by Эмиль Золя
"You look delicious!" he murmured; "that gown is a marvel."
Seguin laughed and twitted Santerre on his obsequiousness towards women. Valentine, mollified by the compliment, soon recovered her birdlike gayety, and such free and easy conversation ensued between the trio that Mathieu felt both stupefied and embarrassed. In fact, he would have gone off at once had it not been for his desire to obtain from his landlord a promise to repair the pavilion properly.
"Wait another moment," Valentine at last said to her husband; "I told Celeste to bring the children, so that we might kiss them before starting."
Mathieu wished to profit by this fresh delay, and sought to renew his request; but Valentine was already rattling on again, talking of dining at the most disreputable restaurant possible, and asking if at the first performance which they were to attend they would see all the horrors which had been hissed at the dress rehearsal the night before. She appeared like a pupil of the two men between whom she stood. She even went further in her opinions than they did, displaying the wildest pessimism, and such extreme views on literature and art that they themselves could not forbear laughing. Wagner was greatly over-estimated, in her opinion; she asked for invertebrate music, the free harmony of the passing wind. As for her moral views, they were enough to make one shudder. She had got past the argumentative amours of Ibsen's idiotic, rebellious heroines, and had now reached the theory of pure intangible beauty. She deemed Santerre's last creation, Anne-Marie, to be far too material and degraded, because in one deplorable passage the author remarked that Norbert's kisses had left their trace on the Countess's brow. Santerre disputed the quotation, whereupon she rushed upon the volume and sought the page to which she had referred.
"But I never degraded her," exclaimed the novelist in despair. "She never has a child."
"Pooh! What of that?" exclaimed Valentine. "If Anne-Marie is to raise our hearts she ought to be like spotless marble, and Norbert's kisses should leave no mark upon her."
But she was interrupted, for Celeste, the maid, a tall dark girl with an equine head, big features, and a pleasant air, now came in with the two children. Gaston was at this time five years old, and Lucie was three. Both were slight and delicate, pale like roses blooming in the shade. Like their mother, they were fair. The lad's hair was inclined to be carroty, while that of the girl suggested the color of oats. And they also had their mother's blue eyes, but their faces were elongated like that of their father. Dressed in white, with their locks curled, arrayed indeed in the most coquettish style, they looked like big fragile dolls. The parents were touched in their worldly pride at sight of them, and insisted on their playing their parts with due propriety.
"Well, don't you wish anybody good evening?"
The children were not timid; they were already used to society and looked visitors full in the face. If they made little haste, it was because they were naturally indolent and did not care to obey. They at last made up their minds and allowed themselves to be kissed.
"Good evening, good friend Santerre."
Then they hesitated before Mathieu, and their father had to remind them of the gentleman's name, though they had already seen him on two or three occasions.
"Good evening, Monsieur Froment."
Valentine took hold of them, sat them on her lap, and half stifled them with caresses. She seemed to adore them, but as soon as she had sat them down again she forgot all about them.
"So you are going out again, mamma?" asked the little boy.
"Why, yes, my darling. Papas and mammas, you know, have their affairs to see to."
"So we shall have dinner all alone, mamma?"
Valentine did not answer, but turned towards the maid, who was waiting for orders;-
"You are not to leave them for a moment, Celeste-you hear? And, above all things, they are not to go into the kitchen. I can never come home without finding them in the kitchen. It is exasperating. Let them have their dinner at seven, and put them to bed at nine. And see that they go to sleep."
The big girl with the equine head listened with an air of respectful obedience, while her faint smile expressed the cunning of a Norman peasant who had been five years in Paris already and was hardened to service, and well knew what was done with children when the master and mistress were absent.
"Madame," she said in a simple way, "Mademoiselle Lucie is poorly. She has been sick again."
"What? sick again!" cried the father in a fury. "I am always hearing of that! They are always being sick! And it always happens when we are going out! It is very disagreeable, my dear; you might see to it; you ought not to let our children have papier-mache stomachs!"
The mother made an angry gesture, as if to say that she could not help it. As a matter of fact, the children were often poorly. They had experienced every childish ailment, they were always catching cold or getting feverish. And they preserved the mute, moody, and somewhat anxious demeanor of children who are abandoned to the care of servants.
"Is it true you were poorly, my little Lucie?" asked Valentine, stooping down to the child. "You aren't poorly now, are you? No, no, it's nothing, nothing at all. Kiss me, my pet; bid papa good night very prettily, so that he may not feel worried in leaving you."
She rose up, already tranquillized and gay again; and, noticing that Mathieu was looking at her, she exclaimed:
"Ah! these little folks give one a deal of worry. But one loves them dearly all the same, though, so far as there is happiness in life, it would perhaps be better for them never to have been born. However, my duty to the country is done. Each wife ought to have a boy and a girl as I have."
Thereupon Mathieu, seeing that she was jesting, ventured to say with a laugh:
"Well, that isn't the opinion of your medical man, Dr. Boutan. He declares that to make the country prosperous every married couple ought to have four children."
"Four children! He's mad!" cried Seguin. And again with the greatest freedom of language he brought forward his pet theories. There was a world of meaning in his wife's laughter while Celeste stood there unmoved and the children listened without understanding. But at last Santerre led the Seguins away. It was only in the hall that Mathieu obtained from his landlord a promise that he would write to the plumber at Janville and that the roof of the pavilion should be entirely renovated, since the rain came into the bedrooms.
The Seguins' landau was waiting at the door. When they had got into it with their friend, it occurred to Mathieu to raise his eyes; and at one of the windows he perceived Celeste standing between the two children, intent, no doubt, on assuring herself that Monsieur and Madame were really going. The young man recalled Reine's departure from her parents; but here both Lucie and Gaston remained motionless, gravely mournful, and neither their father nor their mother once thought of looking up at them.
IV
AT half-past seven o'clock, when Mathieu arrived at the restaurant on the Place de la Madeleine where he was to meet his employer, he found him already there, drinking a glass of madeira with his customer, M. Firon-Badinier. The dinner was a remarkable one; choice viands and the best wines were served in abundance. But Mathieu was struck less by the appetite which the others displayed than by Beauchene's activity and skill. Glass in hand, never losing a bite, he had already persuaded his customer, by the time the roast arrived, to order not only the new thresher but also a mowing machine. M. Firon-Badinier was to take the train for Evreux at nine-twenty, and when nine o'clock struck, the other, now eager to be rid of him, contrived to pack him off in a cab to the St.-Lazare railway station.
For a moment Beauchene remained standing on the pavement with Mathieu, and took off his hat in order that the mild breezes of that delightful May evening might cool his burning head.
"Well, that's settled," he said with a laugh. "But it wasn't so easily managed. It was the Pommard which induced the beggar to make up his mind. All the same, I was dreadfully afraid he would make me miss my appointment."
These remarks, which escaped
him amid his semi-intoxication, led him to more confidential talk. He put on his hat again, lighted a fresh cigar, and took Mathieu's arm. Then they walked on slowly through the passion-stirred throng and the nightly blaze of the Boulevards.
"There's plenty of time," said Beauchene. "I'm not expected till half-past nine, and it's close by. Will you have a cigar? No? You never smoke?"
"Never."
"Well, my dear fellow, it would be ridiculous to feign with you, since you happened to see me this morning. Oh, it's a stupid affair! I'm quite of that opinion; but, then, what would you have?"
Thereupon he launched out into long explanations concerning his marital life and the intrigue which had suddenly sprung up between him and that girl Norine, old Moineaud's daughter. He professed the greatest respect for his wife, but he was nevertheless a loose liver; and Constance was now beginning to resign herself to the inevitable. She closed her eyes when it would have been unpleasant for her to keep them open. She knew very well that it was essential that the business should be kept together and pass intact into the hands of their son Maurice. A tribe of children would have meant the ruin of all their plans.
Mathieu listened at first in great astonishment, and then began to ask questions and raise objections, at most of which Beauchene laughed gayly, like the gross egotist he was. He talked at length with extreme volubility, going into all sorts of details, at times assuming a semi-apologetic manner, but more frequently justifying himself with an air of triumph. And, finally, when they reached the corner of the Rue Caumartin he halted to bid Mathieu good-by. He there had a little bachelor's lodging, which was kept in order by the concierge of the house, who, being very well paid, proved an extremely discreet domestic.
As he hurried off, Mathieu, still standing at the corner of the street, could not help thinking of the scenes which he had witnessed at the Beauchene works that day. He thought of old Moineaud, the fitter, whom he again saw standing silent and unmoved in the women's workroom while his daughter Euphrasie was being soundly rated by Beauchene, and while Norine, the other girl, looked on with a sly laugh. When the toiler's children have grown up and gone to join, the lads the army of slaughter, and the girls the army of vice, the father, degraded by the ills of life, pays little heed to it all. To him it is seemingly a matter of indifference to what disaster the wind may carry the fledgelings who fall from the nest.
It was now half-past nine o'clock, and Mathieu had more than an hour before him to reach the Northern railway station. So he did not hurry, but strolled very leisurely up the Boulevards. He had eaten and drunk far more than usual, and Beauchene's insidious confidential talk, still buzzing in his ears, helped on his intoxication. His hands were hot, and now and again a sudden glow passed over his face. And what a warm evening it was, too, on those Boulevards, blazing with electric lights, fevered by a swarming, jostling throng, amid a ceaseless rumble of cabs and omnibuses! It was all like a stream of ardent life flowing away into the night, and Mathieu allowed himself to be carried on by the torrent, whose hot breath, whose glow of passion, he ever felt sweeping over him.
Then, in a reverie, he pictured the day he had just spent. First he was at the Beauchenes' in the morning, and saw the father and mother standing, like accomplices who fully shared one another's views, beside the sofa on which Maurice, their only son, lay dozing with a pale and waxen face. The works must never be exposed to the danger of being subdivided. Maurice alone must inherit all the millions which the business might yield, so that he might become one of the princes of industry. And therefore the husband hurried off to sin while the wife closed her eyes. In this sense, in defiance of morality and health, did the capitalist bourgeoisie, which had replaced the old nobility, virtually re-establish the law of primogeniture. That law had been abolished at the Revolution for the bourgeoisie's benefit; but now, also for its own purposes, it revived it. Each family must have but one son.
Mathieu had reached this stage in his reflections when his thoughts were diverted by several street hawkers who, in selling the last edition of an evening print, announced a "drawing" of the lottery stock of some enterprise launched by the Credit National. And then he suddenly recalled the Moranges in their dining-room, and heard them recapitulate their dream of making a big fortune as soon as the accountant should have secured a post in one of the big banking establishments, where the principals raise men of value to the highest posts. Those Moranges lived in everlasting dread of seeing their daughter marry a needy petty clerk; succumbing to that irresistible fever which, in a democracy ravaged by political equality and economic inequality, impels every one to climb higher up the social ladder. Envy consumed them at the thought of the luxury of others; they plunged into debt in order that they might imitate from afar the elegance of the upper class, and all their natural honesty and good nature was poisoned by the insanity born of ambitious pride. And here again but one child was permissible, lest they should be embarrassed, delayed, forever impeded in the attainment of the future they coveted.
A crowd of people now barred Mathieu's way, and he perceived that he was near the theatre, where a first performance was taking place that evening. It was a theatre where free farcical pieces were produced, and on its walls were posted huge portraits of its "star," a carroty wench with a long flat figure, destitute of all womanliness, and seemingly symbolical of perversity. Passers-by stopped to gaze at the bills, the vilest remarks were heard, and Mathieu remembered that the Seguins and Santerre were inside the house, laughing at the piece, which was of so filthy a nature that the spectators at the dress rehearsal, though they were by no means over-nice in such matters, had expressed their disgust by almost wrecking the auditorium. And while the Seguins were gloating over this horror, yonder, at their house in the Avenue d'Antin, Celeste had just put the children, Gaston and Lucie, to bed, and had then hastily returned to the kitchen, where a friend, Madame Menoux, who kept a little haberdasher's shop in the neighborhood, awaited her. Gaston, having been given some wine to drink, was already asleep; but Lucie, who again felt sick, lay shivering in her bed, not daring to call Celeste, lest the servant, who did not like to be disturbed, should ill-treat her. And, at two o'clock in the morning, after offering Santerre an oyster supper at a night restaurant, the Seguins would come home, their minds unhinged by the imbecile literature and art to which they had taken for fashion's sake, vitiated yet more by the ignoble performance they had witnessed, and the base society they had elbowed at supper. They seemed to typify vice for vice's sake, elegant vice and pessimism as a principle.
Indeed, when Mathieu tried to sum up his day, he found vice on every side, in each of the spheres with which he had come in contact. And now the examples he had witnessed filled him no longer with mere surprise; they disturbed him, they shook his beliefs, they made him doubt whether his notions of life, duty, and happiness might not after all be inaccurate.
He stopped short and drew a long breath, seeking to drive away his growing intoxication. He had passed the Grand Opera and was reaching the crossway of the Rue Drouot. Perhaps his increase of fever was due to those glowing Boulevards. The private rooms of the restaurants were still ablaze, the cafes threw bright radiance across the road, the pavement was blocked by their tables and chairs and customers. All Paris seemed to have come down thither to enjoy that delightful evening. There was endless elbowing, endless mingling of breath as the swelling crowd sauntered along. Couples lingered before the sparkling displays of jewellers' shops. Middle-class families swept under dazzling arches of electric lamps into cafes concerts, whose huge posters promised the grossest amusements. Hundreds and hundreds of women went by with trailing skirts, and whispered and jested and laughed; while men darted in pursuit, now of a fair chignon, now of a dark one. In the open cabs men and women sat side by side, now husbands and wives long since married, now chance couples who had met but an hour ago. But Mathieu went on again, yielding to the force of the current, carried along like all the others, a prey to the same fever which sprang from the surrou
ndings, from the excitement of the day, from the customs of the age. And he no longer took the Beauchenes, the Moranges, the Seguins as isolated types; it was all Paris that symbolized vice, all Paris that yielded to debauchery and sank into degradation. There were the folks of high culture, the folks suffering from literary neurosis; there were the merchant princes; there were the men of liberal professions, the lawyers, the doctors, the engineers; there were the people of the lower middle-class, the petty tradesmen, the petty clerks; there were even the manual workers, poisoned by the example of the upper spheres-all practising the doctrines of egotism as vanity and the passion for money grew more and more intense. . . . No more children! Paris was bent on dying. And Mathieu recalled how Napoleon I., one evening after battle, on beholding a plain strewn with the corpses of his soldiers, had put his trust in Paris to repair the carnage of that day. But times had changed. Paris would no longer supply life, whether it were for slaughter or for toil.
And as Mathieu thought of it all a sudden weakness came upon him. Again he asked himself whether the Beauchenes, the Moranges, the Seguins, and all those thousands and thousands around him were not right, and whether he were not the fool, the dupe, the criminal, with his belief in life ever renascent, ever growing and spreading throughout the world. And before him arose, too, the image of Seraphine, the temptress, opening her perfumed arms to him and carrying him off to the same existence of pleasure and baseness which the others led.
Then he remembered the three hundred francs which he carried in his pocket. Three hundred francs, which must last for a whole month, though out of them he had to pay various little sums that he already owed. The remainder would barely suffice to buy a ribbon for Marianne and jam for the youngsters' bread. And if he set the Moranges on one side, the others, the Beauchenes and the Seguins, were rich. He bitterly recalled their wealth. He pictured the rumbling factory with its black buildings covering a great stretch of ground; he pictured hundreds of workmen ever increasing the fortune of their master, who dwelt in a handsomely appointed pavilion and whose only son was growing up for future sovereignty, under his mother's vigilant eyes. He pictured, too, the Seguins' luxurious mansion in the Avenue d'Antin, the great hall, the magnificent staircase, the vast room above, crowded with marvels; he pictured all the refinement, all the train of wealth, all the tokens of lavish life, the big dowry which would be given to the little girl, the high position which would be purchased for the son. And he, bare and empty-handed, who now possessed nothing, not even a stone at the edge of a field, would doubtless always possess nothing, neither factory buzzing with workmen, nor mansion rearing its proud front aloft. And he was the imprudent one, and the others were the sensible, the wise. What would ever become of himself and his troop of children? Would he not die in some garret? would they not lead lives of abject wretchedness? Ah! it was evident the others were right, the others were sensible. And he felt unhinged, he regarded himself with contempt, like a fool who has allowed himself to be duped.
