seemed to grow smaller and yet to redouble its power. A monster. A monster with green eyes and delicate bones. Born yesterday, yes, exactly as he had figured it; there was living tissue in her; and suddenly he understood all about her. This one, named Jesse, had been made by Maharet. This one was an actual human descendant of the woman; and now she had become the fledgling of her ancient mother. The scope of it astonished him and frightened him slightly. The blood racing through the young one's veins had a potency that was unimaginable to Marius. She was absolutely without thirst; yet she wasn't even really dead.
But he must stop this, this merciless and rummaging appraisal. They were, after all, waiting for him. Yet he could not help but wonder where in God's name were his own mortal descendants, spawn of the nephews and nieces he had so loved when he was alive? For a few hundred years, true, he had followed their progress; but finally, he could no longer recognize them; he could no longer recognize Rome itself. And he had let it all go into darkness, as Rome had passed into darkness. Yet surely there were those walking the earth today who had that old family blood in their veins.
He continued to stare at the red-haired young one. How she resembled her great mother; tall, yet frail of bone, beautiful yet severe. Some great secret here, something to do with the lineage, the family She wore soft dark clothes rather similar to those of the ancient one; her hands were immaculate; she wore no scent or paint.
They were all of them magnificent in their own way. The tall heavily built Santino was elegant in his priestly black, with his lustrous black eyes and a sensuous mouth. Even the unkempt Mael had a savage and overpowering presence as he glowered at the ancient woman with an obvious mixture of love and hate. Armand's angelic face was beyond description; and the boy Daniel, a vision with his ashen hair and gleaming violet eyes.
Was nobody ugly ever given immortality? Or did the dark magic simply make beauty out of whatever sacrifice was thrown into the blaze? But Gabrielle had been a lovely thing in life surely, with all her son's courage and none of his impetuosity, and Louis, ah, well, Louis of course had been picked for the exquisite bones of his face, for the depth of his green eyes. He had been picked for the inveterate attitude of somber appreciation that he revealed now. He looked like a human being lost among them, his face softened with color and feeling; his body curiously defenseless; his eyes wondering and sad. Even Khayman had an undeniable perfection of face and form, horrifying as the total effect had come to be.
As for Pandora, he saw her alive and mortal when he looked at her, he saw the eager innocent woman who had come to him so many eons ago in the ink-black nighttime streets of Antioch, begging to be made immortal, not the remote and melancholy being who sat so still now in her simple biblical robes, staring through the glass wall opposite her at the fading galaxy beyond the thickening clouds.
Even Eric, bleached by the centuries and faintly radiant, retained, as Maharet did, an air of great human feeling, made all the more appealing by a beguiling androgynous grace.
The fact was, Marius had never laid eyes on such an assemblage-a gathering of immortals of all ages from the newborn to the most ancient; and each endowed with immeasurable powers and weaknesses, even to the delirious young man whom Armand had skillfully created with all the unspent virtue of his virgin blood. Marius doubted that such a "coven" had ever come together before.
And how did he fit into the picture, he who had been the eldest of his own carefully controlled universe in which the ancients had been silent gods? The winds had cleansed him of the dried blood that had clung to his face and shoulder-length hair. His long black cloak was damp from the snows from which he'd come. And as he approached the table, as he waited belligerently for Maharet to tell him he might be seated, he fancied he looked as much the monster as the others did, his blue eyes surely cold with the animosity that was burning him from within.
"Please," she said to him graciously. She gestured to the empty wooden chair before him, a place of honor obviously, at the foot of the table; that is, if one conceded that she stood at the head.
Comfortable it was, not like so much modern furniture. Its curved back felt good to him as he seated himself, and he could rest his hand on the arm, that was good, too. Armand took the empty chair to his right.
Maharet seated herself without a sound. She rested her hands with fingers folded on the polished wood before her. She bowed her head as if collecting her thoughts to begin.
"Are we all that is left?" Marius asked. "Other than the Queen and the brat prince and-" He paused.
A ripple of silent confusion passed through the others. The mute twin, where was she? What was the mystery?
"Yes," Maharet answered soberly. "Other than the Queen, and the brat prince, and my sister. Yes, we are the only ones left. Or the only ones left who count."
She paused as if to let her words have their full effect. Her eyes gently took in the complete assembly.
"Far off," she said, "there may be others-old ones who choose to remain apart. Or those she hunts still, who are doomed. But we are what remains in terms of destiny or decision. Or intent,"
"And my son," Gabrielle said. Her voice was sharp, full of emotion, and subtle disregard for those present. "Will none of you tell me what she's done with him and where he is?" She looked from the woman to Marius, fearlessly and desperately. "Surely you have the power to know where he is."
Her resemblance to Lestat touche
d Marius. It was from this one that Lestat had drawn his strength, without doubt. But there was a coldness in her that Lestat would never understand.
"He's with her, as I've already told you," Khayman said, his voice deep and unhurried. "But beyond that she doesn't let us know."
Gabrielle did not believe it, obviously. There was a pulling away in her, a desire to leave here, to go off alone. Nothing could have forced the others away from the table. But this one had made no such commitment to the meeting, it was clear.
"Allow me to explain this," Maharet said, "because it's of the utmost importance. The Mother is skillful at cloaking herself, of course. But we of the early centuries have never been able to communicate silently with the Mother and the Father or with each other. We are all simply too close to the source of the power that makes us what we are. We are deaf and blind to each other's minds just as master and fledgling are among you. Only as time passed and more and more blood drinkers were created did they acquire the power to communicate silently with each other as we have done with mortals all along."
"Then Akasha couldn't find you," Marius said, "you or Khayman-if you weren't with us."
"That's so. She must see us through your minds or not at all.
And so we must see her through the minds of others. Except of course &>r a certain sound we hear now and then on the approach of the powerful, a sound that has to do with a great exertion of energy, and with breath and blood."
"Yes, that sound," Daniel murmured softly. "That awful relentless sound."
"But is there nowhere we can hide from her?" Eric asked. "Those of us she can hear and see?" It was a young man's voice, of course, and with a heavy undefinable accent, each word rather beautifully intoned.
"You know there isn't," Maharet answered with explicit patience. "But we waste time talking of hiding. You are here either because she cannot kill you or she chooses not to. And so be it. We must go on."
