by Debi Gliori
Far, far harder to hear was the muted chink of pewter goblets, one against the other, as, in a firelit room, the ancestors drank a toast in celebration of their oldest and most elusive member, home at long last.
But only the keenest ears of all could hear the feathery hush of snow falling, flake upon flake, all around, for some sounds are most easily and clearly heard in the realm of our imaginations: we hear them in the waiting, listening hush between the dream and the awakening; in the indrawn breath of a new day; in the quiet beating of our own private hearts.
Afterword: The White Paternoster
Damp’s spell to protect her family is, no doubt, yawningly familiar to a modern reader who might unwittingly dismiss it as a mere nursery rhyme, a vaguely interesting but forgettable relic that they had thought to put behind them, alongside the indignities of toilet training and other dimly remembered horrors of early childhood. However, it might interest a reader to know that the actual rhyme is centuries old.
When Damp invoked Matthew, Mark, Luke, and John, she too would have been blissfully unaware that she was tapping into an ancient and powerful magical tradition, older than even Strega-Nonna herself. Damp’s rhyme was used across medieval Europe as a common prayer—the named pairs of angels invited to take up their positions round a child’s bed were expected to act as a form of verbal armor-cladding to ward off evil. These kinds of common prayers were known as Lorica, derived from the Latin word lorica, which means “armored breastplate.” This rhyme in particular was also known as the White Paternoster—white symbolizing its usage by ordinary people for good purposes, as opposed to a Black Paternoster, which was undoubtedly used by ordinary demons for evil purposes and most certainly hissed over the heads of the demon babies in the nurseries of Hades.
In the unlikely event that you’ve managed to live your whole life until now without ever clapping eyes on Damp’s spell, here it is for your protection too.
Matthew, Mark, Luke, and John,
Bless the bed that I lie on.
Four angels to my bed,
Two to bottom, two to head.
Two to hear me when I pray.
Two to bear my soul away.
Gliossary
BLAG: To acquire something with the aid of much wheedling, begging, and making false promises. The blagger has no intention of repaying the favor. The blaggee has no idea of this, due to the blagger’s skill at blagging. Not to be confused with borrowing, but, it has to be said, not a million miles distant from stealing.
BUNG: This is something akin to a bribe that is bunged your way in return for services rendered or to ensure your tactful silence. Unsurprisingly, a BUNG is another name for a cork or stopper, or something that shuts something else up. See also COCK-A-HOOP.
CLUEDON’T: This is a board game that bears a faint resemblance to the hugely successful Cluedo (U.K.) and Clue (U.S.). Unlike these two commercially produced games, CLUEDON’T was made for the Strega-Borgia family by a grateful houseguest with, it has to be said, a particularly gruesome sense of humor. The game of CLUEDON’T differs from the original in many ways, but in the interests of not having a Gliossary that ends up being thicker than the text it is attempting to Gliossarize, we need only concern ourselves here with the differences between the brutally elegant murder weapons of Clue (the rope, wrench, candlestick, etc.) and the upstart CLUEDON’T’s assortment of raggle-taggle death-dealing artifacts.
So, inside the CLUEDON’T box, you might find:
The Dodgy Hair Dryer: One imagines the houseguest was poking fun at StregaSchloss’s antique and dangerous electrical wiring by creating here a murder weapon that electrocutes its victim.
The Flask of Botulinum Toxin: Again, this is the playful houseguest referring to the strong possibility of being poisoned by dining on badly canned food while a guest at StregaSchloss.
The Concrete Overshoes: With these murder weapons, a player of CLUEDON’T is reminded of the Strega-Borgias’ connection to the Italian Mafia. Victims are weighted down with concrete blocks and dropped into canals, oceans, and lakes, where they sink to the bottom, never to appear again.
The Box Jellyfish: Imagine a transparent blob of maritime menace infamously capable of killing its victims with just one sting. In CLUEDON’T, players can float the Box Jellyfish invisibly in water in the bathtub, kitchen sink, or even, memorably, inside the water that is always present in domestic toilets.
The Headphones of Doom: When placed over a victim’s ears, these appear to be normal audio accessories until the victim’s music of choice reaches a crescendo. No doubt the same houseguest who designed the entire CLUEDON’T game must have grown weary of the loud tss tsss tss coming from Titus’s head, and imagined headphones with spring-loaded spikes hidden deep inside each cup. Tss tsss tss-AUGHHHHHH!
The Fatal Fishbone: I have encountered this thing’s closest relative, the Nearly Fatal Fishbone. Over here in Scotland, we sometimes consume a smoked fish known as a kipper for breakfast. This is a dish for the very brave or the somewhat suicidal due to the diner having to be very careful not to inhale one of the millions of tiny, hairy fishbones that hide inside the kipper’s exquisite flesh. Breakfast not being a time of day when I am either awake or in possession of fully functioning eyesight, I have unwittingly eaten forkfuls of Nearly Fatal Fishbones and only just narrowly escaped death. My fellow diners at these near-death breakfasts have been traumatized for life at the sight of me gagging, choking, turning blue, clawing at my throat, crashing backward off my seat, and thrashing on the floor to the accompaniment of noises more commonly associated with those of an espresso machine. Bon appétit! More kippers, anyone?
COCK-A-HOOP: Picture the scene. Back in the Middle Ages, the highlight of a weekend’s entertainment could be found by partying in a drafty castle. Deer and swans were roasted on an open fire, the contents of huge wooden beer barrels were broached, and vast quantities of food and liquor were consumed. In order to keep the beer flowing swiftly, someone would remove the stopper from the beer barrel and allow the beer to flood forth. This stopper was known as a cock. No, I don’t know why either. Please don’t interrupt. The cock would be placed on top of one of the large metal hoops encircling the beer barrel as a signal to everyone that it was time to get down to some serious beer drinking. Hence, COCK-A-HOOP. That was the historical part. The meaning of the phrase is “full of joy, jubilant and rejoicing,” which, I guess, is what you probably would have been feeling back in medieval times if you liked beer. If, however, like me, you preferred sparkling mineral water, you would have rolled your eyes and wished you’d been born five hundred years later.
FAFFING: From the verb “to faff,” which means, roughly, “to flutter around in a useless fashion instead of getting on with a task.” There also exists the derogatory form of “faff” used as a noun, as in, “That’s a right faff,” which translates as “That is a thankless task with many wearisome details that will consume my entire life only to spit my shriveled remains back out once said hideous task is completed.” The alternative Scottish word with an identical meaning is “footer.” This is not to be confused with a “First-Footer,” which is the name given to the first person to set foot on one’s doorstep after midnight on the 31st of December.
MONOPOLY: The U.S. version versus the U.K. version. You say tuh-may-toe, we say tuh-mah-toe. Yes, it’s this old thing again. Two nations divided by a common language, et cetera. Titus and Pandora’s battered old Monopoly board probably looks more or less the same as yours, except the names of the streets are different. So I have to ask you to picture, if you will, the layout of a British Monopoly board. After passing Go, clutching your two hundred pounds sterling, you whiz past a round of neighborhoods arranged in an ascending spiral of desirability and expensiveness. In the U.K., just before you’ve performed an entire circuit of the board, you enter the dizzyingly PUKKA and exclusive neighborhoods of Mayfair and Park Lane, in which a stray metal hat, car, or oddly hollow dog would stick out like a box of Krispy Kremes at a Weight
WIBBLERS Anonymous Convention. I am reliably informed that the equivalent neighborhoods on your U.S. Monopoly board go by the names Park Place and Boardwalk, in which you are pleased to dock your metal ship, press your iron, or even kick your boot.
NAFFEST FIZZ: The cheapest, nastiest, most headache-inducing and liver-rotting effervescent white wine ever to be poured into a bottle and passed off as champagne. Perfect for giving to houseguests you never wish to see again and also ideal for removing those unsightly stains from sinks and toilets.
PONG: An unpleasant smell. Not as ghastly as a stink, but along the lines of a whiffy or even a niff. One could almost say that a PONG is a NAFF NIFF.
PORTAKABIN: A prefabricated office unit made by the company of the same name. Frequently found on building sites, these box-like constructions provide a convenient and instant haven from the elements, being warm, cozy, draftproof, and ultimately portable. These units have the added advantage of being able to be linked together into PORTAKABIN Central, or even stacked, one on top of the other, into PORTAKABIN Heights. Pronunciation is crucial to the desirability or otherwise of these boxes. For years, as a child, I thought they were called pour-takka-bins and thus were something to haul one’s trash around inside, although why one would wish to do such a thing was, for me, just one of the many mysteries of grownup life. In fact, I realized later, they are called porta (as in portable) kabins (as in cabin). There. See? Clear as mud.
PUKKA: Belonging to, or sounding like one comes from an aristocratic family who can trace their ancestors all the way back to the Middle Ages. A PUKKA accent sounds as if its owner is attempting to speak while holding a small plum in his or her mouth. Think Queen (the British regent, not the rock band). Remember how the British royal family speak? You (yes, you) can easily fake a PUKKA accent by sprinkling your conversation with some of the following:
“Oak-ay-yahh” for yes.
“I say” for duhh.
“Hee-ah, hee-ah” for yes x 2.
“Hoo…rahh” for yes x 3.
“Ebb-sull-yute-lay nurt” for no way.
Pronounced PUCK-uh.
WIBBLERS: This refers to that unfortunate sector of dragon-kind who have allowed their gross appetites free rein. Wolfing down princesses, knights, cupcakes, fries and mayonnaise, and lashings of sweet brown fizzy drinks, dragons who once had taut and muscular bodies are now wibbly-wobbly sacks-o’-flab. Hence the need for dragon diets, dragon gyms, and, regrettably, the magazine known as Weight WIBBLERS Anonymous, whose masthead reads “If you wibble round your bum, then you sure need to swim and run,” to which the only reply has to be “If swimming is so good for keeping you slim, then explain whales!”
WRINKLY ORIENTATED: Generated by, or on the subject of WRINKLIES. A WRINKLY is anyone who has crossed the invisible divide separating the years 25 and 26. Some may disagree and state categorically that WRINKLY-dom begins after 30; some thump their frail and antique fists and maintain that 40 is the threshold of decrepitude. Myself, I prefer to acknowledge that I am, indeed, a WRINKLY, but should I ever wish to reduce the pleated and folded nature of my WRINKLY skin, I could consume fries by the bucketload and within a short time, I’d meta-morphose from WRINKLY to WIBBLER.
About the Author
Debi Gliori admits that she can’t tone down her “gross and disgusting” nature, and her many fans love her for it. She also confesses a certain similarity between the passionate, colorful Strega-Borgias and her own family. She is the author of Pure Dead Magic, Pure Dead Wicked, Pure Dead Brilliant, Pure Dead Trouble, and Pure Dead Batty and has written and illustrated numerous picture books.
Ms. Gliori lives in Scotland and has at least five children and one golden retriever.
OTHER YEARLING BOOKS YOU WILL ENJOY
PURE DEAD BATTY, Debi Gliori
PURE DEAD TROUBLE, Debi Gliori
PURE DEAD BRILLIANT, Debi Gliori
PURE DEAD WICKED, Debi Gliori
PURE DEAD MAGIC, Debi Gliori
SAMMY KEYES AND THE ART OF DECEPTION
Wendelin Van Draanen
SAMMY KEYES AND THE PSYCHO KITTY QUEEN
Wendelin Van Draanen
THE WITCH OF CLATTERINGSHAWS, Joan Aiken
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Published by Yearling, an imprint of Random House Children’s Books a division of Random House, Inc., New York
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Text and illustrations copyright © 2006 by Debi Gliori
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the publisher, except where permitted by law. For information address Alfred A. Knopf Books for Young Readers.
Yearling and the jumping horse design are registered trademarks of Random House, Inc.
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The Library of Congress has cataloged the hardcover edition of this work as follows:
Gliori, Debi.
Pure dead frozen / Debi Gliori.
p. cm.
Summary: The Strega-Borgias make one last stand to defend their home against invaders who seek the Chronostone—and one little baby who may not be what he appears.
[1. Babies—Fiction. 2. Goblins—Fiction. 3. Changelings—Fiction. 4. Magic—Fiction. 5. Witches—Fiction. 6. Castles—Fiction. 7. Family life—Scotland—Fiction. 8. Scotland—Fiction.] I. Title.
PZ7.G4889Ptt 2007
[Fic]—dc22
2006035565
Reprinted by arrangement with Alfred A. Knopf Books for Young Readers
eISBN: 978-0-375-89218-9
v3.0
