Afternoon Tea Mysteries Vol Three
Page 83
He was so cruel and so unjust, that I got up to leave him, without saying a word more. But, oh! he looked so forlorn and so submissive—sitting with his head down, and his hands crossed listlessly over his knees—that I could not find it in my heart to treat him harshly. Was I wrong? I don’t know! I have no idea how to manage men—and no Madame Pratolungo now to teach me. Right or wrong, it ended in my sitting down by him again in the place which I had just left.
“You ought to beg my pardon,” I said, “for thinking of me as you think, and talking to me as you talk.”
“I do beg your pardon,” he answered humbly. “I am sorry if I have offended you.”
How could I resist that? I put my hand on his shoulder, and tried to make him lift up his head and look at me.
“You will always believe in me in the future?” I went on. “Promise me that.”
“I can promise to try, Lucilla. As things are now I can promise no more.”
“As things are now? You are speaking in riddles tonight. Explain yourself.”
“I explained myself this morning on the pier.”
Surely, this was hard on me—after he had promised to give me till the end of the week to consider his proposal? I took my hand off his shoulder. He—who never used to displease or disappoint me when I was blind—had displeased and disappointed me for the second time in a few minutes!
“Do you wish to force me?” I asked, “after telling me this morning that you would give me time to reflect?”
He rose, on his side—languidly and mechanically, like a man who neither knew nor cared what he was doing.
“Force you?” he repeated. “Did I say that? I don’t know what I am talking about; I don’t know what I am doing. You are right and I am wrong. I am a miserable wretch, Lucilla—I am utterly unworthy of you. It would be better for you if you never saw me again!” He paused; and taking me by both hands, looked earnestly and sadly into my face. “Good night, my dear!” he said—and suddenly dropped my hands, and turned away to go out.
I stopped him. “Going already?” I said. “It is not late yet.
“It is best for me to go.”
“Why?”
“I am in wretched spirits. It is better for me to be by myself.”
“Don’t say that! It sounds like a reproach to me.”
“On the contrary, it is all my fault. Good night!”
I refused to say good night—I refused to let him go. His wanting to go was in itself a reproach to me. He had never done it before. I asked him to sit down again.
He shook his head.
“For ten minutes!”
He shook his head again.
“For five minutes!”
Instead of answering, he gently lifted a long lock of my hair, which hung at the side of my neck. (My head, I should add, had been dressed that evening on the old-fashioned plan, by my aunt’s maid—to please my aunt.)
“If I stay for five minutes longer,” he said, “I shall ask for something.”
“For what?”
“You have beautiful hair, Lucilla.”
“You can’t want a lock of my hair, surely?”
“Why not?”
“I gave you a keepsake of that sort—ages ago. Have you forgotten it?”
[Note.—The keepsake had of course been given to the true Oscar, and was then, as it is now, still in his possession. Notice, when he recovers himself, how quickly the false Oscar infers this, and how cleverly he founds his excuse upon it.—P.]
His face flushed deep; his eyes dropped before mine. I could see that he was ashamed of himself—I could only conclude that he had forgotten it! A morsel of his hair was, at that moment, in a locket which I wore round my neck. I had more I think, to doubt him than he had to doubt me. I was so mortified that I stepped aside, and made way for him to go out.
“You wish to go away,” I said; “I won’t keep you any longer.
It was his turn now to plead with me.
“Suppose I have been deprived of your keepsake?” he said. “Suppose somebody whom I would rather not mention, has taken it away from me?”
I instantly understood him. His miserable brother had taken it. My work-basket was close by. I cut off a lock of my hair, and tied it at each end with a morsel of my favourite light-blue ribbon.
“Are we friends again, Oscar?” was all I said as I put it into his hand.
He caught me in his arms in a kind of frenzy—holding me to him so violently that he hurt me; kissing me so fiercely that he frightened me. Before I had recovered breath enough to speak to him, he had released me, and had gone out in such headlong haste that he knocked down a little round table with books on it, and woke my aunt.
The old lady called for me in her most formidable voice, and showed me the family temper in its sourest aspect. Grosse had gone back to London without making any apology to her; and Oscar had knocked down her books. The indignation aroused by these two outrages called loudly for a victim—and (no one else being near at the moment) selected Me. Miss Batchford discovered for the first time that she had undertaken too much in assuming the sole charge of her niece at Ramsgate.
“I decline to accept the entire responsibility,” said my aunt. “At my age, the entire responsibility is too much for me. I shall write to your father, Lucilla. I always did, and always shall, detest him, as you know. His views on politics and religion are (in a clergyman) simply detestable. Still he is your father; and it is a duty on my part, after what that rude foreigner has said about your health, to offer to restore you to your father’s roof—or, at least, to obtain your father’s sanction to your continuing to remain under my care. This course, in either case you will observe, relieves me from the entire responsibility. I am doing nothing to compromise my position. My position is quite plain to me. I should have formally accepted your father’s hospitality on the occasion of your wedding—if I had been well enough and if the wedding had taken place. It follows as a matter of course that I may formally report to your father what the medical opinion is of your health. However brutally it may have been given, it is a medical opinion—and as such I am bound to communicate it.
Knowing but too well how bitterly my aunt’s aversion to him is reciprocated by my father, I did my best to combat Miss Batchford’s resolution—without making matters worse by telling her what my motives really were. With some difficulty I prevailed on her to defer the proposed report of me for a day or two—and we parted for the night (the old lady’s fits of temper are soon over) as good friends as usual.
This little episode in my narrative of events diverted my mind for the time from Oscar’s strange conduct yesterday evening. But once up here by myself in my own room, I have been thinking of it, or dreaming of it (such horrid dreams—I cannot write them down!) almost incessantly from that time to this. When we meet again to-day—how will he look? what will he say?
He was right yesterday. I am cold to him; there is some change in me towards him, which I don’t understand myself. My conscience accuses me, now I am alone—and yet, God knows, it is not my fault. Poor Oscar! Poor me! I have never longed to see him—since we met at this place—as I long now. He sometimes comes to breakfast. Will he come to breakfast to-day? Oh, how my eyes ache! and how obstinately the mist stops in the room! Suppose I close the window, and go back to bed again for a little while?
Nine o’clock.—The maid came in half an hour since, and woke me. She went to open the window as usual. I stopped her.
“Is the mist gone?” I asked.
The girl stared, “What mist, Miss?”
“Haven’t you seen it?”
“No, Miss.”
“What time did you get up?”
“At seven, Miss.”
At seven I was still writing in my Journal, and the mist was still over everything in the room. Persons in the lower ranks of life are curiously unobservant of the aspects of Nature. I never (in the days of my blindness) got any information from servants or labourers about the views round Dimchurch. Th
ey seemed to have no eyes for anything beyond the range of the kitchen, or the ploughed field. I got out of bed, and took the maid myself to the window, and opened it.
“There!” I said. “It is not quite so thick as it was some hours since. But there is the mist as plain as can be!”
The girl looked backwards and forwards in a state of bewilderment between me and the view.
“Mist?” she repeated. “Begging your pardon, Miss, it’s a beautiful clear morning—as I see it.”
“Clear?” I repeated on my side.
“Yes, Miss!”
“Do you mean to tell me it’s clear over the sea?”
“The sea is a beautiful blue, Miss. Far and near, you can see the ships.”
“Where are the ships?”
She pointed, out of the window, to a certain spot.
“There are two of them, Miss. A big ship, with three masts. And a little ship just behind, with one.”
I looked along her finger, and strained my eyes to see. All I could make out was a dim greyish mist, with something like a little spot or blur on it, at the place which the maid’s finger indicated as the position occupied by the two ships.
The idea struck me for the first time that the dimness which I had attributed to the mist, was, in plain truth, the dimness in my own eyes. For the moment I was a little startled. I left the window, and made the best excuse that I could to the girl. As soon as it was possible to dismiss her, I sent her away, and bathed my eyes with one of Grosse’s lotions, and then tried them again in writing this entry. To my relief, I can see to write better than I did earlier in the morning. Still, I have had a warning to pay a little more attention to Grosse’s directions than I have hitherto done. Is it possible that he saw something in the state of my eyes which he was afraid to tell me of? Nonsense! Grosse is not the sort of man who shrinks from speaking out. I have fatigued my eyes—that is all. Let me shut up my book, and go downstairs to breakfast.
Ten o’clock.—For a moment, I open my Journal again.
Something has happened which I must positively set down in the history of my life. I am so vexed and so angry! The maid, (wretched chattering fool!) has told my aunt what passed between us this morning at my window. Miss Batchford has taken the alarm, and has insisted on writing, not only to Grosse, but to my father. In the present embittered state of my father’s feelings against my aunt, he will either leave her letter unanswered, or he will offend her by an angry reply. In either case, I shall be the sufferer: my aunt’s sense of injury—which cannot address itself to my father—will find a convenient object to assail in me. I shall never hear the last of it. Being already nervous and dispirited, the prospect of finding myself involved in a new family quarrel quite daunts me. I feel ungratefully inclined to run away from Miss Batchford, when I think of it!
No signs of Oscar; and no news of Oscar—yet.
Twelve o’clock.—But one trial more was wanted to make my life here quite unendurable. The trial has come.
A letter from Oscar (sent by a messenger from his hotel) has just been placed in my hands. It informs me that he has decided on leaving Ramsgate by the next train. The next train starts in forty minutes. Good God! what am I to do?
My eyes are burning. I know it does them harm to cry. How can I help crying? It is all over between us, if I let Oscar go away alone—his letter as good as tells me so. Oh, why have I behaved so coldly to him? I ought to make any sacrifice of my own feelings to atone for it. And yet, there is an obstinate something in me that shrinks—What am I to do? what am I to do?
I must drop the pen, and try if I can think. My eyes completely fail me. I can write no more.
[Note.—I copy the letter to which Lucilla refers.
Nugent’s own assertion is, that he wrote it in a moment of remorse, to give her an opportunity of breaking the engagement by which she innocently supposed herself to be held to him. He declares that he honestly believed the letter would offend her, when he wrote it. The other interpretation of the document is, that finding himself obliged to leave Ramsgate—under penalty (if he remained) of being exposed by Grosse as an impostor, when the surgeon visited his patient on the next day—Nugent seized the opportunity of making his absence the means of working on Lucilla’s feelings, so as to persuade her to accompany him to London. Don’t ask me which of these two conclusions I favour. For reasons which you will understand when you have come to the end of my narrative, I would rather not express my opinion, either one way or the other.
Read the letter—and determine for yourselves:
“MY DARLING,—After a sleepless night, I have decided on leaving Ramsgate, by the next train that starts after you receive these lines. Last night’s experience has satisfied me that my presence here (after what I said to you on the pier) only distresses you. Some influence that is too strong for you to resist has changed your heart towards me. When the time comes for you to determine whether you will be my wife on the conditions that I have proposed, I see but too plainly that you will say No. Let me make it less hard for you, my love, to do that, by leaving you to write the word—instead of saying it to me. If you wish for your freedom, cost me what it may, I will absolve you from your engagement. I love you too dearly to blame you. My address in London is on the other leaf. Farewell!
“OSCAR.”
The address given on the blank leaf is at an hotel.
A few lines more in the Journal follow the lines last quoted in this place. Except a word or two, here and there, it is impossible any longer to decipher the writing. The mischief done to her eyes by her reckless use of them, by her fits of crying, by her disturbed nights, by the long-continued strain on her of agitation and suspense, has evidently justified the worst of those unacknowledged forebodings which Grosse felt when he saw her. The last lines of the Journal are, as writing, actually inferior to her worst penmanship when she was blind.
However, the course which she ended in taking on receipt of the letter which you have just read, is sufficiently indicated by a note of Nugent’s writing, left at Miss Batchford’s residence at Ramsgate by a porter from the railway. After-events make it necessary to preserve this note also. It runs thus:—
“MADAM,—I write, by Lucilla’s wish, to beg that you will not be anxious on discovering that your niece has left Ramsgate. She accompanies me, at my express request, to the house of a married lady who is a relative of mine, and under whose care she will remain, until the time arrives for our marriage. The reasons which have led to her taking this step, and which oblige her to keep her new place of residence concealed for the present, will be frankly stated to you and to her father on the day when we are man and wife. In the meantime, Lucilla begs that you will excuse her abrupt departure, and that you will be so good as to send this letter on to her father. Both you and he will, I hope, remember that she is of an age to act for herself, and that she is only hastening her marriage with a man to whom she has been long engaged, with the sanction and approval of her family—Believe me, Madam, your faithful Servant,
“OSCAR DUBOURG.”
This letter was delivered at luncheon-time—almost at the moment when the servant had announced to her mistress that Miss Finch was nowhere to be found, and that her travelling-bag had disappeared from her room. The London train had then started. Miss Batchford, having no right to interfere, decided—after consultation with a friend—on at once travelling to Dimchurch, and placing the matter in Mr. Finch’s hands.—P.]
CHAPTER THE FORTY-SIXTH
The Italian Steamer
LUCILLA’S Journal has told you all that Lucilla can tell. Permit me to reappear in these pages. Shall I say, with your favourite English clown, reappearing every year in your barbarous English pantomime, “Here I am again: how do you do?” No—I had better leave that out. Your clown is one of your national institutions. With this mysterious source of British amusement let no foreign person presume to trifle.
I arrived at Marseilles, as well as I can remember, on the fifteenth of August.
On that date, I was composed enough to think again of Lucilla, and to remember Mrs. Finch’s polite request to me that I would write to her from Marseilles.
I wrote briefly, telling the damp lady of the rectory (only at greater length) what I have told here. My main motive in doing this was, I confess, to obtain, through Mrs. Finch, some news of Lucilla. After posting the letter, I attended to another duty which I had neglected while my father was in danger of death. I went to the person to whom my lawyer had recommended me, to institute that search for Oscar which I had determined to set on foot when I left London. The person was connected with the police, in the capacity (as nearly as I can express it in English) of a sort of private superintendent—not officially recognized, but secretly trusted for all that.
When he heard of the time that had elapsed without any discovery of the slightest trace of the fugitive, he looked grave; and declared, honestly enough, that he doubted if he could reward my confidence in him by proving himself to be of the slightest service to me. Seeing, however, that I was earnestly bent on making some sort of effort, he put a last question to me in these terms:—“You have not described the gentleman yet. Is there, by lucky chance, anything remarkable in his personal appearance?”
“There is something very remarkable, sir,” I answered. “Describe it exactly, ma’am, if you please.”
I described Oscar’s complexion. My excellent superintendent showed encouraging signs of interest as he listened. He was a most elegantly-dressed gentleman, with the gracious manners of a prince. It was quite a privilege to be allowed to talk to him.