Golden Age of Science Fiction Vol XI

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Golden Age of Science Fiction Vol XI Page 152

by Various


  "Robee, honey, you'll have to go."

  "Oh, Jay, can't Ah watch. Ah won't fuss around."

  "'Tain't that. Nobody who ain't in the feelie can be in sight of any of the actors they're recordin'. Why if Ah was to walk down that street as Jed Carter and suddenly see you standin' over here in them men's pants--"

  "These ain't men's pants!" Robina said indignantly. "These are ladies slacks."

  "Ah know that but Jed Carter don't. All he knows is even a hussy wouldn't strut around like that. Tell you what. You go over there to where it says, Mrs. Hepple's Quality Boarding Home an' you can peek out the parlor window at the doin's. Ah guess they had noseybodies then too. Now get!"

  Jason turned and hurried down the street, not bothering to glance after Robina. She had crossed the street and was passing a saloon when the omnipresent voice commanded her, "GIRL IN THE GREEN SLACKS GET OUT OF SIGHT." She became so flustered she dashed into the saloon doorway.

  Jed Carter escorted the lady from Nashville down the plank sidewalk to her carriage. He was furious at her casual gay chatter mocking his churning desire for her. His glance caught a movement across the street and suddenly he went rigid with surprise and soft shock. A girl had come out of the saloon and the hussy was wearing men's trousers. His shock increased when he heard the delicate lady from Nashville say, "Oh, damn, who the hell is that?" and he was further startled to see an oddly dressed man wearing some sort of metal apparatus on his head follow the girl out of the saloon, gesticulating angrily at her.

  "CUT!" the omnipresent voice commanded and now Jed Carter was utterly confused. The man wearing the metal apparatus crossed over to him and spoke. "Jason, please. You know the rules about visitors on the set. No one allowed during recording. Zack says we'll have to ask your sister to leave."

  Jed Carter saw the townspeople just standing around staring in his direction. "What's goin' on?" he said to the odd man. "What are you talkin' about? Who are you?"

  "Oh, oh," the man with the headset exclaimed, "here we go again." He made a signal with his hand and another man came running up. The man led Jason up the steps of the hotel and into the lobby with a promise to explain everything. He sat Jason in a chair. "Jason, Jason Rowe, Jason Rowe," the man's voice pulled at him. He kept repeating the name.

  A minute later Zack came into the lobby. "Jason!"

  "Hello Zack," Jason said.

  "Oh, you're back with us," Zack said. He stared at Jason a long moment. "One of these days," he said with a wry grin, "you're not going to make it."

  * * * * *

  Bob Herschell came out of the magnificent crystal palace that was U-Live-It's New York feelie showcase and searched the garden plaza. "Cy! I thought I'd find you here wringing your hands."

  "We should never have premiered cold like this," Lemson complained. "We should have at least had one private running for the reviewers. We wouldn't be dangling like this."

  "Stop worrying, Cy. A first night lets the critics get caught up in the excitement. And even if they go sick and thumb down 'Land' it won't stand against the top power voodoo job the publicity gang is saturating the public with. And bigger than all the critics is Jason Rowe. He's filled six thousand couches in there with the biggest voluntary celebrity turnout for any preem."

  "Jason Rowe," Lemson sighed, rolling supplicating eyes heavenward. "He jeopardized a ten million dollar feelie; almost gave me heart failure when he had that heart attack."

  "Cy, for the sake of the studio don't let people hear you say that. It's not true! It wasn't a heart attack. He just played the death scene too fully. You know how deep he goes into a role. That's what makes him the world's greatest actor."

  "I don't care what you call it," Lemson said heatedly, "the guy's heart stopped and it was only because of Zack's alertness that they got to him in time. He almost died. I don't want to be ghoulish about it, Bob, but the studio's putting a lot of time, money and sweat into making that boy a star--"

  "Nobody's making him a star," Herschell cut in, "he was born one."

  Herschell had spoken with such honest emphasis that Lemson replied, greatly subdued, "Okay, okay, but we have ourselves a pretty shaky investment if every time he dies in a feelie he's liable to really go over the edge."

  "Zack thinks he can work out a receptor circuit to keep it from happening again. Sort of a subliminal survival monitor that won't show on the strip."

  Lemson looked nervously at the theater entrance. "They should be coming out soon," he muttered.

  "Ten minutes yet," Herschell assured him.

  Inside the shining pleasure dome, six thousand Jed Carters lay dying on an afternoon hillside. The war was gone to another hill and he was alone now with the grass wind and the small summer sounds of the earth. His pain was a soft ache like a child's secret tears and his life was slipping reluctantly from him in a trickling red ribbon. He heard the sweet sound of a bird and the song of it wrung his heart. There were so many songs yet unheard, so much soft laughter unborn, so many caresses yet to be shared; a lifetime of summers, waiting, now never to be filled. His heart cried at the thought of them.

  The sun warmed him like a great golden lover and filled him with an ineffable sadness for the bright days to come that would never be his.

  And now at the last he thought of her. His heart ached for her, craving one more of those lost mornings when he had awakened in the dawn at her sleeping side and with his eyes happily loved her sweet slumbering face, haloed by the marvel of her wheat hair catching the first glints of the new sun.

  In a last languid movement he turned on his back and opened his eyes to the bright sky. He felt her stir. Her arm brushed him and the vibrancy of her being sang through him. She opened her eyes and her love smiled out at him. The smile brightened her face until it spread across the sky and grew brilliant like the sun. She reached out for him. He sighed with a great breath of quiet happiness because she was the sun smiling down at him and at last he rose up and went to meet her.

  * * * * *

  "It's time they were coming out," Herschell said. "Let's get back."

  They entered the lobby, deserted except for a scattering of ushers, and waited.

  "Why aren't they coming out?" Lemson asked, more of the emptiness than of his companion. "It's ten minutes since the scheduled ending. Do you suppose the projection's broken down or maybe--"

  "Relax, Cy, you know these preems. Always a bag full of delays, starting with late VIP arrivals."

  "There've been no delays. They started on time--"

  The sound of sirens spiralled out of the night and whirled the two men around to face the entrance. Lights raced frantically across the plaza as a dozen turbine vehicles whined to a stop in front. More were arriving. Medical teams and squads of policemen burst through the doors. They ran past the slow float shafts to the elevators.

  "What's happened?" Lemson screamed. "What's going on?" He tugged at a uniformed sleeve but was thrust aside by the running man.

  Herschell and Lemson followed, half running, to the elevators. Herschell shouted an inquiry at a cluster of policemen surging into one of the cars but the nearest grim-visaged man almost angrily waved them away from the door as it closed in their faces.

  "The manager's office!" Herschell cried and they ran for a private elevator. Seconds later they dashed into the manager's office.

  "He's not here," Lemson wailed.

  Herschell snapped a switch on the desk and a harried, shocked face appeared on the viphone screen. "Mr. Herschell! Mr. Lemson!"

  "Pete!" Herschell exclaimed, "why've we got the police and medicos? An accident?"

  The man's lips quivered as he spoke. "A lot of the patrons are dead."

  "WHAT?!! How many?"

  "Don't know ... yet ... maybe all," Pete said brokenly.

  "What in heaven's name happened?"

  "The death scene ... Rowe killed them ..."

  "You're crazy!" Herschell shouted. "It's impossible! The projector's triggered to shut off if the patron's in dan
ger."

  "What everybody thought," Pete said, "but the house doc said something about the projectors being keyed to extreme agitation; racing pulse, increased blood pressure. That didn't happen here. The people weren't alarmed. Nothing to trigger a shutoff. Doc said the death was ... was ..." Pete turned away, trying to hold back tears.

  Herschell kept himself from shouting. "Was what?"

  "... was ... sweet ... beautiful ..." Pete's shoulders shook with a spasm of sobs that muffled some of his words, "... should be ... here ... see it ... kids too ... rows and rows of ... people ... all smiling ..."

  THE END

  * * *

  Contents

  OPERATION LORELIE

  By William P. Salton

  It was a new time and a vast new war of complete and awful annihilation. Yet, some things never change, and, as in ancient times, Ulysses walked again--brave and unconquerable--and again, the sirens wove their deadly spell with a smile and a song.

  They came like monsters, rather than men, into the vast ruin of what had once been a great city. They walked carefully, side by side, speaking to each other by radio as though they were in deep space rather than upon solid ground.

  The winding way they followed through the ruins was marked by blurred footsteps in the dust and the two men, clumsy in their bulky suits, found the going difficult.

  They stopped, and one of them held out an instrument. He studied the dial. "All clear," and both men removed their helmets. They wiped sweat from their faces and glanced at each other.

  The blonde man said, "The air's okay, Jarvis. Everything seems all right. I don't get it."

  Jarvis, his dark eyes wary, scowled as he looked about. "It seems all right. But we know it isn't. It can't be."

  "I'm shucking this suit."

  "Don't be a fool, Mark!"

  "But the dial read clear, man! And we know nobody is going to shoot us. All life had to be wiped out."

  "How about minor power installations?"

  Jarvis took a chocolate bar from his pocket, sat down on a piece of broken rubble and began to eat. "You're too careless--far too careless, Mark."

  Mark laughed. "You've always been cautious enough for both of us. Got me out of plenty of scrapes back in school, too. Don't think I've forgotten." Affection warmed his blue eyes as they rested on the face of his friend.

  "Okay! Okay! But what happened to them? Where did they go?" Jarvis took nervous bites from his second chocolate bar. Then he, too, peeled off his suit. He sniffed the air distrustfully, as he wiggled his shoulders to free them from the clinging, damp shirt. Then he took a few experimental steps forward.

  "Seems all right, Mark. But how do you explain about Hank and Garland? Never were two more careful guys."

  "Probably a simple miscalculation. Or an accident. We know it couldn't have been enemy action. Tests prove conclusively that we wiped them out--to a man." He took deep gulps of air into his lungs, and stretched like a cat. "We'll find out soon enough. Boy, I feel great!"

  * * * * *

  They deflated and folded their safety suits and added the bundles to the other equipment on their backs. Then, with their instruments held before them, they probed their way into the twisted wreckage, still following the faint, dust-filled footprints.

  Bent and rusted girders rose on all sides like the bones of prehistoric monsters. Nothing stirred. The dust lay ages-thick on everything.

  "Gives you the spooks, doesn't it?" Jarvis was still tense, poised to respond to the first signal of danger. "Feels like we're the last men alive!"

  "Funny about Hank and Garland. There's nothing here to harm anyone."

  Jarvis looked at his watch. "Better contact HQ for instructions."

  The two stepped off the path, into the shade of a grotesque chunk of broken masonry. Mark set up the radio and twirled the dials. "Team Four, calling HQ. Team Four, reporting!"

  "HQ here." The voice from the radio blared loud in the stillness. "Give your report, Team Four."

  "Looks like nothing's moved here in a thousand years. Safe as a baby's dream. Rock-solid, air morning-pure. But--" He hesitated, trying not to sound like a scared school boy. "No sign of Team Three. Or of Teams One and Two, either. Over."

  "Look here, Team Four. It's your job to find out. The earth didn't just swallow them. Final report from each team placed them well within the city. It's been ten days since the last contact. Probe every inch of the place."

  "Right!"

  "But be careful. We can't afford to lose any more men! Roger!"

  "Roger!"

  There was only one way now--ahead. It lay clearly marked. The dim footsteps never strayed or faltered. Three hours of search revealed no pitfalls, no dangers, and no trace of the missing men. Then night was upon them and they bedded down gratefully.

  "Strange, isn't it? The war over. The invaders blasted from the earth. All peril gone. And yet--men disappear."

  Jarvis stared at the ruins around them. "I can't take much more, Mark. Twelve years of war is enough. Are we never to have a life--have our home and women back, and--peace?"

  "Sure, it's been tough. But think of the women and children isolated on that sub-satellite. It's tougher for them--just waiting." Stretched on his back, Mark stared at the cloudless, evening sky. "But pretty soon we'll get this planet cleaned up and bring them in. Christ! Four years without even seeing a woman. I remember the last time--"

  "Okay!" Jarvis interrupted impatiently. "Let's get to sleep."

  "Sure, pal. Goodnight."

  They fell asleep to dream of green hills, corn ripening, apples roasting over an open fire. Peace, and home, and girls, their firm legs flashing in the sun.

  Soldierlike, Mark was suddenly awake. He lay without motion, sensitive to some subtle change in the surroundings. From the corner of his eye he could see Jarvis wrapped in sleep. The silence seemed eternal.

  Then, whisper-soft, came a murmur, a sound, a voice. A girl's voice, sighing and singing, from deep in that devastated spot.

  A woman!

  * * * * *

  Instantly, Mark was on his feet. No need to wake Jarvis. Plenty of time for Jarvis to find out--afterwards. But not yet! A miracle that a girl had survived in all that wreckage. But a miracle he wanted to savour alone!

  Ahead, the path turned and Mark followed it as it went forward again, downhill, between the massed walls of rubble. Now the voice swelled, a melancholy song. Well, she won't be melancholy for long, Mark thought. Her solitary ordeal was over.

  "Mark!" Jarvis stood on an upturned lintel, ten feet above Mark's head. As Mark jerked to a stop at the cry, Jarvis jumped into his path. "You fool! Don't you know it's a trap?"

  "So that's how you want to play it? The noble friend, protecting me from myself!" He slammed a fist into the side of Jarvis' head. "Well, I won't bite! She's mine! I found her!"

  * * * * *

  In silence, in the narrow passage between the rocks, the two fought. Suddenly, above the sound of fist on flesh, came the voice of the girl again, clear, young. "She is there," thought Jarvis. He could almost taste her lips on his. The sensation came as a shock. How did he know? He'd never had a woman. That's what came from listening to the tales of Mark's exploits with women. Now he had to have that girl!

  The mounting tension of the fighting snapped something in Jarvis' seething mind. Danger, friendship, duty, all meant nothing. Only one thing mattered. The girl! Mark had had more than his share of girls. He, Jarvis, was the one who should have her! He'd been deprived of his manhood long enough! His frenzied brain hunted a trick to gain his ends.

  Mark's superior strength began to force Jarvis to give ground. Then a final blow sent him reeling, he reached out to break his fall, his hand closed on a rock. He threw it. Mark crashed to the ground, his knee smashed, his leg useless. Then the tomb stillness of the dead city took over. The dust settled slowly. Mark came to his feet.

  Jarvis was gone.

  Dragging his useless leg, Mark forced himself to crawl forward. Jarv
is had to be stopped.

  Ahead, a shadow moved, and for a moment the moon threw the silhouette of a man against a cavernous opening in the debris.

  "Jarvis!"

  * * * * *

  An electric flash shattered the darkness. The jagged teeth of the bolt spit tongues of fire. Cordite mingled with the raw, nauseant, revolting smell of scorched flesh and hair. The figure tottered and fell into the black mouth of the cave. Then, as the flame faded, it lit up small bundles of charred bones near the fallen body.

  There was a whir and a click of a mechanism. Fifteen feet away, Mark watched as the arm of a phonograph rose, moved slowly back to the starting point. Then the record began once more to grind out its death-trap melody.

  * * *

  Contents

  FELINE RED

  By Robert Sampson

  It was up to Jerill to think fast ... to do something ... before those strange beasts sucked away the last purified ore on the freighter Bertha.

  A shouting wave of men rioted through the engine room.

  From the bridge above the hulking atomics, Chief Engineer Durval vollied orders in a thunderous voice. "You men--you!" he raged. "Use your heads, not your feet. Drive them toward the door."

  A scattering of Them--compact darting beasts the color of a poppy--scuttled into the shadow of an engine. Heavy Davison wrenches clubbed futilely behind them.

  As Durval flew into new bursts of shouting, Scott Jerill, First Mate of the freighter Bertha, grimly shook his head. His lean face was not smiling now. "Call your men back," he commanded crisply. "We don't have time to drive those cats out like this."

  Durval turned on him with a snarl. "Take over then. Think of a better way. If you hadn't hauled that load of space cats aboard in the first place...."

  "Look out," Scott snapped.

  With a crisp smack, a red creature the size of a man's hand struck the rail before them. It was all improbable angles, with no special shape, no front or back. It teetered crazily over the ten foot drop to the floor below. Then it settled, sputtering. It sounded curiously like an angry cat.

 

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