by Anthology
The obnoxious objects stood some hundred yards away from the speaker, who waved toward them with his axe; and there was something suggestive in the comparison. That coast, to begin with, stretching toward the sunset, was itself almost as fantastic as a sunset cloud. It was cut out against the emerald or indigo of the sea in graven horns and crescents that might be the cast or mould of some such crested serpents; and, beneath, was pierced and fretted by caves and crevices, as if by the boring of some such titanic worms. Over and above this draconian architecture of the earth a veil of gray woods hung thinner like a vapour; woods which the witchcraft of the sea had, as usual, both blighted and blown out of shape. To the right the trees trailed along the sea front in a single line, each drawn out in thin wild lines like a caricature. At the other end of their extent they multiplied into a huddle of hunchbacked trees, a wood spreading toward a projecting part of the high coast. It was here that the sight appeared to which so many eyes and minds seemed to be almost automatically turning.
Out of the middle of this low, and more or less level wood, rose three separate stems that shot up and soared into the sky like a lighthouse out of the waves or a church spire out of the village roofs. They formed a clump of three columns close together, which might well be the mere bifurcation, or rather trifurcation, of one tree, the lower part being lost or sunken in the thick wood around. Everything about them suggested something stranger and more southern than anything even in that last peninsula of Britain which pushes out farthest toward Spain and Africa and the southern stars. Their leathery leafage had sprouted in advance of the faint mist of yellow-green around them, and it was of another and less natural green, tinged with blue, like the colours of a kingfisher. But one might fancy it the scales of some three-headed dragon towering over a herd of huddled and fleeing cattle.
“I am exceedingly sorry your girl is so unwell,” said Vane shortly. “But really—” and he strode down the steep road with plunging strides.
The boat was already secured to the little stone jetty, and the boatman, a younger shadow of the woodcutter—and, indeed, a nephew of that useful malcontent—saluted his territorial lord with the sullen formality of the family. The Squire acknowledged it casually and had soon forgotten all such things in shaking hands with the visitor who had just come ashore. The visitor was a long, loose man, very lean to be so young, whose long, fine features seemed wholly fitted together of bone and nerve, and seemed somehow to contrast with his hair, that showed in vivid yellow patches upon his hollow temples under the brim of his white holiday hat. He was carefully dressed in exquisite taste, though he had come straight from a considerable sea voyage; and he carried something in his hand which in his long European travels, and even longer European visits, he had almost forgotten to call a gripsack.
Mr. Cyprian Paynter was an American who lived in Italy. There was a good deal more to be said about him, for he was a very acute and cultivated gentleman; but those two facts would, perhaps, cover most of the others. Storing his mind like a museum with the wonder of the Old World, but all lit up as by a window with the wonder of the New, he had fallen heir to some thing of the unique critical position of Ruskin or Pater, and was further famous as a discoverer of minor poets. He was a judicious discoverer, and he did not turn all his minor poets into major prophets. If his geese were swans, they were not all Swans of Avon. He had even incurred the deadly suspicion of classicism by differing from his young friends, the Punctuist Poets, when they produced versification consisting exclusively of commas and colons. He had a more humane sympathy with the modern flame kindled from the embers of Celtic mythology, and it was in reality the recent appearance of a Cornish poet, a sort of parallel to the new Irish poets, which had brought him on this occasion to Cornwall. He was, indeed, far too well-mannered to allow a host to guess that any pleasure was being sought outside his own hospitality. He had a long standing invitation from Vane, whom he had met in Cyprus in the latter’s days of undiplomatic diplomacy; and Vane was not aware that relations had only been thus renewed after the critic had read Merlin and Other Verses, by a new writer named John Treherne. Nor did the Squire even begin to realize the much more diplomatic diplomacy by which he had been induced to invite the local bard to lunch on the very day of the American critic’s arrival.
Mr. Paynter was still standing with his gripsack, gazing in a trance of true admiration at the hollowed crags, topped by the gray, grotesque wood, and crested finally by the three fantastic trees.
“It is like being shipwrecked on the coast of fairyland,” he said,
“I hope you haven’t been shipwrecked much,” replied his host, smiling. “I fancy Jake here can look after you very well.”
Mr. Paynter looked across at the boatman and smiled also. “I am afraid,” he said, “our friend is not quite so enthusiastic for this landscape as I am.”
“Oh, the trees, I suppose!” said the Squire wearily.
The boatman was by normal trade a fisherman; but as his house, built of black tarred timber, stood right on the foreshore a few yards from the pier, he was employed in such cases as a sort of ferryman. He was a big, black-browed youth generally silent, but something seemed now to sting him into speech.
“Well, sir,” he said, “everybody knows it’s not natural. Everybody knows the sea blights trees and beats them under, when they’re only just trees. These things thrive like some unholy great seaweed that don’t belong to the land at all. It’s like the—the blessed sea serpent got on shore, Squire, and eating everything up.”
“There is some stupid legend,” said Squire Vane gruffly. “But come up into the garden; I want to introduce you to my daughter.”
When, however, they reached the little table under the tree, the apparently immovable young lady had moved away after all, and it was some time before they came upon the track of her. She had risen, though languidly, and wandered slowly along the upper path of the terraced garden looking down on the lower path where it ran closer to the main bulk of the little wood by the sea.
Her languor was not a feebleness but rather a fullness of life, like that of a child half awake; she seemed to stretch herself and enjoy everything without noticing anything. She passed the wood, into the gray huddle of which a single white path vanished through a black hole. Along this part of the terrace ran something like a low rampart or balustrade, embowered with flowers at intervals; and she leaned over it, looking down at another glimpse of the glowing sea behind the clump of trees, and on another irregular path tumbling down to the pier and the boatman’s cottage on the beach.
As she gazed, sleepily enough, she saw that a strange figure was very actively climbing the path, apparently coming from the fisherman’s cottage; so actively that a moment afterwards it came out between the trees and stood upon the path just below her. It was not only a figure strange to her, but one somewhat strange in itself. It was that of a man still young, and seeming somehow younger than his own clothes, which were not only shabby but antiquated; clothes common enough in texture, yet carried in an uncommon fashion. He wore what was presumably a light waterproof, perhaps through having come off the sea; but it was held at the throat by one button, and hung, sleeves and all, more like a cloak than a coat. He rested one bony hand on a black stick; under the shadow of his broad hat his black hair hung down in a tuft or two. His face, which was swarthy, but rather handsome in itself, wore something that may have been a slightly embarrassed smile, but had too much the appearance of a sneer.
Whether this apparition was a tramp or a trespasser, or a friend of some of the fishers or woodcutters, Barbara Vane was quite unable to guess. He removed his hat, still with his unaltered and rather sinister smile, and said civilly: “Excuse me. The Squire asked me to call.” Here he caught sight of Martin, the woodman, who was shifting along the path, thinning the thin trees; and the stranger made a familiar salute with one finger.
The girl did not know what to say. “Have you—have you come about cutting the wood?” she asked at last.
“I would I were so honest a man,” replied the stranger. “Martin is, I fancy, a distant cousin of mine; we Cornish folk just round here are nearly all related, you know; but I do not cut wood. I do not cut anything, except, perhaps, capers. I am, so to speak, a jongleur.”
“A what?” asked Barbara.
“A minstrel, shall we say?” answered the newcomer, and looked up at her more steadily. During a rather odd silence their eyes rested on each other. What she saw has been already noted, though by her, at any rate, not in the least understood. What he saw was a decidedly beautiful woman with a statuesque face and hair that shone in the sun like a helmet of copper.
“Do you know,” he went on, “that in this old place, hundreds of years ago, a jongleur may really have stood where I stand, and a lady may really have looked over that wall and thrown him money?”
“Do you want money?” she asked, all at sea.
“Well,” drawled the stranger, “in the sense of lacking it, perhaps, but I fear there is no place now for a minstrel, except nigger minstrel. I must apologize for not blacking my face.”
She laughed a little in her bewilderment, and said: “Well, I hardly think you need do that.”
“You think the natives here are dark enough already, perhaps,” he observed calmly. “After all, we are aborigines, and are treated as such.”
She threw out some desperate remark about the weather or the scenery, and wondered what would happen next.
“The prospect is certainly beautiful,” he assented, in the same enigmatic manner. “There is only one thing in it I am doubtful about.”
While she stood in silence he slowly lifted his black stick like a long black finger and pointed it at the peacock trees above the wood. And a queer feeling of disquiet fell on the girl, as if he were, by that mere gesture, doing a destructive act and could send a blight upon the garden.
The strained and almost painful silence was broken by the voice of Squire Vane, loud even while it was still distant.
“We couldn’t make out where you’d got to, Barbara,” he said. “This is my friend, Mr. Cyprian Paynter.” The next moment he saw the stranger and stopped, a little puzzled. It was only Mr. Cyprian Paynter himself who was equal to the situation. He had seen months ago a portrait of the new Cornish poet in some American literary magazine, and he found himself, to his surprise, the introducer instead of the introduced.
“Why, Squire,” he said in considerable astonishment, “don’t you know Mr. Treherne? I supposed, of course, he was a neighbour.”
“Delighted to see you, Mr. Treherne,” said the Squire, recovering his manners with a certain genial confusion. “So pleased you were able to come. This is Mr. Paynter—-my daughter,” and, turning with a certain boisterous embarrassment, he led the way to the table under the tree.
Cyprian Paynter followed, inwardly revolving a puzzle which had taken even his experience by surprise. The American, if intellectually an aristocrat, was still socially and subconsciously a democrat. It had never crossed his mind that the poet should be counted lucky to know the squire and not the squire to know the poet. The honest patronage in Vane’s hospitality was something which made Paynter feel he was, after all, an exile in England.
The Squire, anticipating the trial of luncheon with a strange literary man, had dealt with the case tactfully from his own standpoint. County society might have made the guest feel like a fish out of water; and, except for the American critic and the local lawyer and doctor, worthy middle-class people who fitted into the picture, he had kept it as a family party. He was a widower, and when the meal had been laid out on the garden table, it was Barbara who presided as hostess. She had the new poet on her right hand and it made her very uncomfortable. She had practically offered that fallacious jongleur money, and it did not make it easier to offer him lunch.
“The whole countryside’s gone mad,” announced the Squire, by way of the latest local news. “It’s about this infernal legend of ours.”
“I collect legends,” said Paynter, smiling.
“You must remember I haven’t yet had a chance to collect yours. And this,” he added, looking round at the romantic coast, “is a fine theatre for anything dramatic.”
“Oh, it’s dramatic in its way,” admitted Vane, not without a faint satisfaction. “It’s all about those things over there we call the peacock trees—I suppose, because of the queer colour of the leaf, you know, though I have heard they make a shrill noise in a high wind that’s supposed to be like the shriek of a peacock; something like a bamboo in the botanical structure, perhaps. Well, those trees are supposed to have been brought over from Barbary by my ancestor Sir Walter Vane, one of the Elizabethan patriots or pirates, or whatever you call them. They say that at the end of his last voyage the villagers gathered on the beach down there and saw the boat standing in from the sea, and the new trees stood up in the boat like a mast, all gay with leaves out of season, like green bunting. And as they watched they thought at first that the boat was steering oddly, and then that it wasn’t steering at all; and when it drifted to the shore at last every man in that boat was dead, and Sir Walter Vane, with his sword drawn, was leaning up against the tree trunk, as stiff as the tree.”
“Now this is rather curious,” remarked Paynter thoughtfully. “I told you I collected legends, and I fancy I can tell you the beginning of the story of which that is the end, though it comes hundreds of miles across the sea.”
He tapped meditatively on the table with his thin, taper fingers, like a man trying to recall a tune. He had, indeed, made a hobby of such fables, and he was not without vanity about his artistic touch in telling them.
“Oh, do tell us your part of it?” cried Barbara Vane, whose air of sunny sleepiness seemed in some vague degree to have fallen from her.
The American bowed across the table with a serious politeness, and then began playing idly with a quaint ring on his long finger as he talked.
“If you go down to the Barbary Coast, where the last wedge of the forest narrows down between the desert and the great tideless sea, you will find the natives still telling a strange story about a saint of the Dark Ages. There, on the twilight border of the Dark Continent, you feel the Dark Ages. I have only visited the place once, though it lies, so to speak, opposite to the Italian city where I lived for years, and yet you would hardly believe how the topsy-turvydom and transmigration of this myth somehow seemed less mad than they really are, with the wood loud with lions at night and that dark red solitude beyond. They say that the hermit St. Securis, living there among trees, grew to love them like companions; since, though great giants with many arms like Briareus, they were the mildest and most blameless of the creatures; they did not devour like the lions, but rather opened their arms to all the little birds. And he prayed that they might be loosened from time to time to walk like other things. And the trees were moved upon the prayers of Securis, as they were at the songs of Orpheus. The men of the desert were stricken from afar with fear, seeing the saint walking with a walking grove, like a schoolmaster with his boys. For the trees were thus freed under strict conditions of discipline. They were to return at the sound of the hermit’s bell, and, above all, to copy the wild beasts in walking only to destroy and devour nothing. Well, it is said that one of the trees heard a voice that was not the saint’s; that in the warm green twilight of one summer evening it became conscious of some thing sitting and speaking in its branches in the guise of a great bird, and it was that which once spoke from a tree in the guise of a great serpent. As the voice grew louder among its murmuring leaves the tree was torn with a great desire to stretch out and snatch at the birds that flew harmlessly about their nests, and pluck them to pieces. Finally, the tempter filled the tree-top with his own birds of pride, the starry pageant of the peacocks. And the spirit of the brute overcame the spirit of the tree, and it rent and consumed the blue-green birds till not a plume was left, and returned to the quiet tribe of trees. But they say that when spring came all the other trees p
ut forth leaves, but this put forth feathers of a strange hue and pattern. And by that monstrous assimilation the saint knew of the sin, and he rooted that one tree to the earth with a judgment, so that evil should fall on any who removed it again. That, Squire, is the beginning in the deserts of the tale that ended here, almost in this garden.”
“And the end is about as reliable as the beginning, I should say,” said Vane. “Yours is a nice plain tale for a small tea-party; a quiet little bit of still-life, that is.”
“What a queer, horrible story,” exclaimed Barbara. “It makes one feel like a cannibal.”
“Ex Africa,” said the lawyer, smiling. “It comes from a cannibal country. I think it’s the touch of the tar-brush, that nightmare feeling that you don’t know whether the hero is a plant or a man or a devil. Don’t you feel it sometimes in ‘Uncle Remus’?”
“True,” said Paynter. “Perfectly true.” And he looked at the lawyer with a new interest. The lawyer, who had been introduced as Mr. Ashe, was one of those people who are more worth looking at than most people realize when they look. If Napoleon had been red-haired, and had bent all his powers with a curious contentment upon the petty lawsuits of a province, he might have looked much the same; the head with the red hair was heavy and powerful; the figure in its dark, quiet clothes was comparatively insignificant, as was Napoleon’s. He seemed more at ease in the Squire’s society than the doctor, who, though a gentleman, was a shy one, and a mere shadow of his professional brother.
