Roads to Berlin

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Roads to Berlin Page 8

by Cees Nooteboom


  Mikhail Gorbachev and Erich Honecker: the kiss. © Corbis

  The others, the ones it is all about, cannot be seen in this photograph. While an oompah band in traditional costume plays on East German television, I see the others on the television on this side. Interviews on the street. Mothers with children, old people, young people. They hope for peaceful change, or they are scared, or furious, or taciturn, or indifferent. They too have been surrounded; their movement within the circle is prescribed, proscribed, circumscribed. They are not the ones who walked past that podium with torches, and maybe even that is not true. Brecht once said that if the people had lost the government’s confidence, the government should dissolve the people and elect another. It does not look as though that approach would succeed in this surrounded country.

  Today’s Frankfurter Allgemeine has six headlines on the front page. Demonstrations throughout the D.D.R. Packed prisons in East Berlin. The Hungarian Communists are abolishing themselves and becoming a socialist party. (There were pictures of that yesterday too: red stars being removed from the state buildings I remember from 1956, a statue of Lenin being pulled down, that sharp profile with the pointed beard staring up into the autumn sky, together with a statue of the Sacred Heart in a silent courtyard.) The tide of refugees coming through Hungary is growing. If they are not granted autonomy, all Russian Germans will leave Russia. In the frozen moment of that kiss, all of those angry movements, that pulling and pushing of powers and authorities, accumulated desires, grudges, dogma, resistance and expectation, were invisible, as though the two men stood in the eye of a storm.

  That is how it seemed yesterday too, in the deathly atmosphere that often accompanies Sunday afternoons in Berlin, on the border by Lübars: the autumn trees motionless, the lights of the tall security posts mere patches of orange in the misty air, a few walkers, a girl on a horse and, on the sand of the no-man’s land between the fence and the Wall, young men with dogs. There were more of them than usual. Watchmen, men charged with watching. But now their watching seems more like waiting, waiting for something that, sooner or later, not now, but one day, will certainly happen.

  October 18, 1989

  VI

  How does a fish see the river it is swimming in? It cannot leave the water to gain distance or perspective. Something like that is happening in Berlin. Everything is flowing. Every moment there are new events, reports; whenever I step out of the front door, within a couple of minutes I become part of a swirling crowd, people shouting newspaper headlines at me: Farewell to the island! Germany is one! The people have triumphed! Eight hundred thousand conquered West Berlin! At the banks and post offices, long queues of East Germans stand in line for their “welcome money.”1 Old people with dazed expressions, in this part of the city for the first time in thirty years, come in search of their memories; young people who were born after the Wall went up, and who live maybe a kilometer away, walk around in a world they have never known, so ecstatic that the asphalt can barely hold them.

  As I write these words, church bells are ringing out on all sides, as they did a few days ago when the bells of the Gedächtniskirche suddenly pealed out their bronze news about the open Wall and people knelt down and cried in the streets. There is always something ecstatic, moving, alarming, about visible history. No one can miss it. And no one knows what is going to happen. This is a city that has been through so much. The tens of thousands of people flowing through the eastern channels to the West all bring their emotions with them as though they are tangible objects. Their feelings are reflected in the faces of the people on this side and boosted by the sound of their own millions of footsteps in the suddenly pedestrianized streets, by the sirens and church bells, by the voices with their questions and rumors, the unwritten words of a script invented by no one. No one, and everyone. “Wir sind das Volk!” they called out in Leipzig only two weeks ago. We are the People! Now those people are here and they have left their leaders at home.

  The big demonstration in East Berlin happened eight days ago. Simone went, but was singled out by the unerring eye of the border guards at Bahnhof Friedrichstraße. No, she could not go through. “So why are all these other people allowed in? I’ve been waiting here for an hour and a half, just like everyone else.” “I’m sorry, but we don’t have to give a reason. Try again tomorrow.” I was off on another mission at the time, a series of readings in the far West: Aachen, Cologne, Frankfurt, Essen. Even there, Berlin was constantly present in every conversation. Monday evening was Essen, the dark heart of the Ruhr-gebiet. After the reading, a discussion in a dimly lit café, Erbsensuppe, Schlachtplatte, big glasses of beer. A number of young people, a girl from the theater, a book dealer, a biochemist, a writer. Always the same words, over and over again: Übersiedler, Aussiedler, Wiederver-einigung. Aren’t people in Holland scared of German reunification? No? Well, we are. We don’t want to be reunified, and certainly not with those Saxons and Prussians. They’ve had such authoritarian upbringings; they don’t know any better. They’re at the factory gates by six every morning. How are we supposed to respond to that? They may be Germans, but they’re different Germans. Of that lot 10 percent would vote for the Republikaner, and 60 percent for the Christian Democrats (C.D.U.). We know that already; we’ve seen the surveys. Germany will be one big country again, but leaning eastwards, towards the Poles and the Russians. That’s sure to make the rest of Europe happy. Is that what you want? The whole balance will shift and we’ll have to become one big nation again.

  Queue for Begrüßungsgeld (“welcome money”), West Berlin, November 1989

  The only answer I can think of is that they already are one big nation, that it is their own relative density that will put an end to this artificial separation. Large countries exert their own gravitational force, which sooner or later draws everything in. It will be up to the Germans themselves to deal with the consequences.

  After our conversation, they take me to catch the last train to Cologne, a kind of tram. It is a tortuous journey. The thing is empty, and cold, and stops everywhere, even when there is no one in sight. Outside, the grim silhouettes of heavy industry, hellish flames against the blackness. At Düsseldorf, there is a bomb scare and we come to a standstill in the midst of a silent black void. I am alone in the compartment. I hear the elderly voice of the driver over the loudspeaker, breathing heavily: Bombendrohung, a bomb scare. We wait there, endlessly, and whether it is the night, or the absence of other people, or the conversation I had that evening, or simply my age, I cannot help thinking about the war, about the power of attraction exerted by this strange country, which always drags other countries into its destiny, whether it means to or not.

  Thursday evening. I am back in Berlin and in a taxi with my photographer and a friend. As we are talking, suddenly I hear something in the sound of the voice on the car radio, a sound I recognize: the eager, rushed, incredulous tone of major events. I ask the driver to turn up the volume, but that is not necessary; she tells us the news herself now that she knows we can understand her. She is excited, she pushes back her long blonde hair, and she is almost shouting. The Wall is open, everyone is on their way to the Brandenburger Tor, all of Berlin is heading there. If we want, she can take us there now, as she wants to see it too. If we agree to head straight there, she says she will turn off the meter. The traffic is heavier by the second; it is almost impossible to move forward, even from a hundred meters beyond the Siegessäule. In the Trabant beside us, smoke billowing out behind it, young East Germans hold up their visas to show us, their faces white with excitement in the glow of the streetlights. I tell the driver that she would be better off taking John-Foster-Dulles-Allee to the Reichstag. Dulles, Reichstag, war, Cold War—it is impossible to say anything here without invoking the past. The dark ship of the Reichstag lies in a sea of people; everyone is advancing on the tall columns of the Brandenburger Tor and the galloping horses above them, which once stormed in the opposite direction. The viewing platform that looks out over Unter den Li
nden is swaying under the weight of the people. We fight our way through and whenever someone comes down, we move up, one body at a time. The empty semi-circle in front of the columns is illuminated by an artificial orange light; the phalanx of border soldiers inside the semi-circle seems a weak line of defence against the strength of the crowd on our side. Whenever someone climbs up onto the Wall, the soldiers try to spray them back down, but the jet is usually not strong enough and the lonely figure stays there, soaked to the bone, a living statue within a nimbus of illuminated white foam. Shouting, cheering, the flashes of a hundred cameras, as though the concrete of the Wall has become transparent, as though already it is almost no longer there. Young people dance in the jets of water, the vulnerable line of soldiers forming a backdrop for their ballet. In the semi-darkness, I cannot see the soldiers’ faces, and all they can see is the dancers. The others, the large animal of the crowd, which is growing larger and larger, can only hear them. This is the destruction of their world, the only world they have ever known. The taxi driver does not use the meter on the return journey either. She says she is happy, that she will never forget this moment. Her eyes are gleaming. Her boyfriend is somewhere by the Wall right now and she would like to share this moment with him, but she does not know where he is, and besides, her shift runs until six in the morning.

  Brandenburger Tor, November 4, 1989

  The next morning, Friday. I am standing in the window of Café Adler, the last café in the West, by Checkpoint Charlie. “You are now leaving the American Sector”—today that means nothing. Everything seems to be peeling away at an incredible speed. A gentle stream of Trabants comes flowing over the border. Someone is handing out money to the people in the cars; someone else is giving them flowers. The people in the cars are crying or looking bewildered, as though it cannot be true that they are driving in that place, that those other people are waving and calling to them. The East German border guards are standing on the other side of the street, a few meters away from their Western counterparts. They do not speak to one another, but stand firm in the surging crowd. I find their faces as unreadable as they were in the darkness yesterday. Then I cross to the other side myself, join the line, and I find that everything is the same as ever: visa, five Marks, the desperate exchange rate of one to one, even though the actual rate is ten to one. It goes quickly, and I am through within fifteen minutes, but the queue on the other side stretches endlessly around the corner into Friedrichstraße. I walk to the street where Volk und Welt is based, the publishing house that brought out two of my books. It is quiet there, but the door is open. I find one of the proofreaders and am greeted with Berlin humor: “How kind of you to come and visit, just when everyone else is heading in the other direction!” But it is clear that they have been engulfed by the events. No one has any idea what will happen next. I say that I have heard from a Hungarian friend that after the “change” there—I do not know a better word for it—over two hundred new publishing houses were set up. Of course, they know that already, but their greatest concern if that were to happen would be how to get hold of enough paper. No one has anything sensible to say about reunification: “How would it work economically? No one here can afford books from the West. Our books only cost a couple of Marks.” They have a brilliant series of foreign literature—from Duras to Frisch, Queneau, Kawabata, Canetti, Cheever, Calvino, Bernlef, Sarraute and Claus—but what is going to happen when West German publishers are free to operate in the East? Will Volk und Welt still be able to acquire publishing rights? Hundreds of these questions are going around; the whole country is one big question without an answer, and every possible, unimaginable answer, economic or political, intimately affects the lives of millions of people.

  S.E.D. (Sozialistische Einheitspartei Deutschlands) demonstration, East Berlin, November 10, 1989

  “The world has become glass,” the proofreader says, a sentiment I retain when I head back outside. It is cold, but the sun is shining on the chariot atop the Brandenburger Tor. Now I am seeing the city where I live from the other side—that is still possible for now. Masses of Westerners are standing on the Wall; cameras from C.B.S. and the B.B.C. are filming the silent waves and cheers, the distant ecstasy. In the classic no-man’s land between here and there, officers stride past a backdrop of columns just as they always have done, sunlight glinting on their epaulettes.

  Potsdamer Platz, West Berlin, November 12, 1989

  Glass: the word will not let me go. I walk across Unter den Linden and see a luxury edition of the collected works of Erich Honecker in the window of a large bookshop. The books are miniatures, thumb-sized, with leather bindings: Alles für das Wohl des Volkes. Their tiny format appears to reflect the fate of the vanished leader. They cost 420 Marks. How long ago is it now, that kiss from Gorbachev? On all sides, the buildings are tall, old, powerful. This was once the real center of a major metropolis, but only now do I feel how just big it was, how big it will be again when it is a single, united city. The capital of an empire? Frederick the Great never left; he rides his horse, frozen in his heroic pose. Figures on the Neoclassical buildings dance their stone dance in the last of the sunlight. Two soldiers stand, so motionlessly, in front of Schinkel’s Neue Wache, while opposite, on Bebelplatz, a memorial plaque serves as a reminder of a book-burning: “Auf diesem Platz vernichtete nazistischer Ungeist die besten Werke der deutschen und der Weltliteratur.”2 And only a short distance away: “LENIN arbeitete im Jahre 1898 in diesem Gebaüde.”3 Can I tell that things have changed just by looking at these people? No, I can see no difference. They are walking and shopping with no indication that half of their city is flowing into the other half at this very moment.

  Potsdamer Platz, West Berlin, November 12, 1989

  Marx and Engels, East Berlin, November 1989

  I cross the dark water of the Spree and come to Das Rote Rathaus, the Red Town Hall, where every Monday evening the demonstrations took place that made the world shake. I walk across the grass in front of the building, towards the backs of Marx and Engels. One is standing, the other is sitting; I recognize them even from behind, by the wavy hair, the wide, jutting beard of the seated man. Their world too seems to be made of glass: fragile, transparent. They are still here, but already somehow departing, disappointed at what has become of their legacy, their backs to the illuminated glass palace of their descendants, the Palast der Republik. A few hours later, the last of their heirs arrive to stage a counter-demonstration. It is dark now; powerful halogen lights shine upon the Reconciliation Door of the Berliner Dom. Another crowd, but this one is not demanding, it is defending, giving itself fresh heart with slogans and banners and mechanical battle songs that come from large loudspeakers. I allow myself to be swept forward across the gravel between the statues, up to Das Alte Museum with its columns and watchful eagles. Members of the press are climbing into Schinkel’s giant marble dish in front of the building. From the steps, I have a good view of the banners: Weiter so, Egon. Sozialismus mit Zukunft: S.E.D. (Keep it up, Egon. Socialism with a Future: S.E.D.), but also Für die Unumkehrbarkeit der Wende (The Wende—for irreversible change!) and Kommt raus aus Wandlitz, seht uns ins Antlitz (Come out of Wandlitz4 and look us in the face). And that is what I do: I look into the faces of the Party members. They are the people who have the most to lose from the changes. In free elections, the S.E.D. would receive only 12 percent of the vote, and most of the people here would disappear into the obscurity where a number of their leaders already reside, has-beens, dispensed with. Some of them sing along hesitantly with the amplified songs about blood-red banners and battle, but the mood is uncertain. The world around them is now a different place. They know what has happened in Poland and Hungary; they have come here to feel safe among the loud voices, but even those voices are saying things they have never said before. Party members are speaking, blaming their leaders for being too late—too late and too slow—they are constantly being overtaken by events. Members who were voted into the Politburo on Wednesday have be
en thrown out today, and no one knows where they stand. The “monopoly on truth” has been abandoned, and everything sounds like heresy. A few of the speakers say they are happy that they did not have to submit their speeches to the Party for approval, as they used to. Most of them receive more applause than Krenz, who speaks about a revolution on German soil, but the people standing there know that it is not their revolution. He also talks about free elections, but says that the Party will not allow the power to be taken from its hands. Niemals, never. What is the validity of such words? Like a group under siege, the leaders appear in Welt am Sonntag the next day: raincoats, raised fists, mouths open as they sing a battle song. By now, all over the city, pneumatic drills are banging the first holes through the Wall. I leave before the crowd disperses. Behind the windows of the Palast Hotel, a palm-court ensemble in dinner jackets plays to an audience of Bulgarians and Koreans.

 

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