Frey, Charles H., Shakespeare’s Vast Romance: A Study of ‘The Winter’s Tale’ (Columbia MO: University of Missouri Press, 1980)
Goldberg, Jonathan, Tempest in the Caribbean (Minneapolis MI: University of Minnesota Press, 2004)
Graff, Gerald, and James Phelan (eds.), ‘The Tempest’: A Case Study in Critical Controversy (Basingstoke: Macmillan, 2000)
Hamilton, Donna B., Virgil and ‘The Tempest’: The Politics of Imitation (Columbus OH: Ohio State University Press, 1990)
Hirst, David L., The Tempest, Text and Performance (Basingstoke: Macmillan, 1984)
Jackson, MacD. P., Defining Shakespeare: ‘Pericles’ as Test Case (Oxford: Oxford University Press, 2003)
Law, Ernest, Shakespeare’s ‘Tempest’ as Originally Produced at Court (London: For the Shakespeare Association [by] Chatto and Windus, 1920)
Lindley, David, The Tempest, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
Marsh, Derick R. C., The Recurring Miracle: A Study of ‘Cymbeline’ and the Last Plays (Pietermaritzburg: University of Natal Press, 1962)
Potter, Lois, ‘The Two Noble Kinsmen: Spectacle and Narrative’, in The Show Within: Dramatic and Other Insets (English Renaissance Drama) 1550-1642, ed. François Laroque (Montpellier: Publications de l’Université Paul-Valéry-Montpellier III, 1992)
Richmond, Hugh M., King Henry VIII, Shakespeare in Performance (Manchester: Manchester University Press, 1994)
Skeele, David, Thwarting the Wayward Seas: A Critical and Theatrical History of Shakespeare’s ‘Pericles’ in the Nineteenth and Twentieth Centuries (London: Associated University Presses, 1998)
Tatspaugh, Patricia E., The Winter’s Tale, Shakespeare at Stratford (London: Arden Shakespeare, 2002)
Vaughan, Alden T., and Virginia Mason Vaughan, Shakespeare’s Caliban: A Cultural History (Cambridge: Cambridge University Press, 1991)
Warren, Roger, Cymbeline, Shakespeare in Performance (Manchester: Manchester University Press, 1989)
White, R. S. (ed.), The Tempest: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1999)
Zabus, Chantal, Tempests after Shakespeare (Basingstoke: Palgrave, 2002)
The Roman Plays: Antony and Cleopatra, Coriolanus, Julius Caesar, Titus Andronicus
Adelman, Janet, The Common Liar: An Essay on ‘Antony and Cleopatra’ (New Haven: Yale University Press, 1973)
Barroll, J. Leeds, Shakespearean Tragedy: Genre, Tradition and Change in ‘Antony and Cleopatra’ (London: Associated University Presses, 1984)
Dessen, Alan C., Titus Andronicus, Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Drakakis, John (ed.), Antony and Cleopatra: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1994)
Lamb, Margaret, ‘Antony and Cleopatra’ on the English Stage (London: Associated University Presses, 1980)
Madelaine, Richard (ed.), Antony and Cleopatra, Shakespeare in Production (Cambridge: Cambridge University Press, 1998)
Metz, G. Harold, Shakespeare’s Earliest Tragedy: Studies in ‘Titus Andronicus’ (London: Associated University Presses, 1996)
Poole, Adrian, Coriolanus, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1988)
Ripley, John, ‘Julius Caesar’ on Stage in England and America 1599-1973 (Cambridge: Cambridge University Press, 1980)
—‘Coriolanus’ on Stage in England and America 1609-1994 (London: Associated University Presses, 1998)
Scott, Michael, Antony and Cleopatra, Text and Performance (London: Macmillan, 1983)
Steppat, Michael, The Critical Reception of Shakespeare’s ‘Antony and Cleopatra’ from 1607-1905, Bochumer anglistische Studien 9 (Amsterdam: Grüner, 1980)
Wilson, Richard, William Shakespeare: ‘Julius Caesar’, Penguin Critical Studies (London: Penguin, 1992)
Hamlet
Calderwood, James L., To Be and Not to Be: Negation and Metadrama in ‘Hamlet’ (New York: Columbia University Press, 1983)
Clayton, Thomas (ed.), The ‘Hamlet’ First Published (QI, 1603): Origins, Form, Intertextualities (London: Associated University Presses, 1992)
Dawson, Anthony B., Hamlet, Shakespeare in Performance (Manchester: Manchester University Press, 1995)
Farley-Hills, David (ed.), Critical Responses to ‘Hamlet’ 1600- 1900, Vols I- (New York: AMS Press, 1996-)
Frye, Roland Mushat, The Renaissance ‘Hamlet’: Issues and Responses in 1600 (Princeton NJ: Princeton University Press, 1984)
Greenblatt, Stephen, Hamlet in Purgatory (Princeton NJ: Princeton University Press, 2001)
Jones, Ernest, Hamlet and Oedipus (London: Gollancz, 1949)
Kliman, Bernice W., ‘Hamlet’: Film, Television, and Audio Performance (London: Associated University Presses, 1988)
Pennington, Michael, ‘Hamlet’: A User’s Guide (London: Nick Hern, 1996)
Prosser, Eleanor, Hamlet and Revenge, 2nd edn. (Stanford CA: Stanford University Press, 1971)
Rosenberg, Marvin, The Masks of ‘Hamlet’ (London: Associated University Presses, 1992)
Shakespeare, William, The Three-Text ‘Hamlet’: Parallel Texts of the First and Second Quartos and First Folio, eds. Paul Bertram and Bernice W. Kliman (New York: AMS Press, 1991)
Taylor, Gary, ‘Hamlet in Africa 1607’, in Ivo Kamps and Jyotsna Singh (eds.), Travel Knowledge: European ‘Discoveries’ in the Early Modern Period (Basingstoke: Palgrave, 2001)
Weitz, Morris, ‘Hamlet’ and the Philosophy of Literary Criticism (London: Faber and Faber, 1965)
King Lear
Blayney, Peter W. M., The Texts of ‘King Lear’ and their Origins, Vol. I: Nicholas Okes and the First Quarto (Cambridge: Cambridge University Press, 1982)
Bratton, J. S. (ed.), ‘King Lear’, William Shakespeare, Plays in Performance (Bristol: Bristol Classical Press, 1987)
Carson, Christie, and Jacky Bratton (eds.), The Cambridge ‘King Lear’ CD-ROM: Text and Performance Archive (Cambridge: Cambridge University Press, 2000)
Hawkes, Terence, William Shakespeare, ‘King Lear’, Writers and their Work (Plymouth: Northcote House in Association with the British Council, 1995)
Leggatt, Alexander, King Lear, Shakespeare in Performance (Manchester: Manchester University Press, 1991)
Lusardi, James P., and June Schlueter, Reading Shakespeare in Performance: ‘King Lear’ (London: Associated University Presses, 1991)
Mack, Maynard, ‘King Lear’ in Our Time (London: Methuen, 1966)
Reibetanz, John, The ‘Lear’ World: A Study of ‘King Lear’ in its Dramatic Context (London: Heinemann, 1977)
Rosenberg, Marvin, The Masks of ‘King Lear’ (Berkeley CA: University of California Press, 1972)
Ryan, Kiernan (ed.), ‘King Lear’: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1993)
Salgado, Gamini, King Lear, Text and Performance (Basingstoke: Macmillan, 1984)
Stone, P. W. K., The Textual History of ‘King Lear’ (London: Scolar Press, 1980)
Taylor, Gary, ‘The War in King Lear’, Shakespeare Survey, 33 (1980), 27-34
—and Michael Warren (eds.), The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear’ (Oxford: Clarendon Press, 1983)
Urkowitz, Steven, Shakespeare’s Revision of ‘King Lear’ (Princeton NJ: Princeton University Press, 1980)
Macbeth
Bartholomeusz, Dennis, ‘Macbeth’ and the Players (Cambridge: Cambridge University Press, 1969)
Berger, Harry, Text against Performance: The Example of ‘Macbeth’ (Norman OK: University of Oklahoma, 1982)
Calderwood, James L., If It Were Done: ‘Macbeth’ and Tragic Action (Amherst MA: University of Massachusetts Press, 1986)
Carroll, William C. (ed.), William Shakespeare, ‘Macbeth’: Texts and Contexts (Basingstoke: Macmillan, 1999)
Kliman, Bernice, Macbeth, Shakespeare in Performance (Manchester: Manchester University Press, 1992)
Rosenberg, Marv
in, The Masks of ‘Macbeth’ (Berkeley CA: University of California, 1978)
Wain, John (ed.), Shakespeare, ‘Macbeth’, A Casebook, 2nd edn. (Basingstoke, Macmillan, 1994)
Williams, Gordon, Macbeth, Text and Performance (Basingstoke: Macmillan, 1985)
Othello
Adamson, Jane, ‘Othello’ as Tragedy: Some Problems of Judgement and Feeling (Cambridge: Cambridge University Press, 1980)
Hadfield, Andrew (ed.), A Routledge Literary Sourcebook on Shakespeare’s ‘Othello’ (London: Routledge, 2003)
Hankey, Julie (ed.), ‘Othello’, William Shakespeare, Plays in Performance (Bristol: Bristol Classical Press, 1987)
Honigmann, E. A. J., The Texts of ‘Othello’ and Shakespearian Revision (London: Routledge, 1966)
Orlin, Lena Cowen (ed.), ‘Othello’: William Shakespeare, New Casebooks (Basingstoke: Palgrave Macmillan, 2004)
Pechter, Edward, ‘Othello’ and Interpretive Traditions (Iowa City: University of Iowa Press, 1999)
Potter, Lois, Othello, Shakespeare in Performance (Manchester: Manchester University Press, 2002)
Rosenberg, Marvin, The Masks of ‘Othello’: The Search for the Identity of Othello, Iago and Desdemona by Three Centuries of Actors and Critics (Berkeley CA: California University Press, 1961)
Vaughan, Virginia Mason, ‘Othello’: A Contextual History (Cambridge: Cambridge University Press, 1994)
Wain, John (ed.), Shakespeare: ‘Othello’, A Casebook, rev. edn. (Basingstoke: Macmillan, 1994)
Wine, Martin L., Othello, Text and Performance (Basingstoke: Macmillan, 1984)
Romeo and Juliet
Evans, Robert O., The Osier Cage: Rhetorical Devices in ‘Romeo and Juliet’ (Lexington KY: University of Kentucky Press, 1966)
Holding, Peter, Romeo and Juliet, Text and Performance (Basingstoke: Macmillan Education, 1992)
Jackson, Russell, Romeo and Juliet, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
Levenson, Jill, Romeo and Juliet, Shakespeare in Performance (Manchester: Manchester University Press, 1987)
Loehlin, James N., Romeo and Juliet, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
Porter, J. A., Shakespeare’s Mercutio: His History and Drama (Chapel Hill NC: University of North Carolina Press, 1988)
White, R. S. (ed.), ‘Romeo and Juliet’: William Shakespeare, New Casebooks (Basingstoke: Palgrave, 2001)
The First Tetralogy and King John: Henry VI Parts 1―3, Richard III
Clemen, Wolfgang, A Commentary on Shakespeare’s ‘Richard III’, English version by Jean Bonheim (London: Methuen, 1968) (First published in German 1957)
Colley, Scott, Richard’s Himself Again: A Stage History of ‘Richard III’ (New York: Greenwood Press, 1992)
Cousin, Geraldine, King John, Shakespeare in Performance (Manchester: Manchester University Press, 1994)
Curren-Aquino, Deborah T. (ed.), ‘King John’: New Perspectives (London: Associated University Presses, 1989)
Day, Gillian, King Richard III, Shakespeare at Stratford (London: Arden Shakespeare, 2002)
Hankey, Julie (ed.), ‘Richard III’ by William Shakespeare, 2nd edn., Plays in Performance (Bristol: Bristol Classical Press, 1988)
Hassel, R. Chris, Songs of Death: Performance, Interpretation and the Text of ‘Richard III’ (Lincoln NE: University of Nebraska Press, 1987)
Montgomery, William, ‘The Original Staging of the First Part of the Contention (1594)’, Shakespeare Survey, 41 (1989), 13-22
Pendleton, Thomas A. (ed.), Henry VI: Critical Essays (London: Routledge, 2001)
Richmond, Hugh M., King Richard III, Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Riggs, David, Shakespeare’s Heroical Histories: ‘Henry VI’ and Its Literary Tradition (Cambridge MA: Harvard University Press, 1971)
Shakespeare, William, The Tragedy of King Richard the Third: Parallel Texts of the First Quarto and First Folio with Variants of the Early Quartos, ed. Kristian Smidt (Oslo: Universitetsforlaget, 1969)
Taylor, Gary, ‘Shakespeare and Others: The Authorship of Henry the Sixth, Part One’, Medieval and Renaissance Drama in England, 7 (1995), 145―205
Walton, J. K., Copy for the Folio Text of ‘Richard III’ with a Note on the Copy of the Folio Text of ‘King Lear’ (Auckland NZ: Auckland University College, 1955)
The Second Tetralogy: Richard II, Henry IV Parts 1 and 2, Henry V
Brennan, Anthony, Henry V, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1992)
Campbell, Lily B., Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy (San Marino CA: Huntington Library, 1968) (First published 1947)
Hodgdon, Barbara, Henry IV, Part Two, Shakespeare in Performance (Manchester: Manchester University Press, 1993)
—(ed.), ‘The First Part of King Henry the Fourth’: Texts and Contexts (Basingstoke: Macmillan, 1997)
Loehlin, James N., Henry V, Shakespeare in Performance (Manchester: Manchester University Press, 1996)
McAlindon, Tom, Shakespeare’s Tudor History: A Study of ‘Henry IV, Parts 1 and 2’ (Aldershot: Ashgate, 2001)
McMillin, Scott, Henry IV, Part One, Shakespeare in Performance (Manchester: Manchester University Press, 1991)
Meron, Theodor, Henry’s Wars and Shakespeare’s Laws: Perspectives on the Law of War in the Later Middle Ages (Oxford: Clarendon Press, 1993)
Page, Malcolm, Richard II, Text and Performance (Basingstoke: Macmillan Education, 1987)
Prosser, Eleanor, Shakespeare’s Anonymous Editors: Scribe and Compositor in the Folio Text of ‘2 Henry IV’ (Stanford CA: Stanford University Press, 1981)
Shewring, Margaret, King Richard II, Shakespeare in Performance (Manchester: Manchester University Press, 1996)
Smith, Emma (ed.), King Henry V, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
Taylor, Gary, ‘The Fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85―100
—‘Three Studies in the Text of Henry V’. in Stanley Wells and Gary Taylor, Modernizing Shakespeare’s Spelling, with Three Studies in the Text of ‘Henry V’ (Oxford: Clarendon Press, 1979)
Wharton, T. F., Henry the Fourth, Parts 1 and 2, Text and Performance (London: Macmillan, 1983)
Edward III and Sir Thomas More
The Book of Sir Thomas Moore, Tudor Facsimile Texts (London: issued for subscribers by the editor of the Tudor Facsimile Texts, 1910)
Howard-Hill, T. H. (ed.), Shakespeare and ‘Sir Thomas More’: Essays on the Play and its Shakespearian Interest (Cambridge: Cambridge University Press, 1989)
McMillin, Scott, The Elizabethan Theatre and ‘The Book of Sir Thomas More’ (Ithaca NY: Cornell University Press, 1987)
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