At last Cobh looked away. “Send your damn message,” she said.
Before Cobh—or Lvov herself—had a chance to waver, Lvov picked up her desk and sent a message to the inner worlds. She downloaded all the data she had on the flakes: Text, images, analyses, her own observations and hypotheses.
“It’s done,” she said at last.
“And the GUTship?”
“I’m sure they’ll cancel it.” Lvov smiled. “I’m also sure they won’t tell us they’ve done so.”
“So we’re left with no choice,” Cobh said angrily. “Look: I know it’s the right thing to do. To preserve the flakes. I just don’t want to die, that’s all. I hope you’re right, Lvov.”
“You haven’t told me how we’re going to get home.”
Cobh grinned through her faceplate. “Surfing.”
“All right. You’re doing fine. Now let go of the scooter.”
Lvov took a deep breath, and kicked the scooter away with both legs; the little device tumbled away, catching the deep light of Sol, and Lvov rolled in reaction.
Cobh reached out and steadied her. “You can’t fall,” Cobh said. “You’re in orbit. You understand that, don’t you?”
“Of course I do,” Lvov grumbled.
The two of them drifted in space, close to the defunct Poole wormhole Interface. The Interface itself was a tetrahedron of electric blue struts, enclosing darkness, its size overwhelming; Lvov felt as if she was floating beside the carcase of some huge, wrecked building.
Pluto and Charon hovered before her like balloons, their surfaces mottled and complex, their forms visibly distorted from the spherical. Their separation was only fourteen of Pluto’s diameters. The worlds were strikingly different in hue, with Pluto a blood red, Charon ice blue. That’s the difference in surface composition, Lvov thought absently. All that water ice on Charon’s surface.
The panorama was stunningly beautiful. Lvov had a sudden, gut-level intuition of the rightness of the various System authorities’ rigid pan-environment policies.
Cobh had strapped her data desk to her chest; now she checked the time. “Any moment now. Lvov, you’ll be fine. Remember, you’ll feel no acceleration, no matter how fast we travel. At the centre of an Alcubierre wave, spacetime is locally flat; you’ll still be in free fall. There will be tidal forces, but they will remain small. Just keep your breathing even, and—”
“Shut up, Cobh,” Lvov said tightly. “I know all this.”
Cobh’s desk flared with light. “There,” she breathed. “The GUTdrive has fired. Just a few seconds, now.”
A spark of light arced up from Pluto’s surface and tracked, in complete silence, under the belly of the parent world. It was the flitter’s GUTdrive, salvaged and stabilised by Cobh. The flame was brighter than Sol; Lvov saw its light reflected in Pluto, as if the surface was a great, fractured mirror of ice. Where the flame passed, tongues of nitrogen gas billowed up.
The GUTdrive passed over Christy. Lvov had left her desk there, to monitor the flakes, and the image the desk transmitted, displayed in the corner of her faceplate, showed a spark, crossing the sky.
Then the GUTdrive veered sharply upwards, climbing directly towards Lvov and Cobh at the Interface.
“Cobh, are you sure this is going to work?”
Lvov could hear Cobh’s breath rasp, shallow. “Look, Lvov, I know you’re scared, but pestering me with dumb-ass questions isn’t going to help. Once the drive enters the Interface, it will take only seconds for the instability to set in. Seconds, and then we’ll be home. In the inner System, at any rate. Or . . . ”
“Or what?”
Cobh didn’t reply.
Or not, Lvov finished for her. If Cobh has designed this new instability right, the Alcubierre wave will carry us home. If not—
The GUTdrive flame approached, becoming dazzling. Lvov tried to regulate her breathing, to keep her limbs hanging loose—
“Lethe,” Cobh whispered.
“What?” Lvov demanded, alarmed.
“Take a look at Pluto. At Christy.”
Lvov looked into her faceplate.
Where the warmth and light of the GUTdrive had passed, Christy was a ferment. Nitrogen billowed. And, amid the pale fountains, burrows were opening. Lids folded back. Eggs cracked. Infant flakes soared and sailed, with webs and nets of their silk-analogue hauling at the rising air.
Lvov caught glimpses of threads, long, sparkling, trailing down to Pluto—and up towards Charon. Already, Lvov saw, some of the baby flakes had hurtled more than a planetary diameter from the surface, towards the moon.
“It’s goose summer,” she said.
“What?”
“When I was a kid . . . The young spiders spin bits of webs, and climb to the top of grass stalks, and float off on the breeze. Goose summer—‘gossamer.’ ”
“Right,” Cobh said sceptically. “Well, it looks as if they are making for Charon. They use the evaporation of the atmosphere for lift . . . Perhaps they follow last year’s threads, to the moon. They must fly off every perihelion, rebuilding their web bridge every time. They think the perihelion is here now. The warmth of the drive—it’s remarkable. But why go to Charon?”
Lvov couldn’t take her eyes off the flakes. “Because of the water,” she said. It all seemed to make sense, now that she saw the flakes in action. “There must be water glass, on Chiron’s surface. The baby flakes use it to build their bodies. They take other nutrients from Pluto’s interior, and the glass from Charon . . . They need the resources of both worlds to survive—”
“Lvov!”
The GUTdrive flared past them, sudden, dazzling, and plunged into the damaged Interface.
Electric-blue light exploded from the Interface, washing over her.
There was a ball of light, unearthly, behind her, and an irregular patch of darkness ahead, like a rip in space. Tidal forces plucked gently at her belly and limbs.
Pluto, Charon and goose summer disappeared. But the stars, the eternal stars, shone down on her, just as they had during her childhood on Earth. She stared at the stars, trusting, and felt no fear.
Remotely, she heard Cobh whoop, exhilarated.
The tides faded. The darkness before her healed, to reveal the brilliance and warmth of Sol.
SPIDER THE ARTIST
Nnedi Okorafor
Zombie no go go, unless you tell am to go
Zombie!
Zombie!
Zombie no go stop, unless you tell am to stop
Zombie no go turn, unless you tell am to turn
Zombie!
Zombie no go think, unless you tell am to think
—from Zombie by Fela Kuti,
Nigerian musician
and self-proclaimed voice of the voiceless
My husband used to beat me. That was how I ended up out there that evening behind our house, just past the bushes, through the tall grass, in front of the pipelines. Our small house was the last in the village, practically in the forest itself. So nobody ever saw or heard him beating me.
Going out there was the best way to put space between me and him without sending him into further rage. When I went behind the house, he knew where I was and he knew I was alone. But he was too full of himself to realize I was thinking about killing myself.
My husband was a drunk, like too many of the members of the Niger Delta People’s Movement. It was how they all controlled their anger and feelings of helplessness. The fish, shrimps and crayfish in the creeks were dying. Drinking the water shriveled women’s wombs and eventually made men urinate blood.
There was a stream where I had been fetching water. A flow station was built nearby and now the stream was rank and filthy, with an oily film that reflected rainbows. Cassava and yam farms yielded less and less each year. The air left your skin dirty and smelled like something preparing to die. In some places, it was always daytime because of the noisy gas flares.
My village was shit.
On top of all this, People’s M
ovement members were getting picked off like flies. The “kill-and-go” had grown bold. They shot People’s Movement members in the streets, they ran them over, dragged them into the swamps. You never saw them again.
I tried to give my husband some happiness. But after three years, my body continued to refuse him children. It’s easy to see the root of his frustration and sadness . . . but pain is pain. And he dealt it to me regularly.
My greatest, my only true possession was my father’s guitar. It was made of fine polished Abura timber and it had a lovely tortoiseshell pick guard. Excellent handwork. My father said that the timber used to create the guitar came from one of the last timber trees in the delta. If you held it to your nose, you could believe this. The guitar was decades old and still smelled like fresh cut wood, like it wanted to tell you its story because only it could.
I wouldn’t exist without my father’s guitar. When he was a young man, he used to sit in front of the compound in the evening and play for everyone. People danced, clapped, shut their eyes and listened. Cell phones would ring and people would ignore them. One day, it was my mother who stopped to listen.
I used to stare at my father’s fast long-fingered hands when he played. Oh, the harmonies. He could weave anything with his music—rainbows, sunrises, spider webs sparkling with morning dew. My older brothers weren’t interested in learning how to play. But I was, so my father taught me everything he knew. And now it was my long-fingers that graced the strings. I’d always been able to hear music and my fingers moved even faster than my father’s. I was good. Really good.
But I married that stupid man. Andrew. So I only played behind the house. Away from him. My guitar was my escape.
That fateful evening, I was sitting on the ground in front of the fuel pipeline. It ran right through everyone’s backyard. My village was an oil village, as was the village where I grew up. My mother lived in a similar village before she was married, as did her mother. We are Pipeline People.
My mother’s grandmother was known for lying on the pipeline running through her village. She’d stay like that for hours, listening and wondering what magical fluids were running through the large never-ending steel tubes. This was before the Zombies, of course. I laughed. If she tried to lie on a pipeline now she’d be brutally killed.
Anyway, when I was feeling especially blue, I’d take my guitar and come out here and sit right in front of the pipeline. I knew I was flirting with death by being so close but when I was like this, I didn’t really care. I actually welcomed the possibility of being done with life. It was a wonder that my husband didn’t smash my guitar during one of his drunken rages. I’d surely have quickly thrown myself on the pipeline if he did. Maybe that was why he’d rather smash my nose than my guitar.
This day, he’d only slapped me hard across the face. I had no idea why. He’d simply come in, seen me in the kitchen and smack! Maybe he’d had a bad day at work—he worked very hard at a local restaurant. Maybe one of his women had scorned him. Maybe I did something wrong. I didn’t know. I didn’t care. My nose was just starting to stop bleeding and I was not seeing so many stars.
My feet were only inches from the pipeline. I was especially daring this night. It was warmer and more humid than normal. Or maybe it was my stinging burning face. The mosquitoes didn’t even bother me much. In the distance, I could see Nneka, a woman who rarely spoke to me, giving her small sons a bath in a large tub. Some men were playing cards at a table several houses down. It was dark, there were small, small trees and bushes here and even our closest neighbor was not very close, so I was hidden.
I sighed and placed my hands on the guitar strings. I plucked out a tune my father used to play. I sighed and closed my eyes. I would always miss my father. The feel of the strings vibrating under my fingers was exquisite.
I fell deep into the zone of my music, weaving it, then floating on a glorious sunset that lit the palm tree tops and . . .
Click!
I froze. My hands still on the strings, the vibration dying. I didn’t dare move. I kept my eyes closed. The side of my face throbbed.
Click! This time the sound was closer. Click! Closer. Click! Closer.
My heart pounded and I felt nauseous with fear. Despite my risk taking, I knew this was not the way I wanted to die. Who would want to be torn limb from limb by Zombies? As everyone in my village did multiple times a day, I quietly cursed the Nigerian government.
Twing!
The vibration of the guitar string was stifled by my middle finger still pressing it down. My hands started to shake, but still I kept my eyes shut. Something sharp and cool lifted my finger. I wanted to scream. The string was plucked again.
Twang!
The sound was deeper and fuller, my finger no longer muffling the vibration. Very slowly, I opened my eyes. My heart skipped. The thing stood about three feet tall, which meant I was eye-to eye with it. I’d never seen one up close. Few people have. These things are always running up and down the pipeline like a herd of super fast steer, always with things to do.
I chanced a better look. It really did have eight legs. Even in the darkness, those legs shined, catching even the dimmest light. A bit more light and I’d have been able to see my face perfectly reflected back at me. I’d heard that they polished and maintained themselves. This made even more sense now, for who would have time to keep them looking so immaculate?
The government came up with the idea to create the Zombies, and Shell, Chevron and a few other oil companies (who were just as desperate) supplied the money to pay for it all. The Zombies were made to combat pipeline bunkering and terrorism. It makes me laugh. The government and the oil people destroyed our land and dug up our oil, then they created robots to keep us from taking it back.
They were originally called Anansi Droids 419 but we call them “oyibo contraption” and, most often, Zombie, the same name we call those “kill-and-go” soldiers who come in here harassing us every time something bites their brains.
It’s said that Zombies can think. Artificial Intelligence, this is called. I have had some schooling, a year or two of university, but my area was not in the sciences. No matter my education, as soon as I got married and brought to this damn place I became like every other woman here, a simple village woman living in the delta region where Zombies kill anyone who touches the pipelines and whose husband knocks her around every so often. What did I know about Zombie intellect?
It looked like a giant shiny metal spider. It moved like one too. All smooth-shifting joints and legs. It crept closer and leaned in to inspect my guitar strings some more. As it did so, two of its back legs tapped on the metal of the pipeline.Click! Click! Click!
It pushed my thumb back down on the strings and plucked the string twice, making a muted pluck! It looked at me with its many blue shining round eyes. Up close I could see that they weren’t lights. They were balls of a glowing metallic blue undulating liquid, like charged mercury. I stared into them fascinated. No one else in my village could possibly know this fact. No one had gotten close enough. Eyes of glowing bright blue liquid metal, I thought. Na wa.
It pressed my hand harder and I gasped, blinking and looking away from its hypnotic eyes. Then I understood.
“You . . . you want me to play?”
It sat there waiting, placing a leg on the body of my guitar with a soft tap. It had been a long time since anyone had wanted me to play for him. I played my favorite highlife song. Love Dey See Road by Oliver De Coque. I played like my life depended on it.
The Zombie didn’t move, its leg remaining pressed to my guitar. Was it listening? I was sure it was. Twenty minutes later, when I stopped finally playing, sweat running down my face, it touched the tips of my aching hands. Gently.
Some of these pipelines carry diesel fuel, others carry crude oil. Millions of liters of it a day. Nigeria supplies twenty-five percent of United States oil. And we get virtually nothing in return. Nothing but death by Zombie attack. We can all tell you stories.
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When the Zombies were first released, no one knew about them. All people would hear were rumors about people getting torn apart near pipelines or sightings of giant white spiders in the night. Or you’d hear about huge pipeline explosions, charred bodies everywhere. But the pipeline where the bodies lay would be perfectly intact.
People still bunkered. My husband was one of them. I suspected that he sold the fuel and oil on the black market; he would bring some of the oil home, too. You let it sit in a bucket for two days and it would become something like kerosene. I used it for cooking. So I couldn’t really complain. But bunkering was a very, very dangerous practice.
There were ways of breaking a pipeline open without immediately bringing the wrath of Zombies. My husband and his comrades used some sort of powerful laser cutter. They stole them from the hospitals. But they had to be very, very quiet when cutting through the metal. All it took was one bang, one vibration, and the Zombies would come running within a minute. Many of my husband’s comrades had been killed because of the tap of someone’s wedding ring or the tip of the laser cutter on steel.
Two years ago a group of boys had been playing too close to the pipeline. Two of them were wrestling and they fell on it. Within seconds the Zombies came. One boy managed to scramble away. But the other was grabbed by the arm and flung into some bushes. His arm and both of his legs were broken. Government officials said that Zombies were programmed to do as little harm as possible but . . . I didn’t believe this, na lie.
They were terrible creatures. To get close to a pipeline was to risk a terrible death. Yet the goddamn things ran right through our backyards.
But I didn’t care. My husband was beating the hell out of me during these months. I don’t know why. He had not lost his job. I knew he was seeing other women. We were poor but we were not starving. Maybe it was because I couldn’t bear him children. It is my fault I know, but what can I do?
I found myself out in the backyard more and more. And this particular Zombie visited me every time. I loved playing for it. It would listen. Its lovely eyes would glow with joy. Could a robot feel joy? I believed intelligent ones like this could. Many times a day, I would see a crowd of Zombies running up and down the pipeline, off to do repairs or policing, whatever they did. If my Zombie was amongst them, I couldn’t tell.
Lightspeed: Year One Page 59
