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the drainpipes cleaned out?" If you could only go out in the street and put it to them dear like that. But no, you don't dare to open your trap. If you tell a guy in the street you're hungry you scare the shit out of him, he runs like hell. That's something I never understood. I don't understand it yet. The whole thing is so simple - you just say Yes when some one comes up to you. And if you can't say Yes you can take him by the arm and ask some other bird to help you out. Why you have to don a uniform and kill men you don't know, just to get that crust of bread, is a mystery to me. That's what I think about, more than about whose trap it's going down or how much it costs. Why should I give a fuck about what anything costs ? I'm here to live, not to calculate. And that's just what the bastards don't want you to do - to live! They want you to spend your whole life adding up figures. That makes sense to them. That's reasonable. That's intelligent. If I were running the boat things wouldn't be so orderly perhaps, but it would be gayer, by Jesus! You wouldn't have to shit in your pants over trifles. Maybe there wouldn't be macadamized roads and streamlined cars and loudspeakers and gadgets of a million-billion varieties, maybe there wouldn't even be glass in the windows, maybe you'd have to sleep on the ground, maybe there wouldn't be French cooking and Italian cooking and Chinese cooking, maybe people would kill each other when their patience was exhausted and maybe nobody would stop them because there wouldn't be any jails or any cops or judges, and there certainly wouldn't be any cabinet ministers or legislatures because-there wouldn't be any goddamned laws to obey or disobey, and maybe it would take months and years to trek from place to place, but you wouldn't need a visa or a passport or a carte d'identite because you wouldn't be registered anywhere and you wouldn't bear a number and if you wanted to change your name every week you could do it because it wouldn't make any difference since you wouldn't own anything except what you could carry around with you and why would you want to own anything when everything would be free? During this period when I was drifting from door to door,
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job to job, friend to friend, meal to meal, I did try nevertheless to rope off a little space for myself which might be an anchorage; it was more like a lifebuoy in the midst of a swift channel. To get within a mile of me was to hear a huge dolorous bell tolling. Nobody could see the anchorage - it was buried deep in the bottom of the channel. One saw me bobbing up and down on the surface, rocking gently sometimes or else swinging backwards and forwards agitatedly. What held me down safely was the big pigeon-holed desk which I put in the parlour. This was the desk which had been in the old man's tailoring establishment for the last fifty years, which had given birth to many bills and many groans, which had housed strange souvenirs in its compartments, and which finally I had filched from him when he was ill and away from the establishment; and now it stood in the middle of the floor in our lugubrious parlour on the third floor of a respectable brown-stone house in the dead centre of the most respectable neighbourhood in Brooklyn. I had to fight a tough battle to install it there, but I insisted that it be there in the midmost midst of the shebang. It was like putting a mastodon in the centre of a dentist's office. But since the wife had no friends to visit her and since my friends didn't give a fuck if it were suspended from the chandelier, I kept it in the parlour and I put all the extra chairs we bad around it in a big circle and then I sat down comfortably and I put my feet up on the desk and dreamed of what I would write if I could write. I had a spittoon alongside of the desk, a big brass one from the same establishment, and I would spit in it now and then to remind myself that it was there. All the pigeon-holes were empty and all the drawers were empty; there wasn't a thing on the desk or in it except a sheet of white paper on which I found it impossible to put so much as a pothook.
When I think of the titanic efforts I made to canalize the hot lava which was bubbling inside me, the efforts I repeated thousands of times to bring the funnel into place and capture a word, a phrase, I think inevitably of the men of the old stone age. A hundred thousand, two hundred thousand years, three hundred thousand years to arrive at the idea of the paleolith.
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A phantom struggle, because they weren't dreaming of such a thing as the paleolith. It came without effort, born of a second, a miracle you might say, except that everything which happens is miraculous. Things happen or they don't happen, that's all. Nothing is accomplished by sweat and struggle. Nearly everything which we call life is just insomnia, an agony because we've lost the habit of falling asleep. We don't know how to let go. We're like a Jack-in-the-box perched on top of a spring and the more we struggle the harder it is to get back in the box.
I think if I had been crazy I couldn't have hit upon a better scheme to consolidate my anchorage than to install this Neanderthal object in the middle of the parlour. With my feet on the desk, picking up the current, and my spinal column snugly socketed in a thick leather cushion, I was in an ideal relation to the flotsam and jetsam which was whirling about me, and which, because they were crazy and part of the flux, my friends were trying to convince me was life. I remember vividly the first contact with reality that I got through my feet, so to speak. The million words or so which I had written, mind you, well ordered, well connected, were as nothing to me - crude ciphers from the old stone age - because the contact was through the head and the head is a useless appendage unless you're anchored in mid-channel deep in the mud. Everything I had written before was museum stuff, and most writing is still museum stuff and that's why it doesn't catch fire, doesn't inflame the world. I was only a mouthpiece for the ancestral race which was talking through me; even my dreams were not authentic, not bona fide Henry Miller dreams. To sit still and think one thought which would come up out of me, out of the lifebuoy, was a Herculean task. I didn't lack thoughts nor words nor the power of expression - I lacked something much more important: the lever which would shut off the juice. The bloody machine wouldn't stop, that was the difficulty. I was not only in the middle of the current but the current was running through me and I had no control over it whatever.
I remember the day I brought the machine to a dead stop and how the other mechanism, the one that was signed with my own initials and which I had made with my own hands and
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my own blood slowly began to function. I had gone to the theatre nearby to see a vaudeville show; it was the matinee and I had a ticket for the balcony. Standing on line in the lobby, I already experienced a strange feeling of consistency. It was as though I were coagulating, becoming a recognizable consistent mass of jelly. It was like the ultimate stage in the healing of a wound. I was at the height of normality, which is a very abnormal condition. Cholera might come and blow its foul breath in my mouth - it wouldn't matter. I might bend over and kiss the ulcers of a leprous hand, and no harm could possibly come to me. There was not just a balance in this constant warfare between health and disease, which is all that most of us may hope for, but there was a plus integer in the blood which meant that, for a few moments at least, disease was completely routed. If one had the wisdom to take root in such a moment, one would never again be ill or unhappy or even die. But to leap to this conclusion is to make a jump which would take one back farther than the old stone age. At that moment I wasn't even dreaming of taking root;
I was experiencing for the first time in my life the meaning of the miraculous. I was so amazed when I heard my own cogs meshing that I was willing to die then and there for the privilege of the experience.
What happened was this ... As I passed the doorman holding the torn stub in my hand the lights were dimmed and the curtains sent up. I stood a moment slightly dazed by the sudden darkness. As the curtain slowly rose I had the feeling that throughout the ages man had always been mysteriously stilled by this brief moment which preludes the spectacle. I could feel the curtain rising in man. And immediately I also realized that this was a symbol which was being presented to him endlessly in his sleep and that if he had been awake the players would never have ta
ken the stage but he, Man, would have mounted the boards. I didn't think this thought - it was a realization, as I say, and so simple and overwhelmingly clear was it that the machine stopped dead instantly and I was standing in my own presence bathed in a luminous reality. I turned my eyes away from the stage and beheld the marble
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staircase which I should take to go to my seat in the balcony. I saw a man slowly mounting the steps, his hand laid across the balustrade. The man could have been myself, the old self which had been sleepwalking ever since I was born. My eye didn't take in the entire staircase, just the few steps which the man had climbed or was climbing in the moment that I took it all in. The man never reached the top of the stairs and his hand was never removed from the marble balustrade. I felt the curtain descend, and for another few moments I was behind the scenes moving amidst the sets, like the property man suddenly roused from his sleep and not sure whether he is still dreaming or looking at a dream which is being enacted on the stage. It was as fresh and green, as strangely new as the bread and cheese lands which the Biddenden maidens saw every day of their long life joined at the hips. I saw only that which was alive! the rest faded out in a penumbra. And it was in order to keep the world alive that I rushed home without waiting to see the performance and sat down to describe the little patch of staircase which is imperishable.
It was just about this time that the Dadaists were in full swing, to be followed shortly by the Surrealists. I never heard of either group until some ten years later; I never read a French book and I never had a French idea. I was perhaps the unique Dadaist in America, and I didn't know it. I might just as well have been living in the jungles of the Amazon for all the contact I had with the outside world. Nobody understood what I was writing about or why I wrote that way. I was so lucid that they said I was daffy. I was describing the New World - unfortunately a little too soon because it had not yet been discovered and nobody could be persuaded that it existed. It was an ovarian world, still hidden away in the Fallopian tubes. Naturally nothing was dearly formulated: there was only the faint suggestion of a backbone visible, and certainly no arms or legs, no hair, no nails, no teeth. Sex was the last thing to be dreamed of; it was the world of Chronos and his ovicular progeny. It was the world of the iota, each iota being indispensable, frighteningly logical, and absolutely unpredictable.
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There was no such thing as a thing, because the concept "thing" was missing.
I say it was a New World I was describing, but like the New World which Columbus discovered it turned out to be a far older world than any we have known. I saw beneath the superficial physiognomy of skin and bone the indestructible world which man has always carried within him; it was neither old nor new, really, but the eternally true world which changes from moment to moment. Everything I looked at was palimpsest and there was no layer of writing too strange for me to decipher. When my companions left me of an evening I would often sit down and write to my friends the Australian Bushmen or to the Mound Builders of the Mississippi Valley or to the Igorotes in the Philippines. I had to write English, naturally, because it was the only language I spoke, but between my language and the telegraphic code employed by my bosom friends there was a world of difference. Any primitive man would have understood me, any man of archaic epochs would have understood me: only those about me, that is to say, a continent of a hundred million people, failed to understand my language. To write intelligibly for them I would have been obliged first of all to kill something, secondly, to arrest time. I had just made the realization that life is indestructible and that there is no such thing as time, only the present. Did they expect me to deny a truth which it had taken me all my life to catch a glimpse of? They most certainly did. The one thing they did not want to hear about was that life is indestructible. Was not their precious new world reared on the destruction of the innocent, on rape and plunder and torture and devastation? Both continents had been violated; both continents had been stripped and plundered of all that was precious - in things. No greater humiliation, it seems to me, was meted out to any man than to Montezuma; no race was ever more ruthlessly wiped out than the American Indian; no land was ever raped in the foul and bloody way that California was raped by the gold-diggers. I blush to think of our origins - our hands are steeped in blood and crime. And there is no let-up to the slaughter and the pillage, as I discovered at first hand travelling throughout
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the length and breadth of the land. Down to the closest friend every man is a potential murderer. Often it wasn't necessary to bring out the gun or the lasso or the branding iron - they had found subtler and more devilish ways of torturing and killing their own. For me the most excruciating agony was to have the word annihilated before it had even left my mouth. I learned, by bitter experience, to hold my tongue; I learned to sit in silence, and even smile, when actually I was foaming at the mouth. I learned to shake hands and say how do you do to all these innocent-looking fiends who were only waiting for me to sit down in order to suck my blood.
How was it possible, when I sat down in the parlour at my prehistoric desk, to use this code language of rape and murder? I was alone in this great hemisphere of violence, but I was not alone as far as the human race was concerned. I was lonely amidst a world of things lit up by phosphorescent flashes of cruelty. I was delirious with an energy which could not be unleashed except in the service of death and futility. I could not begin with a full statement - it would have meant the strait-jacket or the electric chair. I was like a man who had been too long incarcerated in a dungeon - I had to feel my way slowly, falteringly, lest I stumble and be run over. I had to accustom myself gradually to the penalties which freedom involves. I had to grow a new epidermis which would protect me from this burning light in the sky.
The ovarian world is the product of a life rhythm. The moment a child is born it becomes part of a world in which there is not only the life rhythm but the death rhythm. The frantic desire to live, to live at any cost, is not a result of the life rhythm in us, but of the death rhythm. There is not only no need to keep alive at any price, but, if life is undesirable, it is absolutely wrong. This keeping oneself alive, out of a blind urge to defeat death, is in itself a means of sowing death. Every one who has not fully accepted life, who is not incrementing life, is helping to fill the world with death. To make the simplest gesture with the hand can convey the utmost sense of life; a word spoken with the whole being can give life. Activity in itself means nothing: it is often a sign of death. By
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simple external pressure, by force of surroundings and example, by the very climate which activity engenders, one can become part of a monstrous death machine, such as America, for example. What does a dynamo know of life, of peace, of reality? What does any individual American dynamo know of the wisdom and energy, of the life abundant and eternal possessed by a ragged beggar sitting under a tree in the act of meditation? What is energy? What is life? One has only to read the stupid twaddle of the scientific and philosophic textbooks to realize how less than nothing is the wisdom of these energetic Americans. Listen, they had me on the run, these crazy horsepower fiends; in order to break their insane rhythm, their death rhythm, I had to resort to a wavelength which, until I found the proper sustenance in my own bowels, would at least nullify the rhythm they had set up. Certainly I did not need this grotesque, cumbersome, antediluvian desk which I had installed in the parlour; certainly I didn't need twelve empty chairs placed around in a semicircle; I needed only elbow room in which to write and a thirteenth chair which would take me out of the zodiac they were using and put me in a heaven beyond heaven. But when you drive a man almost crazy and when, to his own surprise perhaps, he finds that he still has some resistance, some powers of his own, then you are apt to find such a man acting very much like a primitive being. Such a man is apt not only to become stubborn and dogged, but superstitious, a believer in magic and a practiser of magic. Such a man is beyond religion - it is his rel
igiousness he is suffering from. Such a man becomes a monomaniac, bent on doing one thing only and that is to break the evil spell which has been put upon him. Such a man is beyond throwing bombs, beyond revolt; he wants to stop reacting, whether inertly or ferociously. This man, of all men on earth, wants the act to be a manifestation of life. If, in the realization of his terrible need, he begins to act regressively, to become unsocial, to stammer and stutter, to prove so utterly unadapted as to be incapable of earning a living, know that this man has found his way back to the womb and source of life and that tomorrow, instead of the contemptible object of ridicule which you have
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made of him, he will stand forth as a mm in his own right and all the powers of the world will be of no avail against him.
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