Which eyes not yet created shall o’er-read,
And tongues to be your being shall rehearse
When all the breathers of this world are dead.
You still shall live—such virtue hath my pen—
Where breath most breathes, even in the mouths of
men.
82
I grant thou wert not married to my muse,
And therefore mayst without attaint o’erlook
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise,
And therefore art enforced to seek anew
Some fresher stamp of these time-bettering days.
And do so, love; yet when they have devised
What strained touches rhetoric can lend,
Thou, truly fair, wert truly sympathized
In true plain words by thy true-telling friend;
And their gross painting might be better used
Where cheeks need blood: in thee it is abused.
83
I never saw that you did painting need,
And therefore to your fair no painting set.
I found—or thought I found—you did exceed
The barren tender of a poet’s debt;
And therefore have I slept in your report:
That you yourself, being extant, well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty, being mute,
When others would give life, and bring a tomb.
There lives more life in one of your fair eyes
Than both your poets can in praise devise.
84
Who is it that says most which can say more
Than this rich praise: that you alone are you,
In whose confine immured is the store
Which should example where your equal grew?
Lean penury within that pen doth dwell
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story.
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counterpart shall fame his wit,
Making his style admired everywhere.
You to your beauteous blessings add a curse,
Being fond on praise, which makes your praises worse.
85
My tongue-tied muse in manners holds her still
While comments of your praise, richly compiled,
Reserve thy character with golden quill
And precious phrase by all the muses filed.
I think good thoughts whilst other write good words,
And like unlettered clerk still cry ‘Amen’
To every hymn that able spirit affords
In polished form of well-refinèd pen.
Hearing you praised I say “Tis so, ’tis true,’
And to the most of praise add something more;
But that is in my thought, whose love to you,
Though words come hindmost, holds his rank before.
Then others for the breath of words respect,
Me for my dumb thoughts, speaking in effect.
86
Was it the proud full sail of his great verse
Bound for the prize of all-too-precious you
That did my ripe thoughts in my brain inhearse,
Making their tomb the womb wherein they grew?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he nor his compeers by night
Giving him aid my verse astonished.
He nor that affable familiar ghost
Which nightly gulls him with intelligence,
As victors, of my silence cannot boast;
I was not sick of any fear from thence.
But when your countenance filled up his line,
Then lacked I matter; that enfeebled mine.
87
Farewell—thou art too dear for my possessing,
And like enough thou know‘st thy estimate.
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting,
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav’st, thy own worth then not knowing,
Or me to whom thou gav’st it else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgement making.
Thus have I had thee as a dream doth flatter:
In sleep a king, but waking no such matter.
88
When thou shalt be disposed to set me light
And place my merit in the eye of scorn,
Upon thy side against myself I’ll fight,
And prove thee virtuous though thou art forsworn.
With mine own weakness being best acquainted,
Upon thy part I can set down a story
Of faults concealed wherein I am attainted,
That thou in losing me shall win much glory;
And I by this will be a gainer too;
For bending all my loving thoughts on thee,
The injuries that to myself I do,
Doing thee vantage, double vantage me.
Such is my love, to thee I so belong,
That for thy right myself will bear all wrong.
89
Say that thou didst forsake me for some fault,
And I will comment upon that offence;
Speak of my lameness, and I straight will halt,
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desired change,
As I’ll myself disgrace, knowing thy will.
I will acquaintance strangle and look strange,
Be absent from thy walks, and in my tongue
Thy sweet beloved name no more shall dwell,
Lest I, too much profane, should do it wrong,
And haply of our old acquaintance tell.
For thee, against myself I’ll vow debate;
For I must ne’er love him whom thou dost hate.
90
Then hate me when thou wilt, if ever, now,
Now while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in for an after-loss.
Ah do not, when my heart hath scaped this sorrow,
Come in the rearward of a conquered woe;
Give not a windy night a rainy morrow
To linger out a purposed overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come; so shall I taste
At first the very worst of fortune’s might,
And other strains of woe, which now seem woe,
Compared with loss of thee will not seem so.
91
Some glory in their birth, some in their skill,
Some in their wealth, some in their body’s force,
Some in their garments (though new-fangled ill),
Some in their hawks and hounds, some in their horse,
And every humour hath his adjunct pleasure
Wherein it finds a joy above the rest.
But these particulars are not my measure;
All these I better in one general best.
Richer than wealth, prouder than garments’ cost,
Of more delight than hawks or horses be,
And having thee of all men’s pride I boast,
Wretched in this alone: that thou mayst take
All this away, and me most wretched make.
92
But do thy worst to steal thyself away,
For term of life thou art assured mine,
And life no longer than thy love will stay,
For it depends upon that love of thine.
Then need I not to fear the worst of wrongs
When in the least of them my life hath end.
I see a better state to me belongs
Than that which on thy humour doth depend.
Thou canst not vex me with inconstant mind,
Since that my life on thy revolt doth lie. 10
O, what a happy title do I find—
Happy to have thy love, happy to die!
But what’s so blessed fair that fears no blot?
Thou mayst be false, and yet I know it not.
93
So shall I live supposing thou art true
Like a deceived husband; so love’s face
May still seem love to me, though altered new—
Thy looks with me, thy heart in other place.
For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.
In many’s looks the false heart’s history
Is writ in moods and frowns and wrinkles strange;
But heaven in thy creation did decree
That in thy face sweet love should ever dwell;
Whate’er thy thoughts or thy heart’s workings be,
Thy looks should nothing thence but sweetness tell.
How like Eve’s apple doth thy beauty grow
If thy sweet virtue answer not thy show!
94
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who moving others are themselves as stone,
Unmoved, cold, and to temptation slow—
They rightly do inherit heaven’s graces,
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet
Though to itself it only live and die,
But if that flower with base infection meet
The basest weed outbraves his dignity;
For sweetest things turn sourest by their deeds:
Lilies that fester smell far worse than weeds.
95
How sweet and lovely dost thou make the shame
Which, like a canker in the fragrant rose,
Doth spot the beauty of thy budding name!
O, in what sweets dost thou thy sins enclose!
That tongue that tells the story of thy days,
Making lascivious comments on thy sport,
Cannot dispraise, but in a kind of praise,
Naming thy name, blesses an ill report.
O, what a mansion have those vices got
Which for their habitation chose out thee,
Where beauty’s veil doth cover every blot
And all things turns to fair that eyes can see!
Take heed, dear heart, of this large privilege:
The hardest knife ill used doth lose his edge.
96
Some say thy fault is youth, some wantonness;
Some say thy grace is youth and gentle sport.
Both grace and faults are loved of more and less;
Thou mak’st faults graces that to thee resort.
As on the finger of a thronèd queen
The basest jewel will be well esteemed,
So are those errors that in thee are seen
To truths translated and for true things deemed.
How many lambs might the stern wolf betray
If like a lamb he could his looks transtate!
How many gazers mightst thou lead away
If thou wouldst use the strength of all thy state!
But do not so: I love thee in such sort
As, thou being mine, mine is thy good report.
97
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen,
What old December’s bareness everywhere!
And yet this time removed was summer’s time,
The teeming autumn big with rich increase,
Bearing the wanton burden of the prime
Like widowed wombs after their lords’ decease.
Yet this abundant issue seemed to me
But hope of orphans and unfathered fruit,
For summer and his pleasures wait on thee,
And thou away, the very birds are mute;
Or if they sing, ’tis with so dull a cheer
That leaves look pale, dreading the winter’s near.
98
From you have I been absent in the spring
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leapt with him.
Yet nor the lays of birds nor the sweet smell
Of different flowers in odour and in hue
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew;
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose.
They were but sweet, but figures of delight
Drawn after you, you pattern of all those;
Yet seemed it winter still, and, you away,
As with your shadow I with these did play.
99
The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love’s breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love’s veins thou hast too grossly dyed.
The lily I condemned for thy hand,
And buds of marjoram had stol’n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol’n of both,
And to his robb’ry had annexed thy breath;
But for his theft in pride of all his growth
A vengeful canker ate him up to death.
More flowers I noted, yet I none could see
But sweet or colour it had stol’n from thee.
100
Where art thou, muse, that thou forget‘st so long
To speak of that which gives thee all thy might?
Spend’st thou thy fury on some worthless song,
Dark‘ning thy power to lend base subjects light?
Return, forgetful muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty muse, my love’s sweet face survey
If time have any wrinkle graven there.
If any, be a satire to decay
And make time’s spoils despised everywhere.
Give my love fame faster than time wastes life;
So, thou prevene’st his scythe and crooked knife.
101
O truant muse, what shall be thy amends
For thy neglect of truth in beauty dyed?
Both truth and beauty on my love depends;
So dost thou too, and therein dignified.
Make answer, muse. Wilt thou not haply say
‘Truth needs no colour with his colour fixed,
Beauty no pencil beauty’s truth to lay,
But best is best if never intermixed’?
Because he needs no praise wilt thou be dumb?
Excuse not silence so, for’t lies in thee
To make him much outlive a gilded tomb,
And to be praised of ages yet to be.
Then do thy office, muse; I teach thee how
To make him seem long hence as he shows now.
102
My love is strengthened, though more weak in seeming.
I love not less, though less the show appear.
That love is merchandized whose rich esteeming
The owner’s tongue doth publish everywhere.
Our love was new and then but in the spring
When I was wont to greet it with my lays,
As Philomel in summer’s front doth sing,
And stops her pipe in growth of riper days—
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burdens every bough,
And sweets grown common lose their dear delight.
Therefore like her I sometime hold my tongue,
Because I would not dull you with my song.
103
Alack, what poverty my muse brings forth
That, having such a scope to show her pride,
The argument all bare is of more worth
Than when it hath my added praise beside!
O blame me not if I no more can write!
Look in your glass and there appears a face
That overgoes my blunt invention quite,
Dulling my lines and doing me disgrace.
Were it not sinful then, striving to mend,
To mar the subject that before was well?—
For to no other pass my verses tend
Than of your graces and your gifts to tell;
And more, much more, than in my verse can sit
Your own glass shows you when you look in it.
104
To me, fair friend, you never can be old;
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride;
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned
Since first I saw you fresh, which yet are green.
Ah yet doth beauty, like a dial hand,
The Oxford Shakespeare: The Complete Works Page 258
