And now I'm on the same bed and the light that's in me refuses to be extinguished. The world of men and women are making merry in the cemetery grounds. They are having sexual intercourse. God bless them, and I am alone in the Land of Fuck. It seems to me that I hear the clanking of a great machine, the linotype bracelets passing through the wringer of sex. Hymie and his nymphomaniac of a wife are lying on the same level with me, only they are across the river. The river is called Death and it has a bitter taste. I have waded through it many times, up to the hips, but somehow I have neither been petrified nor immortalized. I am still burning brightly inside, though outwardly dead as a planet. From this bed I have gotten up to dance, not once but hundreds, thousands of times. Each time I came away I had the conviction that I had danced the skeleton dance on a terrain vague. Perhaps I had wasted too much of my substance on suffering; perhaps I had the crazy idea that I would be the first metallurgical bloom of the human species; perhaps I was imbued with the notion that I was both a sub-
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gorilla and a super-god. On this bed of ferro-concrete I remember everything and everything is in rock crystal. There are never any animals, only thousands and thousands of human beings all talking at once, and for each word they utter I have an answer immediately, sometimes before the word is out of their mouths. There is plenty of killing, but no blood. The murders arc perpetrated with cleanliness, and always in silence. But even if every one were killed there would still be conversation, and the conversation would be at once intricate and easy to follow. Because it is I who create it! I know it, and that is why it never drives me mad. I have conversations which may take place only twenty years hence, when I meet the right person, the one whom I shall create, let us say, when the proper time comes. All these talks take place in a vacant lot which is attached to my bed like a mattress. Once I gave it a name, this terrain vague: I called it Ubiguchi, but somehow Ubiguchi never satisfied me, it was too intelligible, too full of meaning. It would be better to keep it just "terrain vague", which is what I intend to do. People think that vacuity is nothingness, but it is not so. Vacuity is a discordant fulness, a crowded ghostly world in which the soul goes reconnoitering. As a boy I remember standing in the vacant lot as if I were a very lively soul standing naked in a pair of shoes. The body had been stolen from me because I had no particular need of it. I could exist with or without a body then. If I killed a little bird and roasted it over the fire and ate it, it was not because I was hungry but because I wanted to know about Timbuctoo or Tierra del Fuego. I had to stand in the vacant lot and eat dead birds in order to create a desire for that bright land which later I would inhabit alone and people with nostalgia. I expected ultimate things of this place, but I was deplorably deceived. I went as far as one could go in a state of complete deadness, and then by a law, which must be the law of creation, I suppose, I suddenly flared up and began to live inexhaustibly, like a star whose light is unquenchable. Here began the real cannibalistic excursions which have meant so much to me; no more dead chippies picked from the bonfire, but live human meat, tender, succulent human flesh, secrets like fresh bloody livers, confidences like swollen tumors that have been kept on
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ice. I learned not to wait for my victim to die, but to eat into him while talking to me. Often when I walked away from an unfinished meal I discovered that it was nothing more than an old friend minus an arm or a leg. I sometimes left him standing there - a trunk full of stinking intestines.
Being of the city, of the only city in the world and no place like Broadway anywhere, I used to walk up and down staring at the floodlit hams and other delicacies. I was a schizerino from the sole of my boots to the tips of my hair. I lived exclusively in the gerundive, which I understood only in Latin. Long before I had read other in the Black Book I was cohabiting with Hilda, the giant cauliflower of my dreams. We traversed all the morganatic diseases together and a few which were ex cathedra. We dwelt in the carcass of the instincts and were nourished by ganglionic memories. There was never a universe, but millions and billions of universes, all of them put together no bigger than a pinhead. It was a vegetal sleep in the wilderness of the mind. It was the past, which alone comprises eternity. Amidst the fauna and flora of my dreams I would hear long distance calling. Messages were dropped on my table by the deformed and the epileptic. Hans Castorp would call sometimes and together we would commit innocent crimes. Or, if it were a bright freezing day. I would do a turn in the velodrome with my Presto bike from Chemnitz, Bohemia.
Best of all was the skeleton dance. I would first wash all my parts at the sink, change my linen, shave, powder, comb my hair, don my dancing pumps. Feeling abnormally light inside and out I would wind in and out of the crowd for a time to get the proper human rhythm, the weight and substance of flesh. Then I would make a beeline for the dance floor, grab a hunk of giddy flesh and begin the autumnal pirouette. It was like that I walked into the hairy Greek's place one night and ran smack into her. She seemed blue-black, white as chalk, ageless. There was not just the flow to and from, but the endless chute, the voluptuousness of intrinsic restlessness. She was mercurial and at the same time of a savoury weight. She had the marmoreal stare of a faun embedded in lava. The time has come, I thought, to wander back from the periphery. I made
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a move towards the centre, only to find the ground shifting from under my feet. The earth slid rapidly beneath my bewildered feet. I moved again out of the earth belt and behold, my hands were full of meteoric flowers. I reached for her with two flaming hands but she was more elusive than sand. I thought of my favourite nightmares, but she was unlike anything which had made me sweat and gibber. In my delirium I began to prance and neigh. I bought frogs and mated them with toads. I thought of the easiest thing to do, which is to die, but I did nothing. I stood still and began to petrify at the extremities. That was so wonderful, so healing, so eminently sensible, that I began to laugh way down inside the viscera, like a hyena crazed with rut. Maybe I would turn into a rosetta stone! I just stood still and waited. Spring came and Fall, and then Winter. I renewed my insurance policy automatically. I ate grass and the roots of deciduous trees. I sat for days on end looking at the same film. Now and then I brushed my teeth. If you fired an automatic at me the bullets glanced off and made a queer tat-a-tat ricocheting against the walls. Once up a dark street, felled by a thug, I felt a knife go clean through me. It felt like a spritz bath. Strange to say, the knife left no holes in my skin. The experience was so novel that I went home and stuck knives into all parts of my body. More needle baths. I sat down, pulled all the knives out, and again I marvelled that there was no trace of blood, no holes, no pain. I was just about to bite into my arm when the telephone rang. It was long distance calling. I never knew who put in the calls because no one ever came to the phone. However the skeleton dance ...
Life is drifting by the show-window. I lie there like a flood-lit ham waiting for the axe to fall. As a matter of fact, there is nothing to fear, because everything is cut neatly into fine little slices and wrapped in cellophane. Suddenly all the lights of the city are extinguished and the sirens sound their warning. The city is enveloped in poison gas, bombs are bursting, mangled bodies flying through the air. There is electricity everywhere, and blood and splinters and loud-speakers. The men in the air are full of glee; those below are screaming and
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bellowing. When the gas and the flames have eaten all the flesh away the skeleton dance begins. I watch from the show-window which is now dark. It is better than the sack of Rome because there is more to destroy.
Why do the skeletons dance so ecstatically, I wonder. Is it the fall of the world? Is it the dance of death which has been so often heralded? To see millions of skeletons dancing in the snow while the city founders is an awesome sight. Will anything ever grow again? Will babes come out of the womb? Will there be food and wine? There are the men in the air, to be sure. They will come down to plunder. There will be cholera and dysentery
and those who were above and triumphant will perish like the rest. I have the sure feeling that I will be the last man on earth. I will emerge from the show-window when it is all over and walk calmly amidst the ruins. I will have the whole earth myself.
Long distance calling! To inform me that I am not utterly alone. Then the destruction was not complete? It's discouraging. Man is not even able to destroy himself; he can only destroy others. I am disgusted. What a malicious cripple! What cruel delusions! So there are more of the species about and they will tidy up the mess and begin again. God will come down again in flesh and blood and take up the burden of guilt. They will make music and build things in stone and write it all down in little books. Pfui! What blind tenacity, what clumsy ambitions!
I am on the bed again. The old Greek world, the dawn of sexual intercourse - and Hymie! Hymie Laubscher always on the same level, looking down on the boulevard across the river. There is a lull in the nuptial feast and the clam fritters are brought in. Move over just a little, he says. There, like that, that's it 11 hear frogs croaking in the swamp outside my window. Big cemetery frogs nourished by the dead. They are all huddled together in sexual intercourse; they are croaking with sexual glee.
I realize now how Hymie was conceived and brought into being. Hymie the bullfrog! His mother was at the bottom of the pack and Hymie, then an embryo, was hidden away in her
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sac. It was in the early days of sexual intercourse and there were no Marquis of Queensbury rules to hinder. It was fuck and be fucked - and the devil take the hindmost. It had been that way ever since the Greeks - a blind fuck in the mud and then a quick spawn and then death. People are fucking on different levels but it's always in a swamp and the litter is always destined for the same end. When the house is torn down the bed is left standing: the cosmosexual altar.
I was polluting the bed with dreams. Stretched out taut on the ferro-concrete my soul would leave its body and roam from place to place on a little trolley such as is used in department stores for making change. I made ideological changes and excursions; I was a vagabond in the country of the brain. Everything was absolutely clear to me because done in rock crystal; at every egress there was written in big letters ANNIHILATION. The fright of extinction solidified me;
the body became itself a piece of ferro-concrete. It was ornamented by a permanent erection in the best taste. I had achieved that state of vacuum so earnestly desired by certain devout members of esoteric cults. I was no more. I was not even a personal hard-on.
It was about this time, adopting the pseudonym Samson Lackawanna, that I began my depredations. The criminal instinct in me had gotten the upper hand. Whereas heretofore I had been only an errant soul, a sort of Gentile Dybbuk, now I became a flesh-filled ghost. I had taken the name which pleased me and I had only to act instinctively. In Hong Kong, for instance, I made my entry as a book-agent. I carried a leather purse filled with Mexican dollars and I visited religiously all those Chinese who were in need of further education. At the hotel I rang for women like you would ring for whiskey and soda. Morning I studied Tibetan in order to prepare for the journey to Lhasa. I already spoke Jewish fluently, and Hebrew too. I could count two rows of figures at once. It was so easy to swindle the Chinese that I went back to Manila in disgust. There I took a Mr. Rico in hand and taught him the art of selling books with no handling charges. All the profit came from ocean freight rates, but it was sufficient
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to keep me in luxury while it lasted.
The breath had become as much a trick as breathing. Things were not dual merely, but multiple. I had become a cage of mirrors reflecting vacuity. But vacuity once stoutly posited I was at home and what is called creation was merely a job of filling up holes. The trolley conveniently carried me about from place to place and in each little side pocket of the great vacuum I dropped a ton of poems to wipe out the idea of annihilation. I had ever before me boundless vistas. I began to live in the vista, like a microscopic speck on the lens of a giant telescope. There was no night in which to rest. It was perpetual starlight on the arid surface of dead planets. Now and then a lake black as marble in which I saw myself walking amidst brilliant orbs of lights. So low hung the stars and so dazzling was the light they shed, that it seemed as if the universe were only about to be born. What rendered the impression stronger was that I was alone; not only were there no animals, no trees, no other beings, but there was not even a blade of grass, not even a dead root. In that violet incandescent light witihout even the suggestion of a shadow motion itself seemed to be absent. It was like a blaze of pure consciousness, thought become God. And God, for the first time in my knowledge, was dean-shaven. I was also clean-shaven, flawless, deadly accurate. I saw my image in the marble black lakes and it was diapered with stars. Stars, stars... like a clout between the eyes and all remembrance fast run out. I was Samson and I was Lackawanna and I was dying as one being in the ecstasy of full consciousness.
And now here I am, sailing down the river in my little canoe. Anything you would like to have me do I will do for you - gratis. This is the Land of Fuck, in which there are no animals, no trees, no stars, no problems. Here the spermatazoon reigns supreme. Nothing is determined in advance, the future is absolutely uncertain, the past is non-existent. For every million born 999,999 are doomed to die and never again be born. But the one that makes a home run is assured of life eternal. Life is squeezed into a seed, which is a soul. Everything has soul, including minerals, plants, lakes, mountains,
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rocks. Everything is sentient, even at the lowest stage of consciousness.
Once this fact is grasped there can be no more despair. At the very bottom of the ladder, chez the spermatozoa, there is the same condition of bliss as at the top, chez God. God is the summation of all the spermatozoa come to full consciousness. Between the bottom and the top there is no stop, no halfway station. The river starts somewhere in the mountains and flows on into the sea. On this river that leads to God the canoe is as serviceable as the dreadnought. From the very start the journey is homeward.
Sailing down the river... Slow as the hook-worm, but tiny enough to make every bend. And slippery as an eel withal. What is your name? shouts some one. My name? Why just call me God - God the embryo, I go sailing on. Somebody would like to buy me a hat. What size do you wear, imbecile! he shouts. What size? Why size X! (And why do they always shout at me? Am I supposed to be deaf?) The hat is lost at the next cataract. Tant pis - for the hat. Does God need a hat? God needs only to become God, more and more God. All this voyaging, all these pitfalls, the time that passes, the scenery, and against the scenery man, trillions and trillions of things called man, like mustard seeds. Even in embryo God has no memory. The backdrop of consciousness is made up of infinitesimally minute ganglia, a coat of hair soft as wool. The mountain goat stands alone amidst the Himalayas; he doesn't question how he got to the summit. He grazes quietly amidst the decor; when the time comes he will travel down again. He keeps his muzzle to the ground, grubbing for the sparse nourishment which the mountain peaks afford. In this strange capricornian condition of embryosis God the he-goat ruminates in stolid bliss among the mountain peaks. The high altitudes nourish the germ of separation which will one day estrange him completely from the soul of man, which will make him a desolate, rock-like father dwelling forever apart in a void which is unthinkable. But first come the morganatic diseases, of which we must now speak...
There is a condition of misery which is irremediable -
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because its origin is lost in obscurity. Bloomingdale's, for example, can bring about this condition. All department stores are symbols of sickness and emptiness, but Bloomingdale's is my special sickness, my incurable obscure malady. In the chaos of Bloomingdale's there is an order, but this order is absolutely crazy to me, it is the order which I would find on the head of a pin if I were to put it under the microscope. It is the order of an accidental series of accidents accidentally conceived. Thi
s order has, above all, an odour - and it is the odour of Bloomingdale's which strikes terror into my heart. In Bloomingdale's I fall apart completely: I dribble on to the floor, a helpless mess of guts and bones and cartilage. There is the smell, not of decomposition, but of mis-alliance. Man, the miserable alchemist, has welded together in a million forms and shapes, substances and essences which have nothing in common. Because in his mind there is a tumor which is eating him away insatiably; he has left the little canoe which was taking him blissfully down the river in order to construct a bigger, safer boat in which there may be room for every one. His labours take him so far afield that he has lost all remembrance of why he left the little canoe. The ark is so full of bric-a-brac that it has become a stationary building above a subway in which the smell of linoleum prevails and predominates. Gather together all the significance hidden away in the interstital miscellany of Bloomingdale's and put it on the head of a pin and you will have left a universe in which the grand constellations move without the slightest danger of collision. It is this microscopic chaos which brings on my morganatic ailments. In the street I begin to stab horses at random, or I lift a skirt here and there looking for a letter-box, or I put a postage stamp across a mouth, an eye, a vagina. Or I suddenly decide to climb a tall building, like a fly, and once having reached the roof I do fly with real wings and I fly and fly and fly, covering towns like Weehawken, Hoboken, Hackensack, Canarsie, Bergen Beach in the twinkling of an eye. Once you become a real schizerino flying is the easiest thing in the world; the trick is to fly with the etheric body, to leave behind in Bloomingdale's your sack of bones, guts,
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